This page is an archive of all the papers published at NIME conferences, from 2001 up to date. You can search the NIME paper database by year or by author. Each entry you'll find through the search will give the access to the PDF file and the BibTex code for that paper.
full list | by year | by author
NIME 2011
| [ pdf | tex ] | Matthew Montag, Stefan Sullivan, Scott Dickey, Colby Leider, A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical Applications, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 8–13, 2011. |
| [ pdf | tex ] | Greg Shear, Matthew Wright, The Electromagnetically Sustained Rhodes Piano, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 14–17, 2011. |
| [ pdf | tex ] | Laurel S. Pardue, Andrew Boch, Matt Boch, Christine Southworth, Alex Rigopulos, Gamelan Elektrika: An Electronic Balinese Gamelan, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 18–23, 2011. |
| [ pdf | tex ] | Jeong-seob Lee, Woon Seung Yeo, Sonicstrument : A Musical Interface with Stereotypical Acoustic Transducers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–27, 2011. |
| [ pdf | tex ] | Scott Smallwood, Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 28–31, 2011. |
| [ pdf | tex ] | Dan Overholt, The Overtone Fiddle: an Actuated Acoustic Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–33, 2011. |
| [ pdf | tex ] | Niklas Klügel, Marc R. Frieß, Georg Groh, Florian Echtler, An Approach to Collaborative Music Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 32–35, 2011. |
| [ pdf | tex ] | Nicolas E. Gold, Roger B. Dannenberg, A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 36–39, 2011. |
| [ pdf | tex ] | Mark A. Bokowiec, V'OCT (Ritual): An Interactive Vocal Work for Bodycoder System and 8 Channel Spatialization, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 40–43, 2011. |
| [ pdf | tex ] | Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, Yuichi Sato, First Person Shooters as Collaborative Multiprocess Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 44–47, 2011. |
| [ pdf | tex ] | Tilo Hähnel, Axel Berndt, Studying Interdependencies in Music Performance : An Interactive Tool, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 48–51, 2011. |
| [ pdf | tex ] | Sinan Bökesoy, Patrick Adler, 1city1001vibrations : Development of a Interactive Sound Installation with Robotic Instrument Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 52–55, 2011. |
| [ pdf | tex ] | Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, Mark D. Plumbley, The Medium is the Message: Composing Instruments and Performing Mappings, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–59, 2011. |
| [ pdf | tex ] | Seunghun Kim, Luke K. Kim, Songhee Jeong, Woon Seung Yeo, Clothesline as a Metaphor for a Musical Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 60–63, 2011. |
| [ pdf | tex ] | Pietro Polotti, Maurizio Goina, EGGS in Action, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 64–67, 2011. |
| [ pdf | tex ] | Berit Janssen, A Reverberation Instrument Based on Perceptual Mapping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 68–71, 2011. |
| [ pdf | tex ] | Lauren Hayes, Vibrotactile Feedback-Assisted Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 72–75, 2011. |
| [ pdf | tex ] | Daichi Ando, Improving User-Interface of Interactive EC for Composition-Aid by means of Shopping Basket Procedure, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 76–79, 2011. |
| [ pdf | tex ] | Ryan Mcgee, Yuan-Yi Fan, Reza Ali, BioRhythm : a Biologically-inspired Audio-Visual Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–83, 2011. |
| [ pdf | tex ] | Jon Pigott, Vibration , Volts and Sonic Art: A Practice and Theory of Electromechanical Sound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 84–87, 2011. |
| [ pdf | tex ] | George Sioros, Carlos Guedes, Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–91, 2011. |
| [ pdf | tex ] | André Gonçalves, Towards a Voltage-Controlled Computer Control and Interaction Beyond an Embedded System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 92–95, 2011. |
| [ pdf | tex ] | Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama, Polyhymnia : An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 96–99, 2011. |
| [ pdf | tex ] | Juan P. Carrascal, Sergi Jordà, Multitouch Interface for Audio Mixing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 100–103, 2011. |
| [ pdf | tex ] | Nate Derbinsky, Georg Essl, Cognitive Architecture in Mobile Music Interactions, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 104–107, 2011. |
| [ pdf | tex ] | Benjamin D. Smith, Guy E. Garnett, The Self-Supervising Machine, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 108–111, 2011. |
| [ pdf | tex ] | Aaron Albin, Sertan Sentürk, Akito Van Troyer, Brian Blosser, Oliver Jan, Gil Weinberg, Beatscape , a Mixed Virtual-Physical Environment for Musical Ensembles, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 112–115, 2011. |
| [ pdf | tex ] | Marco Fabiani, Gaël Dubus, Roberto Bresin, MoodifierLive : Interactive and Collaborative Expressive Music Performance on Mobile Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–119, 2011. |
| [ pdf | tex ] | Benjamin Schroeder, Marc Ainger, Richard Parent, A Physically Based Sound Space for Procedural Agents, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–123, 2011. |
| [ pdf | tex ] | Francisco García, Leny Vinceslas, Josep Tubau, Esteban Maestre, Acquisition and Study of Blowing Pressure Profiles in Recorder Playing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–127, 2011. |
| [ pdf | tex ] | Anders Friberg, Anna Källblad, Experiences from Video-Controlled Sound Installations, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 128–131, 2011. |
| [ pdf | tex ] | Nicolas d'Alessandro, Roberto Calderon, Stefanie Müller, ROOM #81 - Agent-Based Instrument for Experiencing Architectural and Vocal Cues, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 132–135, 2011. |
| [ pdf | tex ] | Yasuo Kuhara, Daiki Kobayashi, Kinetic Particles Synthesizer Using Multi-Touch Screen Interface of Mobile Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 136–137, 2011. |
| [ pdf | tex ] | Chris Carlson, Eli Marschner, Hunter Mccurry, The Sound Flinger : A Haptic Spatializer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 138–139, 2011. |
| [ pdf | tex ] | Ravi Kondapalli, Ben-Zhen Sung, Daft Datum – An Interface for Producing Music Through Foot-based Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–141, 2011. |
| [ pdf | tex ] | Charles Martin, Chi-Hsia Lai, Strike on Stage : a Percussion and Media Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 142–143, 2011. |
| [ pdf | tex ] | Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell, Nicolas Misdariis, Gestural Embodiment of Environmental Sounds : an Experimental Study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–148, 2011. |
| [ pdf | tex ] | Sebastián Mealla, Aleksander Väaljamäae, Mathieu Bosi, Sergi Jordà, Listening to Your Brain : Implicit Interaction in Collaborative Music Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 149–154, 2011. |
| [ pdf | tex ] | Dan Newton, Mark T. Marshall, Examining How Musicians Create Augmented Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 155–160, 2011. |
| [ pdf | tex ] | Zachary Seldess, Toshiro Yamada, Tahakum: A Multi-Purpose Audio Control Framework, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 161–166, 2011. |
| [ pdf | tex ] | Dawen Liang, Guangyu Xia, Roger B. Dannenberg, A Framework for Coordination and Synchronization of Media, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 167–172, 2011. |
| [ pdf | tex ] | Edgar Berdahl, Wendy Ju, Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 173–178, 2011. |
| [ pdf | tex ] | Nicholas J. Bryan, Ge Wang, Two Turntables and a Mobile Phone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 179–184, 2011. |
| [ pdf | tex ] | Nick Kruge, Ge Wang, MadPad : A Crowdsourcing System for Audiovisual Sampling, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 185–190, 2011. |
| [ pdf | tex ] | Patrick O. Keefe, Georg Essl, The Visual in Mobile Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 191–196, 2011. |
| [ pdf | tex ] | Ge Wang, Jieun Oh, Tom Lieber, Designing for the iPad : Magic Fiddle, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–202, 2011. |
| [ pdf | tex ] | Benjamin Knapp, Brennon Bortz, MobileMuse: Integral Music Control Goes Mobile, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–206, 2011. |
| [ pdf | tex ] | Stephen D. Beck, Chris Branton, Sharath Maddineni, Tangible Performance Management of Grid-based Laptop Orchestras, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 207–210, 2011. |
| [ pdf | tex ] | Smilen Dimitrov, Stefania Serafin, Audio Arduino - an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based Arduinos, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 211–216, 2011. |
| [ pdf | tex ] | Seunghun Kim, Woon Seung Yeo, Musical Control of a Pipe Based on Acoustic Resonance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 217–219, 2011. |
| [ pdf | tex ] | Anne-Marie S. Hansen, Hans J. Anderson, Pirkko Raudaskoski, Play Fluency in Music Improvisation Games for Novices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–223, 2011. |
| [ pdf | tex ] | Izzi Ramkissoon, The Bass Sleeve: A Real-time Multimedia Gestural Controller for Augmented Electric Bass Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 224–227, 2011. |
| [ pdf | tex ] | Ajay Kapur, Michael Darling, Jim Murphy, Jordan Hochenbaum, Dimitri Diakopoulos, Trimpin Trimpin, The KarmetiK NotomotoN : A New Breed of Musical Robot for Teaching and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 228–231, 2011. |
| [ pdf | tex ] | Adrián Barenca, Giuseppe Torre, The Manipuller : Strings Manipulation and Multi- Dimensional Force Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 232–235, 2011. |
| [ pdf | tex ] | Alain Crevoisier, Cécile Picard-Limpens, Mapping Objects with the Surface Editor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 236–239, 2011. |
| [ pdf | tex ] | Jordan Hochenbaum, Ajay Kapur, Adding Z-Depth and Pressure Expressivity to Tangible Tabletop Surfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 240–243, 2011. |
| [ pdf | tex ] | Andrew J. Milne, Anna Xambó, Robin Laney, David B. Sharp, Anthony Prechtl, Simon Holland, Hex Player — A Virtual Musical Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 244–247, 2011. |
| [ pdf | tex ] | Carl H. Waadeland, Rhythm Performance from a Spectral Point of View, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 248–251, 2011. |
| [ pdf | tex ] | Josep M. Comajuncosas, Alex Barrachina, John O'Connell, Enric Guaus, Nuvolet: 3D Gesture-driven Collaborative Audio Mosaicing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 252–255, 2011. |
| [ pdf | tex ] | Erwin Schoonderwaldt, Alexander R. Jensenius, Effective and Expressive Movements in a French-Canadian fiddler’s Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 256–259, 2011. |
| [ pdf | tex ] | Daniel Bisig, Jan C. Schacher, Martin Neukom, Flowspace – A Hybrid Ecosystem, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–263, 2011. |
| [ pdf | tex ] | Marc Sosnick, William Hsu, Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 264–267, 2011. |
| [ pdf | tex ] | Axel Tidemann, An Artificial Intelligence Architecture for Musical Expressiveness that Learns by Imitation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 268–271, 2011. |
| [ pdf | tex ] | Luke Dahl, Jorge Herrera, Carr Wilkerson, TweetDreams : Making Music with the Audience and the World using Real-time Twitter Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 272–275, 2011. |
| [ pdf | tex ] | Lawrence Fyfe, Adam Tindale, Sheelagh Carpendale, JunctionBox : A Toolkit for Creating Multi-touch Sound Control Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 276–279, 2011. |
| [ pdf | tex ] | Andrew Johnston, Beyond Evaluation : Linking Practice and Theory in New Musical Interface Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 280–283, 2011. |
| [ pdf | tex ] | Phillip Popp, Matthew Wright, Intuitive Real-Time Control of Spectral Model Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 284–287, 2011. |
| [ pdf | tex ] | Pablo Molina, Martín Haro, Sergi Jordà, BeatJockey : A New Tool for Enhancing DJ Skills, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 288–291, 2011. |
| [ pdf | tex ] | Jan C. Schacher, Angela Stoecklin, Traces – Body, Motion and Sound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 292–295, 2011. |
| [ pdf | tex ] | Grace Leslie, Tim Mullen, MoodMixer : EEG-based Collaborative Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 296–299, 2011. |
| [ pdf | tex ] | Ståle A. Skogstad, Yago de Quay, Alexander R. Jensenius, OSC Implementation and Evaluation of the Xsens MVN Suit, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 300–303, 2011. |
| [ pdf | tex ] | Lonce Wyse, Norikazu Mitani, Suranga Nanayakkara, The Effect of Visualizing Audio Targets in a Musical Listening and Performance Task, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 304–307, 2011. |
| [ pdf | tex ] | Adrian Freed, John MacCallum, Andrew Schmeder, Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 308–311, 2011. |
| [ pdf | tex ] | Kristian Nymoen, Ståle A. Skogstad, Alexander R. Jensenius, SoundSaber - A Motion Capture Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 312–315, 2011. |
| [ pdf | tex ] | Øyvind Brandtsegg, Sigurd Saue, Thom Johansen, A Modulation Matrix for Complex Parameter Sets, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 316–319, 2011. |
| [ pdf | tex ] | Yu-Chung Tseng, Che-Wei Liu, Tzu-Heng Chi, Hui-Yu Wang, Sound Low Fun, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 320–321, 2011. |
| [ pdf | tex ] | Edgar Berdahl, Chris Chafe, Autonomous New Media Artefacts ( AutoNMA ), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 322–323, 2011. |
| [ pdf | tex ] | Min-Joon Yoo, Jin-Wook Beak, In-Kwon Lee, Creating Musical Expression using Kinect, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 324–325, 2011. |
| [ pdf | tex ] | Staas de Jong, Making Grains Tangible: Microtouch for Microsound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 326–328, 2011. |
| [ pdf | tex ] | Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell, Sound Selection by Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 329–330, 2011. |
| [ pdf | tex ] | Hernán Kerlleñevich, Manuel C. Eguía, Pablo E. Riera, An Open Source Interface based on Biological Neural Networks for Interactive Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 331–336, 2011. |
| [ pdf | tex ] | Nicholas Gillian, Benjamin Knapp, Sile O'Modhrain, Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 337–342, 2011. |
| [ pdf | tex ] | Nicholas Gillian, Benjamin Knapp, Sile O'Modhrain, A Machine Learning Toolbox For Musician Computer Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 343–348, 2011. |
| [ pdf | tex ] | Elena Jessop, Peter A. Torpey, Benjamin Bloomberg, Music and Technology in Death and the Powers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 349–354, 2011. |
| [ pdf | tex ] | Victor Zappi, Dario Mazzanti, Andrea Brogni, Darwin Caldwell, Design and Evaluation of a Hybrid Reality Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 355–360, 2011. |
| [ pdf | tex ] | Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, Wendy E. Mackay, InkSplorer : Exploring Musical Ideas on Paper and Computer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 361–366, 2011. |
| [ pdf | tex ] | Pedro Lopez, Alfredo Ferreira, J. A. Madeiras Pereira, Battle of the DJs: an HCI Perspective of Traditional, Virtual, Hybrid and Multitouch DJing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 367–372, 2011. |
| [ pdf | tex ] | Adnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, Paul Stapleton, Designing Digital Musical Interactions in Experimental Contexts, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 373–376, 2011. |
| [ pdf | tex ] | Jonathan Reus, Crackle: A Dynamic Mobile Multitouch Topology for Exploratory Sound Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 377–380, 2011. |
| [ pdf | tex ] | Samuel Aaron, Alan Blackwell, Richard Hoadley, Tim Regan, A Principled Approach to Developing New Languages for Live Coding, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 381–386, 2011. |
| [ pdf | tex ] | Jamie Bullock, Daniel Beattie, Jerome Turner, Integra Live : a New Graphical User Interface for Live Electronic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 387–392, 2011. |
| [ pdf | tex ] | Jung-Sim Roh, Yotam Mann, Adrian Freed, David Wessel, Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 393–398, 2011. |
| [ pdf | tex ] | Mark T. Marshall, Marcelo M. Wanderley, Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 399–404, 2011. |
| [ pdf | tex ] | Dimitri Diakopoulos, Ajay Kapur, HIDUINO : A firmware for building driverless USB-MIDI devices using the Arduino microcontroller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 405–408, 2011. |
| [ pdf | tex ] | Emmanuel Fléty, Côme Maestracci, Latency Improvement in Sensor Wireless Transmission Using IEEE 802.15.4, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 409–412, 2011. |
| [ pdf | tex ] | Jeff Snyder, Snyderphonics Manta Controller, a Novel USB Touch-Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 413–416, 2011. |
| [ pdf | tex ] | William Hsu, On Movement , Structure and Abstraction in Generative Audiovisual Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 417–420, 2011. |
| [ pdf | tex ] | Claudia R. Angel, Creating Interactive Multimedia Works with Bio-data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 421–424, 2011. |
| [ pdf | tex ] | Paula Ustarroz, TresnaNet Musical Generation based on Network Protocols, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 425–428, 2011. |
| [ pdf | tex ] | Matti Luhtala, Tiina Kymäläinen, Johan Plomp, Designing a Music Performance Space for Persons with Intellectual Learning Disabilities, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 429–432, 2011. |
| [ pdf | tex ] | Tom Ahola, Koray Tahiroglu, Teemu Ahmaniemi, Fabio Belloni, Ville Ranki, Raja - A Multidisciplinary Artistic Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 433–436, 2011. |
| [ pdf | tex ] | Emmanuelle Gallin, Marc Sirguy, Eobody3: a Ready-to-use Pre-mapped & Multi-protocol Sensor Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 437–440, 2011. |
