Intra-Actions: Experiments with Velocity and Position in Continuous Controllers
Erik Nyström
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2020
- Location: Birmingham, UK
- Pages: 367–368
- DOI: 10.5281/zenodo.4813420 (Link to paper)
- PDF link
Abstract:
Continuous MIDI controllers commonly output their position only, with no influence of the performative energy with which they were set. In this paper, creative uses of time as a parameter in continuous controller mapping are demonstrated: the speed of movement affects the position mapping and control output. A set of SuperCollider classes are presented, developed in the author’s practice in computer music, where they have been used together with commercial MIDI controllers. The creative applications employ various approaches and metaphors for scaling time, but also machine learning for recognising patterns. In the techniques, performer, controller and synthesis ‘intra-act’, to use Karen Barad’s term: because position and velocity are derived from the same data, sound output cannot be predicted without the temporal context of performance.
Citation:
Erik Nyström. 2020. Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813420BibTeX Entry:
@inproceedings{NIME20_71, abstract = {Continuous MIDI controllers commonly output their position only, with no influence of the performative energy with which they were set. In this paper, creative uses of time as a parameter in continuous controller mapping are demonstrated: the speed of movement affects the position mapping and control output. A set of SuperCollider classes are presented, developed in the author’s practice in computer music, where they have been used together with commercial MIDI controllers. The creative applications employ various approaches and metaphors for scaling time, but also machine learning for recognising patterns. In the techniques, performer, controller and synthesis ‘intra-act’, to use Karen Barad’s term: because position and velocity are derived from the same data, sound output cannot be predicted without the temporal context of performance.}, address = {Birmingham, UK}, author = {Nyström, Erik}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.4813420}, editor = {Romain Michon and Franziska Schroeder}, issn = {2220-4806}, month = {July}, pages = {367--368}, publisher = {Birmingham City University}, title = {Intra-Actions: Experiments with Velocity and Position in Continuous Controllers}, url = {https://www.nime.org/proceedings/2020/nime2020_paper71.pdf}, year = {2020} }