This page is an archive of all the papers published at NIME conferences, from 2001 up to date. You can search the NIME paper database by year or by author. Each entry you'll find through the search will give the access to the PDF file and the BibTex code for that paper.
full list | by year | by author
NIME 2011
| [ pdf | tex ] | Matthew Montag, Stefan Sullivan, Scott Dickey, Colby Leider, A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical Applications, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 8–13, 2011. |
| [ pdf | tex ] | Greg Shear, Matthew Wright, The Electromagnetically Sustained Rhodes Piano, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 14–17, 2011. |
| [ pdf | tex ] | Laurel S. Pardue, Andrew Boch, Matt Boch, Christine Southworth, Alex Rigopulos, Gamelan Elektrika: An Electronic Balinese Gamelan, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 18–23, 2011. |
| [ pdf | tex ] | Jeong-seob Lee, Woon Seung Yeo, Sonicstrument : A Musical Interface with Stereotypical Acoustic Transducers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 24–27, 2011. |
| [ pdf | tex ] | Scott Smallwood, Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 28–31, 2011. |
| [ pdf | tex ] | Dan Overholt, The Overtone Fiddle: an Actuated Acoustic Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 30–33, 2011. |
| [ pdf | tex ] | Niklas Klügel, Marc R. Frieß, Georg Groh, Florian Echtler, An Approach to Collaborative Music Composition, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 32–35, 2011. |
| [ pdf | tex ] | Nicolas E. Gold, Roger B. Dannenberg, A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 36–39, 2011. |
| [ pdf | tex ] | Mark A. Bokowiec, V'OCT (Ritual): An Interactive Vocal Work for Bodycoder System and 8 Channel Spatialization, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 40–43, 2011. |
| [ pdf | tex ] | Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, Yuichi Sato, First Person Shooters as Collaborative Multiprocess Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 44–47, 2011. |
| [ pdf | tex ] | Tilo Hähnel, Axel Berndt, Studying Interdependencies in Music Performance : An Interactive Tool, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 48–51, 2011. |
| [ pdf | tex ] | Sinan Bökesoy, Patrick Adler, 1city1001vibrations : Development of a Interactive Sound Installation with Robotic Instrument Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 52–55, 2011. |
| [ pdf | tex ] | Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, Mark D. Plumbley, The Medium is the Message: Composing Instruments and Performing Mappings, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 56–59, 2011. |
| [ pdf | tex ] | Seunghun Kim, Luke K. Kim, Songhee Jeong, Woon Seung Yeo, Clothesline as a Metaphor for a Musical Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 60–63, 2011. |
| [ pdf | tex ] | Pietro Polotti, Maurizio Goina, EGGS in Action, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 64–67, 2011. |
| [ pdf | tex ] | Berit Janssen, A Reverberation Instrument Based on Perceptual Mapping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 68–71, 2011. |
| [ pdf | tex ] | Lauren Hayes, Vibrotactile Feedback-Assisted Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 72–75, 2011. |
| [ pdf | tex ] | Daichi Ando, Improving User-Interface of Interactive EC for Composition-Aid by means of Shopping Basket Procedure, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 76–79, 2011. |
| [ pdf | tex ] | Ryan Mcgee, Yuan-Yi Fan, Reza Ali, BioRhythm : a Biologically-inspired Audio-Visual Installation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 80–83, 2011. |
| [ pdf | tex ] | Jon Pigott, Vibration , Volts and Sonic Art: A Practice and Theory of Electromechanical Sound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 84–87, 2011. |
| [ pdf | tex ] | George Sioros, Carlos Guedes, Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 88–91, 2011. |
| [ pdf | tex ] | André Gonçalves, Towards a Voltage-Controlled Computer Control and Interaction Beyond an Embedded System, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 92–95, 2011. |
| [ pdf | tex ] | Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama, Polyhymnia : An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 96–99, 2011. |
| [ pdf | tex ] | Juan P. Carrascal, Sergi Jordà, Multitouch Interface for Audio Mixing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 100–103, 2011. |
| [ pdf | tex ] | Nate Derbinsky, Georg Essl, Cognitive Architecture in Mobile Music Interactions, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 104–107, 2011. |
| [ pdf | tex ] | Benjamin D. Smith, Guy E. Garnett, The Self-Supervising Machine, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 108–111, 2011. |