| [ pdf | tex ] | Rasmus Bååth, Thomas Strandberg, Christian Balkenius, Eye Tapping : How to Beat Out an Accurate Rhythm using Eye Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 441–444, 2011. |
| [ pdf | tex ] | Eric Rosenbaum, MelodyMorph: A Reconfigurable Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 445–447, 2011. |
| [ pdf | tex ] | Karmen Franinovic, The Flo)(ps : Negotiating Between Habitual and Explorative Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 448–452, 2011. |
| [ pdf | tex ] | Margaret Schedel, Phoenix Perry, Rebecca Fiebrink, Wekinating 000000Swan : Using Machine Learning to Create and Control Complex Artistic Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 453–456, 2011. |
| [ pdf | tex ] | Carles F. Julià, Daniel Gallardo, Sergi Jordà, MTCF : A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 457–460, 2011. |
| [ pdf | tex ] | David Pirrò, Gerhard Eckel, Physical Modelling Enabling Enaction: an Example, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 461–464, 2011. |
| [ pdf | tex ] | Thomas Mitchell, Imogen Heap, SoundGrasp : A Gestural Interface for the Performance of Live Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 465–468, 2011. |
| [ pdf | tex ] | Tim Mullen, Richard Warp, Adam Jansch, Minding the (Transatlantic) Gap: An Internet-Enabled Acoustic Brain-Computer Music Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 469–472, 2011. |
| [ pdf | tex ] | Stefano Papetti, Marco Civolani, Federico Fontana, Rhythm’n’Shoes : a Wearable Foot Tapping Interface with Audio-Tactile Feedback, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 473–476, 2011. |
| [ pdf | tex ] | Cumhur Erkut, Antti Jylhä, Reha Discioglu, A Structured Design and Evaluation Model with Application to Rhythmic Interaction Displays, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 477–480, 2011. |
| [ pdf | tex ] | Marco Marchini, Panos Papiotis, Alfonso Pérez, Esteban Maestre, A Hair Ribbon Deflection Model for Low-intrusiveness Measurement of Bow Force in Violin Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 481–486, 2011. |
| [ pdf | tex ] | Jon Forsyth, Aron Glennon, Juan P. Bello, Random Access Remixing on the iPad, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 487–490, 2011. |
| [ pdf | tex ] | Erika Donald, Ben Duinker, Eliot Britton, Designing the EP Trio: Instrument Identities, Control and Performance Practice in an Electronic Chamber Music Ensemble, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 491–494, 2011. |
| [ pdf | tex ] | A. Cavan Fyans, Michael Gurevich, Perceptions of Skill in Performances with Acoustic and Electronic Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 495–498, 2011. |
| [ pdf | tex ] | Hiroki Nishino, Cognitive Issues in Computer Music Programming, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 499–502, 2011. |
| [ pdf | tex ] | Roland Lamb, Andrew Robertson, Seaboard : a New Piano Keyboard-related Interface Combining Discrete and Continuous Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 503–506, 2011. |
| [ pdf | tex ] | Gilbert Beyer, Max Meier, Music Interfaces for Novice Users : Composing Music on a Public Display with Hand Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 507–510, 2011. |
| [ pdf | tex ] | Birgitta Cappelen, Anders-Petter Anderson, Expanding the Role of the Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 511–514, 2011. |
| [ pdf | tex ] | Todor Todoroff, Wireless Digital/Analog Sensors for Music and Dance Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 515–518, 2011. |
| [ pdf | tex ] | Trond Engum, Real-time Control and Creative Convolution, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 519–522, 2011. |
| [ pdf | tex ] | Andreas Bergsland, phrases from Paul Lansky ’ s Six Fantasies, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 523–526, 2011. |
| [ pdf | tex ] | Jan T. von Falkenstein, Gliss : An Intuitive Sequencer for the iPhone and iPad, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 527–528, 2011. |
| [ pdf | tex ] | Jiffer Harriman, Locky Casey, Linden Melvin, Quadrofeelia – A New Instrument for Sliding into Notes, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 529–530, 2011. |
| [ pdf | tex ] | Johnty Wang, Nicolas d'Alessandro, Sidney S. Fels, Bob Pritchard, SQUEEZY : Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 531–532, 2011. |
| [ pdf | tex ] | Souhwan Choe, Kyogu Lee, SWAF: Towards a Web Application Framework for Composition and Documentation of Soundscape, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 533–534, 2011. |
| [ pdf | tex ] | Norbert Schnell, Frédéric Bevilacqua, Nicolas Rasamimanana, Julien Blois, Fabrice Guédy, Emmanuel Fléty, Playing the "MO" – Gestural Control and Re-Embodiment of Recorded Sound and Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 535–536, 2011. |
| [ pdf | tex ] | Bruno Zamborlin, Giorgio Partesana, Marco Liuni, (LAND)MOVES, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 537–538, 2011. |
| [ pdf | tex ] | Bill Verplank, Francesco Georg, Can Haptics Make New Music ? - Fader and Plank Demos, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 539–540, 2011. |
NIME 2010
| [ pdf | tex ] | Owen Vallis, Jordan Hochenbaum, Ajay Kapur, A Shift Towards Iterative and Open-Source Design for Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–6, 2010. |
| [ pdf | tex ] | Yutaro Maruyama, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto, UnitInstrument : Easy Configurable Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 7–12, 2010. |
| [ pdf | tex ] | Jos Mulder, The Loudspeaker as Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 13–18, 2010. |
| [ pdf | tex ] | Miha Ciglar, An Ultrasound Based Instrument Generating Audible and Tactile Sound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–22, 2010. |
| [ pdf | tex ] | Ted Hayes, Neurohedron : A Nonlinear Sequencer Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 23–25, 2010. |
| [ pdf | tex ] | Nobuyuki Umetani, Jun Mitani, Takeo Igarashi, Designing Custom-made Metallophone with Concurrent Eigenanalysis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 26–30, 2010. |
| [ pdf | tex ] | Sungkuk Chun, Andrew Hawryshkewich, Keechul Jung, Philippe Pasquier, Freepad : A Custom Paper-based MIDI Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–36, 2010. |
| [ pdf | tex ] | John A. Mills, Damien Di Fede, Nicolas Brix, Music Programming in Minim, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 37–42, 2010. |
| [ pdf | tex ] | Thor Magnusson, An Epistemic Dimension Space for Musical Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–46, 2010. |
| [ pdf | tex ] | A. Baki Kocaballi, Petra Gemeinboeck, Rob Saunders, Investigating the Potential for Shared Agency using Enactive Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 47–50, 2010. |
| [ pdf | tex ] | Noah Liebman, Michael Nagara, Jacek Spiewla, Erin Zolkosky, Cuebert : A New Mixing Board Concept for Musical Theatre, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 51–56, 2010. |
| [ pdf | tex ] | Charles Roberts, Matthew Wright, JoAnn Kuchera-Morin, Lance Putnam, Dynamic Interactivity Inside the AlloSphere, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 57–62, 2010. |
| [ pdf | tex ] | Florian Alt, Alireza S. Shirazi, Stefan Legien, Albrecht Schmidt, Julian Mennenöh, Creating Meaningful Melodies from Text Messages, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 63–68, 2010. |
| [ pdf | tex ] | Tim Humphrey, Madeleine Flynn, Jesse Stevens, Epi-thet : A Musical Performance Installation and a Choreography of Stillness, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 69–71, 2010. |
| [ pdf | tex ] | Tilo Hähnel, From Mozart to MIDI : A Rule System for Expressive Articulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 72–75, 2010. |
| [ pdf | tex ] | Georg Essl, Alexander Müller, Designing Mobile Musical Instruments and Environments with urMus, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 76–81, 2010. |
| [ pdf | tex ] | Jieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, Ge Wang, Evolving The Mobile Phone Orchestra, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 82–87, 2010. |
| [ pdf | tex ] | Atau Tanaka, Mapping Out Instruments, Affordances, and Mobiles, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–93, 2010. |
| [ pdf | tex ] | Robyn Taylor, Guy Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, Patrick Olivier, humanaquarium : A Participatory Performance System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–93, 2010. |
| [ pdf | tex ] | Mark Havryliv, Composing For Improvisation with Chaotic Oscillators, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 94–99, 2010. |
| [ pdf | tex ] | Andrew Hawryshkewich, Philippe Pasquier, Arne Eigenfeldt, Beatback : A Real-time Interactive Percussion System for Rhythmic Practise and Exploration, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 100–105, 2010. |
| [ pdf | tex ] | Michael Gurevich, Paul Stapleton, Adnan Marquez-Borbon, Style and Constraint in Electronic Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 106–111, 2010. |
| [ pdf | tex ] | Hongchan Choi, Ge Wang, LUSH : An Organic Eco + Music System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 112–115, 2010. |
| [ pdf | tex ] | Tomoyuki Yamaguchi, Tsukasa Kobayashi, Anna Ariga, Shuji Hashimoto, TwinkleBall : A Wireless Musical Interface for Embodied Sound Media, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–119, 2010. |
| [ pdf | tex ] | Joanne Cannon, Stuart Favilla, Expression and Spatial Motion : Playable Ambisonics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–124, 2010. |
| [ pdf | tex ] | Nick Collins, Contrary Motion : An Oppositional Interactive Music System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 125–129, 2010. |
| [ pdf | tex ] | Etienne Deleflie, Greg Schiemer, Images as Spatial Sound Maps, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 130–135, 2010. |
| [ pdf | tex ] | Kevin Schlei, Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 136–139, 2010. |
| [ pdf | tex ] | Lonce Wyse, Nguyen D. Duy, Instrumentalizing Synthesis Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–143, 2010. |
| [ pdf | tex ] | Alavaro Cassinelli, Yusaku Kuribara, Alexis Zerroug, Masatoshi Ishikawa, Daito Manabe, scoreLight : Playing with a Human-Sized Laser Pick-Up, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–149, 2010. |
| [ pdf | tex ] | Karl Yerkes, Greg Shear, Matthew Wright, Disky : a DIY Rotational Interface with Inherent Dynamics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 150–155, 2010. |
| [ pdf | tex ] | Jorge Solis, Klaus Petersen, Tetsuro Yamamoto, Masaki Takeuchi, Shimpei Ishikawa, Atsuo Takanishi, Kunimatsu Hashimoto, Development of the Waseda Saxophonist Robot and Implementation of an Auditory Feedback Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–161, 2010. |
| [ pdf | tex ] | Ajay Kapur, Michael Darling, A Pedagogical Paradigm for Musical Robotics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 162–165, 2010. |
| [ pdf | tex ] | Ye Pan, Min-Gyu Kim, Kenji Suzuki, A Robot Musician Interacting with a Human Partner through Initiative Exchange, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 166–169, 2010. |
| [ pdf | tex ] | Ivika Bukvic, Thomas Martin, Eric Standley, Michael Matthews, Introducing L2Ork : Linux Laptop Orchestra, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 170–173, 2010. |
| [ pdf | tex ] | Nicholas J. Bryan, Jorge Herrera, Jieun Oh, Ge Wang, MoMu : A Mobile Music Toolkit, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 174–177, 2010. |
| [ pdf | tex ] | Luke Dahl, Ge Wang, Sound Bounce : Physical Metaphors in Designing Mobile Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 178–181, 2010. |
| [ pdf | tex ] | Georg Essl, Michael Rohs, Sven Kratz, Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 182–185, 2010. |
| [ pdf | tex ] | Roger Mills, Dislocated Sound : A Survey of Improvisation in Networked Audio Platforms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 186–191, 2010. |
| [ pdf | tex ] | Florent Berthaut, Myriam Desainte-Catherine, Martin Hachet, DRILE : An Immersive Environment for Hierarchical Live-Looping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–197, 2010. |
| [ pdf | tex ] | Robin Fencott, Nick Bryan-Kinns, Hey Man, You’re Invading my Personal Space ! Privacy and Awareness in Collaborative Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 198–203, 2010. |
| [ pdf | tex ] | Charles Martin, Benjamin Forster, Hanna Cormick, Cross-Artform Performance Using Networked Interfaces : Last Man to Die’s Vital LMTD, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 204–207, 2010. |
| [ pdf | tex ] | Alexander R. Jensenius, Kjell Tore Innervik, Ivar Frounberg, Evaluating the Subjective Effects of Microphone Placement on Glass Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 208–211, 2010. |
| [ pdf | tex ] | Rudolfo Quintas, Glitch Delighter : Lighter’s Flame Base Hyper-Instrument for Glitch Music in Burning The Sound Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 212–216, 2010. |
| [ pdf | tex ] | Andrew McPherson, Youngmoo Kim, Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 217–222, 2010. |
| [ pdf | tex ] | Cesar M. Grossmann, Developing a Hybrid Contrabass Recorder Resistances, Expression, Gestures and Rhetoric, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 223–228, 2010. |
| [ pdf | tex ] | Alfonso P. Carrillo, Jordi Bonada, The Bowed Tube : a Virtual Violin, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 229–232, 2010. |
| [ pdf | tex ] | Jordan Hochenbaum, Ajay Kapur, Matthew Wright, Multimodal Musician Recognition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 233–237, 2010. |
| [ pdf | tex ] | Enric Guaus, Tan Ozaslan, Eric Palacios, Josep L. Arcos, A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 238–243, 2010. |
| [ pdf | tex ] | Andrew Schmeder, Adrian Freed, Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 244–249, 2010. |
| [ pdf | tex ] | Jan C. Schacher, Motion To Gesture To Sound : Mapping For Interactive Dance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–254, 2010. |
| [ pdf | tex ] | Ian Whalley, Generative Improv . & Interactive Music Project (GIIMP), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 255–258, 2010. |
| [ pdf | tex ] | Kristian Nymoen, Kyrre Glette, Ståle A. Skogstad, Jim Torresen, Alexander R. Jensenius, Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classifier, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 259–262, 2010. |
| [ pdf | tex ] | Takashi Baba, Mitsuyo Hashida, Haruhiro Katayose, "VirtualPhilharmony" : A Conducting System with Heuristics of Conducting an Orchestra, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 263–270, 2010. |
| [ pdf | tex ] | Tobias Großhauser, Ulf Großekathöfer, Thomas Hermann, New Sensors and Pattern Recognition Techniques for String Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 271–276, 2010. |
| [ pdf | tex ] | Tilo Hähnel, Axel Berndt, Expressive Articulation for Synthetic Music Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 277–282, 2010. |
| [ pdf | tex ] | Andrew R. Brown, Network Jamming : Distributed Performance using Generative Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 283–286, 2010. |
| [ pdf | tex ] | Ivar Frounberg, Kjell Tore Innervik, Alexander R. Jensenius, Glass Instruments – From Pitch to Timbre, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 287–290, 2010. |
| [ pdf | tex ] | Chris Kiefer, A Malleable Interface for Sonic Exploration, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 291–296, 2010. |
| [ pdf | tex ] | Victor Zappi, Andrea Brogni, Darwin Caldwell, OSC Virtual Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 297–302, 2010. |
| [ pdf | tex ] | Smilen Dimitrov, Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 303–308, 2010. |
| [ pdf | tex ] | Sylvain Le Groux, Jonatas Manzolli, Paul F. Verschure, Disembodied and Collaborative Musical Interaction in the Multimodal Brain Orchestra, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 309–314, 2010. |
| [ pdf | tex ] | Jordan Hochenbaum, Owen Vallis, Dimitri Diakopoulos, Jim Murphy, Ajay Kapur, Designing Expressive Musical Interfaces for Tabletop Surfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 315–318, 2010. |
| [ pdf | tex ] | Wendy Suiter, Toward Algorithmic Composition of Expression in Music Using Fuzzy Logic, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 319–322, 2010. |
| [ pdf | tex ] | Kirsty Beilharz, Andrew Vande Moere, Barbara Stiel, Claudia Calo, Martin Tomitsch, Adrian Lombard, Expressive Wearable Sonification and Visualisation : Design and Evaluation of a Flexible Display, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 323–326, 2010. |
| [ pdf | tex ] | Jeremiah Nugroho, Kirsty Beilharz, Understanding and Evaluating User Centred Design in Wearable Expressions, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 327–330, 2010. |
| [ pdf | tex ] | Sihwa Park, Seunghun Kim, Samuel Lee, Woon Seung Yeo, Online Map Interface for Creative and Interactive, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 331–334, 2010. |
| [ pdf | tex ] | Aristotelis Hadjakos, Max Mühlhäuser, Analysis of Piano Playing Movements Spanning Multiple Touches, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 335–338, 2010. |
| [ pdf | tex ] | Sebastian Heinz, Sile O'Modhrain, Designing a Shareable Musical TUI, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 339–342, 2010. |
| [ pdf | tex ] | Adrian Freed, Visualizations and Interaction Strategies for Hybridization Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 343–347, 2010. |
| [ pdf | tex ] | Björn Wöldecke, Christian Geiger, Holger Reckter, Florian Schulz, ANTracks 2.0 - Generative Music on Multiple Multitouch Devices Categories and Subject Descriptors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 348–351, 2010. |
| [ pdf | tex ] | Laewoo Kang, Hsin-Yi Chien, Hé : Calligraphy as a Musical Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 352–355, 2010. |
| [ pdf | tex ] | Martin Marier, The Sponge A Flexible Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 356–359, 2010. |
| [ pdf | tex ] | Lawrence Fyfe, Sean Lynch, Carmen Hull, Sheelagh Carpendale, SurfaceMusic : Mapping Virtual Touch-based Instruments to Physical Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 360–363, 2010. |
| [ pdf | tex ] | Aengus Martin, Sam Ferguson, Kirsty Beilharz, Mechanisms for Controlling Complex Sound Sources : Applications to Guitar Feedback Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 364–367, 2010. |
| [ pdf | tex ] | Jim Torresen, Eirik Renton, Alexander R. Jensenius, Wireless Sensor Data Collection based on ZigBee Communication, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 368–371, 2010. |
