Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions

Victor Paredes, Jules Françoise, and Frederic Bevilacqua

Proceedings of the International Conference on New Interfaces for Musical Expression

• Year: 2022
• Location: The University of Auckland, New Zealand
• Article Number: 40
• DOI: 10.21428/92fbeb44.5b9ac5ba (Link to paper)
• PDF link
• Presentation Video

Abstract:

Movement-sound interactive systems are at the interface of different artistic and educational practices. Within this multiplicity of uses, we examine common denominators in terms of learning, appropriation and relationship to technological systems. While these topics have been previously reported at NIME, we wanted to investigate how practitioners, coming from different perspectives, relate to these questions. We conducted interviews with 6 artists who are engaged in movement-sound interactions: 1 performer, 1 performer/composer, 1 composer, 1 teacher/composer, 1 dancer/teacher, 1 dancer. Through a thematic analysis of the transcripts we identified three main themes related to (1) the mediating role of technological tools (2) usability and normativity, and (3) learning and practice. These results provide ground for discussion about the design and study of movementsound interactive systems.

Citation:

BibTeX Entry:

  @inproceedings{NIME22_40,
 abstract = {Movement-sound interactive systems are at the interface of different artistic and educational practices. Within this multiplicity of uses, we examine common denominators in terms of learning, appropriation and relationship to technological systems. While these topics have been previously reported at NIME, we wanted to investigate how practitioners, coming from different perspectives, relate to these questions. We conducted interviews with 6 artists who are engaged in movement-sound interactions: 1 performer, 1 performer/composer, 1 composer, 1 teacher/composer, 1 dancer/teacher, 1 dancer. Through a thematic analysis of the transcripts we identified three main themes related to (1) the mediating role of technological tools (2) usability and normativity, and (3) learning and practice. These results provide ground for discussion about the design and study of movementsound interactive systems.},
 address = {The University of Auckland, New Zealand},
 articleno = {40},
 author = {Paredes, Victor and Fran{\c{c}}oise, Jules and Bevilacqua, Frederic},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.21428/92fbeb44.5b9ac5ba},
 issn = {2220-4806},
 month = {jun},
 pdf = {42.pdf},
 presentation-video = {https://youtu.be/n6DZE7TdEeI},
 title = {Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions},
 url = {https://doi.org/10.21428%2F92fbeb44.5b9ac5ba},
 year = {2022}
}