Distributed Control in a Mechatronic Musical Instrument
Michael Gurevich
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2014
- Location: London, United Kingdom
- Pages: 487–490
- DOI: 10.5281/zenodo.1178780 (Link to paper)
- PDF link
Abstract:
Drawing on concepts from systemics, cybernetics, and musical automata, this paper proposes a mechatronic, electroacoustic instrument that allows for shared control between programmed, mechanized motion and a human interactor. We suggest that such an instrument, situated somewhere between a robotic musical instrument and a passive controller, will foster the emergence of new, complex, and meaningful modes of musical interaction. In line with the methodological principles of practice as research, we describe the development and design of one such instrument-Stringtrees. The design process also reflects the notion of ambiguity as a resource in design: The instrument was endowed with a collection of sensors, controls, and actuators without a highly specific or prescriptive model for how a musician would interact with it.
Citation:
Michael Gurevich. 2014. Distributed Control in a Mechatronic Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178780BibTeX Entry:
@inproceedings{mgurevich12014, abstract = {Drawing on concepts from systemics, cybernetics, and musical automata, this paper proposes a mechatronic, electroacoustic instrument that allows for shared control between programmed, mechanized motion and a human interactor. We suggest that such an instrument, situated somewhere between a robotic musical instrument and a passive controller, will foster the emergence of new, complex, and meaningful modes of musical interaction. In line with the methodological principles of practice as research, we describe the development and design of one such instrument-Stringtrees. The design process also reflects the notion of ambiguity as a resource in design: The instrument was endowed with a collection of sensors, controls, and actuators without a highly specific or prescriptive model for how a musician would interact with it.}, address = {London, United Kingdom}, author = {Michael Gurevich}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1178780}, issn = {2220-4806}, month = {June}, pages = {487--490}, publisher = {Goldsmiths, University of London}, title = {Distributed Control in a Mechatronic Musical Instrument}, url = {http://www.nime.org/proceedings/2014/nime2014_449.pdf}, year = {2014} }