| [ pdf | tex ] | Javier Jaimovich, Benjamin Knapp, Synchronization of Multimodal Recordings for Musical Performance Research, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 372–374, 2010. |
| [ pdf | tex ] | Giuseppe Torre, Mark O'Leary, Brian Tuohy, POLLEN A Multimedia Interactive Network Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 375–376, 2010. |
| [ pdf | tex ] | Xiaoyang Feng, Irregular Incurve, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 377–379, 2010. |
| [ pdf | tex ] | Chikashi Miyama, Peacock : A Non-Haptic 3D Performance Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 380–382, 2010. |
| [ pdf | tex ] | Jukka Holm, Harri Holm, Jarno Seppänen, Associating Emoticons with Musical Genres, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 383–386, 2010. |
| [ pdf | tex ] | Yoichi Nagashima, Untouchable Instrument "Peller-Min", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 387–390, 2010. |
| [ pdf | tex ] | Javier Jaimovich, Ground Me ! An Interactive Sound Art Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 391–394, 2010. |
| [ pdf | tex ] | Norma S. Savage, Syed R. Ali, Norma E. Chavez, Mmmmm : A Multi-modal Mobile Music Mixer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 395–398, 2010. |
| [ pdf | tex ] | Chih-Chieh Tsai, Cha-Lin Liu, Teng-Wen Chang, An Interactive Responsive Skin for Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 399–402, 2010. |
| [ pdf | tex ] | Nick Bryan-Kinns, Robin Fencott, Oussama Metatla, Shahin Nabavian, Jennifer G. Sheridan, Interactional Sound and Music : Listening to CSCW, Sonification, and Sound Art, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 403–406, 2010. |
| [ pdf | tex ] | Ståle A. Skogstad, Alexander R. Jensenius, Kristian Nymoen, Using IR Optical Marker Based Motion Capture for Exploring Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 407–410, 2010. |
| [ pdf | tex ] | Benjamin Buch, Pieter Coussement, Lüder Schmidt, "playing robot" : An Interactive Sound Installation in Human-Robot Interaction Design for New Media Art, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 411–414, 2010. |
| [ pdf | tex ] | Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, Todor Todoroff, Multimodal Guitar : A Toolbox For Augmented Guitar Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 415–418, 2010. |
| [ pdf | tex ] | Michael Berger, The GRIP MAESTRO : Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 419–422, 2010. |
| [ pdf | tex ] | Kimberlee Headlee, Tatyana Koziupa, Diana Siwiak, Sonic Virtual Reality Game : How Does Your Body Sound ?, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 423–426, 2010. |
| [ pdf | tex ] | Alex Stahl, Patricia Clemens, Auditory Masquing : Wearable Sound Systems for Diegetic Character Voices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 427–430, 2010. |
| [ pdf | tex ] | Paul Rothman, The Ghost : An Open-Source, User Programmable MIDI Performance Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 431–435, 2010. |
| [ pdf | tex ] | Garth Paine, Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 436–439, 2010. |
| [ pdf | tex ] | Hyun-Soo Kim, Je-Han Yoon, Moon-Sik Jung, Interactive Music Studio : The Soloist, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 444–446, 2010. |
| [ pdf | tex ] | Pierre Alexandre Tremblay, Diemo Schwarz, Surfing the Waves : Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 447–450, 2010. |
| [ pdf | tex ] | A. Cavan Fyans, Michael Gurevich, Paul Stapleton, Examining the Spectator Experience, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 451–454, 2010. |
| [ pdf | tex ] | Nick Collins, Chris Kiefer, Zeeshan Patoli, Martin White, Musical Exoskeletons : Experiments with a Motion Capture Suit, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 455–458, 2010. |
| [ pdf | tex ] | Jim Murphy, Ajay Kapur, Carl Burgin, The Helio : A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 459–462, 2010. |
| [ pdf | tex ] | Stuart Taylor, Jonathan Hook, FerroSynth : A Ferromagnetic Music Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 463–466, 2010. |
| [ pdf | tex ] | Josh M. Dubrau, Mark Havryliv, P[a]ra[pra]xis : Towards Genuine Realtime 'Audiopoetry', Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 467–468, 2010. |
| [ pdf | tex ] | Kris M. Kitani, Hideki Koike, ImprovGenerator : Online Grammatical Induction for On-the-Fly Improvisation Accompaniment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 469–472, 2010. |
| [ pdf | tex ] | Christian Frisson, Benoît Macq, Stéphane Dupont, Xavier Siebert, Damien Tardieu, Thierry Dutoit, DeviceCycle : Rapid and Reusable Prototyping of Gestural Interfaces, Applied to Audio Browsing by Similarity, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 473–476, 2010. |
| [ pdf | tex ] | Alexander Müller, Fabian Hemmert, Götz Wintergerst, Ron Jagodzinski, Reflective Haptics : Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 477–478, 2010. |
| [ pdf | tex ] | Alison Mattek, Mark Freeman, Eric Humphrey, Revisiting Cagean Composition Methodology with a Modern Computational Implementation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 479–480, 2010. |
| [ pdf | tex ] | Sam Ferguson, Emery Schubert, Catherine Stevens, Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 481–484, 2010. |
| [ pdf | tex ] | Teemu Ahmaniemi, Gesture Controlled Virtual Instrument with Dynamic Vibrotactile Feedback, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 485–488, 2010. |
| [ pdf | tex ] | Jeffrey Hass, Creating Integrated Music and Video for Dance : Lessons Learned and Lessons Ignored, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 489–492, 2010. |
| [ pdf | tex ] | Warren Burt, Packages for ArtWonk : New Mathematical Tools for Composers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 493–496, 2010. |
| [ pdf | tex ] | Jace Miller, Tracy Hammond, Wiiolin : a Virtual Instrument Using the Wii Remote, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 497–500, 2010. |
| [ pdf | tex ] | Max Meier, Max Schranner, The Planets, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 501–504, 2010. |
NIME 2009
| [ pdf | tex ] | Mike Collicutt, Carmine Casciato, Marcelo M. Wanderley, From Real to Virtual : A Comparison of Input Devices for Percussion Tasks, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–6, 2009. |
| [ pdf | tex ] | Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser, Probabilistic Model of Pianists’ Arm Touch Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 7–12, 2009. |
| [ pdf | tex ] | Steven Gelineck, Stefania Serafin, A Quantitative Evaluation of the Differences between Knobs and Sliders, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 13–18, 2009. |
| [ pdf | tex ] | Ricardo Pedrosa, Karon E. Maclean, Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–24, 2009. |
| [ pdf | tex ] | William Hsu, Marc Sosnick, Evaluating Interactive Music Systems : An HCI Approach, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 25–28, 2009. |
| [ pdf | tex ] | Neal Spowage, The Ghetto Bastard : A Portable Noise Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 29–30, 2009. |
| [ pdf | tex ] | Eric Humphrey, Colby Leider, The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–32, 2009. |
| [ pdf | tex ] | Alexander Müller, Georg Essl, Utilizing Tactile Feedback to Guide Movements Between Sounds, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 33–34, 2009. |
| [ pdf | tex ] | Sam Ferguson, Kirsty Beilharz, An Interface for Live Interactive Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 35–36, 2009. |
| [ pdf | tex ] | Alexander Reben, Mat Laibowitz, Joseph A. Paradiso, Responsive Music Interfaces for Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 37–38, 2009. |
| [ pdf | tex ] | Chi-Hsia Lai, Hands On Stage : A Sound and Image Performance Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 39–40, 2009. |
| [ pdf | tex ] | Kyle McDonald, Dane Kouttron, Curtis Bahn, Jonas Braasch, Pauline Oliveros, The Vibrobyte : A Haptic Interface for Co-Located Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 41–42, 2009. |
| [ pdf | tex ] | Meason Wiley, Ajay Kapur, Multi-Laser Gestural Interface — Solutions for Cost-Effective and Open Source Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–44, 2009. |
| [ pdf | tex ] | Ryo Kanda, Mitsuyo Hashida, Haruhiro Katayose, Mims : Interactive Multimedia Live Performance System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 45–47, 2009. |
| [ pdf | tex ] | Suguru Goto, Rob Powell, netBody - "Augmented Body and Virtual Body II" with the System, BodySuit, Powered Suit and Second Life - Its Introduction of an Application of the System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 48–49, 2009. |
| [ pdf | tex ] | Keisuke Ogawa, Yasuo Kuhara, Life Game Orchestra as an Interactive Music Composition System Translating Cellular Patterns of Automata into Musical Scales, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 50–51, 2009. |
| [ pdf | tex ] | John Toenjes, Natural Materials on Stage : Custom Controllers for Aesthetic Effect, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 52–53, 2009. |
| [ pdf | tex ] | Sarah Keith, Controlling Live Generative Electronic Music with Deviate, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 54–55, 2009. |
| [ pdf | tex ] | Andy Dolphin, SpiralSet : A Sound Toy Utilizing Game Engine Technologies, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–57, 2009. |
| [ pdf | tex ] | Mingfei Gao, Craig Hanson, LUMI : Live Performance Paradigms Utilizing Software Integrated Touch Screen and Pressure Sensitive Button Matrix, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 58–59, 2009. |
| [ pdf | tex ] | Nicholas Gillian, Benjamin Knapp, Sile O'Modhrain, The SARC EyesWeb Catalog : A Pattern Recognition Toolbox for Musician-Computer Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 60–61, 2009. |
| [ pdf | tex ] | Hiroki Nishino, A 2D Fiducial Tracking Method based on Topological Region Adjacency and Angle Information, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 62–63, 2009. |
| [ pdf | tex ] | Jorge Solis, Takeshi Ninomiya, Klaus Petersen, Masaki Takeuchi, Atsuo Takanishi, Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding of the Nature of Human Musical Interaction Abstract, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 64–69, 2009. |
| [ pdf | tex ] | Gil Weinberg, Brian Blosser, Trishul Mallikarjuna, Aparna Raman, The Creation of a Multi-Human, Multi-Robot Interactive Jam Session, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 70–73, 2009. |
| [ pdf | tex ] | Nan-Wei Gong, Mat Laibowitz, Joseph A. Paradiso, MusicGrip : A Writing Instrument for Music Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 74–77, 2009. |
| [ pdf | tex ] | Grant Partridge, Pourang Irani, Gordon Fitzell, Let Loose with WallBalls, a Collaborative Tabletop Instrument for Tomorrow, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 78–81, 2009. |
| [ pdf | tex ] | Hye Ki Min, SORISU : Sound with Numbers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 82–85, 2009. |
| [ pdf | tex ] | Yotam Mann, Jeff Lubow, Adrian Freed, The Tactus : a Tangible , Rhythmic Grid Interface Using Found-Objects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 86–89, 2009. |
| [ pdf | tex ] | Jason A. Hockman, Marcelo M. Wanderley, Ichiro Fujinaga, Real-Time Phase Vocoder Manipulation by Runner’s Pace, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 90–93, 2009. |
| [ pdf | tex ] | Kristian Nymoen, Alexander R. Jensenius, A Discussion of Multidimensional Mapping in Nymophone2, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 94–97, 2009. |
| [ pdf | tex ] | Daniel Schlessinger, Julius O. Smith, The Kalichord : A Physically Modeled Electro-Acoustic Plucked String Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 98–101, 2009. |
| [ pdf | tex ] | Otso Lähdeoja, Augmenting Chordophones with Hybrid Percussive Sound Possibilities, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 102–105, 2009. |
| [ pdf | tex ] | Mark Kahrs, David Skulina, Stefan Bilbao, Murray Campbell, An Electroacoustically Controlled Vibrating Plate, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 106–109, 2009. |
| [ pdf | tex ] | Scott Smallwood, Perry R. Cook, Dan Trueman, Lawrence McIntyre, Don ’ t Forget the Loudspeaker — A History of Hemispherical Speakers at Princeton , Plus a DIY Guide, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 110–115, 2009. |
| [ pdf | tex ] | Adrian Freed, Andrew Schmeder, Features and Future of Open Sound Control version 1.1 for NIME, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–120, 2009. |
| [ pdf | tex ] | Andrew Schmeder, Adrian Freed, A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 121–124, 2009. |
| [ pdf | tex ] | Hans-Christoph Steiner, Firmata : Towards Making Microcontrollers Act Like Extensions of the Computer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 125–130, 2009. |
| [ pdf | tex ] | Marije A. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, Marcelo M. Wanderley, Sharing Data in Collaborative, Interactive Performances : the SenseWorld DataNetwork, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 131–134, 2009. |
| [ pdf | tex ] | Nicolas Bouillot, Jeremy R. Cooperstock, Challenges and Performance of High-Fidelity Audio Streaming for Interactive Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 135–140, 2009. |
| [ pdf | tex ] | Todor Todoroff, Frédéric Bettens, Loïc Reboursière, Wen-Yang Chu, "Extension du Corps Sonore" - Dancing Viola, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 141–146, 2009. |
| [ pdf | tex ] | Colby Leider, Doug Mann, Daniel Plazas, Michael Battaglia, Reid Draper, The elBo and footPad : Toward Personalized Hardware for Audio Manipulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 147–148, 2009. |
| [ pdf | tex ] | Langdon Crawford, William D. Fastenow, The Midi-AirGuitar , A serious Musical Controller with a Funny Name Music Technology Program, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 149–150, 2009. |
| [ pdf | tex ] | Niels Böttcher, Smilen Dimitrov, An Early Prototype of the Augmented PsychoPhone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 151–152, 2009. |
| [ pdf | tex ] | Diana Siwiak, Jonathan Berger, Yao Yang, Catch Your Breath - Musical Biofeedback for Breathing Regulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 153–154, 2009. |
| [ pdf | tex ] | Lijuan Peng, David Gerhard, A Wii-Based Gestural Interface for Computer Conducting Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 155–156, 2009. |
| [ pdf | tex ] | Dale E. Parson, Chess-Based Composition and Improvisation for Non-Musicians, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 157–158, 2009. |
| [ pdf | tex ] | Andy Dolphin, MagNular : Symbolic Control of an External Sound Engine Using an Animated Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 159–160, 2009. |
| [ pdf | tex ] | Noah Feehan, Audio Orienteering – Navigating an Invisible Terrain, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 161–162, 2009. |
| [ pdf | tex ] | Staas de Jong, Developing the Cyclotactor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 163–164, 2009. |
| [ pdf | tex ] | Sébastien Schiesser, midOSC : a Gumstix-Based MIDI-to-OSC Converter, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 165–168, 2009. |
| [ pdf | tex ] | Yoichi Nagashima, Parallel Processing System Design with "Propeller" Processor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 169–170, 2009. |
| [ pdf | tex ] | A. Cavan Fyans, Michael Gurevich, Paul Stapleton, Where Did It All Go Wrong ? A Model of Error From the Spectator’s Perspective, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 171–172, 2009. |
| [ pdf | tex ] | Nicolas d'Alessandro, Thierry Dutoit, Advanced Techniques for Vertical Tablet Playing A Overview of Two Years of Practicing the HandSketch 1.x, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 173–174, 2009. |
| [ pdf | tex ] | Andreas Höofer, Aristotelis Hadjakos, Max Mühlhäuser, Gyroscope-Based Conducting Gesture Recognition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 175–176, 2009. |
| [ pdf | tex ] | Edgar Berdahl, Günter Niemeyer, Julius O. Smith, Using Haptics to Assist Performers in Making Gestures to a Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 177–182, 2009. |
| [ pdf | tex ] | Edgar Berdahl, Günter Niemeyer, Julius O. Smith, Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 183–186, 2009. |
| [ pdf | tex ] | Mark Havryliv, Fazel Naghdy, Greg Schiemer, Timothy Hurd, Haptic Carillon – Analysis & Design of the Carillon Mechanism, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 187–192, 2009. |
| [ pdf | tex ] | Hans Leeuw, The Electrumpet , a Hybrid Electro-Acoustic Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 193–198, 2009. |
| [ pdf | tex ] | Emmanuelle Gallin, Marc Sirguy, Sensor Technology and the Remaking of Instruments from the Past, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 199–202, 2009. |
| [ pdf | tex ] | Sarah Nicolls, Twenty-First Century Piano, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–206, 2009. |
| [ pdf | tex ] | Andrew Johnston, Linda Candy, Ernest Edmonds, Designing for Conversational Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 207–212, 2009. |
| [ pdf | tex ] | Michael Gurevich, Paul Stapleton, Peter Bennett, Designing for Style in New Musical Interactions, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 213–217, 2009. |
| [ pdf | tex ] | Perry R. Cook, Re-Designing Principles for Computer Music Controllers : a Case Study of SqueezeVox Maggie, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 218–221, 2009. |
| [ pdf | tex ] | Jaroslaw Kapuscinski, Javier Sanchez, Interfacing Graphic and Musical Elements in Counterlines, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 222–225, 2009. |
| [ pdf | tex ] | Richard Polfreman, FrameWorks 3D : Composition in the Third Dimension, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 226–229, 2009. |
| [ pdf | tex ] | Adrian Freed, Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 230–235, 2009. |
| [ pdf | tex ] | Randy Jones, Peter Driessen, Andrew Schloss, George Tzanetakis, A Force-Sensitive Surface for Intimate Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 236–241, 2009. |
| [ pdf | tex ] | Greg Kellum, Alain Crevoisier, A Flexible Mapping Editor for Multi-touch Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 242–245, 2009. |
| [ pdf | tex ] | Chris Kiefer, Nick Collins, Geraldine Fitzpatrick, Phalanger : Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 246–249, 2009. |
