This page is an archive of all the papers published at NIME conferences, from 2001 up to date. You can search the NIME paper database by year or by author. Each entry you'll find through the search will give the access to the PDF file and the BibTex code for that paper.
full list | by year | by author
NIME 2006
| [ pdf | tex ] | Lalya Gaye, Lars E. Holmquist, Frauke Behrendt, Atau Tanaka, Mobile Music Technology: Report on an Emerging Community, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 22–25, 2006. |
| [ pdf | tex ] | Atau Tanaka, Petra Gemeinboeck, A Framework for Spatial Interaction in Locative Media, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 26–30, 2006. |
| [ pdf | tex ] | Michael Rohs, Georg Essl, Martin Roth, CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 31–36, 2006. |
| [ pdf | tex ] | Greg Schiemer, Mark Havryliv, Pocket Gamelan: Tuneable Trajectories for Flying Sources in Mandala 3 and Mandala 4, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 37–42, 2006. |
| [ pdf | tex ] | David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig, Interactive Public Sound Art: a case study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 43–48, 2006. |
| [ pdf | tex ] | Ge Wang, Ananya Misra, Perry R. Cook, Building Collaborative Graphical interFaces in the Audicle, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 49–52, 2006. |
| [ pdf | tex ] | Pedro Rebelo, Alain B. Renaud, The Frequencyliator – Distributing Structures for Networked Laptop Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 53–56, 2006. |
| [ pdf | tex ] | Martin Naef, Daniel Collicott, A VR Interface for Collaborative 3D Audio Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 57–60, 2006. |
| [ pdf | tex ] | Günter Geiger, Using the Touch Screen as a Controller for Portable Computer Music Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 61–64, 2006. |
| [ pdf | tex ] | Jukka Holm, Juha Arrasvuori, Kai Havukainen, Using MIDI to Modify Video Game Content, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 65–70, 2006. |
| [ pdf | tex ] | Takuro M. Lippit, Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 71–74, 2006. |
| [ pdf | tex ] | Spencer Kiser, spinCycle: a Color-Tracking Turntable Sequencer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 75–76, 2006. |
| [ pdf | tex ] | Jason Lee, The Chopping Board: Real-time Sample Editor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 77–78, 2006. |
| [ pdf | tex ] | Staas de Jong, A Tactile Closed-Loop Device for Musical Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 79–80, 2006. |
| [ pdf | tex ] | Peter Bennett, PETECUBE: a Multimodal Feedback Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 81–84, 2006. |
| [ pdf | tex ] | Denis Lebel, Joseph Malloch, The G-Spring Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 85–88, 2006. |
| [ pdf | tex ] | Damien Lock, Greg Schiemer, Orbophone: a New Interface for Radiating Sound and Image, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 89–92, 2006. |
| [ pdf | tex ] | Sukandar Kartadinata, The Gluion Advantages of an FPGA-based Sensor Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 93–96, 2006. |
| [ pdf | tex ] | Adrian Freed, Rimas Avizienis, Matthew Wright, Beyond 0-5V: Expanding Sensor Integration Architectures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 97–100, 2006. |
| [ pdf | tex ] | Colin G. Johnson, Alex Gounaropoulos, Timbre Interfaces using Adjectives and Adverbs, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 101–102, 2006. |
| [ pdf | tex ] | D. Andrew Stewart, SonicJumper Composer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 103–105, 2006. |
| [ pdf | tex ] | Hans-Christoph Steiner, Towards a Catalog and Software Library of Mapping Methods, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 106–109, 2006. |
| [ pdf | tex ] | Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa, LINE: Interactive Sound and Light Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 110–113, 2006. |
| [ pdf | tex ] | Nick Bryan-Kinns, Patrick G. Healey, Decay in Collaborative Music Making, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 114–117, 2006. |
| [ pdf | tex ] | Michael Gurevich, JamSpace: Designing A Collaborative Networked Music Space for Novices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 118–123, 2006. |
| [ pdf | tex ] | Benjamin Knapp, Perry R. Cook, Creating a Network of Integral Music Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–128, 2006. |
| [ pdf | tex ] | Matthew Burtner, Perturbation Techniques for Multi-Performer or Multi- Agent Interactive Musical Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 129–133, 2006. |
| [ pdf | tex ] | Ryan Aylward, Joseph A. Paradiso, Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 134–139, 2006. |
| [ pdf | tex ] | Chandrasekhar Ramakrishnan, Joachim Goßman, Ludger Brümmer, The ZKM Klangdom, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–143, 2006. |
