Proceedings Archive

This page contains a list of all publications that have been published at the NIME conferences.

• Peer review: All papers have been peer-reviewed (most often by three international experts). See the list of reviewers. Only papers that were presented at the conferences (as presentation, poster or demo) are included.
• Open access: NIME papers are open access (gold), and the copyright remains with the author(s). The NIME archive uses the Creative Commons Attribution 4.0 International License (CC BY 4.0).
• Public domain: The bibliographic information for NIME, including all BibTeX information and abstracts, is public domain. The list below is generated from a collection of BibTeX files hosted at GitHub using Jekyll Scholar.
• PDFs: Individual papers are linked for each entry below. All PDFs are archived separately in Zenodo, and there are also Zip files for each year in Zenodo. If you just want to download everything quickly, you can find the Zip files here as well.
• ISSN for the proceedings series: ISSN 2220-4806. Each year’s ISBN is in the BibTeX files and are also listed here.
• Impact factor: Academic work should always be considered on its own right (cf. DORA declaration). That said, the NIME proceedings are generally ranked highly in, for example, the Google Scholar ranking.
• Ethics: Please take a look at NIME’s Publication ethics and malpractice statement.
• Contact: If you find any errors in the database, please feel free to fork and modify at GitHub, or add an issue in the tracker.

NIME publications (in backwards chronological order)

2022

• Andrea Guidi, and Andrew McPherson. 2022. Quantitative evaluation of aspects of embodiment in new digital musical instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.79d0b38f
• Jiayue Cecilia Wu. 2022. Today and Yesterday: Two Case Studies of China’s NIME Community. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.57e41c54
• Anna Xambó, and Visda Goudarzi. 2022. The Mobile Audience as a Digital Musical Persona in Telematic Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.706b549e
• Harri Renney, Silvin Willemsen, Benedict Gaster, and Tom Mitchell. 2022. HyperModels - A Framework for GPU Accelerated Physical Modelling Sound Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.98a4210a
• Enrico Dorigatti, and Raul Masu. 2022. Circuit Bending and Environmental Sustainability: Current Situation and Steps Forward. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.18502d1d
• Georgios Diapoulis, Iannis Zannos, Kivanç Tatar, and Palle Dahlstedt. 2022. Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.51fecaab
• Jianing Zheng, and Nick Bryan-Kinns. 2022. Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional Prototypes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.41da9da5
• Rébecca Kleinberger, Nikhil Singh, Xiao Xiao, and Akito van Troyer. 2022. Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.4308fb94
• Brady Boettcher, John Sullivan, and Marcelo M. Wanderley. 2022. Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.78fd89cc
• Brady Boettcher, Joseph Malloch, Johnty Wang, and Marcelo M. Wanderley. 2022. Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.625fbdbf
• Anthony T. Marasco. 2022. Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology Ensembles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.89003700
• Juan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Riera, and Joaquín Rizza. 2022. Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in Argentina. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c38bfb86
• Andrew R. Brown. 2022. On Board Call: A Gestural Wildlife Imitation Machine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.71a5a0ba
• Krzysztof Cybulski. 2022. Post-digital sax - a digitally controlled acoustic single-reed woodwind instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.756616d4
• Lonce Wyse, and Prashanth Thattai Ravikumar. 2022. Syntex: parametric audio texture datasets for conditional training of instrumental interfaces.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.0fe70450
• Jackson Goode, and Stefano Fasciani. 2022. A Toolkit for the Analysis of the NIME Proceedings Archive. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.58efca21
• Timothy Tate. 2022. The Concentric Sampler: A musical instrument from a repurposed floppy disk drive. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.324729a3
• Takahiro Kamatani, Yoshinao Sato, and Masato Fujino. 2022. Ghost Play - A Violin-Playing Robot using Electromagnetic Linear Actuators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.754a50b5
• Thor Magnusson, Chris Kiefer, and Halldor Ulfarsson. 2022. Reflexions upon Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.aa7de712
• Seth Thorn, and Byron Lahey. 2022. Decolonizing the Violin with Active Shoulder Rests (ASRs). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.91f87875
• Sam Bilbow. 2022. Evaluating polaris~ - An Audiovisual Augmented Reality Experience Built on Open-Source Hardware and Software. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.8abb9ce6
• Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickael Begon, Sylvie Gibet, and Marcelo M. Wanderley. 2022. Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.3ce22588
• Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, and Marcelo M. Wanderley. 2022. ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.76cfc96e
• Rodney DuPlessis. 2022. A virtual instrument for physics-based musical gesture: CHON. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.18aeca0e
• Cagri Erdem, Benedikte Wallace, and Alexander Refsum Jensenius. 2022. CAVI: A Coadaptive Audiovisual Instrument–Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.803c24dd
• Linnea Kirby, Paul Buser, and Marcelo M. Wanderley. 2022. Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2d00f04f
• Yichen Wang, and Charles Martin. 2022. Cubing Sound: Designing a NIME for Head-mounted Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b540aa59
• Charlie Roberts, Ian Hattwick, Eric Sheffield, and Gillian Smith. 2022. Rethinking networked collaboration in the live coding environment Gibber. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.38cb7745
• Karitta Christina Zellerbach, and Charlie Roberts. 2022. A Framework for the Design and Analysis of Mixed Reality Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b2a44bc9
• Laurel Pardue, and S. M. Astrid Bin. 2022. The Other Hegemony: Effects of software development culture on music software, and what we can do about it. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.0cc78aeb
• Juan Pablo Martinez Avila, Joāo Tragtenberg, Filipe Calegario, Ximena Alarcon, Laddy Patricia Cadavid Hinojosa, Isabela Corintha, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Ortiz, Juan Ramos, and Hugo Solís García. 2022. Being (A)part of NIME: Embracing Latin American Perspectives. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b7a7ba4f
• Zak Argabrite, Jim Murphy, Sally Jane Norman, and Dale Carnegie. 2022. Technology is Land: Strategies towards decolonisation of technology in artmaking. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.68f7c268
• Ivica Bukvic. 2022. Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork Tweeter. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a0a8d914
• Cagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, and Arthur Paté. 2022. Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c28dd323
• Florent Berthaut, and Luke Dahl. 2022. The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9d974714
• Francesco Ardan Dal Rì, and Raul Masu. 2022. Exploring Musical Form: Digital Scores to Support Live Coding Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.828b6114
• Anil Çamci, and John Granzow. 2022. Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a26a4014
• Nick Warren, and Anil Çamci. 2022. Latent Drummer: A New Abstraction for Modular Sequencers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.ed873363
• Daniel Chin, and Gus Xia. 2022. A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c6910363
• Victor Paredes, Jules Françoise, and Frederic Bevilacqua. 2022. Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound Interactions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.5b9ac5ba
• Jean-Philippe Côté. 2022. User-Friendly MIDI in the Web Browser. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.388e4764
• Travis West. 2022. Pitch Fingering Systems and the Search for Perfection. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.d6c9dcae
• Travis West, and Kalun Leung. 2022. early prototypes and artistic practice with the mubone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e56a93c9
• Max Graf, and Mathieu Barthet. 2022. Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.56ba9b93
• Doga Cavdir. 2022. Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of Hearing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b24043e8
• Lia Mice, and Andrew McPherson. 2022. The M in NIME: Motivic analysis and the case for a musicology of NIME performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.8c1c9817
• Eevee Zayas-Garin, and Andrew McPherson. 2022. Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2b8ce9a4
• Nicole Robson, Andrew McPherson, and Nick Bryan-Kinns. 2022. Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.376bc758
• Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, and Andrew McPherson. 2022. Exploring Experiences with New Musical Instruments through Micro-phenomenology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b304e4b1
• Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, and Andrew McPherson. 2022. The 10,000 Instruments Workshop - (Im)practical Research for Critical Speculation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9e7c9ba3
• Sam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, and Elliott Wilson. 2022. AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c400bdc2
• Beat Rossmy, Maximilian Rauh, and Alexander Wiethoff. 2022. Towards User Interface Guidelines for Musical Grid Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.db84ecd0
• Beat Rossmy. 2022. Buttons, Sliders, and Keys – A Survey on Musical Grid Interface Standards. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.563bfea9
• Jack Armitage, Thor Magnusson, Victor Shepardson, and Halldor Ulfarsson. 2022. The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.6178f575
• Carla Sophie Tapparo, and Victor Zappi. 2022. Bodily Awareness Through NIMEs: Deautomatising Music Making Processes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.7e04cfc8
• Laddy Patricia Cadavid Hinojosa. 2022. Kanchay_Yupana/ /: Tangible rhythm sequencer inspired by ancestral Andean technologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.61d01269

