Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments
Ian Hattwick, Joseph Malloch, and Marcelo Wanderley
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2014
- Location: London, United Kingdom
- Pages: 443–448
- DOI: 10.5281/zenodo.1178792 (Link to paper)
- PDF link
Abstract:
Moving new DMIs from the research lab to professional artistic contexts places new demands on both their design and manufacturing. Through a discussion of the Prosthetic Instruments, a family of digital musical instruments we designed for use in an interactive dance performance, we discuss four different approaches to manufacturing -artisanal, building block, rapid prototyping, and industrial. We discuss our use of these different approaches as we strove to reconcile the many conflicting constraints placed upon the instruments' design due to their use as hypothetical prosthetic extensions to dancers' bodies, as aesthetic objects, and as instruments used in a professional touring context. Experiences and lessons learned during the design and manufacturing process are discussed in relation both to these manufacturing approaches as well as to Bill Buxton's concept of artist-spec design.
Citation:
Ian Hattwick, Joseph Malloch, and Marcelo Wanderley. 2014. Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178792BibTeX Entry:
@inproceedings{ihattwick2014, abstract = {Moving new DMIs from the research lab to professional artistic contexts places new demands on both their design and manufacturing. Through a discussion of the Prosthetic Instruments, a family of digital musical instruments we designed for use in an interactive dance performance, we discuss four different approaches to manufacturing -artisanal, building block, rapid prototyping, and industrial. We discuss our use of these different approaches as we strove to reconcile the many conflicting constraints placed upon the instruments' design due to their use as hypothetical prosthetic extensions to dancers' bodies, as aesthetic objects, and as instruments used in a professional touring context. Experiences and lessons learned during the design and manufacturing process are discussed in relation both to these manufacturing approaches as well as to Bill Buxton's concept of artist-spec design.}, address = {London, United Kingdom}, author = {Ian Hattwick and Joseph Malloch and Marcelo Wanderley}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1178792}, issn = {2220-4806}, month = {June}, pages = {443--448}, publisher = {Goldsmiths, University of London}, title = {Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments}, url = {http://www.nime.org/proceedings/2014/nime2014_370.pdf}, year = {2014} }