A prototype for pitched gestural sonification of surfaces using two contact microphones
Alberto Novello, and Antoni Rayzhekov
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2015
- Location: Baton Rouge, Louisiana, USA
- Pages: 170–173
- DOI: 10.5281/zenodo.1179148 (Link to paper)
- PDF link
Abstract:
We present the prototype of a hybrid instrument, which uses two contact microphones to sonify the gestures of a player on a generic surface, while a gesture localization algorithm controls the pitch of the sonified output depending on the position of the gestures. To achieve the gesture localization we use a novel approach combining attack parametrization and template matching across the two microphone channels. With this method we can correctly localize 80 ± 9 % of the percussive gestures. The user can assign determined pitches to specific positions and change the pitch palette in real time. The tactile feedback characteristic of every surface opens a set of new playing strategies and possibilities specific to any chosen object. The advantages of such a system are the affordable production, flexibility of concert location, object-specific musical instruments, portability, and easy setup.
Citation:
Alberto Novello, and Antoni Rayzhekov. 2015. A prototype for pitched gestural sonification of surfaces using two contact microphones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179148BibTeX Entry:
@inproceedings{anovello2015, abstract = {We present the prototype of a hybrid instrument, which uses two contact microphones to sonify the gestures of a player on a generic surface, while a gesture localization algorithm controls the pitch of the sonified output depending on the position of the gestures. To achieve the gesture localization we use a novel approach combining attack parametrization and template matching across the two microphone channels. With this method we can correctly localize 80 $\pm$ 9 % of the percussive gestures. The user can assign determined pitches to specific positions and change the pitch palette in real time. The tactile feedback characteristic of every surface opens a set of new playing strategies and possibilities specific to any chosen object. The advantages of such a system are the affordable production, flexibility of concert location, object-specific musical instruments, portability, and easy setup.}, address = {Baton Rouge, Louisiana, USA}, author = {Alberto Novello and Antoni Rayzhekov}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1179148}, editor = {Edgar Berdahl and Jesse Allison}, issn = {2220-4806}, month = {May}, pages = {170--173}, publisher = {Louisiana State University}, title = {A prototype for pitched gestural sonification of surfaces using two contact microphones}, url = {http://www.nime.org/proceedings/2015/nime2015_311.pdf}, year = {2015} }