| [ pdf | tex ] | Aaron Albin, Sertan Sentürk, Akito Van Troyer, Brian Blosser, Oliver Jan, Gil Weinberg, Beatscape , a Mixed Virtual-Physical Environment for Musical Ensembles, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 112–115, 2011. |
| [ pdf | tex ] | Marco Fabiani, Gaël Dubus, Roberto Bresin, MoodifierLive : Interactive and Collaborative Expressive Music Performance on Mobile Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 116–119, 2011. |
| [ pdf | tex ] | Benjamin Schroeder, Marc Ainger, Richard Parent, A Physically Based Sound Space for Procedural Agents, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 120–123, 2011. |
| [ pdf | tex ] | Francisco García, Leny Vinceslas, Josep Tubau, Esteban Maestre, Acquisition and Study of Blowing Pressure Profiles in Recorder Playing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 124–127, 2011. |
| [ pdf | tex ] | Anders Friberg, Anna Källblad, Experiences from Video-Controlled Sound Installations, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 128–131, 2011. |
| [ pdf | tex ] | Nicolas d'Alessandro, Roberto Calderon, Stefanie Müller, ROOM #81 - Agent-Based Instrument for Experiencing Architectural and Vocal Cues, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 132–135, 2011. |
| [ pdf | tex ] | Yasuo Kuhara, Daiki Kobayashi, Kinetic Particles Synthesizer Using Multi-Touch Screen Interface of Mobile Devices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 136–137, 2011. |
| [ pdf | tex ] | Chris Carlson, Eli Marschner, Hunter Mccurry, The Sound Flinger : A Haptic Spatializer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 138–139, 2011. |
| [ pdf | tex ] | Ravi Kondapalli, Ben-Zhen Sung, Daft Datum – An Interface for Producing Music Through Foot-based Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 140–141, 2011. |
| [ pdf | tex ] | Charles Martin, Chi-Hsia Lai, Strike on Stage : a Percussion and Media Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 142–143, 2011. |
| [ pdf | tex ] | Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell, Nicolas Misdariis, Gestural Embodiment of Environmental Sounds : an Experimental Study, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 144–148, 2011. |
| [ pdf | tex ] | Sebastián Mealla, Aleksander Väaljamäae, Mathieu Bosi, Sergi Jordà, Listening to Your Brain : Implicit Interaction in Collaborative Music Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 149–154, 2011. |
| [ pdf | tex ] | Dan Newton, Mark T. Marshall, Examining How Musicians Create Augmented Musical Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 155–160, 2011. |
| [ pdf | tex ] | Zachary Seldess, Toshiro Yamada, Tahakum: A Multi-Purpose Audio Control Framework, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 161–166, 2011. |
| [ pdf | tex ] | Dawen Liang, Guangyu Xia, Roger B. Dannenberg, A Framework for Coordination and Synchronization of Media, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 167–172, 2011. |
| [ pdf | tex ] | Edgar Berdahl, Wendy Ju, Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 173–178, 2011. |
| [ pdf | tex ] | Nicholas J. Bryan, Ge Wang, Two Turntables and a Mobile Phone, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 179–184, 2011. |
| [ pdf | tex ] | Nick Kruge, Ge Wang, MadPad : A Crowdsourcing System for Audiovisual Sampling, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 185–190, 2011. |
| [ pdf | tex ] | Patrick O. Keefe, Georg Essl, The Visual in Mobile Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 191–196, 2011. |
| [ pdf | tex ] | Ge Wang, Jieun Oh, Tom Lieber, Designing for the iPad : Magic Fiddle, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 197–202, 2011. |
| [ pdf | tex ] | Benjamin Knapp, Brennon Bortz, MobileMuse: Integral Music Control Goes Mobile, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 203–206, 2011. |
| [ pdf | tex ] | Stephen D. Beck, Chris Branton, Sharath Maddineni, Tangible Performance Management of Grid-based Laptop Orchestras, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 207–210, 2011. |
| [ pdf | tex ] | Smilen Dimitrov, Stefania Serafin, Audio Arduino - an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based Arduinos, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 211–216, 2011. |
| [ pdf | tex ] | Seunghun Kim, Woon Seung Yeo, Musical Control of a Pipe Based on Acoustic Resonance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 217–219, 2011. |
| [ pdf | tex ] | Anne-Marie S. Hansen, Hans J. Anderson, Pirkko Raudaskoski, Play Fluency in Music Improvisation Games for Novices, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 220–223, 2011. |
| [ pdf | tex ] | Izzi Ramkissoon, The Bass Sleeve: A Real-time Multimedia Gestural Controller for Augmented Electric Bass Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 224–227, 2011. |
