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Preamble.
NIME 2006 | 1 |
Paper Session, Monday morning, June 5 Mobile and Public |
Mobile Music Technology: Report on an Emerging Community.
Lalya Gaye, Lars Erik Holmquist, Frauke Behrendt, Atau Tanaka | 22 |
A Framework for Spatial Interaction in Locative Media.
Atau Tanaka, Petra Gemeinboeck | 26 |
CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking.
Michael Rohs, Georg Essl, Martin Roth | 31 |
Pocket Gamelan: tuneable trajectories for flying sources in Mandala 3 and Mandala 4.
Greg Schiemer, Mark Havryliv | 37 |
Interactive Public Sound Art: a case study.
David Birchfield, Kelly Phillips, Assegid Kidané, David Lorig | 43 |
Poster Session, Monday, June 5 Sensors, Interfaces, and Mapping |
Building Collaborative Graphical interFaces in the Audicle.
Ge Wang, Ananya Misra, Perry Cook | 49 |
The Frequencyliator - Distributing Structures for Networked Laptop Improvisation.
Pedro Rebelo, Alain Renaud | 53 |
A VR Interface for Collaborative 3D Audio Performance.
Martin Naef, Daniel Collicott | 57 |
Using the Touch Screen as a Controller for Portable Computer Music Instruments.
Günter Geiger | 61 |
Using MIDI to Modify Video Game Content.
Jukka Holm, Juha Arrasvuori, Kai Havukainen | 65 |
Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression.
Takuro Lippit | 71 |
spinCycle: a Color-Tracking Turntable Sequencer.
Spencer Kiser | 75 |
The Chopping Board: Real-time Sample Editor.
Jason Lee | 77 |
A Tactile Closed-Loop Device for Musical Interaction.
Staas de Jong | 79 |
PETECUBE: a Multimodal Feedback Interface.
Peter Bennett | 81 |
The G-Spring Controller.
Denis Lebel, Joseph Malloch | 85 |
Orbophone: a new interface for radiating sound and image.
Damien Lock, Greg Schiemer | 89 |
the gluion, advantages of an FPGA-based sensor interface.
Sukandar Kartadinata | 93 |
Beyond 0-5V: Expanding Sensor Integration Architectures.
Adrian Freed, Rimas Avizienis, Matt Wright | 97 |
Timbre interfaces using adjectives and adverbs.
Colin Johnson, Alex Gounaropoulos | 101 |
SonicJumper composer.
D. Andrew Stewart | 103 |
Towards a catalog and software library of mapping methods.
Hans-Christoph Steiner | 106 |
LINE: Interactive Sound and Light Installation.
Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa | 110 |
Paper Session, Monday afternoon, June 5 Network and Collaborative |
Decay in Collaborative Music Making.
Nick Bryan-Kinns, Patrick Healey | 114 |
JamSpace: Designing A Collaborative Networked Music Space for Novices.
Michael Gurevich | 118 |
Creating a Network of Integral Music Controllers.
Benjamin Knapp, Perry Cook | 124 |
Perturbation Techniques for Multi-Performer or Multi-Agent Interactive Musical Interfaces.
Matthew Burtner | 129 |
Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance.
Ryan Aylward, Joseph Paradiso | 134 |
Paper Session, Tuesday morning, June 6 Real and Virtual, Spatial and Graphical |
The ZKM Klangdom.
Chandrasekhar Ramakrishnan, Joachim Gossmann, Ludger Brümmer | 140 |
A framework for immersive spatial audio performance.
Mike Wozniewski, Zack Settel, Jeremy Cooperstock | 144 |
An Architectural Framework for Interactive Music Systems.
Alexandre Francois, Elaine Chew | 150 |
Transmodal Feedback as a New Perspective for Audio-visual Effects.
Christian Jacquemin, Serge de Laubier | 156 |
Screen-Based Musical Interfaces as Semiotic Machines.
Thor Magnusson | 162 |
Different Strokes: a Prototype Software System for Laptop Performance and Improvisation.
Mark Zadel, Gary Scavone | 168 |
TENORI-ON.
Yu Nishibori, Toshio Iwai | 172 |
Poster Session, Tuesday, June 6Gesture Controlled Audio Systems |
Towards a Gesture Description Interchange Format.
Alexander Jensenius, Tellef Kvifte, Rolf Inge Godøy | 176 |
SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers.
Marcelo Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot | 180 |
A simple practical approach to a wireless data acquisition board.
Smilen Dimitrov, Stefania Serafin | 184 |
Mapping strategies in DJ scratching.
Kjetil Falkenberg Hansen, Roberto Bresin | 188 |
'GXtar', an interface using guitar techniques.
Loic Kessous, Julien Castet, Daniel Arfib | 192 |
Visual Methods for the Retrieval of Guitarist Fingering.
Anne-Marie Burns, Marcelo Wanderley | 196 |
Combining accelerometer and video camera: Reconstruction of bow velocity profiles.