2021

• Stefano Fasciani, and Jackson Goode. 2021. 20 NIMEs: Twenty Years of New Interfaces for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b368bcd5
• Raul Masu, Nuno N. Correia, and Teresa Romao. 2021. NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.3ffad95a
• Christian Frisson, Mathias Bredholt, Joseph Malloch, and Marcelo M. Wanderley. 2021. MapLooper: Live-looping of distributed gesture-to-sound mappings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.47175201
• P. J. Charles Reimer, and Marcelo M. Wanderley. 2021. Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.807a000f
• Takuto Fukuda, Eduardo Meneses, Travis West, and Marcelo M. Wanderley. 2021. The T-Stick Music Creation Project: An approach to building a creative community around a DMI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.26f33210
• Doga Cavdir, Chris Clarke, Patrick Chiu, Laurent Denoue, and Don Kimber. 2021. Reactive Video: Movement Sonification for Learning Physical Activity with Adaptive Video Playback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.eef53755
• Daniel Chin, Ian Zhang, and Gus Xia. 2021. Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and Microtone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c09d91be
• Beat Rossmy, and Alexander Wiethoff. 2021. Musical Grid Interfaces: Past, Present, and Future Directions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.6a2451e6
• Beat Rossmy, Sebastian Unger, and Alexander Wiethoff. 2021. TouchGrid – Combining Touch Interaction with Musical Grid Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.303223db
• Corey Ford, Nick Bryan-Kinns, and Chris Nash. 2021. Creativity in Children's Digital Music Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e83deee9
• Yinmiao Li, Ziyue Piao, and Gus Xia. 2021. A Wearable Haptic Interface for Breath Guidance in Vocal Training. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.6d342615
• Lior Arbel. 2021. Aeolis: A Virtual Instrument Producing Pitched Tones With Soundscape Timbres. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.64f66047
• Florent Berthaut. 2021. Musical Exploration of Volumetric Textures in Mixed and Virtual Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.6607d04f
• Abby Aresty, and Rachel Gibson. 2021. Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.25757aca
• Anne Sophie Andersen, and Derek Kwan. 2021. Grisey’s 'Talea': Musical Representation As An Interactive 3D Map. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.27d09832
• Enrique Tomás, Thomas Gorbach, Hilda Tellioğlu, and Martin Kaltenbrunner. 2021. Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.ce8139a8
• Raul Masu, Adam Pultz Melbye, John Sullivan, and Alexander Refsum Jensenius. 2021. NIME and the Environment: Toward a More Sustainable NIME Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.5725ad8f
• Randall Harlow, Mattias Petersson, Robert Ek, Federico Visi, and Stefan Östersjö. 2021. Global Hyperorgan: a platform for telematic musicking and research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.d4146b2d
• Luis Zayas-Garin, Jacob Harrison, Robert Jack, and Andrew McPherson. 2021. DMI Apprenticeship: Sharing and Replicating Musical Artefacts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.87f1d63e
• Kelsey Cotton, Pedro Sanches, Vasiliki Tsaknaki, and Pavel Karpashevich. 2021. The Body Electric: A NIME designed through and with the somatic experience of singing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.ec9f8fdd
• Emma Frid, and Alon Ilsar. 2021. Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c37a2370
• Jonathan Pitkin. 2021. SoftMRP: a Software Emulation of the Magnetic Resonator Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9e7da18f
• Andreas Förster, and Mathias Komesker. 2021. LoopBlocks: Design and Preliminary Evaluation of an Accessible Tangible Musical Step Sequencer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.f45e1caf
• Kyriakos Tsoukalas, and Ivica Bukvic. 2021. Music Computing and Computational Thinking: A Case Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.1eeb3ada
• Travis West, Baptiste Caramiaux, Stéphane Huot, and Marcelo M. Wanderley. 2021. Making Mappings: Design Criteria for Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.04f0fc35
• Andrea Martelloni, Andrew McPherson, and Mathieu Barthet. 2021. Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2f6db6e6
• Thomas Nuttall, Behzad Haki, and Sergi Jorda. 2021. Transformer Neural Networks for Automated Rhythm Generation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.fe9a0d82
• Derek Holzer, Henrik Frisk, and Andre Holzapfel. 2021. Sounds of Futures Passed: Media Archaeology and Design Fiction as NIME Methodologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2723647f
• Juliette Regimbal, and Marcelo M. Wanderley. 2021. Interpolating Audio and Haptic Control Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.1084cb07
• Shelly Knotts. 2021. Algorithmic Power Ballads. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.548cca2b
• Myungin Lee. 2021. Entangled: A Multi-Modal, Multi-User Interactive Instrument in Virtual 3D Space Using the Smartphone for Gesture Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.eae7c23f
• Notto J. W. Thelle, and Philippe Pasquier. 2021. Spire Muse: A Virtual Musical Partner for Creative Brainstorming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.84c0b364
• Hans Leeuw. 2021. Virtuoso mapping for the Electrumpet, a hyperinstrument strategy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a8e0cceb
• Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, and Marcelo M. Wanderley. 2021. Documentation and Replicability in the NIME Community. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.dc50e34d
• Anna Xambó, Gerard Roma, Sam Roig, and Eduard Solaz. 2021. Live Coding with the Cloud and a Virtual Agent. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.64c9f217
• Yixiao Zhang, Gus Xia, Mark Levy, and Simon Dixon. 2021. COSMIC: A Conversational Interface for Human-AI Music Co-Creation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.110a7a32
• Gershon Dublon, and Xin Liu. 2021. Living Sounds: Live Nature Sound as Online Performance Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b90e0fcb
• Nathan Villicaña-Shaw, Dale A. Carnegie, Jim Murphy, and Mo Zareei. 2021. Speculātor: visual soundscape augmentation of natural environments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e521c5a4
• William Thompson, and Edgar Berdahl. 2021. An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2c4879f5
• Michael Quigley, and William Payne. 2021. Toneblocks: Block-based musical programming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.46c0f6ef
• Yi Wu, and Jason Freeman. 2021. Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.b8e82252
• Thomas LUCAS, Christophe d'Alessandro, and Serge de Laubier. 2021. Mono-Replay : a software tool for digitized sound animation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.7b843efe
• Ward J. Slager. 2021. Designing and performing with Pandora’s Box: transforming feedback physically and with algorithms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.61b13baf
• Chris Chronopoulos. 2021. Quadrant: A Multichannel, Time-of-Flight Based Hand Tracking Interface for Computer Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.761367fd
• Marinos Koutsomichalis. 2021. A Yellow Box with a Key Switch and a 1/4" TRS Balanced Audio Output. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.765a94a7
• Lisa Andersson López, Thelma Svenns, and Andre Holzapfel. 2021. Sensitiv – Designing a Sonic Co-play Tool for Interactive Dance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.18c3fc2b
• Geise Santos, Johnty Wang, Carolina Brum, Marcelo M. Wanderley, Tiago Tavares, and Anderson Rocha. 2021. Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.51b1c3a1
• Henrique Portovedo, Paulo Ferreira Lopes, Ricardo Mendes, and Tiago Gala. 2021. HASGS: Five Years of Reduced Augmented Evolution. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.643abd8c
• Valérian Fraisse, Catherine Guastavino, and Marcelo M. Wanderley. 2021. A Visualization Tool to Explore Interactive Sound Installations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.4fd9089c
• Alice Eldridge, Chris Kiefer, Dan Overholt, and Halldor Ulfarsson. 2021. Self-resonating Vibrotactile Feedback Instruments ||: Making, Playing, Conceptualising :||. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.1f29a09e
• Vincent Reynaert, Florent Berthaut, Yosra Rekik, and laurent grisoni. 2021. The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c47be986
• Alex Lucas, Jacob Harrison, Franziska Schroeder, and Miguel Ortiz. 2021. Cross-Pollinating Ecological Perspectives in ADMI Design and Evaluation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.ff09de34
• Matthew Skarha, Vincent Cusson, Christian Frisson, and Marcelo M. Wanderley. 2021. Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.09ecc54d
• Claire Pelofi, Michal Goldstein, Dana Bevilacqua, Michael McPhee, Ellie Abrams, and Pablo Ripollés. 2021. CHILLER: a Computer Human Interface for the Live Labeling of Emotional Responses. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.5da1ca0b
• Jeffrey A. T. Lupker. 2021. Score-Transformer: A Deep Learning Aid for Music Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.21d4fd1f
• Jon Gillick, and David Bamman. 2021. What to Play and How to Play it: Guiding Generative Music Models with Multiple Demonstrations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.06e2d5f4
• Romain Michon, Catinca Dumitrascu, Sandrine Chudet, Yann Orlarey, Stéphane Letz, and Dominique Fober. 2021. Amstramgrame: Making Scientific Concepts More Tangible Through Music Technology at School. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a84edd3f
• Vivian Reuter, and Lorenz Schwarz. 2021. Wireless Sound Modules. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.07c72a46
• Joshua Ryan Lam, and Charalampos Saitis. 2021. The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.92a95683
• Maria Svahn, Josefine Hölling, Fanny Curtsson, and Nina Nokelainen. 2021. The Rullen Band. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e795c9b5
• Stefan Püst, Lena Gieseke, and Angela Brennecke. 2021. Interaction Taxonomy for Sequencer-Based Music Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.0d5ab18d
• Isabela Corintha, and Giordano Cabral. 2021. Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E`s Model and DMIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.56a01d33
• Tim Murray-Browne, and Panagiotis Tigas. 2021. Latent Mappings: Generating Open-Ended Expressive Mappings Using Variational Autoencoders. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9d4bcd4b
• Graham Wakefield. 2021. A streamlined workflow from Max/gen~ to modular hardware. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e32fde90
• Roger B. Dannenberg. 2021. Canons for Conlon: Composing and Performing Multiple Tempi on the Web. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a41fe2c5
• Artemi-Maria Gioti. 2021. A Compositional Exploration of Computational Aesthetic Evaluation and AI Bias.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.de74b046
• Paul Dunham, Dr. Mo H. Zareei, Prof. Dale Carnegie, and Dr. Dugal McKinnon. 2021. Click::RAND#2. An Indeterminate Sound Sculpture. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.5cc6d157
• Raghavasimhan Sankaranarayanan, and Gil Weinberg. 2021. Design of Hathaani - A Robotic Violinist for Carnatic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.0ad83109
• Damian Mills, Franziska Schroeder, and John D'Arcy. 2021. GIVME: Guided Interactions in Virtual Musical Environments: . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.5443652c
• Anne Hege, Camille Noufi, Elena Georgieva, and Ge Wang. 2021. Instrument Design for The Furies: A LaptOpera. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.dde5029a
• Staas de Jong. 2021. Human noise at the fingertip: Positional (non)control under varying haptic × musical conditions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9765f11d
• Christian Faubel. 2021. Emergent Polyrhythmic Patterns with a Neuromorph Electronic Network. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.e66a8542
• João Tragtenberg, Gabriel Albuquerque, and Filipe Calegario. 2021. Gambiarra and Techno-Vernacular Creativity in NIME Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.98354a15
• Timothy Roth, Aiyun Huang, and Tyler Cunningham. 2021. On Parallel Performance Practices: Some Observations on Personalizing DMIs as Percussionists. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c61b9546
• Sofy Yuditskaya, Sophia Sun, and Margaret Schedel. 2021. Synthetic Erudition Assist Lattice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.0282a79c
• Michael Blandino, and Edgar Berdahl. 2021. Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.c2b5a672
• Margaret Schedel, Brian Smith, Robert Cosgrove, and Nick Hwang. 2021. RhumbLine: Plectrohyla Exquisita — Spatial Listening of Zoomorphic Musical Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.9e1312b1
• S. M. Astrid Bin. 2021. Discourse is critical: Towards a collaborative NIME history. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.ac5d43e1
• Koray Tahiroğlu, Miranda Kastemaa, and Oskar Koli. 2021. AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.3d0e9e12
• Alex Champagne, Bob Pritchard, Paul Dietz, and Sidney Fels. 2021. Investigation of a Novel Shape Sensor for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.a72b68dd
• Frederic Anthony Robinson. 2021. Debris: A playful interface for direct manipulation of audio waveforms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.02005035
• Jeff Gregorio, and Youngmoo E. Kim. 2021. Evaluation of Timbre-Based Control of a Parametric Synthesizer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.31419bf9
• Milton Riaño. 2021. Hybridization No. 1: Standing at the Boundary between Physical and Virtual Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.d3354ff3
• Lloyd May, and Peter Larsson. 2021. Nerve Sensors in Inclusive Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.82c5626f
• Guadalupe Babio Fernandez, and Kent Larson. 2021. Tune Field. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.2305755b
• Taejun Kim, Yi-Hsuan Yang, and Juhan Nam. 2021. Reverse-Engineering The Transition Regions of Real-World DJ Mixes using Sub-band Analysis with Convex Optimization. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.4b2fc7b9
• Benedict Gaster, and Ryan Challinor. 2021. Bespoke Anywhere. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.02c348fb
• Sang-won Leigh, and Jeonghyun (Jonna) Lee. 2021. A Study on Learning Advanced Skills on Co-Playable Robotic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.002be215