| [ pdf | tex ] | Ajay Kapur, Michael Darling, Jim Murphy, Jordan Hochenbaum, Dimitri Diakopoulos, Trimpin Trimpin, The KarmetiK NotomotoN : A New Breed of Musical Robot for Teaching and Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 228–231, 2011. |
| [ pdf | tex ] | Adrián Barenca, Giuseppe Torre, The Manipuller : Strings Manipulation and Multi- Dimensional Force Sensing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 232–235, 2011. |
| [ pdf | tex ] | Alain Crevoisier, Cécile Picard-Limpens, Mapping Objects with the Surface Editor, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 236–239, 2011. |
| [ pdf | tex ] | Jordan Hochenbaum, Ajay Kapur, Adding Z-Depth and Pressure Expressivity to Tangible Tabletop Surfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 240–243, 2011. |
| [ pdf | tex ] | Andrew J. Milne, Anna Xambó, Robin Laney, David B. Sharp, Anthony Prechtl, Simon Holland, Hex Player — A Virtual Musical Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 244–247, 2011. |
| [ pdf | tex ] | Carl H. Waadeland, Rhythm Performance from a Spectral Point of View, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 248–251, 2011. |
| [ pdf | tex ] | Josep M. Comajuncosas, Alex Barrachina, John O'Connell, Enric Guaus, Nuvolet: 3D Gesture-driven Collaborative Audio Mosaicing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 252–255, 2011. |
| [ pdf | tex ] | Erwin Schoonderwaldt, Alexander R. Jensenius, Effective and Expressive Movements in a French-Canadian fiddler’s Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 256–259, 2011. |
| [ pdf | tex ] | Daniel Bisig, Jan C. Schacher, Martin Neukom, Flowspace – A Hybrid Ecosystem, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 260–263, 2011. |
| [ pdf | tex ] | Marc Sosnick, William Hsu, Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 264–267, 2011. |
| [ pdf | tex ] | Axel Tidemann, An Artificial Intelligence Architecture for Musical Expressiveness that Learns by Imitation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 268–271, 2011. |
| [ pdf | tex ] | Luke Dahl, Jorge Herrera, Carr Wilkerson, TweetDreams : Making Music with the Audience and the World using Real-time Twitter Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 272–275, 2011. |
| [ pdf | tex ] | Lawrence Fyfe, Adam Tindale, Sheelagh Carpendale, JunctionBox : A Toolkit for Creating Multi-touch Sound Control Interfaces, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 276–279, 2011. |
| [ pdf | tex ] | Andrew Johnston, Beyond Evaluation : Linking Practice and Theory in New Musical Interface Design, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 280–283, 2011. |
| [ pdf | tex ] | Phillip Popp, Matthew Wright, Intuitive Real-Time Control of Spectral Model Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 284–287, 2011. |
| [ pdf | tex ] | Pablo Molina, Martín Haro, Sergi Jordà, BeatJockey : A New Tool for Enhancing DJ Skills, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 288–291, 2011. |
| [ pdf | tex ] | Jan C. Schacher, Angela Stoecklin, Traces – Body, Motion and Sound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 292–295, 2011. |
| [ pdf | tex ] | Grace Leslie, Tim Mullen, MoodMixer : EEG-based Collaborative Sonification, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 296–299, 2011. |
| [ pdf | tex ] | Ståle A. Skogstad, Yago de Quay, Alexander R. Jensenius, OSC Implementation and Evaluation of the Xsens MVN Suit, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 300–303, 2011. |
| [ pdf | tex ] | Lonce Wyse, Norikazu Mitani, Suranga Nanayakkara, The Effect of Visualizing Audio Targets in a Musical Listening and Performance Task, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 304–307, 2011. |
| [ pdf | tex ] | Adrian Freed, John MacCallum, Andrew Schmeder, Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 308–311, 2011. |
| [ pdf | tex ] | Kristian Nymoen, Ståle A. Skogstad, Alexander R. Jensenius, SoundSaber - A Motion Capture Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 312–315, 2011. |
| [ pdf | tex ] | Øyvind Brandtsegg, Sigurd Saue, Thom Johansen, A Modulation Matrix for Complex Parameter Sets, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 316–319, 2011. |
| [ pdf | tex ] | Yu-Chung Tseng, Che-Wei Liu, Tzu-Heng Chi, Hui-Yu Wang, Sound Low Fun, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 320–321, 2011. |
| [ pdf | tex ] | Edgar Berdahl, Chris Chafe, Autonomous New Media Artefacts ( AutoNMA ), Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 322–323, 2011. |
| [ pdf | tex ] | Min-Joon Yoo, Jin-Wook Beak, In-Kwon Lee, Creating Musical Expression using Kinect, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 324–325, 2011. |
| [ pdf | tex ] | Staas de Jong, Making Grains Tangible: Microtouch for Microsound, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 326–328, 2011. |