| [ pdf | tex ] | Teresa M. Nakra, Yuri Ivanov, Paris Smaragdis, Chris Ault, The UBS Virtual Maestro : an Interactive Conducting System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–255, 2009. |
| [ pdf | tex ] | Elena Jessop, The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based Gestural Controller for Vocal Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 256–259, 2009. |
| [ pdf | tex ] | Tomás Henriques, Double Slide Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–261, 2009. |
| [ pdf | tex ] | Edgar Berdahl, Günter Niemeyer, Julius O. Smith, HSP : A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 262–263, 2009. |
| [ pdf | tex ] | Tarik Barri, Versum : Audiovisual Composing in 3d, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 264–265, 2009. |
| [ pdf | tex ] | Jamie Bullock, Lamberto Coccioli, Towards a Humane Graphical User Interface for Live Electronic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 266–267, 2009. |
| [ pdf | tex ] | Tomas Laurenzo, Ernesto Rodríguez, Juan Fabrizio Castro, YARMI : an Augmented Reality Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 268–269, 2009. |
| [ pdf | tex ] | Georg Essl, SpeedDial : Rapid and On-The-Fly Mapping of Mobile Phone Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 270–273, 2009. |
| [ pdf | tex ] | Sidney S. Fels, Bob Pritchard, Allison Lenters, ForTouch : A Wearable Digital Ventriloquized Actor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 274–275, 2009. |
| [ pdf | tex ] | Alex Mclean, Geraint Wiggins, Words , Movement and Timbre, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 276–279, 2009. |
| [ pdf | tex ] | Rebecca Fiebrink, Dan Trueman, Perry R. Cook, A Meta-Instrument for Interactive, On-the-Fly Machine Learning, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 280–285, 2009. |
| [ pdf | tex ] | Jan C. Schacher, Action and Perception in Interactive Sound Installations : An Ecological Approach, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 286–289, 2009. |
| [ pdf | tex ] | Jonathon Kirk, Lee Weisert, The Argus Project : Underwater Soundscape Composition with Laser- Controlled Modulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 290–292, 2009. |
| [ pdf | tex ] | Michael St. Clair, Sasha Leitman, PlaySoundGround : An Interactive Musical Playground, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 293–296, 2009. |
| [ pdf | tex ] | Daniel Jones, Tim Hodgson, Jane Grant, John Matthias, Nicholas Outram, Nick Ryan, The Fragmented Orchestra, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 297–302, 2009. |
| [ pdf | tex ] | Ge Wang, Designing Smule’s Ocarina : The iPhone’s Magic Flute, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 303–307, 2009. |
| [ pdf | tex ] | Nicholas Gillian, Sile O'Modhrain, Georg Essl, Scratch-Off : A Gesture Based Mobile Music Game with Tactile Feedback, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 308–311, 2009. |
| [ pdf | tex ] | Gil Weinberg, Andrew Beck, Mark Godfrey, ZooZBeat : a Gesture-based Mobile Music Studio, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 312–315, 2009. |
| [ pdf | tex ] | Andrea Bianchi, Woon Seung Yeo, The Drummer : a Collaborative Musical Interface with Mobility, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 316–319, 2009. |
| [ pdf | tex ] | Robert Wechsler, The Oklo Phenomenon, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 320–320, 2009. |
| [ pdf | tex ] | David Lieberman, Anigraphical Etude 9, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 321–321, 2009. |
| [ pdf | tex ] | Min Eui Hong, Cosmic Strings II, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 322–322, 2009. |
| [ pdf | tex ] | Troy Rogers, Steven Kemper, Scott Barton, Study no. 1 for PAM and MADI, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 323–323, 2009. |
| [ pdf | tex ] | Garth Paine, Michael Atherton, Fue Sho – Electrofusion, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 324–324, 2009. |
| [ pdf | tex ] | Tarik Barri, Versum – Fluor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 325–325, 2009. |
| [ pdf | tex ] | Chikashi Miyama, Angry Sparrow, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 326–326, 2009. |
| [ pdf | tex ] | Eric Lyon, Benjamin Knapp, Gascia Ouzounian, Biomuse Trio, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 327–327, 2009. |
| [ pdf | tex ] | Suguru Goto, BodyJack, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 328–328, 2009. |
| [ pdf | tex ] | Marije A. Baalman, Code LiveCode Live, or livecode Embodied, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 329–329, 2009. |
| [ pdf | tex ] | Giuseppe Torre, Robert Sazdov, Dorota Konczewska, MOLITVA — Composition for Voice, Live Electronics, Pointing-At Glove Device and 3-D Setup of Speakers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 330–330, 2009. |
| [ pdf | tex ] | Ben Neill, Eric Singer, Ben Neill and LEMUR, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 331–331, 2009. |
| [ pdf | tex ] | David Hindman, Evan Drummond, Performance: Modal Kombat Plays PONG, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 332–332, 2009. |
| [ pdf | tex ] | Colby Leider, Afflux/Reflux, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 333–333, 2009. |
| [ pdf | tex ] | Ge Wang, Rebecca Fiebrink, PLOrk Beat Science 2.0, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 334–334, 2009. |
| [ pdf | tex ] | David Wessel, Hands On - A New Work from SLABS Controller and Generative Algorithms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 335–335, 2009. |
| [ pdf | tex ] | R. Luke Dubois, Lesley Flanigan, Bioluminescence, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 336–336, 2009. |
| [ pdf | tex ] | Ivika Bukvic, Eric Standley, Elemental & Cyrene Reefs, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 337–337, 2009. |
| [ pdf | tex ] | Scot Gresham-Lancaster, Steve Bull, Cellphonia: 4'33", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 338–338, 2009. |
| [ pdf | tex ] | Dan Overholt, Byron Lahey, Anne-Marie Skriver Hansen, Winslow Burleson, Camilla Norrgaard Jensen, Pendaphonics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 339–339, 2009. |
| [ pdf | tex ] | Scott Smallwood, Sound Lanterns, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 340–340, 2009. |
| [ pdf | tex ] | Phillip Stearns, AANN: Artificial Analog Neural Network, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 341–341, 2009. |
NIME 2008
| [ pdf | tex ] | David Kim-Boyle, Network Musics - Play , Engagement and the Democratization of Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 3–8, 2008. |
| [ pdf | tex ] | Àlvaro Barbosa, Ten-Hand Piano : A Networked Music Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 9–12, 2008. |
| [ pdf | tex ] | Mike Wozniewski, Nicolas Bouillot, Zack Settel, Jeremy R. Cooperstock, Large-Scale Mobile Audio Environments for Collaborative Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 13–18, 2008. |
| [ pdf | tex ] | Angelo Fraietta, Open Sound Control : Constraints and Limitations, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–23, 2008. |
| [ pdf | tex ] | Matteo Bozzolan, Giovanni Cospito, SMuSIM : a Prototype of Multichannel Spatialization System with Multimodal Interaction Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–27, 2008. |
| [ pdf | tex ] | Chris Nash, Alan Blackwell, Realtime Representation and Gestural Control of Musical Polytempi, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 28–33, 2008. |
| [ pdf | tex ] | Mikael Laurson, Mika Kuuskankare, Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 34–37, 2008. |
| [ pdf | tex ] | Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley, Enhancing the Visualization of Percussion Gestures by Virtual Character Animation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 38–43, 2008. |
| [ pdf | tex ] | Diana Young, Classification of Common Violin Bowing Techniques Using Gesture Data from a Playable Measurement System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 44–48, 2008. |
| [ pdf | tex ] | Jyri Pakarinen, Vesa Välimäki, Tapio Puputti, Slide Guitar Synthesizer with Gestural Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 49–52, 2008. |
| [ pdf | tex ] | Otso Lähdeoja, An Approach to Instrument Augmentation : the Electric Guitar, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 53–56, 2008. |
| [ pdf | tex ] | Juhani Räisänen, Sormina – a New Virtual and Tangible Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 57–60, 2008. |
| [ pdf | tex ] | Edgar Berdahl, Hans-Christoph Steiner, Collin Oldham, Practical Hardware and Algorithms for Creating Haptic Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 61–66, 2008. |
| [ pdf | tex ] | Amit Zoran, Pattie Maes, Considering Virtual & Physical Aspects in Acoustic Guitar Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 67–70, 2008. |
| [ pdf | tex ] | Dylan Menzies, Virtual Intimacy : Phya as an Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 71–76, 2008. |
| [ pdf | tex ] | Jennifer Butler, Creating Pedagogical Etudes for Interactive Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 77–80, 2008. |
| [ pdf | tex ] | Dan Stowell, Mark D. Plumbley, Nick Bryan-Kinns, Discourse Analysis Evaluation Method for Expressive Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 81–86, 2008. |
| [ pdf | tex ] | Chris Kiefer, Nick Collins, Geraldine Fitzpatrick, HCI Methodology For Evaluating Musical Controllers : A Case Study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 87–90, 2008. |
| [ pdf | tex ] | Olivier Bau, Atau Tanaka, Wendy E. Mackay, The A20 : Musical Metaphors for Interface Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 91–96, 2008. |
| [ pdf | tex ] | Tobias Grosshauser, Low Force Pressure Measurement : Pressure Sensor Matrices for Gesture Analysis , Stiffness Recognition and Augmented Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 97–102, 2008. |
| [ pdf | tex ] | Giuseppe Torre, Javier Torres, Mikael Fernström, The Development of Motion Tracking Algorithms for Low Cost Inertial Measurement Units, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 103–106, 2008. |
| [ pdf | tex ] | Adrian Freed, Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 107–112, 2008. |
| [ pdf | tex ] | Alain Crevoisier, Greg Kellum, Transforming Ordinary Surfaces into Multi-touch Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 113–116, 2008. |
| [ pdf | tex ] | Nicholas Ward, Kedzie Penfield, Sile O'Modhrain, Benjamin Knapp, A Study of Two Thereminists : Towards Movement Informed Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 117–121, 2008. |
| [ pdf | tex ] | Vassilios-Fivos A. Maniatakos, Christian Jacquemin, Towards an Affective Gesture Interface for Expressive Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 122–127, 2008. |
| [ pdf | tex ] | Anna Källblad, Anders Friberg, Karl Svensson, Elisabet S. Edelholm, Hoppsa Universum – An Interactive Dance Installation for Children, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 128–133, 2008. |
| [ pdf | tex ] | Antonio Camurri, Corrado Canepa, Paolo Coletta, Barbara Mazzarino, Gualtiero Volpe, Mappe per Affetti Erranti : a Multimodal System for Social Active Listening and Expressive Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 134–139, 2008. |
| [ pdf | tex ] | Sergio Canazza, Antonina Dattolo, New Data Structure for Old Musical Open Works, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–143, 2008. |
| [ pdf | tex ] | Arne Eigenfeldt, Ajay Kapur, An Agent-based System for Robotic Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–149, 2008. |
| [ pdf | tex ] | Maurizio Goina, Pietro Polotti, Elementary Gestalts for Gesture Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 150–153, 2008. |
| [ pdf | tex ] | Stefano Delle Monache, Pietro Polotti, Stefano Papetti, Davide Rocchesso, Sonically Augmented Found Objects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 154–157, 2008. |
| [ pdf | tex ] | Jean-Marc Pelletier, Sonified Motion Flow Fields as a Means of Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 158–163, 2008. |
| [ pdf | tex ] | Josh Dubrau, Mark Havryliv, P[a]ra[pra]xis : Poetry in Motion, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 164–167, 2008. |
| [ pdf | tex ] | Jan C. Schacher, Davos Soundscape, a Location Based Interactive Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 168–171, 2008. |
| [ pdf | tex ] | Andrew Schmeder, Adrian Freed, uOSC : The Open Sound Control Reference Platform for Embedded Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 175–180, 2008. |
| [ pdf | tex ] | Timothy Place, Trond Lossius, Alexander R. Jensenius, Nils Peters, Addressing Classes by Differentiating Values and Properties in OSC, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 181–184, 2008. |
| [ pdf | tex ] | Misra Ananya, Georg Essl, Michael Rohs, Microphone as Sensor in Mobile Phone Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 185–188, 2008. |
| [ pdf | tex ] | Nicolas Bouillot, Mike Wozniewski, Zack Settel, Jeremy R. Cooperstock, A Mobile Wireless Augmented Guitar, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 189–192, 2008. |
| [ pdf | tex ] | Robert Jacobs, Mark Feldmeier, Joseph A. Paradiso, A Mobile Music Environment Using a PD Compiler and Wireless Sensors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 193–196, 2008. |
| [ pdf | tex ] | Ross Bencina, Danielle Wilde, Somaya Langley, Gesture ≈ Sound Experiments : Process and Mappings, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–202, 2008. |
| [ pdf | tex ] | Miha Ciglar, "3rd. Pole" – A Composition Performed via Gestural Cues, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–206, 2008. |
| [ pdf | tex ] | Kjetil F. Hansen, Marcos Alonso, More DJ Techniques on the reactable, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 207–210, 2008. |
| [ pdf | tex ] | Smilen Dimitrov, Marcos Alonso, Stefania Serafin, Developing Block-Movement, Physical-Model Based Objects for the Reactable, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 211–214, 2008. |
| [ pdf | tex ] | Jean-Baptiste Thiebaut, Samer Abdallah, Andrew Robertson, Nick Bryan-Kinns, Mark D. Plumbley, Real Time Gesture Learning and Recognition : Towards Automatic Categorization, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 215–218, 2008. |
| [ pdf | tex ] | Mari Kimura, Making of VITESSIMO for Augmented Violin : Compositional Process and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 219–220, 2008. |
| [ pdf | tex ] | Jörn Loviscach, Programming a Music Synthesizer through Data Mining, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 221–224, 2008. |
| [ pdf | tex ] | Kia Ng, Paolo Nesi, i-Maestro : Technology-Enhanced Learning and Teaching for Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 225–228, 2008. |
| [ pdf | tex ] | Bart Kuyken, Wouter Verstichel, Frederick Bossuyt, Jan Vanfleteren, Michiel Demey, Marc Leman, The HOP Sensor : Wireless Motion Sensor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 229–232, 2008. |
| [ pdf | tex ] | Niall Coghlan, Benjamin Knapp, Sensory Chairs : A System for Biosignal Research and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 233–236, 2008. |
| [ pdf | tex ] | Andrew B. Godbehere, Nathan J. Ward, Wearable Interfaces for Cyberphysical Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 237–240, 2008. |
| [ pdf | tex ] | Kouki Hayafuchi, Kenji Suzuki, MusicGlove : A Wearable Musical Controller for Massive Media Library, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 241–244, 2008. |
| [ pdf | tex ] | Michael Zbyszynski, An Elementary Method for Tablet, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 245–248, 2008. |
| [ pdf | tex ] | Gerard Roma, Anna Xambó, A Tabletop Waveform Editor for Live Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 249–252, 2008. |
| [ pdf | tex ] | Andrea Valle, Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 253–256, 2008. |
| [ pdf | tex ] | Andrea Valle, GeoGraphy : a Real-Time, Graph-Based Composition Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 257–260, 2008. |
| [ pdf | tex ] | Iannis Zannos, Multi-Platform Development of Audiovisual and Kinetic Installations, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 261–264, 2008. |
| [ pdf | tex ] | Greg Corness, Performer Model : Towards a Framework for Interactive Performance Based on Perceived Intention, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 265–268, 2008. |
| [ pdf | tex ] | Paulo C. Teles, Aidan Boyle, Developing an "Antigenous" Art Installation Based on a Touchless Endosystem Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 269–272, 2008. |
| [ pdf | tex ] | Silvia Lanzalone, The 'Suspended Clarinet' with the 'Uncaused Sound' : Description of a Renewed Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 273–276, 2008. |
| [ pdf | tex ] | Mitsuyo Hashida, Yosuke Ito, Haruhiro Katayose, A Directable Performance Rendering System : Itopul, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 277–280, 2008. |
| [ pdf | tex ] | William R. Hazlewood, Ian Knopke, Designing Ambient Musical Information Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 281–284, 2008. |
| [ pdf | tex ] | Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser, The Elbow Piano : Sonification of Piano Playing Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 285–288, 2008. |
| [ pdf | tex ] | Yoshinari Takegawa, Masahiko Tsukamoto, UnitKeyboard : An Easily Configurable Compact Clavier, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 289–292, 2008. |
| [ pdf | tex ] | Cléo Palacio-Quintin, Eight Years of Practice on the Hyper-Flute : Technological and Musical Perspectives, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 293–298, 2008. |
| [ pdf | tex ] | Edgar Berdahl, Julius O. Smith, A Tangible Virtual Vibrating String : A Physically Motivated Virtual Musical Instrument Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 299–302, 2008. |
| [ pdf | tex ] | Christian Geiger, Holger Reckter, David Paschke, Florian Schulz, Cornelius Poepel, Towards Participatory Design and Evaluation of Theremin-based Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 303–306, 2008. |
| [ pdf | tex ] | Tomás Henriques, META-EVI Innovative Performance Paths with a Wind Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 307–310, 2008. |
| [ pdf | tex ] | Robin Price, Pedro Rebelo, Database and Mapping Design for Audiovisual Prepared Radio Set Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 311–314, 2008. |
