A History of the Audience as a Speaker Array

Benjamin Taylor

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract:

Distributed music as a performance practice has seen significant growth over the past decade. This paper surveys the development of the genre, documenting important precedents, peripheral influences, and core works. We additionally discuss common modes of implementation in the genre and contrast these approaches and their motivations.

Citation:

Benjamin Taylor. 2017. A History of the Audience as a Speaker Array. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176324

BibTeX Entry:

  @inproceedings{btaylor2017,
 abstract = {Distributed music as a performance practice has seen significant growth over the past decade. This paper surveys the development of the genre, documenting important precedents, peripheral influences, and core works. We additionally discuss common modes of implementation in the genre and contrast these approaches and their motivations.},
 address = {Copenhagen, Denmark},
 author = {Benjamin Taylor},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.1176324},
 issn = {2220-4806},
 pages = {481--486},
 publisher = {Aalborg University Copenhagen},
 title = {A History of the Audience as a Speaker Array},
 url = {http://www.nime.org/proceedings/2017/nime2017_paper0091.pdf},
 year = {2017}
}