Augmenting a Guitar with its Digital Footprint
Steve Benford, Adrian Hazzard, Alan Chamberlain, and Liming Xu
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2015
- Location: Baton Rouge, Louisiana, USA
- Pages: 303–306
- DOI: 10.5281/zenodo.1179016 (Link to paper)
- PDF link
Abstract:
We explore how to digitally augment musical instruments by connecting them to their social histories. We describe the use of Internet of Things technologies to connect an acoustic guitar to its digital footprint -- a record of how it was designed, built and played. We introduce the approach of crafting interactive decorative inlay into the body of an instrument that can then be scanned using mobile devices to reveal its digital footprint. We describe the design and construction of an augmented acoustic guitar called Carolan alongside activities to build its digital footprint through documented encounters with twenty-seven players in a variety of settings. We reveal the design challenge of mapping the different surfaces of the instrument to various facets of its footprint so as to afford appropriate experiences to players, audiences and technicians. We articulate an agenda for further research on the topic of connecting instruments to their social histories, including capturing and performing digital footprints and creating personalized and legacy experiences.
Citation:
Steve Benford, Adrian Hazzard, Alan Chamberlain, and Liming Xu. 2015. Augmenting a Guitar with its Digital Footprint. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179016BibTeX Entry:
@inproceedings{ahazzardb2015, abstract = {We explore how to digitally augment musical instruments by connecting them to their social histories. We describe the use of Internet of Things technologies to connect an acoustic guitar to its digital footprint -- a record of how it was designed, built and played. We introduce the approach of crafting interactive decorative inlay into the body of an instrument that can then be scanned using mobile devices to reveal its digital footprint. We describe the design and construction of an augmented acoustic guitar called Carolan alongside activities to build its digital footprint through documented encounters with twenty-seven players in a variety of settings. We reveal the design challenge of mapping the different surfaces of the instrument to various facets of its footprint so as to afford appropriate experiences to players, audiences and technicians. We articulate an agenda for further research on the topic of connecting instruments to their social histories, including capturing and performing digital footprints and creating personalized and legacy experiences.}, address = {Baton Rouge, Louisiana, USA}, author = {Steve Benford and Adrian Hazzard and Alan Chamberlain and Liming Xu}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1179016}, editor = {Edgar Berdahl and Jesse Allison}, issn = {2220-4806}, month = {May}, pages = {303--306}, publisher = {Louisiana State University}, title = {Augmenting a Guitar with its Digital Footprint}, url = {http://www.nime.org/proceedings/2015/nime2015_264.pdf}, year = {2015} }