| [ pdf | tex ] | Baptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell, Sound Selection by Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 329–330, 2011. |
| [ pdf | tex ] | Hernán Kerlleñevich, Manuel C. Eguía, Pablo E. Riera, An Open Source Interface based on Biological Neural Networks for Interactive Music Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 331–336, 2011. |
| [ pdf | tex ] | Nicholas Gillian, Benjamin Knapp, Sile O'Modhrain, Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 337–342, 2011. |
| [ pdf | tex ] | Nicholas Gillian, Benjamin Knapp, Sile O'Modhrain, A Machine Learning Toolbox For Musician Computer Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 343–348, 2011. |
| [ pdf | tex ] | Elena Jessop, Peter A. Torpey, Benjamin Bloomberg, Music and Technology in Death and the Powers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 349–354, 2011. |
| [ pdf | tex ] | Victor Zappi, Dario Mazzanti, Andrea Brogni, Darwin Caldwell, Design and Evaluation of a Hybrid Reality Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 355–360, 2011. |
| [ pdf | tex ] | Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, Wendy E. Mackay, InkSplorer : Exploring Musical Ideas on Paper and Computer, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 361–366, 2011. |
| [ pdf | tex ] | Pedro Lopez, Alfredo Ferreira, J. A. Madeiras Pereira, Battle of the DJs: an HCI Perspective of Traditional, Virtual, Hybrid and Multitouch DJing, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 367–372, 2011. |
| [ pdf | tex ] | Adnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, Paul Stapleton, Designing Digital Musical Interactions in Experimental Contexts, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 373–376, 2011. |
| [ pdf | tex ] | Jonathan Reus, Crackle: A Dynamic Mobile Multitouch Topology for Exploratory Sound Interaction, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 377–380, 2011. |
| [ pdf | tex ] | Samuel Aaron, Alan Blackwell, Richard Hoadley, Tim Regan, A Principled Approach to Developing New Languages for Live Coding, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 381–386, 2011. |
| [ pdf | tex ] | Jamie Bullock, Daniel Beattie, Jerome Turner, Integra Live : a New Graphical User Interface for Live Electronic Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 387–392, 2011. |
| [ pdf | tex ] | Jung-Sim Roh, Yotam Mann, Adrian Freed, David Wessel, Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 393–398, 2011. |
| [ pdf | tex ] | Mark T. Marshall, Marcelo M. Wanderley, Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 399–404, 2011. |
| [ pdf | tex ] | Dimitri Diakopoulos, Ajay Kapur, HIDUINO : A firmware for building driverless USB-MIDI devices using the Arduino microcontroller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 405–408, 2011. |
| [ pdf | tex ] | Emmanuel Fléty, Côme Maestracci, Latency Improvement in Sensor Wireless Transmission Using IEEE 802.15.4, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 409–412, 2011. |
| [ pdf | tex ] | Jeff Snyder, Snyderphonics Manta Controller, a Novel USB Touch-Controller, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 413–416, 2011. |
| [ pdf | tex ] | William Hsu, On Movement , Structure and Abstraction in Generative Audiovisual Improvisation, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 417–420, 2011. |
| [ pdf | tex ] | Claudia R. Angel, Creating Interactive Multimedia Works with Bio-data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 421–424, 2011. |
| [ pdf | tex ] | Paula Ustarroz, TresnaNet Musical Generation based on Network Protocols, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 425–428, 2011. |
| [ pdf | tex ] | Matti Luhtala, Tiina Kymäläinen, Johan Plomp, Designing a Music Performance Space for Persons with Intellectual Learning Disabilities, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 429–432, 2011. |
| [ pdf | tex ] | Tom Ahola, Koray Tahiroglu, Teemu Ahmaniemi, Fabio Belloni, Ville Ranki, Raja - A Multidisciplinary Artistic Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 433–436, 2011. |
| [ pdf | tex ] | Emmanuelle Gallin, Marc Sirguy, Eobody3: a Ready-to-use Pre-mapped & Multi-protocol Sensor Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 437–440, 2011. |
| [ pdf | tex ] | Rasmus Bååth, Thomas Strandberg, Christian Balkenius, Eye Tapping : How to Beat Out an Accurate Rhythm using Eye Movements, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 441–444, 2011. |
| [ pdf | tex ] | Eric Rosenbaum, MelodyMorph: A Reconfigurable Musical Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 445–447, 2011. |
| [ pdf | tex ] | Karmen Franinovic, The Flo)(ps : Negotiating Between Habitual and Explorative Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 448–452, 2011. |
