A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning
Navid Navab, Doug Van Nort, and Sha Xin Wei
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2014
- Location: London, United Kingdom
- Pages: 387–390
- DOI: 10.5281/zenodo.1178893 (Link to paper)
- PDF link
Abstract:
This paper discusses an approach to instrument conception that is based on a careful consideration of the coupling of tactile and sonic gestural action both into and out of the performance system. To this end we propose a design approach that not only considers the materiality of the instrument, but that leverages it as a central part of the conception of the sonic quality, the control structuring and what generally falls under the umbrella of "mapping" design. As we will discuss, this extended computational matter-centric view is of benefit towards holistically understanding an ``instrument'' gestural engagement, as it is realized through physical material, sonic gestural matter and felt human engagement. We present instrumental systems that have arisen as a result of this approach to instrument design.
Citation:
Navid Navab, Doug Van Nort, and Sha Xin Wei. 2014. A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178893BibTeX Entry:
@inproceedings{dvannort2014, abstract = {This paper discusses an approach to instrument conception that is based on a careful consideration of the coupling of tactile and sonic gestural action both into and out of the performance system. To this end we propose a design approach that not only considers the materiality of the instrument, but that leverages it as a central part of the conception of the sonic quality, the control structuring and what generally falls under the umbrella of "mapping" design. As we will discuss, this extended computational matter-centric view is of benefit towards holistically understanding an ``instrument'' gestural engagement, as it is realized through physical material, sonic gestural matter and felt human engagement. We present instrumental systems that have arisen as a result of this approach to instrument design.}, address = {London, United Kingdom}, author = {Navid Navab and Doug Van Nort and Sha Xin Wei}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1178893}, issn = {2220-4806}, month = {June}, pages = {387--390}, publisher = {Goldsmiths, University of London}, title = {A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning}, url = {http://www.nime.org/proceedings/2014/nime2014_544.pdf}, year = {2014} }