| [ pdf | tex ] | Kazuhiro Jo, Norihisa Nagano, Monalisa : "See the Sound , Hear the Image", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 315–318, 2008. |
| [ pdf | tex ] | Andrew Robertson, Mark D. Plumbley, Nick Bryan-Kinns, A Turing Test for B-Keeper : Evaluating an Interactive, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 319–324, 2008. |
| [ pdf | tex ] | Gabriel Gatzsche, Markus Mehnert, Christian Stöcklmeier, Interaction with Tonal Pitch Spaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 325–330, 2008. |
| [ pdf | tex ] | Parag Chordia, Alex Rae, Real-Time Raag Recognition for Interactive Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 331–334, 2008. |
| [ pdf | tex ] | Anders Vinjar, Bending Common Music with Physical Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 335–338, 2008. |
| [ pdf | tex ] | Margaret Schedel, Alison Rootberg, Elizabeth de Martelly, Scoring an Interactive, Multimedia Performance Work, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 339–342, 2008. |
| [ pdf | tex ] | Ayaka Endo, Yasuo Kuhara, Rhythmic Instruments Ensemble Simulator Generating Animation Movies Using Bluetooth Game Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 345–346, 2008. |
| [ pdf | tex ] | Keith A. McMillen, Stage-Worthy Sensor Bows for Stringed Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 347–348, 2008. |
| [ pdf | tex ] | Lesley Flanigan, Andrew Doro, Plink Jet, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 349–351, 2008. |
| [ pdf | tex ] | Yusuke Kamiyama, Mai Tanaka, Hiroya Tanaka, Oto-Shigure : An Umbrella-Shaped Sound Generator for Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 352–353, 2008. |
| [ pdf | tex ] | Sean Follmer, Chris Warren, Adnan Marquez-Borbon, The Pond : Interactive Multimedia Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 354–355, 2008. |
| [ pdf | tex ] | Ethan Hartman, Jeff Cooper, Kyle Spratt, Swing Set : Musical Controllers with Inherent Physical Dynamics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 356–357, 2008. |
| [ pdf | tex ] | Paul Modler, Tony Myatt, Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 358–359, 2008. |
| [ pdf | tex ] | Kenji Suzuki, Miho Kyoya, Takahiro Kamatani, Toshiaki Uchiyama, beacon : Embodied Sound Media Environment for Socio-Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 360–361, 2008. |
| [ pdf | tex ] | Eva Sjuve, Prototype GO : Wireless Controller for Pure Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 362–363, 2008. |
| [ pdf | tex ] | Robert Macrae, Simon Dixon, From Toy to Tutor : Note-Scroller is a Game to Teach Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 364–365, 2008. |
| [ pdf | tex ] | Stuart Favilla, Joanne Cannon, Tony Hicks, Dale Chant, Paris Favilla, Gluisax : Bent Leather Band’s Augmented Saxophone Project, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 366–369, 2008. |
| [ pdf | tex ] | Staas de Jong, The Cyclotactor : Towards a Tactile Platform for Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 370–371, 2008. |
| [ pdf | tex ] | Michiel Demey, Marc Leman, Frederick Bossuyt, Jan Vanfleteren, The Musical Synchrotron : Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 372–373, 2008. |
NIME 2007
| [ pdf | tex ] | Randy Jones, Andrew Schloss, Controlling a Physical Model with a 2D Force Matrix, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 27–30, 2007. |
| [ pdf | tex ] | Niels Bottcher, Steven Gelineck, Stefania Serafin, PHYSMISM : A Control Interface for Creative Exploration of Physical Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–36, 2007. |
| [ pdf | tex ] | Katarzyna Chuchacz, Sile O'Modhrain, Roger Woods, Physical Models and Musical Controllers – Designing a Novel Electronic Percussion Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 37–40, 2007. |
| [ pdf | tex ] | David Wessel, Rimas Avizienis, Adrian Freed, Matthew Wright, A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 41–45, 2007. |
| [ pdf | tex ] | Angela Chang, Hiroshi Ishii, Zstretch : A Stretchy Fabric Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 46–49, 2007. |
| [ pdf | tex ] | Juno Kim, Greg Schiemer, Terumi Narushima, Oculog : Playing with Eye Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 50–55, 2007. |
| [ pdf | tex ] | Antonio Camurri, Corrado Canepa, Gualtiero Volpe, Active Listening to a Virtual Orchestra Through an Expressive Gestural Interface : The Orchestra Explorer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–61, 2007. |
| [ pdf | tex ] | Bo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, JoAnn Morin-Kuchera, The Multimodal Music Stand, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 62–65, 2007. |
| [ pdf | tex ] | Joseph Malloch, Marcelo M. Wanderley, The T-Stick : From Musical Interface to Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 66–69, 2007. |
| [ pdf | tex ] | Garth Paine, Ian Stevenson, Angela Pearce, The Thummer Mapping Project (ThuMP), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 70–77, 2007. |
| [ pdf | tex ] | Nicolas d'Alessandro, Thierry Dutoit, HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 78–81, 2007. |
| [ pdf | tex ] | Yoshinari Takegawa, Tsutomu Terada, Mobile Clavier : New Music Keyboard for Flexible Key Transpose, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 82–87, 2007. |
| [ pdf | tex ] | Mikko Ojanen, Jari Suominen, Titti Kallio, Kai Lassfolk, Design Principles and User Interfaces of Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–93, 2007. |
| [ pdf | tex ] | Thor Magnusson, Enrike H. Mendieta, The Acoustic, the Digital and the Body : A Survey on Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 94–99, 2007. |
| [ pdf | tex ] | Michael Zbyszynski, Matthew Wright, Ali Momeni, Daniel Cullen, Ten Years of Tablet Musical Interfaces at CNMAT, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 100–105, 2007. |
| [ pdf | tex ] | Michael Gurevich, Jeffrey Treviño, Expression and Its Discontents : Toward an Ecology of Musical Creation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 106–111, 2007. |
| [ pdf | tex ] | Click Nilson, Live Coding Practice, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 112–117, 2007. |
| [ pdf | tex ] | Steve Mann, Natural Interfaces for Musical Expression : Physiphones and a Physics-Based Organology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 118–123, 2007. |
| [ pdf | tex ] | Frédéric Bevilacqua, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, Nicolas Leroy, Wireless Sensor Interface and Gesture-Follower for Music Pedagogy, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–129, 2007. |
| [ pdf | tex ] | Roger B. Dannenberg, New Interfaces for Popular Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 130–135, 2007. |
| [ pdf | tex ] | Eric Lee, Urs Enke, Jan Borchers, Leo de Jong, Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 136–141, 2007. |
| [ pdf | tex ] | Nicolas Bouillot, nJam User Experiments : Enabling Remote Musical Interaction from Milliseconds to Seconds, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 142–147, 2007. |
| [ pdf | tex ] | Niall Moody, Nick Fells, Nicholas Bailey, Ashitaka : An Audiovisual Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 148–153, 2007. |
| [ pdf | tex ] | Roberto Aimi, Percussion Instruments Using Realtime Convolution : Physical Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 154–159, 2007. |
| [ pdf | tex ] | Michael Rohs, Georg Essl, CaMus 2 – Optical Flow and Collaboration in Camera Phone Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 160–163, 2007. |
| [ pdf | tex ] | Rebecca Fiebrink, Ge Wang, Perry R. Cook, Don ’ t Forget the Laptop : Using Native Input Capabilities for Expressive Musical Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 164–167, 2007. |
| [ pdf | tex ] | Katherine Moriwaki, Jonah Brucken-Cohen, MIDI Scrapyard Challenge Workshops, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 168–172, 2007. |
| [ pdf | tex ] | Eric Lee, Marius Wolf, Yvonne Jansen, Jan Borchers, REXband : A Multi-User Interactive Exhibit for Exploring Medieval Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 172–177, 2007. |
| [ pdf | tex ] | Marije A. Baalman, Daniel Moody-Grigsby, Christopher L. Salter, Schwelle : Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 178–184, 2007. |
| [ pdf | tex ] | Joanne Jakovich, Kirsty Beilharz, ParticleTecture : Interactive Granular Soundspaces for Architectural Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 185–190, 2007. |
| [ pdf | tex ] | Karmen Franinovic, Yon Visell, New Musical Interfaces in Context : Sonic Interaction Design in the Urban Setting, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 191–196, 2007. |
| [ pdf | tex ] | Marcelo Gimenes, Eduardo Miranda, Chris Johnson, Musicianship for Robots with Style, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–202, 2007. |
| [ pdf | tex ] | David Topper, Extended Applications of the Wireless Sensor Array (WISEAR), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–204, 2007. |
| [ pdf | tex ] | Giuseppe Torre, Mikael Fernström, Brendan O'Flynn, Philip Angove, Celeritas : Wearable Wireless System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 205–208, 2007. |
| [ pdf | tex ] | Stephen Sinclair, Marcelo M. Wanderley, Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 209–212, 2007. |
| [ pdf | tex ] | Justin Donaldson, Ian Knopke, Chris Raphael, Chroma Palette : Chromatic Maps of Sound As Granular Synthesis Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 213–219, 2007. |
| [ pdf | tex ] | Nick Collins, Matching Parts : Inner Voice Led Control for Symbolic and Audio Accompaniment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–223, 2007. |
| [ pdf | tex ] | Mark Cartwright, Matt Jones, Hiroko Terasawa, Rage in Conjunction with the Machine, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 224–227, 2007. |
| [ pdf | tex ] | Gil Weinberg, Scott Driscoll, The Design of a Robotic Marimba Player – Introducing Pitch into Robotic Musicianship, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 228–233, 2007. |
| [ pdf | tex ] | Andrew Robertson, Mark D. Plumbley, B-Keeper : A Beat-Tracker for Live Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 234–237, 2007. |
| [ pdf | tex ] | Ajay Kapur, Eric Singer, Manjinder S. Benning, George Tzanetakis, Trimpin Trimpin, Integrating HyperInstruments , Musical Robots & Machine Musicianship for North Indian Classical Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 238–241, 2007. |
| [ pdf | tex ] | Arthur Clay, Dennis Majoe, The Wrist-Conductor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 242–245, 2007. |
| [ pdf | tex ] | Avrum Hollinger, Christopher Steele, Virginia Penhune, Robert Zatorre, Marcelo M. Wanderley, fMRI-Compatible Electronic Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 246–249, 2007. |
| [ pdf | tex ] | Yoichi Nagashima, GHI project and "Cyber Kendang", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–253, 2007. |
| [ pdf | tex ] | Shinichiro Toyoda, Sensillum : An Improvisational Approach to Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 254–255, 2007. |
| [ pdf | tex ] | Leon Gruenbaum, The Samchillian Tip Tip Tip Cheeepeeeee : A Relativistic Keyboard Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 256–259, 2007. |
| [ pdf | tex ] | Jason Freeman, Graph Theory : Interfacing Audiences Into the Compositional Process, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–263, 2007. |
| [ pdf | tex ] | Nicolas Villar, Hans Gellersen, Matt Jervis, Alexander Lang, The ColorDex DJ System : A New Interface for Live Music Mixing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 264–269, 2007. |
| [ pdf | tex ] | Luke Dahl, Nathan Whetsell, John Van Stoecker, The WaveSaw : A Flexible Instrument for Direct Timbral Manipulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 270–272, 2007. |
| [ pdf | tex ] | Peter Bennett, Nicholas Ward, Sile O'Modhrain, Pedro Rebelo, DAMPER : A Platform for Effortful Interface Development, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 273–276, 2007. |
| [ pdf | tex ] | Alexandre R. François, Elaine Chew, Dennis Thurmond, Visual Feedback in Performer-Machine Interaction for Musical Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 277–280, 2007. |
| [ pdf | tex ] | Cornelius Poepel, Günter Marx, >hot_strings SIG<, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 281–284, 2007. |
| [ pdf | tex ] | Andrew A. Cook, Graham Pullin, Tactophonics : Your Favourite Thing Wants to Sing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 285–288, 2007. |
| [ pdf | tex ] | Miguel A. Pérez, Benjamin Knapp, Michael Alcorn, Díamair : Composing for Choir and Integral Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 289–292, 2007. |
| [ pdf | tex ] | Jose Fornari, Adolfo Jr. Maia, Jonatas Manzolli, Interactive Spatialization and Sound Design using an Evolutionary System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 293–298, 2007. |
| [ pdf | tex ] | Anthony J. Hornof, Troy Rogers, Tim Halverson, EyeMusic : Performing Live Music and Multimedia Compositions with Eye Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 299–300, 2007. |
| [ pdf | tex ] | Turner Kirk, Colby Leider, The FrankenPipe : A Novel Bagpipe Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 301–304, 2007. |
| [ pdf | tex ] | Antonio Camurri, Paolo Coletta, Giovanna Varni, Simone Ghisio, Developing Multimodal Interactive Systems with EyesWeb XMI, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 305–308, 2007. |
| [ pdf | tex ] | Matt Hoffman, Perry R. Cook, Real-Time Feature-Based Synthesis for Live Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 309–312, 2007. |
| [ pdf | tex ] | Mitsuyo Hashida, Noriko Nagata, Haruhiro Katayose, jPop-E : An Assistant System for Performance Rendering of Ensemble Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 313–316, 2007. |
| [ pdf | tex ] | Mihir Sarkar, Barry Vercoe, Recognition and Prediction in a Network Music Performance System for Indian Percussion, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 317–320, 2007. |
| [ pdf | tex ] | Benjamin Vigoda, David Merrill, JamiOki-PureJoy : A Game Engine and Instrument for Electronically-Mediated Musical Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 321–326, 2007. |
| [ pdf | tex ] | Daniel Gómez, Tjebbe Donner, Andrés Posada, A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 327–329, 2007. |
| [ pdf | tex ] | Roy Vanegas, The MIDI Pick : Trigger Serial Data , Samples, and MIDI from a Guitar Pick, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 330–333, 2007. |
| [ pdf | tex ] | Manjinder S. Benning, Michael McGuire, Peter Driessen, Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 334–337, 2007. |
| [ pdf | tex ] | Noah H. Keating, The Lambent Reactive : An Audiovisual Environment for Kinesthetic Playforms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 338–343, 2007. |
| [ pdf | tex ] | Adam M. Stark, Mark D. Plumbley, Matthew E. Davies, Real-Time Beat-Synchronous Audio Effects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 344–345, 2007. |
| [ pdf | tex ] | Harris Wulfson, G. Douglas Barrett, Michael Winter, Automatic Notation Generators, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 346–351, 2007. |
| [ pdf | tex ] | Diana Young, Anagha Deshmane, Bowstroke Database : A Web-Accessible Archive of Violin Bowing Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 352–357, 2007. |
| [ pdf | tex ] | Jan C. Schacher, Gesture Control of Sounds in 3D Space, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 358–362, 2007. |
| [ pdf | tex ] | Alexandre T. Porres, Jonatas Manzolli, Adaptive Tuning Using Theremin as Gestural Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 363–366, 2007. |
| [ pdf | tex ] | William Hsu, Design Issues in Interaction Modeling for Free Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 367–370, 2007. |
| [ pdf | tex ] | Sylvain Le Groux, Jonatas Manzolli, Paul F. Verschure, VR-RoBoser : Real-Time Adaptive Sonification of Virtual Environments Based on Avatar Behavior, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 371–374, 2007. |
| [ pdf | tex ] | Hans-Christoph Steiner, A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max / MSP, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 375–378, 2007. |
| [ pdf | tex ] | Doug Van Nort, Marcelo M. Wanderley, Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 379–383, 2007. |
| [ pdf | tex ] | André Knörig, Boris Müller, Reto Wettach, Articulated Paint : Musical Expression for Non-Musicians, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 384–385, 2007. |
| [ pdf | tex ] | Tetsuaki Baba, Taketoshi Ushiama, Kiyoshi Tomimatsu, Freqtric Drums : A Musical Instrument that Uses Skin Contact as an Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 386–387, 2007. |
| [ pdf | tex ] | Chang Min Han, Project Scriabin v.3, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 388–389, 2007. |
| [ pdf | tex ] | Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe, Expressive Control of Music and Visual Media by Full-Body Movement, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 390–391, 2007. |
| [ pdf | tex ] | Adam R. Tindale, A Hybrid Method for Extended Percussive Gesture, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 392–393, 2007. |
| [ pdf | tex ] | Paolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, Mario Pierro, Use of a Dual-Core DSP in a Low-Cost, Touch-Screen Based Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 394–395, 2007. |
| [ pdf | tex ] | Junichi Kanebako, James Gibson, Laurent Mignonneau, Mountain Guitar : a Musical Instrument for Everyone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 396–398, 2007. |
| [ pdf | tex ] | Marc Sirguy, Emmanuelle Gallin, Eobody2 : A Follow-up to Eobody’s Technology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 401–402, 2007. |
| [ pdf | tex ] | Bernie C. Till, Manjinder S. Benning, Nigel Livingston, Wireless Inertial Sensor Package (WISP), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 403–404, 2007. |
| [ pdf | tex ] | Stefan Loewenstein, "Acoustic Map" – An Interactive Cityportrait, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 405–406, 2007. |
| [ pdf | tex ] | Tomoko Hashida, Takeshi Naemura, Takao Sato, A System for Improvisational Musical Expression Based on Player ’ s Sense of Tempo, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 407–408, 2007. |
| [ pdf | tex ] | Misako Nakamoto, Yasuo Kuhara, Circle Canon Chorus System Used To Enjoy A Musical Ensemble Singing "Frog Round", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 409–410, 2007. |
| [ pdf | tex ] | Rui Pereira, Loop-R : Real-Time Video Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 411–414, 2007. |