2020

• Ruolun Weng. 2020. Interactive Mobile Musical Application using faust2smartphone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813164
• John Sullivan, Julian Vanasse, Catherine Guastavino, and Marcelo Wanderley. 2020. Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813166
• Darrell J Gibson, and Richard Polfreman. 2020. Star Interpolator – A Novel Visualization Paradigm for Graphical Interpolators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813168
• Laurel S Pardue, Miguel Ortiz, Maarten van Walstijn, Paul Stapleton, and Matthew Rodger. 2020. Vodhrán: collaborative design for evolving a physical model and interface into a proto-instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813170
• Satvik Venkatesh, Edward Braund, and Eduardo Miranda. 2020. Designing Brain-computer Interfaces for Sonic Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813172
• Duncan A.H. Williams, Bruno Fazenda, Victoria J. Williamson, and Gyorgy Fazekas. 2020. Biophysiologically synchronous computer generated music improves performance and reduces perceived effort in trail runners. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813174
• Gilberto Bernardes, and Gilberto Bernardes. 2020. Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram 2.0. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813176
• Joung Min Han, and Yasuaki Kakehi. 2020. ParaSampling: A Musical Instrument with Handheld Tapehead Interfaces for Impromptu Recording and Playing on a Magnetic Tape. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813178
• Giorgos Filandrianos, Natalia Kotsani, Edmund G Dervakos, Giorgos Stamou, Vaios Amprazis, and Panagiotis Kiourtzoglou. 2020. Brainwaves-driven Effects Automation in Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813180
• Graham Wakefield, Michael Palumbo, and Alexander Zonta. 2020. Affordances and Constraints of Modular Synthesis in Virtual Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813182
• emmanouil moraitis. 2020. Symbiosis: a biological taxonomy for modes of interaction in dance-music collaborations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813184
• Antonella Nonnis, and Nick Bryan-Kinns. 2020. Όλοι: music making to scaffold social playful activities and self-regulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813186
• Sara Sithi-Amnuai. 2020. Exploring Identity Through Design: A Focus on the Cultural Body Via Nami. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813188
• Anna Xambó, and Gerard Roma. 2020. Performing Audiences: Composition Strategies for Network Music using Mobile Phones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813192
• Joe Wright. 2020. The Appropriation and Utility of Constrained ADMIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813194
• Lia Mice, and Andrew McPherson. 2020. From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813200
• William C Payne, Ann Paradiso, and Shaun Kane. 2020. Cyclops: Designing an eye-controlled instrument for accessibility and flexible use. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813204
• Adnan Marquez-Borbon. 2020. Collaborative Learning with Interactive Music Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813206
• Jens Vetter. 2020. WELLE - a web-based music environment for the blind. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813208
• Margarida Pessoa, Cláudio Parauta, Pedro Luís, Isabela Corintha, and Gilberto Bernardes. 2020. Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813210
• Laurel S Pardue, Kuljit Bhamra, Graham England, Phil Eddershaw, and Duncan Menzies. 2020. Demystifying tabla through the development of an electronic drum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813212
• Juan D Sierra. 2020. SpeakerDrum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813216
• Matthew Caren, Romain Michon, and Matthew Wright. 2020. The KeyWI: An Expressive and Accessible Electronic Wind Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813218
• Pelle Juul Christensen, Dan Overholt, and Stefania Serafin. 2020. The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813220
• Samuel J Hunt, Tom Mitchell, and Chris Nash. 2020. Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813222
• Joao Wilbert, Don D Haddad, Hiroshi Ishii, and Joseph Paradiso. 2020. Patch-corde: an expressive patch-cable for the modular synthesizer.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813224
• Jiří Suchánek. 2020. SOIL CHOIR v.1.3 - soil moisture sonification installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813226
• Marinos Koutsomichalis. 2020. Rough-hewn Hertzian Multimedia Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813228
• Taylor J Olsen. 2020. Animation, Sonification, and Fluid-Time: A Visual-Audioizer Prototype. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813230
• Virginia de las Pozas. 2020. Semi-Automated Mappings for Object-Manipulating Gestural Control of Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813232
• Christodoulos Benetatos, Joseph VanderStel, and Zhiyao Duan. 2020. BachDuet: A Deep Learning System for Human-Machine Counterpoint Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813234
• Olivier Capra, Florent Berthaut, and Laurent Grisoni. 2020. All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813236
• Johnty Wang, Eduardo Meneses, and Marcelo Wanderley. 2020. The Scalability of WiFi for Mobile Embedded Sensor Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813239
• Florent Berthaut, and Luke Dahl. 2020. Adapting & Openness: Dynamics of Collaboration Interfaces for Heterogeneous Digital Orchestras. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813241
• Andreas Förster, Christina Komesker, and Norbert Schnell. 2020. SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813243
• Robert Pritchard, and Ian Lavery. 2020. Inexpensive Colour Tracking to Overcome Performer ID Loss . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813245
• Kiyu Nishida, and kazuhiro jo. 2020. Modules for analog synthesizers using Aloe vera biomemristor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813249
• Giulio Moro, and Andrew McPherson. 2020. A platform for low-latency continuous keyboard sensing and sound generation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813253
• Advait Sarkar, and Henry Mattinson. 2020. Excello: exploring spreadsheets for music composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813256
• Andrea Guidi, Fabio Morreale, and Andrew McPherson. 2020. Design for auditory imagery: altering instruments to explore performer fluency. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813260
• Raul Masu, Paulo Bala, Muhammad Ahmad, Nuno N. Correia, Valentina Nisi, Nuno Nunes, and Teresa Romão. 2020. VR Open Scores: Scores as Inspiration for VR Scenarios. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813262
• Amble H C Skuse, and Shelly Knotts. 2020. Creating an Online Ensemble for Home Based Disabled Musicians: Disabled Access and Universal Design - why disabled people must be at the heart of developing technology.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813266
• Anıl Çamcı, Matias Vilaplana, and Ruth Wang. 2020. Exploring the Affordances of VR for Musical Interaction Design with VIMEs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813268
• Anıl Çamcı, Aaron Willette, Nachiketa Gargi, Eugene Kim, Julia Xu, and Tanya Lai. 2020. Cross-platform and Cross-reality Design of Immersive Sonic Environments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813270
• Marius Schebella, Gertrud Fischbacher, and Matthew Mosher. 2020. Silver: A Textile Wireframe Interface for the Interactive Sound Installation Idiosynkrasia. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813272
• Ning Yang, Richard Savery, Raghavasimhan Sankaranarayanan, Lisa Zahray, and Gil Weinberg. 2020. Mechatronics-Driven Musical Expressivity for Robotic Percussionists. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813274
• Paul Dunham. 2020. Click::RAND. A Minimalist Sound Sculpture.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813276
• Enrique Tomás. 2020. A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813280
• Quinn D Jarvis Holland, Crystal Quartez, Francisco Botello, and Nathan Gammill. 2020. EXPANDING ACCESS TO MUSIC TECHNOLOGY- Rapid Prototyping Accessible Instrument Solutions For Musicians With Intellectual Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813286
• Alberto Boem, Giovanni M Troiano, Giacomo and Lepri, and Victor Zappi. 2020. Non-Rigid Musical Interfaces: Exploring Practices, Takes, and Future Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813288
• Jack Atherton, and Ge Wang. 2020. Curating Perspectives: Incorporating Virtual Reality into Laptop Orchestra Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813290
• Fabio Morreale, S. M. Astrid Bin, Andrew McPherson, Paul Stapleton, and Marcelo Wanderley. 2020. A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813294
• Chantelle L Ko, and Lora Oehlberg. 2020. Touch Responsive Augmented Violin Interface System II: Integrating Sensors into a 3D Printed Fingerboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813300
• Nicolas E Gold, Chongyang Wang, Temitayo Olugbade, Nadia Berthouze, and Amanda Williams. 2020. P(l)aying Attention: Multi-modal, multi-temporal music control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813303
• Doga Cavdir, and Ge Wang. 2020. Felt Sound: A Shared Musical Experience for the Deaf and Hard of Hearing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813305
• Sasha Leitman. 2020. Sound Based Sensors for NIMEs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813309
• Yuma Ikawa, and Akihiro Matsuura. 2020. Playful Audio-Visual Interaction with Spheroids . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813311
• Sihwa Park. 2020. Collaborative Mobile Instruments in a Shared AR Space: a Case of ARLooper. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813313
• Diemo Schwarz, Abby Wanyu Liu, and Frederic Bevilacqua. 2020. A Survey on the Use of 2D Touch Interfaces for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813318
• Harri L Renney, Tom Mitchell, and Benedict Gaster. 2020. There and Back Again: The Practicality of GPU Accelerated Digital Audio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813320
• Tim Shaw, and John Bowers. 2020. Ambulation: Exploring Listening Technologies for an Extended Sound Walking Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813322
• Gus Xia, Daniel Chin, Yian Zhang, Tianyu Zhang, and Junbo Zhao. 2020. Interactive Rainbow Score: A Visual-centered Multimodal Flute Tutoring System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813324