| [ pdf | tex ] | Mike Wozniewski, Zack Settel, Jeremy R. Cooperstock, A Framework for Immersive Spatial Audio Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–149, 2006. |
| [ pdf | tex ] | Alexander R. Francois, Elaine Chew, An Architectural Framework for Interactive Music Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 150–155, 2006. |
| [ pdf | tex ] | Christian Jacquemin, Serge de Laubier, Transmodal Feedback as a New Perspective for Audio-visual Effects, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 156–161, 2006. |
| [ pdf | tex ] | Thor Magnusson, Screen-Based Musical Interfaces as Semiotic Machines, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 162–167, 2006. |
| [ pdf | tex ] | Mark Zadel, Gary Scavone, Different Strokes: a Prototype Software System for Laptop Performance and Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 168–171, 2006. |
| [ pdf | tex ] | Yu Nishibori, Toshio Iwai, TENORI-ON, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 172–175, 2006. |
| [ pdf | tex ] | Alexander R. Jensenius, Tellef Kvifte, Rolf I. Godøy, Towards a Gesture Description Interchange Format, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 176–179, 2006. |
| [ pdf | tex ] | Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot, SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 180–183, 2006. |
| [ pdf | tex ] | Smilen Dimitrov, Stefania Serafin, A Simple Practical Approach to a Wireless Data Acquisition Board, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 184–187, 2006. |
| [ pdf | tex ] | Kjetil F. Hansen, Roberto Bresin, Mapping Strategies in DJ Scratching, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 188–191, 2006. |
| [ pdf | tex ] | Loïc Kessous, Julien Castet, Daniel Arfib, 'GXtar', an Interface Using Guitar Techniques, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 192–195, 2006. |
| [ pdf | tex ] | Anne-Marie Burns, Marcelo M. Wanderley, Visual Methods for the Retrieval of Guitarist Fingering, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 196–199, 2006. |
| [ pdf | tex ] | Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua, Combining Accelerometer and Video Camera: Reconstruction of Bow Velocity Profiles, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 200–203, 2006. |
| [ pdf | tex ] | Nicolas Leroy, Emmanuel Fléty, Frédéric Bevilacqua, Reflective Optical Pickup For Violin, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 204–207, 2006. |
| [ pdf | tex ] | Sergi Jordà, Marcos Alonso, Mary Had a Little scoreTable* or the reacTable* Goes Melodic, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 208–211, 2006. |
| [ pdf | tex ] | Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa, Sound Rose: Creating Music and Images with a Touch Table, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 212–215, 2006. |
| [ pdf | tex ] | Philip L. Davidson, Jefferson Y. Han, Synthesis and Control on Large Scale Multi-Touch Sensing Displays, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 216–219, 2006. |
| [ pdf | tex ] | Tellef Kvifte, Alexander R. Jensenius, Towards a Coherent Terminology and Model of Instrument Description and Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–225, 2006. |
| [ pdf | tex ] | Mark T. Marshall, Marcelo M. Wanderley, Vibrotactile Feedback in Digital Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 226–229, 2006. |
| [ pdf | tex ] | Rodolphe Koehly, Denis Curtil, Marcelo M. Wanderley, Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 230–233, 2006. |
| [ pdf | tex ] | John Bowers, Nicolas Villar, Creating Ad Hoc Instruments with Pin&Play&Perform, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 234–239, 2006. |
| [ pdf | tex ] | Stefania Serafin, Amalia de Götzen, Niels Böttcher, Steven Gelineck, Synthesis and Control of Everyday Sounds Reconstructing Russolo’s Intonarumori, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 240–245, 2006. |
| [ pdf | tex ] | Gil Weinberg, Travis Thatcher, Interactive Sonification of Neural Activity, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 246–249, 2006. |
| [ pdf | tex ] | Jacques Rémus, Non Haptic Control of Music by Video Analysis of Hand Movements: 14 Years of Experience with the «Caméra Musicale», Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 250–253, 2006. |
| [ pdf | tex ] | Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser, MICON A Music Stand for Interactive Conducting, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 254–259, 2006. |
| [ pdf | tex ] | Eric Lee, Ingo Grüll, Henning Keil, Jan Borchers, conga: A Framework for Adaptive Conducting Gesture Analysis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–265, 2006. |
| [ pdf | tex ] | Nicolas d'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval, Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 266–271, 2006. |
| [ pdf | tex ] | Bob Pritchard, Sidney S. Fels, GRASSP: Gesturally-Realized Audio, Speech and Song Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 272–276, 2006. |