| [ pdf | tex ] | Jane Rigler, Zachary Seldess, The Music Cre8tor : an Interactive System for Musical Exploration and Education, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 415–416, 2007. |
| [ pdf | tex ] | Carlos Guedes, Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 417–419, 2007. |
| [ pdf | tex ] | Steve Bull, Scot Gresham-Lancaster, Kalin Mintchev, Terese Svoboda, Cellphonia : WET, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 420–420, 2007. |
| [ pdf | tex ] | Dearraindrop , Miller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 421–421, 2007. |
| [ pdf | tex ] | Sibylle Hauert, Daniel Reichmuth, Volker Böhm, Instant City, a Music Building Game Table, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 422–422, 2007. |
| [ pdf | tex ] | Andrew Milmoe, NIME Performance & Installation : Sonic Pong V3.0, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 423–423, 2007. |
| [ pdf | tex ] | Betsey Biggs, The Tipping Point, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 424–424, 2007. |
| [ pdf | tex ] | Simon Morris, Musique Concrete : Transforming Space , Sound and the City Through Skateboarding, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 425–425, 2007. |
| [ pdf | tex ] | Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi, Bd : A Sound Installation with Swarming Robots, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 426–426, 2007. |
| [ pdf | tex ] | Stanza , Sensity, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 427–427, 2007. |
| [ pdf | tex ] | Adriana Sa, Thresholds, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 428–428, 2007. |
| [ pdf | tex ] | Masato Takahashi, Hiroya Tanaka, bog : Instrumental Aliens, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 429–429, 2007. |
| [ pdf | tex ] | Julian Oliver, Steven Pickles, Fijuu2 : A Game-Based Audio-Visual Performance and Composition Engine, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 430–430, 2007. |
| [ pdf | tex ] | Jinsil Seo, Greg Corness, nite_aura : An Audio-Visual Interactive Immersive Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 431–431, 2007. |
| [ pdf | tex ] | Miguel Álvarez-Fernández, Stefan Kersten, Asia Piascik, Soundanism, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 432–432, 2007. |
| [ pdf | tex ] | Alexandre Quessy, Human Sequencer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 433–433, 2007. |
NIME 2006
| [ pdf | tex ] | Lalya Gaye, Lars E. Holmquist, Frauke Behrendt, Atau Tanaka, Mobile Music Technology: Report on an Emerging Community, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 22–25, 2006. |
| [ pdf | tex ] | Atau Tanaka, Petra Gemeinboeck, A Framework for Spatial Interaction in Locative Media, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 26–30, 2006. |
| [ pdf | tex ] | Michael Rohs, Georg Essl, Martin Roth, CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–36, 2006. |
| [ pdf | tex ] | Greg Schiemer, Mark Havryliv, Pocket Gamelan: Tuneable Trajectories for Flying Sources in Mandala 3 and Mandala 4, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 37–42, 2006. |
| [ pdf | tex ] | David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig, Interactive Public Sound Art: a case study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–48, 2006. |
| [ pdf | tex ] | Ge Wang, Ananya Misra, Perry R. Cook, Building Collaborative Graphical interFaces in the Audicle, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 49–52, 2006. |
| [ pdf | tex ] | Pedro Rebelo, Alain B. Renaud, The Frequencyliator – Distributing Structures for Networked Laptop Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 53–56, 2006. |
| [ pdf | tex ] | Martin Naef, Daniel Collicott, A VR Interface for Collaborative 3D Audio Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 57–60, 2006. |
| [ pdf | tex ] | Günter Geiger, Using the Touch Screen as a Controller for Portable Computer Music Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 61–64, 2006. |
| [ pdf | tex ] | Jukka Holm, Juha Arrasvuori, Kai Havukainen, Using MIDI to Modify Video Game Content, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 65–70, 2006. |
| [ pdf | tex ] | Takuro M. Lippit, Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 71–74, 2006. |
| [ pdf | tex ] | Spencer Kiser, spinCycle: a Color-Tracking Turntable Sequencer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 75–76, 2006. |
| [ pdf | tex ] | Jason Lee, The Chopping Board: Real-time Sample Editor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 77–78, 2006. |
| [ pdf | tex ] | Staas de Jong, A Tactile Closed-Loop Device for Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 79–80, 2006. |
| [ pdf | tex ] | Peter Bennett, PETECUBE: a Multimodal Feedback Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 81–84, 2006. |
| [ pdf | tex ] | Denis Lebel, Joseph Malloch, The G-Spring Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 85–88, 2006. |
| [ pdf | tex ] | Damien Lock, Greg Schiemer, Orbophone: a New Interface for Radiating Sound and Image, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 89–92, 2006. |
| [ pdf | tex ] | Sukandar Kartadinata, The Gluion Advantages of an FPGA-based Sensor Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 93–96, 2006. |
| [ pdf | tex ] | Adrian Freed, Rimas Avizienis, Matthew Wright, Beyond 0-5V: Expanding Sensor Integration Architectures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 97–100, 2006. |
| [ pdf | tex ] | Colin G. Johnson, Alex Gounaropoulos, Timbre Interfaces using Adjectives and Adverbs, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 101–102, 2006. |
| [ pdf | tex ] | D. Andrew Stewart, SonicJumper Composer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 103–105, 2006. |
| [ pdf | tex ] | Hans-Christoph Steiner, Towards a Catalog and Software Library of Mapping Methods, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 106–109, 2006. |
| [ pdf | tex ] | Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa, LINE: Interactive Sound and Light Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 110–113, 2006. |
| [ pdf | tex ] | Nick Bryan-Kinns, Patrick G. Healey, Decay in Collaborative Music Making, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 114–117, 2006. |
| [ pdf | tex ] | Michael Gurevich, JamSpace: Designing A Collaborative Networked Music Space for Novices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 118–123, 2006. |
| [ pdf | tex ] | Benjamin Knapp, Perry R. Cook, Creating a Network of Integral Music Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–128, 2006. |
| [ pdf | tex ] | Matthew Burtner, Perturbation Techniques for Multi-Performer or Multi- Agent Interactive Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 129–133, 2006. |
| [ pdf | tex ] | Ryan Aylward, Joseph A. Paradiso, Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 134–139, 2006. |
| [ pdf | tex ] | Chandrasekhar Ramakrishnan, Joachim Goßman, Ludger Brümmer, The ZKM Klangdom, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–143, 2006. |
| [ pdf | tex ] | Mike Wozniewski, Zack Settel, Jeremy R. Cooperstock, A Framework for Immersive Spatial Audio Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–149, 2006. |
| [ pdf | tex ] | Alexander R. Francois, Elaine Chew, An Architectural Framework for Interactive Music Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 150–155, 2006. |
| [ pdf | tex ] | Christian Jacquemin, Serge de Laubier, Transmodal Feedback as a New Perspective for Audio-visual Effects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–161, 2006. |
| [ pdf | tex ] | Thor Magnusson, Screen-Based Musical Interfaces as Semiotic Machines, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 162–167, 2006. |
| [ pdf | tex ] | Mark Zadel, Gary Scavone, Different Strokes: a Prototype Software System for Laptop Performance and Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 168–171, 2006. |
| [ pdf | tex ] | Yu Nishibori, Toshio Iwai, TENORI-ON, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 172–175, 2006. |
| [ pdf | tex ] | Alexander R. Jensenius, Tellef Kvifte, Rolf I. Godøy, Towards a Gesture Description Interchange Format, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 176–179, 2006. |
| [ pdf | tex ] | Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot, SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 180–183, 2006. |
| [ pdf | tex ] | Smilen Dimitrov, Stefania Serafin, A Simple Practical Approach to a Wireless Data Acquisition Board, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 184–187, 2006. |
| [ pdf | tex ] | Kjetil F. Hansen, Roberto Bresin, Mapping Strategies in DJ Scratching, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 188–191, 2006. |
| [ pdf | tex ] | Loïc Kessous, Julien Castet, Daniel Arfib, 'GXtar', an Interface Using Guitar Techniques, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–195, 2006. |
| [ pdf | tex ] | Anne-Marie Burns, Marcelo M. Wanderley, Visual Methods for the Retrieval of Guitarist Fingering, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 196–199, 2006. |
| [ pdf | tex ] | Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua, Combining Accelerometer and Video Camera: Reconstruction of Bow Velocity Profiles, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 200–203, 2006. |
| [ pdf | tex ] | Nicolas Leroy, Emmanuel Fléty, Frédéric Bevilacqua, Reflective Optical Pickup For Violin, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 204–207, 2006. |
| [ pdf | tex ] | Sergi Jordà, Marcos Alonso, Mary Had a Little scoreTable* or the reacTable* Goes Melodic, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 208–211, 2006. |
| [ pdf | tex ] | Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa, Sound Rose: Creating Music and Images with a Touch Table, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 212–215, 2006. |
| [ pdf | tex ] | Philip L. Davidson, Jefferson Y. Han, Synthesis and Control on Large Scale Multi-Touch Sensing Displays, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 216–219, 2006. |
| [ pdf | tex ] | Tellef Kvifte, Alexander R. Jensenius, Towards a Coherent Terminology and Model of Instrument Description and Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–225, 2006. |
| [ pdf | tex ] | Mark T. Marshall, Marcelo M. Wanderley, Vibrotactile Feedback in Digital Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 226–229, 2006. |
| [ pdf | tex ] | Rodolphe Koehly, Denis Curtil, Marcelo M. Wanderley, Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 230–233, 2006. |
| [ pdf | tex ] | John Bowers, Nicolas Villar, Creating Ad Hoc Instruments with Pin&Play&Perform, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 234–239, 2006. |
| [ pdf | tex ] | Stefania Serafin, Amalia de Götzen, Niels Böttcher, Steven Gelineck, Synthesis and Control of Everyday Sounds Reconstructing Russolo’s Intonarumori, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 240–245, 2006. |
| [ pdf | tex ] | Gil Weinberg, Travis Thatcher, Interactive Sonification of Neural Activity, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 246–249, 2006. |
| [ pdf | tex ] | Jacques Rémus, Non Haptic Control of Music by Video Analysis of Hand Movements: 14 Years of Experience with the «Caméra Musicale», Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–253, 2006. |
| [ pdf | tex ] | Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser, MICON A Music Stand for Interactive Conducting, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 254–259, 2006. |
| [ pdf | tex ] | Eric Lee, Ingo Grüll, Henning Keil, Jan Borchers, conga: A Framework for Adaptive Conducting Gesture Analysis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–265, 2006. |
| [ pdf | tex ] | Nicolas d'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval, Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 266–271, 2006. |
| [ pdf | tex ] | Bob Pritchard, Sidney S. Fels, GRASSP: Gesturally-Realized Audio, Speech and Song Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 272–276, 2006. |
| [ pdf | tex ] | Christopher Dobrian, Daniel Koppelman, The E in NIME: Musical Expression with New Computer Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 277–282, 2006. |
| [ pdf | tex ] | John Richards, 32kg: Performance Systems for a Post-Digital Age, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 283–287, 2006. |
| [ pdf | tex ] | Serge de Laubier, Vincent Goudard, Meta-Instrument 3: a Look over 17 Years of Practice, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 288–291, 2006. |
| [ pdf | tex ] | Suguru Goto, The Case Study of An Application of The System, “BodySuit” and “RoboticMusic”: Its Introduction and Aesthetics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 292–295, 2006. |
| [ pdf | tex ] | David Hindman, Modal Kombat: Competition and Choreography in Synesthetic Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 296–299, 2006. |
| [ pdf | tex ] | Paul D. Lehrman, Eric Singer, A "Ballet Mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 300–303, 2006. |
| [ pdf | tex ] | Serge Lemouton, Marco Stroppa, Benny Sluchin, Using the Augmented Trombone in "I will not kiss your f.ing flag", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 304–307, 2006. |
| [ pdf | tex ] | Sébastien Schiesser, Caroline Traube, On Making and Playing an Electronically-augmented Saxophone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 308–313, 2006. |
| [ pdf | tex ] | Tamara Smyth, Handheld Acoustic Filter Bank for Musical Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 314–317, 2006. |
| [ pdf | tex ] | Joshua J. Nixdorf, David Gerhard, Real-time Sound Source Spatialization as Used in Challenging Bodies: Implementation and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 318–321, 2006. |
| [ pdf | tex ] | Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro, Mapping with Planning Agents in the Max/MSP Environment: the GO/Max Language, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 322–325, 2006. |
| [ pdf | tex ] | Alain Bonardi, Isis Truck, Herman Akdag, Towards a Virtual Assistant for Performers and Stage Directors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 326–329, 2006. |
| [ pdf | tex ] | Yoichi Nagashima, Students' Projects of Interactive Media-installations in SUAC, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 330–333, 2006. |
| [ pdf | tex ] | Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoft, An Acousmatic Composition Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 334–337, 2006. |
| [ pdf | tex ] | Robert Hamilton, Bioinformatic Feedback: Performer Bio-data as a Driver for Real-time Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 338–341, 2006. |
| [ pdf | tex ] | Jonathan Pak, The Light Matrix: An Interface for Musical Expression and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 342–345, 2006. |
| [ pdf | tex ] | Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi, GAINER: A Reconfigurable I/O Module and Software Libraries for Education, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 346–351, 2006. |
| [ pdf | tex ] | Kirsty Beilharz, Joanne Jakovich, Sam Ferguson, Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 352–357, 2006. |
| [ pdf | tex ] | Neal Farwell, Adapting the Trombone: a Suite of Electro-acoustic Interventions for the Piece, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 358–363, 2006. |
| [ pdf | tex ] | Teemu Maki-Patola, Perttu Hämäläinen, Aki Kanerva, The Augmented Djembe Drum - Sculpting Rhythms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 364–369, 2006. |
| [ pdf | tex ] | Stuart Favilla, Joanne Cannon, Children of Grainger: Leather Instruments for Free Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 370–375, 2006. |
| [ pdf | tex ] | William Hsu, Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 376–379, 2006. |
| [ pdf | tex ] | Keith Hamel, Integrated Interactive Music Performance Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 380–383, 2006. |
| [ pdf | tex ] | Sam Ferguson, Learning Musical Instrument Skills Through Interactive Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 384–389, 2006. |
| [ pdf | tex ] | Cornelius Poepel, Dan Overholt, Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 390–395, 2006. |
| [ pdf | tex ] | Diana Young, Patrick Nunn, Artem Vassiliev, Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 396–401, 2006. |
| [ pdf | tex ] | Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet, The Augmented Violin Project: Research, Composition and Performance Report, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 402–406, 2006. |
| [ pdf | tex ] | Mari Kimura, Jean-Claude Risset, Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset Written for Mari Kimura, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 407–408, 2006. |
| [ pdf | tex ] | Adrian Freed, David Wessel, Michael Zbyszynski, Frances M. Uitti, Augmenting the Cello, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 409–413, 2006. |
NIME 2005
| [ pdf | tex ] | Don Buchla, A History of Buchla\'s Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–1, 2005. |
| [ pdf | tex ] | Golan Levin, A Personal Chronology of Audiovisual Systems Research, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 2–3, 2005. |
| [ pdf | tex ] | Bill Buxton, Causality and Striking the Right Note, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 4–4, 2005. |
| [ pdf | tex ] | John Bowers, Phil Archer, Not Hyper, Not Meta, Not Cyber but Infra-Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 5–10, 2005. |
| [ pdf | tex ] | Teemu Mäki-patola, Juha Laitinen, Aki Kanerva, Tapio Takala, Experiments with Virtual Reality Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 11–16, 2005. |
| [ pdf | tex ] | Gil Weinberg, Scott Driscoll, iltur – Connecting Novices and Experts Through Collaborative Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 17–22, 2005. |
| [ pdf | tex ] | Sergi Jordà, Multi-user Instruments: Models, Examples and Promises, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 23–26, 2005. |
| [ pdf | tex ] | Tina Blaine, The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 27–33, 2005. |
| [ pdf | tex ] | Dan Overholt, The Overtone Violin, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 34–37, 2005. |
| [ pdf | tex ] | Juan Pablo Cáceres, Gautham J. Mysore, Jeffrey Treviño, SCUBA: The Self-Contained Unified Bass Augmenter, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 38–41, 2005. |
| [ pdf | tex ] | Elliot Sinyor, Marcelo M. Wanderley, Gyrotyre : A dynamic hand-held computer-music controller based on a spinning wheel, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 42–45, 2005. |