Erwin Schoonderwaldt, Nicolas Rasamimanana, Frédéric Bevilacqua | 200 |
Reflective Optical Pickup For Violin.
Nicolas Leroy, Emmanuel Flety, Frederic Bevilacqua | 204 |
Poster Session, Tuesday, June 6Tables and Screens |
Mary had a little scoreTable* or the reacTable* goes melodic.
Sergi Jorda, Marcos Alonso | 208 |
Sound Rose: Creating Music and Images with a Touch Table.
Alain Crevoisier, Cédric Bornand, Arnaud Guichard, Seiichiro Matsumura, Chuichi Arakawa | 212 |
Synthesis and Control on Large Scale Multi-Touch Sensing Displays.
Philip Davidson, Jefferson Han | 216 |
Paper Session, Tuesday afternoon, June 6Instrument Design |
Towards a Coherent Terminology and Model of Instrument Description and Design.
Tellef Kvifte, Alexander R. Jensenius | 220 |
Vibrotactile Feedback in Digital Musical Instruments.
Mark Marshall, Marcelo Wanderley | 226 |
Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors.
Rodolphe Koehly, Marcelo Wanderley, Denis Curtil | 230 |
Creating Ad Hoc Instruments with Pin&Play&Perform.
John Bowers, Nicolas Villar | 234 |
Synthesis and control of everyday sound reconstructing Russolo's Intonarumori.
Stefania Serafin, Amalia De Goetzen, Niels Böttcher, Steven Gelineck | 240 |
Paper Session, Wednesday Morning, June 7Brain, Hands, and Expression |
Interactive Sonification of Neural Activity.
Gil Weinberg, Travis Thatcher | 246 |
Non haptic control of music by video analysis of hand movements: 14 years of experience with the «Caméra Musicale».
Jacques Rémus | 250 |
MICON: A Music Stand for Interactive Conducting.
Jan Borchers, Aristotelis Hadjakos, Max Mühlhäuser | 254 |
conga: A Framework for Adaptive Conducting Gesture Analysis.
Eric Lee, Ingo Grüll, Henning Kiel, Jan Borchers | 260 |
Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis.
Nicolas D'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, Boris Doval | 266 |
GRASSP: Gesturally-Realized Audio, Speech and Song Performance.
Bob Pritchard, Sidney Fels | 272 |
The 'E' in NIME: Musical Expression with New Computer Interfaces.
Christopher Dobrian, Daniel Koppelman | 277 |
Poster Session, Wednesday, June 7Instruments, Performances, and Installations |
32kg: Performance Systems for a Post-Digital Age.
John Richards | 283 |
Meta-Instrument 3: a look over 17 years of practice.
Serge De Laubier, Vincent Goudard | 288 |
The Case Study of An Application of The System, "BodySuit" and "RoboticMusic" - Its Introduction and Aesthetics.
Suguru Goto | 292 |
Modal Kombat: Competition and Choreography in Synesthetic Musical Performance.
David Hindman | 296 |
A "Ballet mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots.
Paul Lehrman, Eric Singer | 300 |
Using the augmented trombone in "I will not kiss your f.ing flag".
Serge Lemouton, Marco Stroppa, Benny Sluchin | 304 |
On making and playing an electronically-augmented saxophone.
Sébastien Schiesser, Caroline Traube | 308 |
Handheld Acoustic Filter Bank for Musical Control.
Tamara Smyth | 314 |
Real-Time Sound Source Spatialization as used in Challenging Bodies: Implementation and Performance.
JJ Nixdorf, David Gerhard | 318 |
Mapping with planning agents in the Max/MSP environment: the GO/Max language.
Paolo Bottoni, Stefano Faralli, Anna Labella, Mario Pierro | 322 |
Towards a Virtual Assistant for Performers and Stage Directors.
Alain Bonardi, Isis Truck, Herman Akdag | 326 |
Students' projects of interactive media-installations in SUAC.
Yoichi Nagashima | 330 |
An Acousmatic Composition Environment.
Morten Breinbjerg, Ole Caprani, Rasmus Lunding, Line Kramhoeft | 334 |
Bioinformatic Feedback: performer bio-data as a driver for real-time composition.
Robert Hamilton | 338 |
The Light Matrix: An Interface for musical expression and performance.
Jonathan Pak | 342 |
GAINER: A reconfigurable I/O module and software libraries for education.
Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, Shosei Oishi | 346 |
Paper Session, Wednesday Afternoon, June 7Augmented Instruments and Accompaniment |
Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument.
Kirsty Beilharz, Joanne Jakovich, Sam Ferguson | 352 |
Adapting the trombone: A suite of electro-acoustic interventions for the piece Rouse.
Neal Farwell | 358 |
The Augmented Djembe Drum - Sculpting Rhythms.