| [ pdf | tex ] | Margaret Schedel, Phoenix Perry, Rebecca Fiebrink, Wekinating 000000Swan : Using Machine Learning to Create and Control Complex Artistic Systems, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 453–456, 2011. |
| [ pdf | tex ] | Carles F. Julià, Daniel Gallardo, Sergi Jordà, MTCF : A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure Data, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 457–460, 2011. |
| [ pdf | tex ] | David Pirrò, Gerhard Eckel, Physical Modelling Enabling Enaction: an Example, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 461–464, 2011. |
| [ pdf | tex ] | Thomas Mitchell, Imogen Heap, SoundGrasp : A Gestural Interface for the Performance of Live Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 465–468, 2011. |
| [ pdf | tex ] | Tim Mullen, Richard Warp, Adam Jansch, Minding the (Transatlantic) Gap: An Internet-Enabled Acoustic Brain-Computer Music Interface, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 469–472, 2011. |
| [ pdf | tex ] | Stefano Papetti, Marco Civolani, Federico Fontana, Rhythm’n’Shoes : a Wearable Foot Tapping Interface with Audio-Tactile Feedback, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 473–476, 2011. |
| [ pdf | tex ] | Cumhur Erkut, Antti Jylhä, Reha Discioglu, A Structured Design and Evaluation Model with Application to Rhythmic Interaction Displays, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 477–480, 2011. |
| [ pdf | tex ] | Marco Marchini, Panos Papiotis, Alfonso Pérez, Esteban Maestre, A Hair Ribbon Deflection Model for Low-intrusiveness Measurement of Bow Force in Violin Performance, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 481–486, 2011. |
| [ pdf | tex ] | Jon Forsyth, Aron Glennon, Juan P. Bello, Random Access Remixing on the iPad, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 487–490, 2011. |
| [ pdf | tex ] | Erika Donald, Ben Duinker, Eliot Britton, Designing the EP Trio: Instrument Identities, Control and Performance Practice in an Electronic Chamber Music Ensemble, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 491–494, 2011. |
| [ pdf | tex ] | A. Cavan Fyans, Michael Gurevich, Perceptions of Skill in Performances with Acoustic and Electronic Instruments, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 495–498, 2011. |
| [ pdf | tex ] | Hiroki Nishino, Cognitive Issues in Computer Music Programming, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 499–502, 2011. |
| [ pdf | tex ] | Roland Lamb, Andrew Robertson, Seaboard : a New Piano Keyboard-related Interface Combining Discrete and Continuous Control, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 503–506, 2011. |
| [ pdf | tex ] | Gilbert Beyer, Max Meier, Music Interfaces for Novice Users : Composing Music on a Public Display with Hand Gestures, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 507–510, 2011. |
| [ pdf | tex ] | Birgitta Cappelen, Anders-Petter Anderson, Expanding the Role of the Instrument, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 511–514, 2011. |
| [ pdf | tex ] | Todor Todoroff, Wireless Digital/Analog Sensors for Music and Dance Performances, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 515–518, 2011. |
| [ pdf | tex ] | Trond Engum, Real-time Control and Creative Convolution, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 519–522, 2011. |
| [ pdf | tex ] | Andreas Bergsland, phrases from Paul Lansky ’ s Six Fantasies, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 523–526, 2011. |
| [ pdf | tex ] | Jan T. von Falkenstein, Gliss : An Intuitive Sequencer for the iPhone and iPad, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 527–528, 2011. |
| [ pdf | tex ] | Jiffer Harriman, Locky Casey, Linden Melvin, Quadrofeelia – A New Instrument for Sliding into Notes, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 529–530, 2011. |
| [ pdf | tex ] | Johnty Wang, Nicolas d'Alessandro, Sidney S. Fels, Bob Pritchard, SQUEEZY : Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory Synthesis, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 531–532, 2011. |
| [ pdf | tex ] | Souhwan Choe, Kyogu Lee, SWAF: Towards a Web Application Framework for Composition and Documentation of Soundscape, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 533–534, 2011. |
| [ pdf | tex ] | Norbert Schnell, Frédéric Bevilacqua, Nicolas Rasamimanana, Julien Blois, Fabrice Guédy, Emmanuel Fléty, Playing the "MO" – Gestural Control and Re-Embodiment of Recorded Sound and Music, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 535–536, 2011. |
| [ pdf | tex ] | Bruno Zamborlin, Giorgio Partesana, Marco Liuni, (LAND)MOVES, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 537–538, 2011. |
| [ pdf | tex ] | Bill Verplank, Francesco Georg, Can Haptics Make New Music ? - Fader and Plank Demos, Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 539–540, 2011. |