| [ pdf | tex ] | Angelo Fraietta, The Smart Controller Workbench, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 46–49, 2005. |
| [ pdf | tex ] | Eric Singer, Jeff Feddersen, Bil Bowen, A Large-Scale Networked Robotic Musical Instrument Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 50–55, 2005. |
| [ pdf | tex ] | Jesse T. Allison, Timothy Place, Teabox: A Sensor Data Interface System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–59, 2005. |
| [ pdf | tex ] | Sageev Oore, Learning Advanced Skills on New Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 60–64, 2005. |
| [ pdf | tex ] | Dan Livingstone, Eduardo Miranda, Orb3 – Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 65–69, 2005. |
| [ pdf | tex ] | Georg Essl, Sile O'Modhrain, Scrubber: An Interface for Friction-induced Sounds, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 70–75, 2005. |
| [ pdf | tex ] | David Topper, Peter V. Swendsen, Wireless Dance Control : PAIR and WISEAR, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 76–79, 2005. |
| [ pdf | tex ] | Roger B. Dannenberg, Ben Brown, Garth Zeglin, Ron Lupish, McBlare: A Robotic Bagpipe Player, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–84, 2005. |
| [ pdf | tex ] | Frédéric Bevilacqua, Rémy Müller, Norbert Schnell, MnM: a Max/MSP mapping toolbox, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 85–88, 2005. |
| [ pdf | tex ] | Jean-Marc Pelletier, A Graphical Interface for Real-Time Signal Routing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 89–92, 2005. |
| [ pdf | tex ] | Gary Scavone, Andrey R. Silva, Frequency Content of Breath Pressure and Implications for Use in Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 93–96, 2005. |
| [ pdf | tex ] | Alain Crevoisier, Pietro Polotti, Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 97–100, 2005. |
| [ pdf | tex ] | Ross Bencina, The Metasurface – Applying Natural Neighbour Interpolation to Two-to-Many Mapping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 101–104, 2005. |
| [ pdf | tex ] | Andrey R. Silva, Marcelo M. Wanderley, Gary Scavone, On the Use of Flute Air Jet as A Musical Control Variable, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 105–108, 2005. |
| [ pdf | tex ] | Xavier Rodet, Jean-Philippe Lambert, Roland Cahen, Thomas Gaudy, Fabrice Guedy, Florian Gosselin, Pascal Mobuchon, Study of haptic and visual interaction for sound and music control in the Phase project, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 109–114, 2005. |
| [ pdf | tex ] | Golan Levin, Zachary Lieberman, Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input Sessions, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 115–120, 2005. |
| [ pdf | tex ] | Tomoko Yonezawa, Takahiko Suzuki, Kenji Mase, Kiyoshi Kogure, HandySinger : Expressive Singing Voice Morphing using Personified Hand-puppet Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 121–126, 2005. |
| [ pdf | tex ] | Mathias Funk, Kazuhiro Kuwabara, Michael J. Lyons, Sonification of Facial Actions for Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 127–131, 2005. |
| [ pdf | tex ] | Jordi Janer, Voice-controlled plucked bass guitar through two synthesis techniques, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 132–135, 2005. |
| [ pdf | tex ] | Paul D. Lehrman, Todd M. Ryan, Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 136–139, 2005. |
| [ pdf | tex ] | Hans-Christoph Steiner, [hid] toolkit: a Unified Framework for Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–143, 2005. |
| [ pdf | tex ] | Teemu Mäki-patola, User Interface Comparison for Virtual Drums, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–147, 2005. |
| [ pdf | tex ] | Jürg Gutknecht, Art Clay, Thomas Frey, GoingPublik: Using Realtime Global Score Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 148–151, 2005. |
| [ pdf | tex ] | Lars Pellarin, Niels Böttcher, Jakob M. Olsen, Ole Gregersen, Stefania Serafin, Michel Guglielmi, Connecting Strangers at a Train Station, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 152–155, 2005. |
| [ pdf | tex ] | Greg Schiemer, Mark Havryliv, Pocket Gamelan: a Pure Data interface for mobile phones, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–159, 2005. |
| [ pdf | tex ] | David Birchfield, David Lorig, Kelly Phillips, Sustainable: a dynamic, robotic, sound installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 160–163, 2005. |
| [ pdf | tex ] | Paulo Maria Rodrigues, Luis Miguel Girão, Rolf Gehlhaar, CyberSong, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 164–167, 2005. |
| [ pdf | tex ] | Jamie Allen, boomBox, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 168–171, 2005. |
| [ pdf | tex ] | Alex Loscos, Thomas Aussenac, The wahwactor: a voice controlled wah-wah pedal, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 172–175, 2005. |
| [ pdf | tex ] | William Carter, Leslie S. Liu, Location33: A Mobile Musical, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 176–179, 2005. |
| [ pdf | tex ] | Laszlo Bardos, Stefan Korinek, Eric Lee, Jan Borchers, Bangarama: Creating Music With Headbanging, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 180–183, 2005. |
| [ pdf | tex ] | Àlvaro Barbosa, Jorge Cardoso, Günter Geiger, Network Latency Adaptive Tempo in the Public Sound Objects System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 184–187, 2005. |
| [ pdf | tex ] | Nicolas Villar, Adam T. Lindsay, Hans Gellersen, Pin & Play & Perform: A rearrangeable interface for musical composition and performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 188–191, 2005. |
| [ pdf | tex ] | David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley, Towards a Dimension Space for Musical Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–195, 2005. |
| [ pdf | tex ] | Ge Wang, Perry R. Cook, Yeah, ChucK It! = > Dynamic , Controllable Interface Mapping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 196–199, 2005. |
| [ pdf | tex ] | Adam R. Tindale, Ajay Kapur, George Tzanetakis, Peter Driessen, Andrew Schloss, A Comparison of Sensor Strategies for Capturing Percussive Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 200–203, 2005. |
| [ pdf | tex ] | Eric Lee, Jan Borchers, The Role of Time in Engineering Computer Music Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 204–207, 2005. |
| [ pdf | tex ] | Shigeru Kobayashi, Akamasu Masayuki, Spinner: A Simple Approach to Reconfigurable User Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 208–211, 2005. |
| [ pdf | tex ] | Thor Magnusson, ixi software: The Interface as Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 212–215, 2005. |
| [ pdf | tex ] | Eduardo Miranda, Andrew Brouse, Toward Direct Brain-Computer Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 216–219, 2005. |
| [ pdf | tex ] | Robyn Taylor, Daniel Torres, Pierre Boulanger, Using Music to Interact with a Virtual Character, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–223, 2005. |
| [ pdf | tex ] | Elaine Chew, Alexander R. Francois, Jie Liu, Aaron Yang, ESP: A Driving Interface for Expression Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 224–227, 2005. |
| [ pdf | tex ] | Cornelius Poepel, On Interface Expressivity: A Player-Based Study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 228–231, 2005. |
| [ pdf | tex ] | Johnny Wingstedt, Mats Liljedahl, Stefan Lindberg, Jan Berg, REMUPP – An Interactive Tool for Investigating Musical Properties and Relations, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 232–235, 2005. |
| [ pdf | tex ] | Perry R. Cook, Real-Time Performance Controllers for Synthesized Singing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 236–237, 2005. |
| [ pdf | tex ] | David Kim-Boyle, Musical Score Generation in Valses and Etudes, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 238–239, 2005. |
| [ pdf | tex ] | Kevin C. Baird, Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 240–241, 2005. |
| [ pdf | tex ] | Jesse Fox, Jennifer Carlile, SoniMime: Movement Sonification for Real-Time Timbre Shaping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 242–243, 2005. |
| [ pdf | tex ] | Robert Huott, Precise Control on Compound Curves, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 244–245, 2005. |
| [ pdf | tex ] | Robert Lugo, Jack Damondrick, Beat Boxing : Expressive Control for Electronic Music Performance and Musical Applications, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 246–247, 2005. |
| [ pdf | tex ] | Ivan Franco, The Airstick: A Free-Gesture Controller Using Infrared Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 248–249, 2005. |
| [ pdf | tex ] | Jennifer Carlile, Björn Hartmann, OROBORO: A Collaborative Controller with Interpersonal Haptic Feedback, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–251, 2005. |
| [ pdf | tex ] | David Rodríguez, Iván Rodríguez, VIFE _ alpha v.01 Real-time Visual Sound Installation performed by Glove-Gesture, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 252–253, 2005. |
| [ pdf | tex ] | David Hindman, Spencer Kiser, Sonictroller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 254–255, 2005. |
| [ pdf | tex ] | William Verplank, Haptic Music Exercises, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 256–257, 2005. |
| [ pdf | tex ] | John Eaton, Robert Moog, Multiple-Touch-Sensitive Keyboard, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 258–259, 2005. |
| [ pdf | tex ] | Angelo Fraietta, Smart Controller / Bell Garden Demo, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–261, 2005. |
| [ pdf | tex ] | Mauricio Melo, Doria Fan, Swayway - Midi Chimes, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 262–263, 2005. |
| [ pdf | tex ] | Derek Wang, Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 264–265, 2005. |
| [ pdf | tex ] | Emmanuel Fléty, The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 266–267, 2005. |
| [ pdf | tex ] | Adam Bowen, Soundstone: A 3-D Wireless Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 268–269, 2005. |
| [ pdf | tex ] | Alain C. Guisan, Interactive Sound Installation: INTRIUM, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 270–270, 2005. |
| [ pdf | tex ] | Eric Socolofsky, Contemplace, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 271–271, 2005. |
| [ pdf | tex ] | Maia Marinelli, Jared Lamenzo, Liubo Borissov, Mocean, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 272–272, 2005. |
| [ pdf | tex ] | Seiichiro Matsumura, Chuichi Arakawa, Hop Step Junk: Sonic Visualization using Footsteps, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 273–273, 2005. |
| [ pdf | tex ] | Meghan Deutscher, Sidney S. Fels, Reynald Hoskinson, Sachiyo Takahashi, Echology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 274–274, 2005. |
NIME 2004
| [ pdf | tex ] | Sidney S. Fels, Linda Kaastra, Sachiyo Takahashi, Graeme Mccaig, Evolving Tooka: from Experiment to Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–6, 2004. |
| [ pdf | tex ] | Ajay Kapur, Ariel J. Lazier, Philip L. Davidson, Scott Wilson, Perry R. Cook, The Electronic Sitar Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 7–12, 2004. |
| [ pdf | tex ] | Masami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi, Sound Feedback for Powerful Karate Training, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 13–18, 2004. |
| [ pdf | tex ] | Martin Kaltenbrunner, Günter Geiger, Sergi Jordà, Dynamic Patches for Live Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–22, 2004. |
| [ pdf | tex ] | Diana Young, Ichiro Fujinaga, AoBachi: A New Interface for Japanese Drumming, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 23–26, 2004. |
| [ pdf | tex ] | Nick Bryan-Kinns, Patrick G. Healey, Daisyphone: Support for Remote Music Collaboration, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 27–30, 2004. |
| [ pdf | tex ] | Christophe Havel, Myriam Desainte-Catherine, Modeling an Air Percussion for Composition and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–34, 2004. |
| [ pdf | tex ] | Mark Nelson, Belinda Thom, A Survey of Real-Time MIDI Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 35–38, 2004. |
| [ pdf | tex ] | Arshia Cont, Thierry Coduys, Cyrille Henry, Real-time Gesture Mapping in Pd Environment using Neural Networks, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 39–42, 2004. |
| [ pdf | tex ] | Assaf K. Talmudi, The Decentralized Pianola: Evolving Mechanical Music Instruments using a Genetic Algorithm, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–46, 2004. |
| [ pdf | tex ] | James Mandelis, Phil Husbands, Don’t Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 47–50, 2004. |
| [ pdf | tex ] | Judith Shatin, David Topper, Tree Music: Composing with GAIA, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 51–54, 2004. |
| [ pdf | tex ] | Gideon D'Arcangelo, Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 55–58, 2004. |
| [ pdf | tex ] | Sergi Jordà, Digital Instruments and Players: Part I – Efficiency and Apprenticeship, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 59–63, 2004. |
| [ pdf | tex ] | Nikita Pashenkov, A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 64–67, 2004. |
| [ pdf | tex ] | Eric Lee, Teresa M. Nakra, Jan Borchers, You’re The Conductor: A Realistic Interactive Conducting System for Children, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 68–73, 2004. |
| [ pdf | tex ] | Sile O'Modhrain, Georg Essl, PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 74–79, 2004. |
| [ pdf | tex ] | Garth Paine, Gesture and Musical Interaction : Interactive Engagement Through Dynamic Morphology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–86, 2004. |
| [ pdf | tex ] | Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle, On the Choice of Mappings Based on Geometric Properties, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 87–91, 2004. |
| [ pdf | tex ] | Brian Sheehan, The Squiggle: A Digital Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 92–95, 2004. |
| [ pdf | tex ] | David Gerhard, Daryl Hepting, Matthew Mckague, Exploration of the Correspondence between Visual and Acoustic Parameter Spaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 96–99, 2004. |
| [ pdf | tex ] | Chandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 100–103, 2004. |
| [ pdf | tex ] | Homei Miyashita, Kazushi Nishimoto, Thermoscore: A New-type Musical Score with Temperature Sensation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 104–107, 2004. |
| [ pdf | tex ] | Stefania Serafin, Diana Young, Toward a Generalized Friction Controller: from the Bowed String to Unusual Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 108–111, 2004. |
| [ pdf | tex ] | Philippe S. Zaborowski, ThumbTec: A New Handheld Input Device, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 112–115, 2004. |
| [ pdf | tex ] | Ryan H. Torchia, Cort Lippe, Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–119, 2004. |
| [ pdf | tex ] | Rumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose, Rencon 2004: Turing Test for Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–123, 2004. |
| [ pdf | tex ] | Haruhiro Katayose, Keita Okudaira, Using an Expressive Performance Template in a Music Conducting Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–129, 2004. |
| [ pdf | tex ] | Hideki Kawahara, Hideki Banno, Masanori Morise, Acappella Synthesis Demonstrations using RWC Music Database, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 130–131, 2004. |
| [ pdf | tex ] | Roger B. Dannenberg, Aura II: Making Real-Time Systems Safe for Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 132–137, 2004. |
| [ pdf | tex ] | Ge Wang, Perry R. Cook, On-the-fly Programming: Using Code as an Expressive Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 138–143, 2004. |
| [ pdf | tex ] | Michael Lew, Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–149, 2004. |
| [ pdf | tex ] | Cornelius Poepel, Synthesized Strings for String Players, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 150–153, 2004. |
| [ pdf | tex ] | Atau Tanaka, Mobile Music Making, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 154–156, 2004. |
| [ pdf | tex ] | Emmanuel Fléty, Nicolas Leroy, Jean-Christophe Ravarini, Frédéric Bevilacqua, Versatile Sensor Acquisition System Utilizing Network Technology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 157–160, 2004. |
| [ pdf | tex ] | Lalya Gaye, Lars E. Holmquist, In Duet with Everyday Urban Settings: A User Study of Sonic City, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 161–164, 2004. |
| [ pdf | tex ] | Enrique Franco, Niall J. Griffith, Mikael Fernström, Issues for Designing a Flexible Expressive Audiovisual System for Real-time Performance & Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 165–168, 2004. |
| [ pdf | tex ] | Gamhewage C. de Silva, Tamara Smyth, Michael J. Lyons, A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 169–172, 2004. |
| [ pdf | tex ] | Yoichi Nagashima, Measurement of Latency in Interactive Multimedia Art, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 173–176, 2004. |
| [ pdf | tex ] | Katsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda, ism: Improvisation Supporting System based on Melody Correction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 177–180, 2004. |
| [ pdf | tex ] | Eric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen, LEMUR’s Musical Robots, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 181–184, 2004. |
| [ pdf | tex ] | Anthony J. Hornof, Linda Sato, EyeMusic: Making Music with the Eyes, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 185–188, 2004. |
| [ pdf | tex ] | Mark Argo, The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 189–192, 2004. |
| [ pdf | tex ] | Matthew Burtner, A Theory of Modulated Objects for New Shamanic Controller Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 193–196, 2004. |
| [ pdf | tex ] | Jean-Marc Pelletier, A Shape-Based Approach to Computer Vision Musical Performance Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–198, 2004. |
| [ pdf | tex ] | Stephen Hughes, Cormac Cannon, Sile O'Modhrain, Epipe : A Novel Electronic Woodwind Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 199–200, 2004. |
| [ pdf | tex ] | Geoffrey C. Morris, Sasha Leitman, Marina Kassianidou, SillyTone Squish Factory, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 201–202, 2004. |
| [ pdf | tex ] | Hans-Christoph Steiner, StickMusic: Using Haptic Feedback with a Phase Vocoder, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–204, 2004. |