Teemu Mäki-Patola, Perttu Hämäläinen, Aki Kanerva | 364 |
Children of Grainger: Leather Instruments for Free Music.
Stuart Favilla, Joanne Cannon | 370 |
Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment.
William Hsu | 376 |
Integrated Interactive Music Performance Environment.
Keith Hamel | 380 |
Learning Musical Instrument Skills Through Interactive Sonification.
Sam Ferguson | 384 |
Special Session, Thursday morning, June 8 Digital Interfaces for the Violin Family |
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?.
Cornelius Poepel, Dan Overholt | 390 |
Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music.
Diana Young, Patrick Nunn, Artem Vassiliev | 396 |
The augmented violin project: research, composition and performance report.
Frédéric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fléty, Serge Lemouton, Florence Baschet | 402 |
Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset written for Mari Kimura.
Mari Kimura, Jean-Claude Risset | 407 |
Augmenting the Cello.
Adrian Freed, Frances Marie Uitti, Michael Zbyszynski, David Wessel | 409 |
Keynotes and Panel Discussion |
Living with Creative Machines: A Composer Reflects.
Keynote George Lewis | 414 |
Listening to the World: Information and Aesthetics.
Keynote William Gaver | 414 |
Manager or Musician? - About virtuosity in live electronic music.
Panel Discussion moderated by Michel Waisvisz | 415 |
Workshops |
Improvisation and Computers.
Workshop | 416 |
Choreographic Computations: Motion Capture and Analysis for Dance.
Workshop | 416 |
Network Performance.
Workshop | 416 |
Concert at IRCAM (Espace de Projection), Monday evening, June 5NIME Performances |
Voice and Infrared Sensor Shirt.
Tomomi Adachi | 418 |
Solo Performance for Indeterminate 'Dirty Electronics', 'Flickertron' and 'Pseudophone+'.
John Richards (aka kREEPA) | 418 |
Pieces for Plants #7.
Miya Masaoka | 418 |
Sight Sound -Phenakistoscope-.
Saburo Hirano | 419 |
Mouseketier Praxis.
Mark Applebaum | 419 |
Children of Grainger.
Bent Leather Band | 419 |
Concert at the Triptyque, Monday night, June 5Club NIME I |
Revelations.
Juraj Kojs | 420 |
Hymn to Ampere.
The Breadboard Band | 420 |
Modal Kombat.
David Hindman and Evan Drummond | 420 |
scrambled?HaCkZ!.
Sven König | 421 |
Audile.
Yutaka Makino and dj sniff | 421 |
Invited Headline Club Performance.
eRikm | 421 |
Concert at IRCAM (Espace de Projection), Tuesday night, June 6NIME 06 Special Guests |
Vista, Tricot.
Mari Kimura | 422 |
Trio Improvisation.
George Lewis and Alexander von Schlippenbach | 422 |
Le Loup, Lifting, Crackle, Noise, Nevrose.
Sensors_Sonics_Sights | 423 |
On composing the now.
Michel Waisvisz | 423 |
Concert at the Point Éphémère, Wednesday night, June 7Club NIME II |
Dual Airbags.
Ben Neill and Nicolas Collins | 424 |
Circumference Cycles.
Chris Strollo, Tina Blaine, Robin Stanaway | 424 |
reacTable*.
Sergi Jordà and Chris Brown | 424 |
Connected Spaces.
Satoru Higa and Akihiro Kubota | 425 |
backscatter.
Robin Fox | 425 |
Performances at ArsLonga, Thursday evening, June 8NIME Gallery |
Mandala 3 and Mandala 4.
Greg Schiemer | 426 |
Bowl Chant.
Garth Paine and Michael Atherton | 426 |
Live Fire.
Ximena Franco and Enrique Franco | 426 |
Jam'aa.
Gil Weinberg | 427 |
ATT.
Georg Holzmann | 427 |
Concert at the Point Éphémère, Thursday night, June 8Club NIME III |
piano works.
Antoine Schmitt | 428 |
chdh.
Cyrille Henry and Nicolas Montgermont | 428 |
I.D.L. (Icon of Desire Lost).
Alice Daquet | 429 |
1ProVisTruments.
Cyrille Brissot, Emilie Simon, Olivier Pasquet, Cyril Hernandez | 429 |
Installations |
Acousmeaucorps.
Tom Mays | 430 |
anemo.
Ryoho Kobayashi | 430 |
Métier à Tisser Musical - The Musical Loom.
Kingsley Ng | 430 |
16:9 intercreative sound installation.
Daniel Teige, Martin Rumori | 431 |
codespace_<tag>.
jasch | 431 |
LINE.
Daisuke Kobori, Kojiro Kagawa, Makoto Iida, Chuichi Arakawa | 432 |
Audio Shaker.
Mark Hauenstein and Tom Jenkins | 432 |
Sonobotanic plants.
Marije Baalman and Alberto de Campo | 432 |
Transduction.2.
Marc Fournel | 433 |
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