• Nicola Davanzo, and Federico Avanzini. 2020. A Dimension Space for the Evaluation of Accessible Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813326
• Adam Pultz Melbye, and Halldor A Ulfarsson. 2020. Sculpting the behaviour of the Feedback-Actuated Augmented Bass: Design strategies for subtle manipulations of string feedback using simple adaptive algorithms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813328
• Gwendal Le Vaillant, Thierry Dutoit, and Rudi Giot. 2020. Analytic vs. holistic approaches for the live search of sound presets using graphical interpolation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813330
• Chase Mitchusson. 2020. Indeterminate Sample Sequencing in Virtual Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813332
• Rebecca Fiebrink, and Laetitia Sonami. 2020. Reflections on Eight Years of Instrument Creation with Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813334
• Alex Lucas, Miguel Ortiz, and Franziska Schroeder. 2020. The Longevity of Bespoke, Accessible Music Technology: A Case for Community. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813338
• Ivica I Bukvic, Disha Sardana, and Woohun Joo. 2020. New Interfaces for Spatial Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813342
• Mark Durham. 2020. Inhabiting the Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813344
• Chris Nash. 2020. Crowd-driven Music: Interactive and Generative Approaches using Machine Vision and Manhattan. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813346
• Michael J Krzyzaniak. 2020. Words to Music Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813350
• Alex Mclean. 2020. Algorithmic Pattern. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813352
• Louis McCallum, and Mick S Grierson. 2020. Supporting Interactive Machine Learning Approaches to Building Musical Instruments in the Browser. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813357
• Mathias S Kirkegaard, Mathias Bredholt, Christian Frisson, and Marcelo Wanderley. 2020. TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813359
• Corey J Ford, and Chris Nash. 2020. An Iterative Design ‘by proxy’ Method for Developing Educational Music Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813361
• Filipe Calegario, Marcelo Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias S Kirkegaard, Mathias Bredholt, and Josh Rohs. 2020. Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813363
• Travis J West, Marcelo Wanderley, and Baptiste Caramiaux. 2020. Making Mappings: Examining the Design Process. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813365
• Michael Sidler, Matthew C Bisson, Jordan Grotz, and Scott Barton. 2020. Parthenope: A Robotic Musical Siren. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813367
• Steven Kemper. 2020. Tremolo-Harp: A Vibration-Motor Actuated Robotic String Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813369
• Atsuya Kobayashi, Reo Anzai, and Nao Tokui. 2020. ExSampling: a system for the real-time ensemble performance of field-recorded environmental sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813371
• Juan Pablo Yepez Placencia, Jim Murphy, and Dale Carnegie. 2020. Designing an Expressive Pitch Shifting Mechanism for Mechatronic Chordophones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813375
• Marcel Ehrhardt, Max Neupert, and Clemens Wegener. 2020. Piezoelectric strings as a musical interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813377
• Alon A Ilsar, Matthew Hughes, and Andrew Johnston. 2020. NIME or Mime: A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813383
• Matthew Hughes, and Andrew Johnston. 2020. URack: Audio-visual Composition and Performance using Unity and VCV Rack. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813389
• Irmandy Wicaksono, and Joseph Paradiso. 2020. KnittedKeyboard: Digital Knitting of Electronic Textile Musical Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813391
• Olivier Capra, Florent Berthaut, and Laurent Grisoni. 2020. A Taxonomy of Spectator Experience Augmentation Techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813396
• Sourya Sen, Koray Tahiroğlu, and Julia Lohmann. 2020. Sounding Brush: A Tablet based Musical Instrument for Drawing and Mark Making. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813398
• Koray Tahiroğlu, Miranda Kastemaa, and Oskar Koli. 2020. Al-terity: Non-Rigid Musical Instrument with Artificial Intelligence Applied to Real-Time Audio Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813402
• Chris Kiefer, Dan Overholt, and Alice Eldridge. 2020. Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813406
• Duncan A.H. Williams. 2020. MINDMIX: Mapping of brain activity to congruent audio mixing features. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813408
• Marcel O DeSmith, Andrew Piepenbrink, and Ajay Kapur. 2020. SQUISHBOI: A Multidimensional Controller for Complex Musical Interactions using Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813412
• Nick Bryan-Kinns, LI ZIJIN, and Xiaohua Sun. 2020. On Digital Platforms and AI for Music in the UK and China. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813414
• Jean Chu, and Jaewon Choi. 2020. Reinterpretation of Pottery as a Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813416
• Anders Eskildsen, and Mads Walther-Hansen. 2020. Force dynamics as a design framework for mid-air musical interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813418
• Erik Nyström. 2020. Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813420
• James Leonard, and Andrea Giomi. 2020. Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813422
• Romulo A Vieira, and Flávio Luiz Schiavoni. 2020. Fliperama: An affordable Arduino based MIDI Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813424
• Alex MacLean. 2020. Immersive Dreams: A Shared VR Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813426
• Nick Bryan-Kinns, and LI ZIJIN. 2020. ReImagining: Cross-cultural Co-Creation of a Chinese Traditional Musical Instrument with Digital Technologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813428
• Konstantinos n/a Vasilakos, Scott Wilson, Thomas McCauley, Tsun Winston Yeung, Emma Margetson, and Milad Khosravi Mardakheh. 2020. Sonification of High Energy Physics Data Using Live Coding and Web Based Interfaces.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813430
• Haruya Takase, and Shun Shiramatsu. 2020. Support System for Improvisational Ensemble Based on Long Short-Term Memory Using Smartphone Sensor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813434
• Augoustinos Tsiros, and Alessandro Palladini. 2020. Towards a Human-Centric Design Framework for AI Assisted Music Production. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813436
• Matthew Rodger, Paul Stapleton, Maarten van Walstijn, Miguel Ortiz, and Laurel S Pardue. 2020. What Makes a Good Musical Instrument? A Matter of Processes, Ecologies and Specificities . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813438
• Charles Patrick Martin, Zeruo Liu, Yichen Wang, Wennan He, and Henry Gardner. 2020. Sonic Sculpture: Activating Engagement with Head-Mounted Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813445
• Giovanni Santini. 2020. Augmented Piano in Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813449
• Tom Davis, and Laura Reid. 2020. Taking Back Control: Taming the Feral Cello. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813453
• Thibault Jaccard, Robert Lieck, and Martin Rohrmeier. 2020. AutoScale: Automatic and Dynamic Scale Selection for Live Jazz Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813457
• Lauren Hayes, and Adnan Marquez-Borbon. 2020. Nuanced and Interrelated Mediations and Exigencies (NIME): Addressing the Prevailing Political and Epistemological Crises. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813459
• Andrew McPherson, and Giacomo Lepri. 2020. Beholden to our tools: negotiating with technology while sketching digital instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813461
• Andrea Martelloni, Andrew McPherson, and Mathieu Barthet. 2020. Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813463
• Robert Jack, Jacob Harrison, and Andrew McPherson. 2020. Digital Musical Instruments as Research Products. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813465
• Amit D Patel, and John Richards. 2020. Pop-up for Collaborative Music-making. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813473
• Courtney Reed, and Andrew McPherson. 2020. Surface Electromyography for Direct Vocal Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813475
• Henrik von Coler, Steffen Lepa, and Stefan Weinzierl. 2020. User-Defined Mappings for Spatial Sound Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813477
• Rohan Proctor, and Charles Patrick Martin. 2020. A Laptop Ensemble Performance System using Recurrent Neural Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813481
• Tiago Brizolara, Sylvie Gibet, and Caroline Larboulette. 2020. Elemental: a Gesturally Controlled System to Perform Meteorological Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813483
• Çağrı Erdem, and Alexander Refsum Jensenius. 2020. RAW: Exploring Control Structures for Muscle-based Interaction in Collective Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813485
• Travis C MacDonald, James Hughes, and Barry MacKenzie. 2020. SmartDrone: An Aurally Interactive Harmonic Drone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813488
• Juan P Martinez Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew McPherson, and Steve Benford. 2020. Soma Design for NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813491
• Laddy P Cadavid. 2020. Knotting the memory//Encoding the Khipu_: Reuse of an ancient Andean device as a NIME . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813495
• Shelly Knotts, and Nick Collins. 2020. A survey on the uptake of Music AI Software. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813499
• Scott Barton. 2020. Circularity in Rhythmic Representation and Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813501
• Thor Magnusson. 2020. Instrumental Investigations at Emute Lab. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813503
• Satvik Venkatesh, Edward Braund, and Eduardo Miranda. 2020. Composing Popular Music with Physarum polycephalum-based Memristors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813507
• Fede Camara Halac, and Shadrick Addy. 2020. PathoSonic: Performing Sound In Virtual Reality Feature Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4813510