| [ pdf | tex ] | Thierry Coduys, Cyrille Henry, Arshia Cont, TOASTER and KROONDE: High-Resolution and High- Speed Real-time Sensor Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 205–206, 2004. |
| [ pdf | tex ] | Suguru Goto, Takahiko Suzuki, The Case Study of Application of Advanced Gesture Interface and Mapping Interface, Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 207–208, 2004. |
| [ pdf | tex ] | Sook Y. Won, Humane Chan, Jeremy Liu, Light Pipes: A Light Controlled MIDI Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 209–210, 2004. |
| [ pdf | tex ] | Takuro M. Lippit, Realtime Sampling System for the Turntablist, Version 2: 16padjoystickcontroller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 211–212, 2004. |
| [ pdf | tex ] | Michael E. Sharon, The Stranglophone: Enhancing Expressiveness In Live Electronic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 213–214, 2004. |
| [ pdf | tex ] | Tomoko Hashida, Yasuaki Kakehi, Takeshi Naemura, Ensemble System with i-trace, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 215–216, 2004. |
NIME 2003
| [ pdf | tex ] | Cormac Cannon, Stephen Hughes, Sile O'Modhrain, EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-based Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 3–8, 2003. |
| [ pdf | tex ] | Diana Young, Georg Essl, HyperPuja: A Tibetan Singing Bowl Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 9–14, 2003. |
| [ pdf | tex ] | Gary Scavone, THE PIPE: Explorations with Breath Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 15–18, 2003. |
| [ pdf | tex ] | Marije A. Baalman, The STRIMIDILATOR: a String Controlled MIDI-Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–23, 2003. |
| [ pdf | tex ] | Scott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang, Microcontrollers in Music HCI Instruction: Reflections on our Switch to the Atmel AVR Platform, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–29, 2003. |
| [ pdf | tex ] | Tue H. Andersen, Mixxx : Towards Novel DJ Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–35, 2003. |
| [ pdf | tex ] | Nicola Orio, Serge Lemouton, Diemo Schwarz, Score Following: State of the Art and New Developments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 36–41, 2003. |
| [ pdf | tex ] | Caroline Traube, Philippe Depalle, Marcelo M. Wanderley, Indirect Acquisition of Instrumental Gesture Based on Signal , Physical and Perceptual Information, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 42–47, 2003. |
| [ pdf | tex ] | Yoichi Nagashima, Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 48–53, 2003. |
| [ pdf | tex ] | Ali Momeni, David Wessel, Characterizing and Controlling Musical Material Intuitively with Geometric Models, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 54–62, 2003. |
| [ pdf | tex ] | Matthew Burtner, Composing for the (dis)Embodied Ensemble : Notational Systems in (dis)Appearances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 63–69, 2003. |
| [ pdf | tex ] | Sergi Jordà, Sonigraphical Instruments: From FMOL to the reacTable*, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 70–76, 2003. |
| [ pdf | tex ] | Motohide Hatanaka, Ergonomic Design of A Portable Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 77–82, 2003. |
| [ pdf | tex ] | Hiroko Shiraiwa, Rodrigo Segnini, Vivian Woo, Sound Kitchen: Designing a Chemically Controlled Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 83–86, 2003. |
| [ pdf | tex ] | Joel Ryan, Christopher L. Salter, TGarden: Wearable Instruments and Augmented Physicality, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 87–90, 2003. |
| [ pdf | tex ] | David Ventura, Kenji Mase, Duet Musical Companion: Improvisational Interfaces for Children, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 91–94, 2003. |
| [ pdf | tex ] | David M. Howard, Stuart Rimell, Andy D. Hunt, Force Feedback Gesture Controlled Physical Modelling Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 95–98, 2003. |
| [ pdf | tex ] | Reynald Hoskinson, Kees van den Doel, Sidney S. Fels, Real-time Adaptive Control of Modal Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 99–103, 2003. |
| [ pdf | tex ] | Diana Young, Stefania Serafin, Playability Evaluation of a Virtual Bowed String Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 104–108, 2003. |
| [ pdf | tex ] | Lalya Gaye, Ramia Mazé, Lars E. Holmquist, Sonic City: The Urban Environment as a Musical Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 109–115, 2003. |
| [ pdf | tex ] | Michael J. Lyons, Michael Haehnel, Nobuji Tetsutani, Designing, Playing, and Performing with a Vision-based Mouth Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–121, 2003. |
| [ pdf | tex ] | Donna Hewitt, Ian Stevenson, E-mic: Extended Mic-stand Interface Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 122–128, 2003. |
| [ pdf | tex ] | Tina Blaine, Sidney S. Fels, Contexts of Collaborative Musical Experiences, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 129–134, 2003. |
| [ pdf | tex ] | Andy D. Hunt, Ross Kirk, MidiGrid: Past, Present and Future, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 135–139, 2003. |
| [ pdf | tex ] | Loïc Kessous, Daniel Arfib, Bimanuality in Alternate Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–145, 2003. |
| [ pdf | tex ] | Paul Modler, Tony Myatt, Michael Saup, An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 146–150, 2003. |
| [ pdf | tex ] | Teresa M. Nakra, Immersion Music: a Progress Report, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 151–152, 2003. |
| [ pdf | tex ] | Matthew Wright, Adrian Freed, Ali Momeni, OpenSound Control: State of the Art 2003, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 153–159, 2003. |
| [ pdf | tex ] | Christopher Dobrian, Frédéric Bevilacqua, Gestural Control of Music Using the Vicon 8 Motion Capture System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 161–163, 2003. |
| [ pdf | tex ] | Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa, Why Always Versatile? Dynamically Customizable Musical Instruments Facilitate Expressive Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 164–169, 2003. |
| [ pdf | tex ] | Henry Newton-Dunn, Hiroaki Nakano, James Gibson, Block Jam: A Tangible Interface for Interactive Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 170–177, 2003. |
| [ pdf | tex ] | Sukandar Kartadinata, The Gluiph: a Nucleus for Integrated Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 180–183, 2003. |
| [ pdf | tex ] | Jean-Michel Couturier, Daniel Arfib, Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 184–187, 2003. |
| [ pdf | tex ] | Eric Singer, Kevin Larke, David Bianciardi, LEMUR GuitarBot: MIDI Robotic String Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 188–191, 2003. |
| [ pdf | tex ] | Chad Peiper, David Warden, Guy Garnett, An Interface for Real-time Classification of Articulations Produced by Violin Bowing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–196, 2003. |
| [ pdf | tex ] | Zack Settel, Cort Lippe, Convolution Brother’s Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–200, 2003. |
| [ pdf | tex ] | Insook Choi, A Component Model of Gestural Primitive Throughput, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 201–204, 2003. |
| [ pdf | tex ] | Cléo Palacio-Quintin, The Hyper-Flute, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 206–207, 2003. |
| [ pdf | tex ] | Jesse T. Allison, Timothy Place, SensorBox: Practical Audio Interface for Gestural Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 208–210, 2003. |
| [ pdf | tex ] | Kevin C. Baird, Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 211–212, 2003. |
| [ pdf | tex ] | William Kleinsasser, Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 213–215, 2003. |
| [ pdf | tex ] | Mat Laibowitz, BASIS: A Genesis in Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 216–217, 2003. |
| [ pdf | tex ] | David Merrill, Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 218–219, 2003. |
| [ pdf | tex ] | Eric Singer, Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–221, 2003. |
| [ pdf | tex ] | David Muth, Ed Burton, Sodaconductor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 222–224, 2003. |
| [ pdf | tex ] | Emmanuel Fléty, Marc Sirguy, EoBody : a Follow-up to AtoMIC Pro’s Technology, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 225–226, 2003. |
| [ pdf | tex ] | Joseph A. Paradiso, Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 228–234, 2003. |
| [ pdf | tex ] | Claude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné, ACROE - ICA Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 235–246, 2003. |
NIME 2002
| [ pdf | tex ] | Daniel Arfib, Jacques Dudon, A Digital Emulator of the Photosonic Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–4, 2002. |
| [ pdf | tex ] | Alain Baumann, Rosa Sánchez, Interdisciplinary Applications of New Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 5–9, 2002. |
| [ pdf | tex ] | David Bernard, Experimental Controllers for Live Electronic Music Performance (vs. Copyright)., Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 10–11, 2002. |
| [ pdf | tex ] | Tina Blaine, Clifton Forlines, JAM-O-WORLD: Evolution of the Jam-O-Drum Multi-player Musical Controller into the Jam-O-Whirl Gaming Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 12–17, 2002. |
| [ pdf | tex ] | Bert Bongers, Yolande Harris, A Structured Instrument Design Approach: The Video-Organ, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 18–23, 2002. |
| [ pdf | tex ] | Matthew Burtner, Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–29, 2002. |
| [ pdf | tex ] | Tamara Smyth, Julius O. Smith, Creating Sustained Tones with the Cicada’s Rapid Sequential Buckling Mechanism, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–27, 2002. |
| [ pdf | tex ] | Antonio Camurri, Riccardo Trocca, Gualtiero Volpe, Interactive Systems Design: A KANSEI-based Approach, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–37, 2002. |
| [ pdf | tex ] | Joel Chadabe, The Limitations of Mapping as a Structural Descriptive in Electronic Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 38–42, 2002. |
| [ pdf | tex ] | Jean-Michel Couturier, A Scanned Synthesis Virtual Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–45, 2002. |
| [ pdf | tex ] | Gideon D'Arcangelo, Creating a Context for Musical Innovation: A NIME Curriculum, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 46–49, 2002. |
| [ pdf | tex ] | Sidney S. Fels, Florian Vogt, Tooka: Explorations of Two Person Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 50–55, 2002. |
| [ pdf | tex ] | Kieran Ferris, Liam Bannon, The Musical Box Garden, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–58, 2002. |
| [ pdf | tex ] | Emmanuel Fléty, AtoMIC Pro: a Multiple Sensor Acquisition Device, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 59–64, 2002. |
| [ pdf | tex ] | Ashley Gadd, Sidney S. Fels, MetaMuse: Metaphors for Expressive Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 65–70, 2002. |
| [ pdf | tex ] | Niall J. Griffith, Sean O'Leary, Donagh O'Shea, Ed Hammond, Sile O'Modhrain, Circles and Seeds: Adapting Kpelle Ideas about Music Performance for Collaborative Digital Music performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 71–72, 2002. |
| [ pdf | tex ] | Eric Gunther, Glorianna Davenport, Sile O'Modhrain, Cutaneous Grooves: Composing for the Sense of Touch, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 73–79, 2002. |
| [ pdf | tex ] | Tim Hankins, David Merrill, Jocelyn Robert, Circular Optical Object Locator, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–81, 2002. |
| [ pdf | tex ] | Leila Hasan, Nicholas Yu, Joseph A. Paradiso, The Termenova : A Hybrid Free-Gesture Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 82–87, 2002. |
| [ pdf | tex ] | Andy D. Hunt, Marcelo M. Wanderley, Matthew Paradis, The importance of Parameter Mapping in Electronic Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–93, 2002. |
| [ pdf | tex ] | Robert Huott, An Interface for Precise Musical Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 94–98, 2002. |
| [ pdf | tex ] | IXI Software , IXI software, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 101–101, 2002. |
| [ pdf | tex ] | Sergi Jordà, Afasia: the Ultimate Homeric One-man-multimedia-band, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 102–107, 2002. |
| [ pdf | tex ] | Ajay Kapur, Georg Essl, Philip L. Davidson, Perry R. Cook, The Electronic Tabla Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 108–112, 2002. |
| [ pdf | tex ] | Loïc Kessous, Bi-manual Mapping Experimentation, with Angular Fundamental Frequency Control and Sound Color Navigation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 113–114, 2002. |
| [ pdf | tex ] | Tod Machover, Instruments, Interactivity, and Inevitability, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 115–115, 2002. |
| [ pdf | tex ] | James Mandelis, Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–117, 2002. |
| [ pdf | tex ] | Mark T. Marshall, Matthias Rath, Breege Moynihan, The Virtual Bodhran – The Vodhran, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 118–119, 2002. |
| [ pdf | tex ] | Graeme Mccaig, Sidney S. Fels, Playing on Heart-Strings: Experiences with the 2Hearts System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–125, 2002. |
| [ pdf | tex ] | Lisa McElligott, Edward Dixon, Michelle Dillon, ‘PegLegs in Music’ - Processing the Effort Generated by Levels of Expressive Gesturing in Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 126–130, 2002. |
| [ pdf | tex ] | Kia Ng, Interactive Gesture Music Performance Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 131–132, 2002. |
| [ pdf | tex ] | Charles Nichols, The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 133–136, 2002. |
| [ pdf | tex ] | Roberto Oboe, Giovanni De Poli, Multi-instrument Virtual Keyboard – The MIKEY Project, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 137–142, 2002. |
| [ pdf | tex ] | Garth Paine, GESTATION, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 143–144, 2002. |
| [ pdf | tex ] | Laurel S. Pardue, Joseph A. Paradiso, Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 145–147, 2002. |
| [ pdf | tex ] | James Patten, Ben Recht, Hiroshi Ishii, Audiopad: A Tag-based Interface for Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 148–153, 2002. |
| [ pdf | tex ] | Jordan Wynnychuk, Richard Porcher, Lucas Brajovic, Marko Brajovic, Nacho Platas, sutoolz 1.0 alpha : 3D Software Music Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 154–155, 2002. |
| [ pdf | tex ] | Norbert Schnell, Marc Battier, Introducing Composed Instruments, Technical and Musicological Implications, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–160, 2002. |
| [ pdf | tex ] | Stanza , Amorphoscapes & Soundtoys, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 165–166, 2002. |
| [ pdf | tex ] | Taelman Johannes, A Low-cost Sonar for Unobtrusive Man-machine Interfacing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 167–170, 2002. |
| [ pdf | tex ] | Atau Tanaka, Benjamin Knapp, Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 171–176, 2002. |
| [ pdf | tex ] | Bill Verplank, Michael Gurevich, Max Mathews, THE PLANK: Designing a Simple Haptic Controller., Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 177–180, 2002. |
| [ pdf | tex ] | Florian Vogt, Graeme Mccaig, Mir A. Ali, Sidney S. Fels, Tongue ‘n’ Groove: An Ultrasound based Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 181–185, 2002. |
| [ pdf | tex ] | Gil Weinberg, Roberto Aimi, Kevin Jennings, The Beatbug Network – A Rhythmic System for Interdependent Group Collaboration, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 186–191, 2002. |
| [ pdf | tex ] | David Wessel, Matthew Wright, John Schott, Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–194, 2002. |
| [ pdf | tex ] | Carr Wilkerson, Stefania Serafin, Carmen Ng, The Mutha Rubboard Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 195–198, 2002. |
| [ pdf | tex ] | Todd Winkler, Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 199–200, 2002. |
| [ pdf | tex ] | Diana Young, The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 201–206, 2002. |
NIME 2001
| [ pdf | tex ] | Perry R. Cook, Principles for Designing Computer Music Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 3–6, 2001. |
| [ pdf | tex ] | Bill Verplank, Craig Sapp, Max Mathews, A Course on Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 7–10, 2001. |
| [ pdf | tex ] | David Wessel, Matthew Wright, Problems and Prospects for Intimate Musical Control of Computers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 11–14, 2001. |
| [ pdf | tex ] | Nicola Orio, Norbert Schnell, Marcelo M. Wanderley, Input Devices for Musical Expression : Borrowing Tools from HCI, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 15–18, 2001. |
| [ pdf | tex ] | Curtis Bahn, Dan Trueman, interface : Electronic Chamber Ensemble, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 19–23, 2001. |
| [ pdf | tex ] | Camille Goudeseune, Guy Garnett, Timothy Johnson, Resonant Processing of Instrumental Sound Controlled by Spatial Position, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–26, 2001. |
| [ pdf | tex ] | Michael Gurevich, Stephan von Muehlen, The Accordiatron : A MIDI Controller For Interactive Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 27–29, 2001. |
| [ pdf | tex ] | Joseph A. Paradiso, Kai-yuh Hsiao, Ari Benbasat, Tangible Music Interfaces Using Passive Magnetic Tags, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–33, 2001. |
| [ pdf | tex ] | Kenji Mase, Tomoko Yonezawa, Body , Clothes , Water and Toys : Media Towards Natural Music Expressions with Digital Sounds, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 34–37, 2001. |
| [ pdf | tex ] | Dan Overholt, The MATRIX : A Novel Controller for Musical Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 38–41, 2001. |
| [ pdf | tex ] | Gideon D'Arcangelo, Creating Contexts of Creativity : Musical Composition with Modular Components, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 42–45, 2001. |
| [ pdf | tex ] | Sergi Jordà, New Musical Interfaces and New Music-making Paradigms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 46–50, 2001. |
| [ pdf | tex ] | Dominic Robson, PLAY! : Sound Toys For the Non Musical, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 51–53, 2001. |
| [ pdf | tex ] | Ryan Ulyate, David Bianciardi, The Interactive Dance Club : Avoiding Chaos In A Multi Participant Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 54–56, 2001. |