Mechatronics-Driven Musical Expressivity for Robotic Percussionists
Ning Yang, Richard Savery, Raghavasimhan Sankaranarayanan, Lisa Zahray, and Gil Weinberg
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2020
- Location: Birmingham, UK
- Pages: 133–138
- DOI: 10.5281/zenodo.4813274 (Link to paper)
- PDF link
- Presentation Video
Abstract:
Musical expressivity is an important aspect of musical performance for humans as well as robotic musicians. We present a novel mechatronics-driven implementation of Brushless Direct Current (BLDC) motors in a robotic marimba player, named ANON, designed to improve speed, dynamic range (loudness), and ultimately perceived musical expressivity in comparison to state-of-the-art robotic percussionist actuators. In an objective test of dynamic range, we find that our implementation provides wider and more consistent dynamic range response in comparison with solenoid-based robotic percussionists. Our implementation also outperforms both solenoid and human marimba players in striking speed. In a subjective listening test measuring musical expressivity, our system performs significantly better than a solenoid-based system and is statistically indistinguishable from human performers.
Citation:
Ning Yang, Richard Savery, Raghavasimhan Sankaranarayanan, Lisa Zahray, and Gil Weinberg. 2020. Mechatronics-Driven Musical Expressivity for Robotic Percussionists. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813274BibTeX Entry:
@inproceedings{NIME20_26, abstract = {Musical expressivity is an important aspect of musical performance for humans as well as robotic musicians. We present a novel mechatronics-driven implementation of Brushless Direct Current (BLDC) motors in a robotic marimba player, named ANON, designed to improve speed, dynamic range (loudness), and ultimately perceived musical expressivity in comparison to state-of-the-art robotic percussionist actuators. In an objective test of dynamic range, we find that our implementation provides wider and more consistent dynamic range response in comparison with solenoid-based robotic percussionists. Our implementation also outperforms both solenoid and human marimba players in striking speed. In a subjective listening test measuring musical expressivity, our system performs significantly better than a solenoid-based system and is statistically indistinguishable from human performers.}, address = {Birmingham, UK}, author = {Yang, Ning and Savery, Richard and Sankaranarayanan, Raghavasimhan and Zahray, Lisa and Weinberg, Gil}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.4813274}, editor = {Romain Michon and Franziska Schroeder}, issn = {2220-4806}, month = {July}, pages = {133--138}, presentation-video = {https://youtu.be/KsQNlArUv2k}, publisher = {Birmingham City University}, title = {Mechatronics-Driven Musical Expressivity for Robotic Percussionists}, url = {https://www.nime.org/proceedings/2020/nime2020_paper26.pdf}, year = {2020} }