2019

• Enrique Tomas, Thomas Gorbach, Hilda Tellioglu, and Martin Kaltenbrunner. 2019. Material embodiments of electroacoustic music: an experimental workshop study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672842
• Yupu Lu, Yijie Wu, and Shijie Zhu. 2019. Collaborative Musical Performances with Automatic Harp Based on Image Recognition and Force Sensing Resistors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672846
• Lior Arbel, Yoav Y. Schechner, and Noam Amir. 2019. The Symbaline --- An Active Wine Glass Instrument with a Liquid Sloshing Vibrato Mechanism. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672848
• Helena de Souza Nunes, Federico Visi, Lydia Helena Wohl Coelho, and Rodrigo Schramm. 2019. SIBILIM: A low-cost customizable wireless musical interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672850
• Jonathan Bell. 2019. The Risset Cycle, Recent Use Cases With SmartVox. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672852
• Johnty Wang, Axel Mulder, and Marcelo Wanderley. 2019. Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672854
• Richard Ramchurn, Juan Pablo Martinez-Avila, Sarah Martindale, Alan Chamberlain, Max L Wilson, and Steve Benford. 2019. Improvising a Live Score to an Interactive Brain-Controlled Film. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672856
• Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, and Marcelo Wanderley. 2019. Rebuilding and Reinterpreting a Digital Musical Instrument --- The Sponge. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672858
• Kiyu Nishida, Akishige Yuguchi, kazuhiro jo, Paul Modler, and Markus Noisternig. 2019. Border: A Live Performance Based on Web AR and a Gesture-Controlled Virtual Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672860
• Palle Dahlstedt. 2019. Taming and Tickling the Beast --- Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672862
• Doga Cavdir, Juan Sierra, and Ge Wang. 2019. Taptop, Armtop, Blowtop: Evolving the Physical Laptop Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672864
• David Antonio Gómez Jáuregui, Irvin Dongo, and Nadine Couture. 2019. Automatic Recognition of Soundpainting for the Generation of Electronic Music Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672866
• Fabio Morreale, Andrea Guidi, and Andrew P. McPherson. 2019. Magpick: an Augmented Guitar Pick for Nuanced Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672868
• Bertrand Petit, and manuel serrano. 2019. Composing and executing Interactive music using the HipHop.js language. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672870
• Gabriel Lopes Rocha, João Teixera Araújo, and Flávio Luiz Schiavoni. 2019. Ha Dou Ken Music: Different mappings to play music with joysticks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672872
• Torgrim Rudland Næss, and Charles Patrick Martin. 2019. A Physical Intelligent Instrument using Recurrent Neural Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672874
• Angelo Fraietta. 2019. Creating Order and Progress. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672876
• João Nogueira Tragtenberg, Filipe Calegario, Giordano Cabral, and Geber L. Ramalho. 2019. Towards the Concept of Digital Dance and Music Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672878
• Maros Suran Bomba, and Palle Dahlstedt. 2019. Somacoustics: Interactive Body-as-Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672880
• Nathan Turczan, and Ajay Kapur. 2019. The Scale Navigator: A System for Networked Algorithmic Harmony. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672882
• Alex Michael Lucas, Miguel Ortiz, and Dr. Franziska Schroeder. 2019. Bespoke Design for Inclusive Music: The Challenges of Evaluation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672884
• Xiao Xiao, Grégoire Locqueville, Christophe d'Alessandro, and Boris Doval. 2019. T-Voks: the Singing and Speaking Theremin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672886
• Hunter Brown, and spencer topel. 2019. DRMMR: An Augmented Percussion Implement. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672888
• Giacomo Lepri, and Andrew P. McPherson. 2019. Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672890
• Christopher Dewey, and Jonathan P. Wakefield. 2019. Exploring the Container Metaphor for Equalisation Manipulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672892
• Alex Hofmann, Vasileios Chatziioannou, Sebastian Schmutzhard, Gökberk Erdogan, and Alexander Mayer. 2019. The Half-Physler: An oscillating real-time interface to a tube resonator model. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672896
• Peter Bussigel, Stephan Moore, and Scott Smallwood. 2019. Reanimating the Readymade. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672898
• Yian Zhang, Yinmiao Li, Daniel Chin, and Gus Xia. 2019. Adaptive Multimodal Music Learning via Interactive Haptic Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672900
• Fabián Sguiglia, Pauli Coton, and Fernando Toth. 2019. El mapa no es el territorio: Sensor mapping for audiovisual performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672902
• Vanessa Yaremchuk, Carolina Brum Medeiros, and Marcelo Wanderley. 2019. Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672904
• Palle Dahlstedt, and Ami Skånberg Dahlstedt. 2019. OtoKin: Mapping for Sound Space Exploration through Dance Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672906
• Joe Wright, and James Dooley. 2019. On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672908
• Isabela Corintha Almeida, Giordano Cabral, and Professor Gilberto Bernardes Almeida. 2019. AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672910
• Cristiano Figueiró, Guilherme Soares, and Bruno Rohde. 2019. ESMERIL --- An interactive audio player and composition system for collaborative experimental music netlabels. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672912
• Aline Weber, Lucas Nunes Alegre, Jim Torresen, and Bruno C. da Silva. 2019. Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672914
• Atau Tanaka, Balandino Di Donato, Michael Zbyszynski, and Geert Roks. 2019. Designing Gestures for Continuous Sonic Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672916
• Cagri Erdem, Katja Henriksen Schia, and Alexander Refsum Jensenius. 2019. Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672918
• Samuel Thompson Parke-Wolfe, Hugo Scurto, and Rebecca Fiebrink. 2019. Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672920
• Oliver Hödl. 2019. 'Blending Dimensions' when Composing for DMI and Symphonic Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672922
• behzad haki, and Sergi Jorda. 2019. A Bassline Generation System Based on Sequence-to-Sequence Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672928
• Lloyd May, and spencer topel. 2019. BLIKSEM: An Acoustic Synthesis Fuzz Pedal. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672930
• Anna Xambó, Sigurd Saue, Alexander Refsum Jensenius, Robin Støckert, and Oeyvind Brandtsegg. 2019. NIME Prototyping in Teams: A Participatory Approach to Teaching Physical Computing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672932
• Eduardo Meneses, Johnty Wang, Sergio Freire, and Marcelo Wanderley. 2019. A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672934
• Martin Matus Lerner. 2019. Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672936
• Sarah Reid, Ryan Gaston, and Ajay Kapur. 2019. Perspectives on Time: performance practice, mapping strategies, & composition with MIGSI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672940
• Natacha Lamounier, Luiz Naveda, and Adriana Bicalho. 2019. The design of technological interfaces for interactions between music, dance and garment movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672942
• Ximena Alarcon Diaz, Victor Evaristo Gonzalez Sanchez, and Cagri Erdem. 2019. INTIMAL: Walking to Find Place, Breathing to Feel Presence. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672944
• Disha Sardana, Woohun Joo, Ivica Ico Bukvic, and Greg Earle. 2019. Introducing Locus: a NIME for Immersive Exocentric Aural Environments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672946
• Echo Ho, Prof. Dr. Phil. Alberto de Campo, and Hannes Hoelzl. 2019. The SlowQin: An Interdisciplinary Approach to reinventing the Guqin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672948
• Charles Patrick Martin, and Jim Torresen. 2019. An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672952
• Nicolas Bazoge, Ronan Gaugne, Florian Nouviale, Valérie Gouranton, and Bruno Bossis. 2019. Expressive potentials of motion capture in musical performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672954
• Akito Van Troyer, and Rebecca Kleinberger. 2019. From Mondrian to Modular Synth: Rendering NIME using Generative Adversarial Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672956
• Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, and Michael Edinger. 2019. Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672958
• Gabriela Bila Advincula, Don Derek Haddad, and Kent Larson. 2019. Grain Prism: Hieroglyphic Interface for Granular Sampling. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672960
• Oliver Bown, Angelo Fraietta, Sam Ferguson, Lian Loke, and Liam Bray. 2019. Facilitating Creative Exploratory Search with Multiple Networked Audio Devices Using HappyBrackets. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672962
• Thais Fernandes Santos. 2019. The reciprocity between ancillary gesture and music structure performed by expert musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672966
• Razvan Paisa, and Dan Overholt. 2019. Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672968
• Juan Mariano Ramos. 2019. Eolos: a wireless MIDI wind controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672972
• Ruihan Yang, Tianyao Chen, Yiyi Zhang, and gus xia. 2019. Inspecting and Interacting with Meaningful Music Representations using VAE. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672974
• Gerard Roma, Owen Green, and Pierre Alexandre Tremblay. 2019. Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672976
• Vesa Petri Norilo. 2019. Veneer: Visual and Touch-based Programming for Audio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672978
• Andrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Torresen, and Charles Patrick Martin. 2019. Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672980
• Anthony T. Marasco, Edgar Berdahl, and Jesse Allison. 2019. Bendit_I/O: A System for Networked Performance of Circuit-Bent Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672982
• McLean J Macionis, and Ajay Kapur. 2019. Where Is The Quiet: Immersive Experience Design Using the Brain, Mechatronics, and Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672984
• Tate Carson. 2019. Mesh Garden: A creative-based musical game for participatory musical performance . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672986
• Beat Rossmy, and Alexander Wiethoff. 2019. The Modular Backward Evolution --- Why to Use Outdated Technologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672988
• Vincent Goudard. 2019. Ephemeral instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672990
• Julian Jaramillo, and Fernando Iazzetta. 2019. PICO: A portable audio effect box for traditional plucked-string instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672992
• Guilherme Bertissolo. 2019. Composing Understandings: music, motion, gesture and embodied cognition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672994
• Cristohper Ramos Flores, Jim Murphy, and Michael Norris. 2019. HypeSax: Saxophone acoustic augmentation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672996
• Patrick Chwalek, and Joe Paradiso. 2019. CD-Synth: a Rotating, Untethered, Digital Synthesizer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672998
• Niccolò Granieri, and James Dooley. 2019. Reach: a keyboard-based gesture recognition system for live piano sound modulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673000
• margaret schedel, Jocelyn Ho, and Matthew Blessing. 2019. Women's Labor: Creating NIMEs from Domestic Tools . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3672729
• Andre Rauber Du Bois, and Rodrigo Geraldo Ribeiro. 2019. HMusic: A domain specific language for music programming and live coding. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673003
• Angelo Fraietta. 2019. Stellar Command: a planetarium software based cosmic performance interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673005
• Patrick Müller, and Johannes Michael Schuett. 2019. Towards a Telematic Dimension Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673007
• Pedro Pablo Lucas. 2019. A MIDI Controller Mapper for the Built-in Audio Mixer in the Unity Game Engine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673009
• Pedro Pablo Lucas. 2019. AuSynthAR: A simple low-cost modular synthesizer based on Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673011
• Don Derek Haddad, and Joe Paradiso. 2019. The World Wide Web in an Analog Patchbay. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673013
• Fou Yoshimura, and kazuhiro jo. 2019. A "voice" instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynx. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673015
• Juan Pablo Yepez Placencia, Jim Murphy, and Dale Carnegie. 2019. Exploring Dynamic Variations for Expressive Mechatronic Chordophones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673017
• Dhruv Chauhan, and Peter Bennett. 2019. Searching for the Perfect Instrument: Increased Telepresence through Interactive Evolutionary Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673019
• Richard J Savery, Benjamin Genchel, Jason Brent Smith, Anthony Caulkins, Molly E Jones, and Anna Savery. 2019. Learning from History: Recreating and Repurposing Harriet Padberg's Computer Composed Canon and Free Fugue. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673021
• Edgar Berdahl, Austin Franklin, and Eric Sheffield. 2019. A Spatially Distributed Vibrotactile Actuator Array for the Fingertips. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673023
• Jeff Gregorio, and Youngmoo Kim. 2019. Augmenting Parametric Synthesis with Learned Timbral Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673025
• Sang-won Leigh, Abhinandan Jain, and Pattie Maes. 2019. Exploring Human-Machine Synergy and Interaction on a Robotic Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673027
• Sang Won Lee. 2019. Show Them My Screen: Mirroring a Laptop Screen as an Expressive and Communicative Means in Computer Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673029
• Josh Urban Davis. 2019. IllumiWear: A Fiber-Optic eTextile for MultiMedia Interactions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3673033

