Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments
Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, and Arthur Paté
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2022
- Location: The University of Auckland, New Zealand
- Article Number: 34
- DOI: 10.21428/92fbeb44.c28dd323 (Link to paper)
- PDF link
- Presentation Video
Abstract:
In this paper we propose a Spatial Augmented Reality interface for actuated acoustic instruments with active vibration control. We adopt a performance-led research approach to design augmentations throughout multiple residences. The resulting system enables two musicians to improvise with four augmented instruments through virtual shapes distributed in their peripheral space: two 12-string guitars and 1 drum kit actuated with surface speakers and a trumpet attached to an air compressor. Using ethnographic methods, we document the evolution of the augmentations and conduct a thematic analysis to shine a light on the collaborative and iterative design process. In particular, we provide insights on the opportunities brought by Spatial AR and on the role of improvisation.
Citation:
Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, and Arthur Paté. 2022. Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c28dd323BibTeX Entry:
@inproceedings{NIME22_34, abstract = {In this paper we propose a Spatial Augmented Reality interface for actuated acoustic instruments with active vibration control. We adopt a performance-led research approach to design augmentations throughout multiple residences. The resulting system enables two musicians to improvise with four augmented instruments through virtual shapes distributed in their peripheral space: two 12-string guitars and 1 drum kit actuated with surface speakers and a trumpet attached to an air compressor. Using ethnographic methods, we document the evolution of the augmentations and conduct a thematic analysis to shine a light on the collaborative and iterative design process. In particular, we provide insights on the opportunities brought by Spatial AR and on the role of improvisation.}, address = {The University of Auckland, New Zealand}, articleno = {34}, author = {Arslan, Cagan and Berthaut, Florent and Beuchey, Anthony and Cambourian, Paul and Pat{\'{e}}, Arthur}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.21428/92fbeb44.c28dd323}, issn = {2220-4806}, month = {jun}, pdf = {30.pdf}, presentation-video = {https://youtu.be/oxMrv3R6jK0}, title = {Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments}, url = {https://doi.org/10.21428%2F92fbeb44.c28dd323}, year = {2022} }