This page is an archive of all the papers published at NIME conferences, from 2001 up to date. You can search the NIME paper database by year or by author. Each entry you'll find through the search will give the access to the PDF file and the BibTex code for that paper.
full list | by year | by author
NIME 2002
| [ pdf | tex ] | Daniel Arfib, Jacques Dudon, A Digital Emulator of the Photosonic Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 1–4, 2002. |
| [ pdf | tex ] | Alain Baumann, Rosa Sánchez, Interdisciplinary Applications of New Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 5–9, 2002. |
| [ pdf | tex ] | David Bernard, Experimental Controllers for Live Electronic Music Performance (vs. Copyright)., Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 10–11, 2002. |
| [ pdf | tex ] | Tina Blaine, Clifton Forlines, JAM-O-WORLD: Evolution of the Jam-O-Drum Multi-player Musical Controller into the Jam-O-Whirl Gaming Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 12–17, 2002. |
| [ pdf | tex ] | Bert Bongers, Yolande Harris, A Structured Instrument Design Approach: The Video-Organ, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 18–23, 2002. |
| [ pdf | tex ] | Matthew Burtner, Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–29, 2002. |
| [ pdf | tex ] | Tamara Smyth, Julius O. Smith, Creating Sustained Tones with the Cicada’s Rapid Sequential Buckling Mechanism, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–27, 2002. |
| [ pdf | tex ] | Antonio Camurri, Riccardo Trocca, Gualtiero Volpe, Interactive Systems Design: A KANSEI-based Approach, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–37, 2002. |
| [ pdf | tex ] | Joel Chadabe, The Limitations of Mapping as a Structural Descriptive in Electronic Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 38–42, 2002. |
| [ pdf | tex ] | Jean-Michel Couturier, A Scanned Synthesis Virtual Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–45, 2002. |
| [ pdf | tex ] | Gideon D'Arcangelo, Creating a Context for Musical Innovation: A NIME Curriculum, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 46–49, 2002. |
| [ pdf | tex ] | Sidney S. Fels, Florian Vogt, Tooka: Explorations of Two Person Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 50–55, 2002. |
| [ pdf | tex ] | Kieran Ferris, Liam Bannon, The Musical Box Garden, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–58, 2002. |
| [ pdf | tex ] | Emmanuel Fléty, AtoMIC Pro: a Multiple Sensor Acquisition Device, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 59–64, 2002. |
| [ pdf | tex ] | Ashley Gadd, Sidney S. Fels, MetaMuse: Metaphors for Expressive Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 65–70, 2002. |
| [ pdf | tex ] | Niall J. Griffith, Sean O'Leary, Donagh O'Shea, Ed Hammond, Sile O'Modhrain, Circles and Seeds: Adapting Kpelle Ideas about Music Performance for Collaborative Digital Music performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 71–72, 2002. |
| [ pdf | tex ] | Eric Gunther, Glorianna Davenport, Sile O'Modhrain, Cutaneous Grooves: Composing for the Sense of Touch, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 73–79, 2002. |
| [ pdf | tex ] | Tim Hankins, David Merrill, Jocelyn Robert, Circular Optical Object Locator, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–81, 2002. |
| [ pdf | tex ] | Leila Hasan, Nicholas Yu, Joseph A. Paradiso, The Termenova : A Hybrid Free-Gesture Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 82–87, 2002. |
| [ pdf | tex ] | Andy D. Hunt, Marcelo M. Wanderley, Matthew Paradis, The importance of Parameter Mapping in Electronic Instrument Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–93, 2002. |
| [ pdf | tex ] | Robert Huott, An Interface for Precise Musical Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 94–98, 2002. |
| [ pdf | tex ] | IXI Software , IXI software, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 101–101, 2002. |
| [ pdf | tex ] | Sergi Jordà, Afasia: the Ultimate Homeric One-man-multimedia-band, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 102–107, 2002. |
| [ pdf | tex ] | Ajay Kapur, Georg Essl, Philip L. Davidson, Perry R. Cook, The Electronic Tabla Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 108–112, 2002. |
| [ pdf | tex ] | Loïc Kessous, Bi-manual Mapping Experimentation, with Angular Fundamental Frequency Control and Sound Color Navigation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 113–114, 2002. |
| [ pdf | tex ] | Tod Machover, Instruments, Interactivity, and Inevitability, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 115–115, 2002. |
| [ pdf | tex ] | James Mandelis, Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–117, 2002. |
| [ pdf | tex ] | Mark T. Marshall, Matthias Rath, Breege Moynihan, The Virtual Bodhran – The Vodhran, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 118–119, 2002. |
| [ pdf | tex ] | Graeme Mccaig, Sidney S. Fels, Playing on Heart-Strings: Experiences with the 2Hearts System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–125, 2002. |
| [ pdf | tex ] | Lisa McElligott, Edward Dixon, Michelle Dillon, ‘PegLegs in Music’ - Processing the Effort Generated by Levels of Expressive Gesturing in Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 126–130, 2002. |
| [ pdf | tex ] | Kia Ng, Interactive Gesture Music Performance Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 131–132, 2002. |
| [ pdf | tex ] | Charles Nichols, The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 133–136, 2002. |
| [ pdf | tex ] | Roberto Oboe, Giovanni De Poli, Multi-instrument Virtual Keyboard – The MIKEY Project, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 137–142, 2002. |
| [ pdf | tex ] | Garth Paine, GESTATION, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 143–144, 2002. |
| [ pdf | tex ] | Laurel S. Pardue, Joseph A. Paradiso, Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 145–147, 2002. |
| [ pdf | tex ] | James Patten, Ben Recht, Hiroshi Ishii, Audiopad: A Tag-based Interface for Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 148–153, 2002. |
| [ pdf | tex ] | Jordan Wynnychuk, Richard Porcher, Lucas Brajovic, Marko Brajovic, Nacho Platas, sutoolz 1.0 alpha : 3D Software Music Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 154–155, 2002. |
| [ pdf | tex ] | Norbert Schnell, Marc Battier, Introducing Composed Instruments, Technical and Musicological Implications, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–160, 2002. |
| [ pdf | tex ] | Stanza , Amorphoscapes & Soundtoys, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 165–166, 2002. |
| [ pdf | tex ] | Taelman Johannes, A Low-cost Sonar for Unobtrusive Man-machine Interfacing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 167–170, 2002. |
| [ pdf | tex ] | Atau Tanaka, Benjamin Knapp, Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 171–176, 2002. |
| [ pdf | tex ] | Bill Verplank, Michael Gurevich, Max Mathews, THE PLANK: Designing a Simple Haptic Controller., Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 177–180, 2002. |
| [ pdf | tex ] | Florian Vogt, Graeme Mccaig, Mir A. Ali, Sidney S. Fels, Tongue ‘n’ Groove: An Ultrasound based Music Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 181–185, 2002. |
| [ pdf | tex ] | Gil Weinberg, Roberto Aimi, Kevin Jennings, The Beatbug Network – A Rhythmic System for Interdependent Group Collaboration, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 186–191, 2002. |
| [ pdf | tex ] | David Wessel, Matthew Wright, John Schott, Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–194, 2002. |
| [ pdf | tex ] | Carr Wilkerson, Stefania Serafin, Carmen Ng, The Mutha Rubboard Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 195–198, 2002. |
| [ pdf | tex ] | Todd Winkler, Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 199–200, 2002. |
| [ pdf | tex ] | Diana Young, The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 201–206, 2002. |