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Preamble. NIME 2006 | 1 |
Paper Session, Monday morning, June 5 Mobile and Public |
Mobile Music Technology: Report on an Emerging Community. Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka | 22 |
A Framework for Spatial Interaction in Locative Media. Atau Tanaka, Petra Gemeinboeck | 26 |
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. Michael Rohs, Georg Essl, Martin Roth | 31 |
Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4. Greg Schiemer, Mark Havryliv | 37 |
Interactive Public Sound Art: a case study. David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig | 43 |
Poster Session, Monday, June 5 Sensors, Interfaces, and Mapping |
Building Collaborative Graphical interFaces in the Audicle. Ge Wang, Ananya Misra, Perry Cook | 49 |
The Frequencyliator - Distributing Structures for Networked Laptop Improvisation. Pedro Rebelo, Alain Renaud | 53 |
A VR Interface for Collaborative 3D Audio Performance. Martin Naef, Daniel Collicott | 57 |
Using the Touch Screen as a Controller for Portable Computer Music Instruments. Günter Geiger | 61 |
Using MIDI to Modify Video Game Content. Jukka Holm, Juha Arrasvuori, Kai Havukainen | 65 |
Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression. Takuro Lippit | 71 |
spinCycle: a Color-Tracking Turntable Sequencer. Spencer Kiser | 75 |
The Chopping Board: Real-time Sample Editor. Jason Lee | 77 |
A Tactile Closed-Loop Device for Musical Interaction. Staas de Jong | 79 |
PETECUBE: a Multimodal Feedback Interface. Peter Bennett | 81 |
The G-Spring Controller. Denis Lebel, Joseph Malloch | 85 |
Orbophone: a new interface for radiating sound and image. Damien Lock, Greg Schiemer | 89 |
the gluion, advantages of an FPGA-based sensor interface. Sukandar Kartadinata | 93 |
Beyond 0-5V: Expanding Sensor Integration Architectures. Adrian Freed, Rimas Avizienis, Matt Wright | 97 |
Timbre interfaces using adjectives and adverbs. Colin Johnson, Alex Gounaropoulos | 101 |
SonicJumper composer. D. Andrew Stewart | 103 |
Towards a catalog and software library of mapping methods. Hans-Christoph Steiner | 106 |
LINE: Interactive Sound and Light Installation. Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa | 110 |
Paper Session, Monday afternoon, June 5 Network and Collaborative |
Decay in Collaborative Music Making. Nick Bryan-Kinns, Patrick Healey | 114 |
JamSpace: Designing A Collaborative Networked Music Space for Novices. Michael Gurevich | 118 |
Creating a Network of Integral Music Controllers. Benjamin Knapp, Perry Cook | 124 |
Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces. Matthew Burtner | 129 |
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance. Ryan Aylward, Joseph Paradiso | 134 |
Paper Session, Tuesday morning, June 6 Real and Virtual, Spatial and Graphical |
The ZKM Klangdom. Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer | 140 |
A framework for immersive spatial audio performance. Mike Wozniewski, Zack Settel, Jeremy Cooperstock | 144 |
An Architectural Framework for Interactive Music Systems. Alexandre Francois, Elaine Chew | 150 |
Transmodal Feedback as a New Perspective for Audio-visual Effects. Christian Jacquemin, Serge de Laubier | 156 |
Screen-Based Musical Interfaces as Semiotic Machines. Thor Magnusson | 162 |
Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. Mark Zadel, Gary Scavone | 168 |
TENORI-ON. Yu Nishibori, Toshio Iwai | 172 |
Poster Session, Tuesday, June 6Gesture Controlled Audio Systems |
Towards a Gesture Description Interchange Format. Alexander Jensenius, Tellef Kvifte, Rolf Inge Godøy | 176 |
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. Marcelo Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot | 180 |
A simple practical approach to a wireless data acquisition board. Smilen Dimitrov, Stefania Serafin | 184 |
Mapping strategies in DJ scratching. Kjetil Falkenberg Hansen, Roberto Bresin | 188 |
'GXtar', an interface using guitar techniques. Loic Kessous, Julien Castet, Daniel Arfib | 192 |
Visual Methods for the Retrieval of Guitarist Fingering. Anne-Marie Burns, Marcelo Wanderley | 196 |