2018

• Oeyvind Brandtsegg, Trond Engum, and Bernt Isak Wærstad. 2018. Working methods and instrument design for cross-adaptive sessions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302649
• Eran Egozy, and Eun Young Lee. 2018. *12*: Mobile Phone-Based Audience Participation in a Chamber Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302655
• Anders Lind. 2018. Animated Notation in Multiple Parts for Crowd of Non-professional Performers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302657
• Andrew R. Brown, Matthew Horrigan, Arne Eigenfeldt, Toby Gifford, Daniel Field, and Jon McCormack. 2018. Interacting with Musebots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302659
• Chris Kiefer, and Cecile Chevalier. 2018. Towards New Modes of Collective Musical Expression through Audio Augmented Reality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302661
• Tomoya Matsuura, and kazuhiro jo. 2018. Aphysical Unmodeling Instrument: Sound Installation that Re-Physicalizes a Meta-Wind-Instrument Physical Model, Whirlwind. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302663
• Ulf A. S. Holbrook. 2018. An approach to stochastic spatialization --- A case of Hot Pocket. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302665
• Cory Champion, and Mo H Zareei. 2018. AM MODE: Using AM and FM Synthesis for Acoustic Drum Set Augmentation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302667
• Don Derek Haddad, and Joe Paradiso. 2018. Kinesynth: Patching, Modulating, and Mixing a Hybrid Kinesthetic Synthesizer.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302669
• Riccardo Marogna. 2018. CABOTO: A Graphic-Based Interactive System for Composing and Performing Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302671
• Gustavo Oliveira da Silveira. 2018. The XT Synth: A New Controller for String Players. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302673
• S. M. Astrid Bin, Nick Bryan-Kinns, and Andrew P. McPherson. 2018. Risky business: Disfluency as a design strategy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302675
• Rachel Gibson. 2018. The Theremin Textural Expander. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302527
• Mert Toka, Can Ince, and Mehmet Aydin Baytas. 2018. Siren: Interface for Pattern Languages. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302677
• Spencer Salazar, Andrew Piepenbrink, and Sarah Reid. 2018. Developing a Performance Practice for Mobile Music Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302679
• Ali Momeni, Daniel McNamara, and Jesse Stiles. 2018. MOM: an Extensible Platform for Rapid Prototyping and Design of Electroacoustic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302681
• Ben Luca Robertson, and Luke Dahl. 2018. Harmonic Wand: An Instrument for Microtonal Control and Gestural Excitation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302683
• McLean J Macionis, and Ajay Kapur. 2018. Sansa: A Modified Sansula for Extended Compositional Techniques Using Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302685
• Luca Turchet, and Mathieu Barthet. 2018. Demo of interactions between a performer playing a Smart Mandolin and audience members using Musical Haptic Wearables. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302687
• Steven Kemper, and Scott Barton. 2018. Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302689
• Courtney Brown. 2018. Interactive Tango Milonga: Designing DMIs for the Social Dance Context . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302693
• Rebecca Kleinberger. 2018. Vocal Musical Expression with a Tactile Resonating Device and its Psychophysiological Effects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302693
• Patrick Palsbröker, Christine Steinmeier, and Dominic Becking. 2018. A Framework for Modular VST-based NIMEs Using EDA and Dependency Injection. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302653
• Jack Atherton, and Ge Wang. 2018. Chunity: Integrated Audiovisual Programming in Unity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302695
• Steffan Carlos Ianigro, and Oliver Bown. 2018. Exploring Continuous Time Recurrent Neural Networks through Novelty Search. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302697
• John Bowers, and Owen Green. 2018. All the Noises: Hijacking Listening Machines for Performative Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302699
• Rodrigo Schramm, Federico Visi, André Brasil, and Marcelo O Johann. 2018. A polyphonic pitch tracking embedded system for rapid instrument augmentation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302650
• Koray Tahiroglu, Michael Gurevich, and R. Benjamin Knapp. 2018. Contextualising Idiomatic Gestures in Musical Interactions with NIMEs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302701
• Lamtharn Hantrakul. 2018. GestureRNN: A neural gesture system for the Roli Lightpad Block. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302703
• Balandino Di Donato, Jamie Bullock, and Atau Tanaka. 2018. Myo Mapper: a Myo armband to OSC mapper. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302705
• Federico Visi, and Luke Dahl. 2018. Real-Time Motion Capture Analysis and Music Interaction with the Modosc Descriptor Library. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302707
• Cagan Arslan, Florent Berthaut, Jean Martinet, Ioan Marius Bilasco, and Laurent Grisoni. 2018. The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302709
• Lars Engeln, Dietrich Kammer, Leon Brandt, and Rainer Groh. 2018. Multi-Touch Enhanced Visual Audio-Morphing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302711
• Anıl Çamcı. 2018. GrainTrain: A Hand-drawn Multi-touch Interface for Granular Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302529
• gus xia, and Roger B. Dannenberg. 2018. ShIFT: A Semi-haptic Interface for Flute Tutoring. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302531
• Fabio Morreale, Andrew P. McPherson, and Marcelo Wanderley. 2018. NIME Identity from the Performer's Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302533
• Anna Xambó. 2018. Who Are the Women Authors in NIME?–Improving Gender Balance in NIME Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302535
• Sarah Reid, Sara Sithi-Amnuai, and Ajay Kapur. 2018. Women Who Build Things: Gestural Controllers, Augmented Instruments, and Musical Mechatronics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302537
• Robert H Jack, Jacob Harrison, Fabio Morreale, and Andrew P. McPherson. 2018. Democratising DMIs: the relationship of expertise and control intimacy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302539
• Adnan Marquez-Borbon, and Juan Pablo Martinez-Avila. 2018. The Problem of DMI Adoption and Longevity: Envisioning a NIME Performance Pedagogy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302541
• Charles Patrick Martin, Alexander Refsum Jensenius, and Jim Torresen. 2018. Composing an Ensemble Standstill Work for Myo and Bela. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302543
• Alex Nieva, Johnty Wang, Joseph Malloch, and Marcelo Wanderley. 2018. The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302545
• Christopher Dewey, and Jonathan P. Wakefield. 2018. MIDI Keyboard Defined DJ Performance System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302547
• Trond Engum, and Otto Jonassen Wittner. 2018. Democratizing Interactive Music Production over the Internet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302549
• Jean-Francois Charles, Carlos Cotallo Solares, Carlos Toro Tobon, and Andrew Willette. 2018. Using the Axoloti Embedded Sound Processing Platform to Foster Experimentation and Creativity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302551
• Kyriakos Tsoukalas, and Ivica Ico Bukvic. 2018. Introducing a K-12 Mechatronic NIME Kit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302553
• Daniel Bennett, Peter Bennett, and Anne Roudaut. 2018. Neurythmic: A Rhythm Creation Tool Based on Central Pattern Generators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302555