| [ pdf | tex ] | Christopher Dobrian, Daniel Koppelman, The E in NIME: Musical Expression with New Computer Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 277–282, 2006. |
| [ pdf | tex ] | John Richards, 32kg: Performance Systems for a Post-Digital Age, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 283–287, 2006. |
| [ pdf | tex ] | Serge de Laubier, Vincent Goudard, Meta-Instrument 3: a Look over 17 Years of Practice, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 288–291, 2006. |
| [ pdf | tex ] | Suguru Goto, The Case Study of An Application of The System, “BodySuit” and “RoboticMusic”: Its Introduction and Aesthetics, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 292–295, 2006. |
| [ pdf | tex ] | David Hindman, Modal Kombat: Competition and Choreography in Synesthetic Musical Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 296–299, 2006. |
| [ pdf | tex ] | Paul D. Lehrman, Eric Singer, A "Ballet Mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 300–303, 2006. |
| [ pdf | tex ] | Serge Lemouton, Marco Stroppa, Benny Sluchin, Using the Augmented Trombone in "I will not kiss your f.ing flag", Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 304–307, 2006. |
| [ pdf | tex ] | Sébastien Schiesser, Caroline Traube, On Making and Playing an Electronically-augmented Saxophone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 308–313, 2006. |
| [ pdf | tex ] | Tamara Smyth, Handheld Acoustic Filter Bank for Musical Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 314–317, 2006. |
| [ pdf | tex ] | Joshua J. Nixdorf, David Gerhard, Real-time Sound Source Spatialization as Used in Challenging Bodies: Implementation and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 318–321, 2006. |
| [ pdf | tex ] | Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro, Mapping with Planning Agents in the Max/MSP Environment: the GO/Max Language, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 322–325, 2006. |
| [ pdf | tex ] | Alain Bonardi, Isis Truck, Herman Akdag, Towards a Virtual Assistant for Performers and Stage Directors, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 326–329, 2006. |
| [ pdf | tex ] | Yoichi Nagashima, Students' Projects of Interactive Media-installations in SUAC, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 330–333, 2006. |
| [ pdf | tex ] | Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoft, An Acousmatic Composition Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 334–337, 2006. |
| [ pdf | tex ] | Robert Hamilton, Bioinformatic Feedback: Performer Bio-data as a Driver for Real-time Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 338–341, 2006. |
| [ pdf | tex ] | Jonathan Pak, The Light Matrix: An Interface for Musical Expression and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 342–345, 2006. |
| [ pdf | tex ] | Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi, GAINER: A Reconfigurable I/O Module and Software Libraries for Education, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 346–351, 2006. |
| [ pdf | tex ] | Kirsty Beilharz, Joanne Jakovich, Sam Ferguson, Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 352–357, 2006. |
| [ pdf | tex ] | Neal Farwell, Adapting the Trombone: a Suite of Electro-acoustic Interventions for the Piece, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 358–363, 2006. |
| [ pdf | tex ] | Teemu Maki-Patola, Perttu Hämäläinen, Aki Kanerva, The Augmented Djembe Drum - Sculpting Rhythms, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 364–369, 2006. |
| [ pdf | tex ] | Stuart Favilla, Joanne Cannon, Children of Grainger: Leather Instruments for Free Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 370–375, 2006. |
| [ pdf | tex ] | William Hsu, Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 376–379, 2006. |
| [ pdf | tex ] | Keith Hamel, Integrated Interactive Music Performance Environment, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 380–383, 2006. |
| [ pdf | tex ] | Sam Ferguson, Learning Musical Instrument Skills Through Interactive Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 384–389, 2006. |
| [ pdf | tex ] | Cornelius Poepel, Dan Overholt, Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 390–395, 2006. |
| [ pdf | tex ] | Diana Young, Patrick Nunn, Artem Vassiliev, Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 396–401, 2006. |
| [ pdf | tex ] | Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet, The Augmented Violin Project: Research, Composition and Performance Report, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 402–406, 2006. |
| [ pdf | tex ] | Mari Kimura, Jean-Claude Risset, Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset Written for Mari Kimura, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 407–408, 2006. |
| [ pdf | tex ] | Adrian Freed, David Wessel, Michael Zbyszynski, Frances M. Uitti, Augmenting the Cello, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 409–413, 2006. |