Combining accelerometer and video camera: Reconstruction of bow velocity profiles. Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua | 200 |
Reflective Optical Pickup For Violin. Nicolas Leroy, Emmanuel Flety, Frederic Bevilacqua | 204 |
Poster Session, Tuesday, June 6Tables and Screens |
Mary had a little scoreTable* or the reacTable* goes melodic. Sergi Jorda, Marcos Alonso | 208 |
Sound Rose: Creating Music and Images with a Touch Table. Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa | 212 |
Synthesis and Control on Large Scale Multi-Touch Sensing Displays. Philip Davidson, Jefferson Han | 216 |
Paper Session, Tuesday afternoon, June 6Instrument Design |
Towards a Coherent Terminology and Model of Instrument Description and Design. Tellef Kvifte, Alexander R. Jensenius | 220 |
Vibrotactile Feedback in Digital Musical Instruments. Mark Marshall, Marcelo Wanderley | 226 |
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. Rodolphe Koehly, Marcelo Wanderley, Denis Curtil | 230 |
Creating Ad Hoc Instruments with Pin&Play&Perform. John Bowers, Nicolas Villar | 234 |
Synthesis and control of everyday sound reconstructing Russolo's Intonarumori. Stefania Serafin, Amalia De Goetzen, Niels Böttcher, Steven Gelineck | 240 |
Paper Session, Wednesday Morning, June 7Brain, Hands, and Expression |
Interactive Sonification of Neural Activity. Gil Weinberg, Travis Thatcher | 246 |
Non haptic control of music by video analysis of hand movements: 14 years of experience with the «Caméra Musicale». Jacques Rémus | 250 |
MICON: A Music Stand for Interactive Conducting. Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser | 254 |
conga: A Framework for Adaptive Conducting Gesture Analysis. Eric Lee, Ingo Grüll, Henning Kiel, Jan Borchers | 260 |
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis. Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval | 266 |
GRASSP: Gesturally-Realized Audio, Speech and Song Performance. Bob Pritchard, Sidney Fels | 272 |
The 'E' in NIME: Musical Expression with New Computer Interfaces. Christopher Dobrian, Daniel Koppelman | 277 |
Poster Session, Wednesday, June 7Instruments, Performances, and Installations |
32kg: Performance Systems for a Post-Digital Age. John Richards | 283 |
Meta-Instrument 3: a look over 17 years of practice. Serge De Laubier, Vincent Goudard | 288 |
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics. Suguru Goto | 292 |
Modal Kombat: Competition and Choreography in Synesthetic Musical Performance. David Hindman | 296 |
A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots. Paul Lehrman, Eric Singer | 300 |
Using the augmented trombone in "I will not kiss your f.ing flag". Serge Lemouton, Marco Stroppa, Benny Sluchin | 304 |
On making and playing an electronically-augmented saxophone. Sébastien Schiesser, Caroline Traube | 308 |
Handheld Acoustic Filter Bank for Musical Control. Tamara Smyth | 314 |
Real-Time Sound Source Spatialization as used in Challenging Bodies: Implementation and Performance. JJ Nixdorf, David Gerhard | 318 |
Mapping with planning agents in the Max/MSP environment: the GO/Max language. Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro | 322 |
Towards a Virtual Assistant for Performers and Stage Directors. Alain Bonardi, Isis Truck, Herman Akdag | 326 |
Students' projects of interactive media-installations in SUAC. Yoichi Nagashima | 330 |
An Acousmatic Composition Environment. Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoeft | 334 |
Bioinformatic Feedback: performer bio-data as a driver for real-time composition. Robert Hamilton | 338 |
The Light Matrix: An Interface for musical expression and performance. Jonathan Pak | 342 |
GAINER: A reconfigurable I/O module and software libraries for education. Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi | 346 |
Paper Session, Wednesday Afternoon, June 7Augmented Instruments and Accompaniment |
Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument. Kirsty Beilharz, Joanne Jakovich, Sam Ferguson | 352 |
Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse. Neal Farwell | 358 |
The Augmented Djembe Drum - Sculpting Rhythms. Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva | 364 |
Children of Grainger: Leather Instruments for Free Music. Stuart Favilla, Joanne Cannon | 370 |
Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment. William Hsu | 376 |
Integrated Interactive Music Performance Environment. Keith Hamel | 380 |
Learning Musical Instrument Skills Through Interactive Sonification. Sam Ferguson | 384 |
Special Session, Thursday morning, June 8 Digital Interfaces for the Violin Family |
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. Cornelius Poepel, Dan Overholt | 390 |
Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music. Diana Young, Patrick Nunn, Artem Vassiliev | 396 |
The augmented violin project: research, composition and performance report. Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet | 402 |
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura. Mari Kimura, Jean-Claude Risset | 407 |
Augmenting the Cello. Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel | 409 |
Keynotes and Panel Discussion |
Living with Creative Machines: A Composer Reflects. Keynote George Lewis | 414 |
Listening to the World: Information and Aesthetics. Keynote William Gaver | 414 |
Manager or Musician? - About virtuosity in live electronic music. Panel Discussion moderated by Michel Waisvisz | 415 |
Workshops |
Improvisation and Computers. Workshop | 416 |
Choreographic Computations: Motion Capture and Analysis for Dance. Workshop | 416 |
Network Performance. Workshop | 416 |
Concert at IRCAM (Espace de Projection), Monday evening, June 5NIME Performances |
Voice and Infrared Sensor Shirt. Tomomi Adachi | 418 |
Solo Performance for Indeterminate 'Dirty Electronics', 'Flickertron' and 'Pseudophone+'. John Richards (aka kREEPA) | 418 |
Pieces for Plants #7. Miya Masaoka | 418 |
Sight Sound -Phenakistoscope-. Saburo Hirano | 419 |
Mouseketier Praxis. Mark Applebaum | 419 |
Children of Grainger. Bent Leather Band | 419 |
Concert at the Triptyque, Monday night, June 5Club NIME I |
Revelations. Juraj Kojs | 420 |
Hymn to Ampere. The Breadboard Band | 420 |
Modal Kombat. David Hindman and Evan Drummond | 420 |
scrambled?HaCkZ!. Sven König | 421 |
Audile. Yutaka Makino and dj sniff | 421 |
Invited Headline Club Performance. eRikm | 421 |
Concert at IRCAM (Espace de Projection), Tuesday night, June 6NIME 06 Special Guests |
Vista, Tricot. Mari Kimura | 422 |
Trio Improvisation. George Lewis and Alexander von Schlippenbach | 422 |
Le Loup, Lifting, Crackle, Noise, Nevrose. Sensors_Sonics_Sights | 423 |
On composing the now. Michel Waisvisz | 423 |
Concert at the Point Éphémère, Wednesday night, June 7Club NIME II |
Dual Airbags. Ben Neill and Nicolas Collins | 424 |
Circumference Cycles. Chris Strollo, Tina Blaine, Robin Stanaway | 424 |
reacTable*. Sergi Jordà and Chris Brown | 424 |
Connected Spaces. Satoru Higa and Akihiro Kubota | 425 |
backscatter. Robin Fox | 425 |
Performances at ArsLonga, Thursday evening, June 8NIME Gallery |
Mandala 3 and Mandala 4. Greg Schiemer | 426 |
Bowl Chant. Garth Paine and Michael Atherton | 426 |
Live Fire. Ximena Franco and Enrique Franco | 426 |
Jam'aa. Gil Weinberg | 427 |
ATT. Georg Holzmann | 427 |
Concert at the Point Éphémère, Thursday night, June 8Club NIME III |
piano works. Antoine Schmitt | 428 |
chdh. Cyrille Henry and Nicolas Montgermont | 428 |
I.D.L. (Icon of Desire Lost). Alice Daquet | 429 |
1ProVisTruments. Cyrille Brissot, Emilie Simon, Olivier Pasquet, Cyril Hernandez | 429 |
Installations |
Acousmeaucorps. Tom Mays | 430 |
anemo. Ryoho Kobayashi | 430 |
Métier à Tisser Musical - The Musical Loom. Kingsley Ng | 430 |
16:9 intercreative sound installation. Daniel Teige, Martin Rumori | 431 |
codespace_<tag>. jasch | 431 |
LINE. Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa | 432 |
Audio Shaker. Mark Hauenstein and Tom Jenkins | 432 |
Sonobotanic plants. Marije Baalman and Alberto de Campo | 432 |
Transduction.2. Marc Fournel | 433 |
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