• James Granger, Mateo Aviles, Joshua Kirby, Austin Griffin, Johnny Yoon, Raniero A. Lara-Garduno, and Tracy Hammond. 2018. Evaluating LED-based interface for Lumanote composition creation tool. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302557
• Eduardo Meneses, Sergio Freire, and Marcelo Wanderley. 2018. GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302559
• Ariane de Souza Stolfi, Miguel Ceriani, Luca Turchet, and Mathieu Barthet. 2018. Playsound.space: Inclusive Free Music Improvisations Using Audio Commons. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302561
• John Harding, Richard Graham, and Edwin Park. 2018. CTRL: A Flexible, Precision Interface for Analog Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302563
• Peter Beyls. 2018. Motivated Learning in Human-Machine Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302565
• Deepak Chandran, and Ge Wang. 2018. InterFACE: new faces for musical expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302569
• Richard Polfreman. 2018. Hand Posture Recognition: IR, IMU and sEMG. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302571
• Joseph Malloch, Marlon Mario Schumacher, Stephen Sinclair, and Marcelo Wanderley. 2018. The Digital Orchestra Toolbox for Max. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302573
• Bill Manaris, Pangur Brougham-Cook, Dana Hughes, and Andrew R. Brown. 2018. JythonMusic: An Environment for Developing Interactive Music Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302575
• Steven Leib, and Anıl Çamcı. 2018. Triplexer: An Expression Pedal with New Degrees of Freedom. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302577
• Halldór Úlfarsson. 2018. The halldorophone: The ongoing innovation of a cello-like drone instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302579
• Kyriakos Tsoukalas, Joseph Kubalak, and Ivica Ico Bukvic. 2018. L2OrkMote: Reimagining a Low-Cost Wearable Controller for a Live Gesture-Centric Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302581
• Jack Armitage, and Andrew P. McPherson. 2018. Crafting Digital Musical Instruments: An Exploratory Workshop Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302583
• Ammar Kalo, and Georg Essl. 2018. Individual Fabrication of Cymbals using Incremental Robotic Sheet Forming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302585
• John McDowell. 2018. Haptic-Listening and the Classical Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302587
• Jacob Harrison, Robert H Jack, Fabio Morreale, and Andrew P. McPherson. 2018. When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302589
• Jeppe Larsen, Hendrik Knoche, and Dan Overholt. 2018. A Longitudinal Field Trial with a Hemiplegic Guitarist Using The Actuated Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302591
• Paul Stapleton, Maarten van Walstijn, and Sandor Mehes. 2018. Co-Tuning Virtual-Acoustic Performance Ecosystems: observations on the development of skill and style in the study of musician-instrument relationships. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302593
• Sands A. Fish II, and Nicole L'Huillier. 2018. Telemetron: A Musical Instrument for Performance in Zero Gravity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302595
• Dan Wilcox. 2018. robotcowboy: 10 Years of Wearable Computer Rock. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302597
• Victor Evaristo Gonzalez Sanchez, Charles Patrick Martin, Agata Zelechowska, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, and Alexander Refsum Jensenius. 2018. Bela-Based Augmented Acoustic Guitars for Sonic Microinteraction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302599
• Giacomo Lepri, and Andrew P. McPherson. 2018. Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302601
• Seth Dominicus Thorn. 2018. Alto.Glove: New Techniques for Augmented Violin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302603
• Thanos Polymeneas Liontiris. 2018. Low Frequency Feedback Drones: A non-invasive augmentation of the double bass. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302605
• Daniel Formo. 2018. The Orchestra of Speech: a speech-based instrument system. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302607
• Anna Weisling, Anna Xambó, ireti olowe, and Mathieu Barthet. 2018. Surveying the Compositional and Performance Practices of Audiovisual Practitioners. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302609
• Anthony T. Marasco. 2018. Sound Opinions: Creating a Virtual Tool for Sound Art Installations through Sentiment Analysis of Critical Reviews. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302611
• Kosmas Kritsis, Aggelos Gkiokas, Carlos Árpád Acosta, Quentin Lamerand, Robert Piéchaud, Maximos Kaliakatsos-Papakostas, and Vassilis Katsouros. 2018. A web-based 3D environment for gestural interaction with virtual music instruments as a STEAM education tool. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302613
• Maria C. Mannone, Eri Kitamura, Jiawei Huang, Ryo Sugawara, and Yoshifumi Kitamura. 2018. CubeHarmonic: A New Interface from a Magnetic 3D Motion Tracking System to Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302615
• Martin M Kristoffersen, and Trond Engum. 2018. The Whammy Bar as a Digital Effect Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302617
• Robert Pond, Alexander Klassen, and Kirk McNally. 2018. Timbre Tuning: Variation in Cello Sprectrum Across Pitches and Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302619
• Matthew Mosher, Danielle Wood, and Tony Obr. 2018. Tributaries of Our Lost Palpability. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302621
• Andrew Piepenbrink. 2018. Embedded Digital Shakers: Handheld Physical Modeling Synthesizers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302623
• Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, and György Fazekas. 2018. Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302625
• Avneesh Sarwate, Ryan Taylor Rose, Jason Freeman, and Jack Armitage. 2018. Performance Systems for Live Coders and Non Coders. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302627
• Jeff Snyder, Michael R Mulshine, and Rajeev S Erramilli. 2018. The Feedback Trombone: Controlling Feedback in Brass Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302629
• Eric Sheffield. 2018. Mechanoise: Mechatronic Sound and Interaction in Embedded Acoustic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302631
• Jon Pigrem, and Andrew P. McPherson. 2018. Do We Speak Sensor? Cultural Constraints of Embodied Interaction . Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302633
• Spencer Salazar, and Jack Armitage. 2018. Re-engaging the Body and Gesture in Musical Live Coding. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302635
• Edgar Berdahl, Eric Sheffield, Andrew Pfalz, and Anthony T. Marasco. 2018. Widening the Razor-Thin Edge of Chaos Into a Musical Highway: Connecting Chaotic Maps to Digital Waveguides. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302637
• Jeff Snyder, Aatish Bhatia, and Michael R Mulshine. 2018. Neuron-modeled Audio Synthesis: Nonlinear Sound and Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302639
• Rodrigo F. Cádiz, and Marie Gonzalez-Inostroza. 2018. Fuzzy Logic Control Toolkit 2.0: composing and synthesis by fuzzyfication. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302641
• Sang-won Leigh, and Pattie Maes. 2018. Guitar Machine: Robotic Fretting Augmentation for Hybrid Human-Machine Guitar Play. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302643
• Scott Barton, Karl Sundberg, Andrew Walter, Linda Sara Baker, Tanuj Sane, and Alexander O'Brien. 2018. Robotic Percussive Aerophone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302645
• Nathan Daniel Villicaña-Shaw, Spencer Salazar, and Ajay Kapur. 2018. Mechatronic Performance in Computer Music Compositions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302647

2017

• Robert Van Rooyen, Andrew Schloss, and George Tzanetakis. 2017. Voice Coil Actuators for Percussion Robotics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176149
• Maurin Donneaud, Cedric Honnet, and Paul Strohmeier. 2017. Designing a Multi-Touch eTextile for Music Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176151
• Peter Williams, and Daniel Overholt. 2017. bEADS Extended Actuated Digital Shaker. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176153
• Romain Michon, Julius O. Smith, Matthew Wright, Chris Chafe, John Granzow, and Ge Wang. 2017. Passively Augmenting Mobile Devices Towards Hybrid Musical Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176155
• Alice Eldridge, and Chris Kiefer. 2017. Self-resonating Feedback Cello: Interfacing gestural and generative processes in improvised performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176157
• Don Derek Haddad, Xiao Xiao, Tod Machover, and Joseph Paradiso. 2017. Fragile Instruments: Constructing Destructible Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176159
• Florian Heller, Irene Meying Cheung Ruiz, and Jan Borchers. 2017. An Augmented Flute for Beginners. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176161
• Gabriella Isaac, Lauren Hayes, and Todd Ingalls. 2017. Cross-Modal Terrains: Navigating Sonic Space through Haptic Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176163
• Jiayue Wu, Mark Rau, Yun Zhang, Yijun Zhou, and Matt Wright. 2017. Towards Robust Tracking with an Unreliable Motion Sensor Using Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176165
• Álvaro Barbosa, and Thomas Tsang. 2017. Sounding Architecture: Inter-Disciplinary Studio at HKU. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176167
• Martín Matus Lerner. 2017. Osiris: a liquid based digital musical instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176169
• Spyridon Stasis, Jason Hockman, and Ryan Stables. 2017. Navigating Descriptive Sub-Representations of Musical Timbre. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176171
• Peter Williams, and Daniel Overholt. 2017. Pitch Fork: A Novel tactile Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176173
• Cagri Erdem, Anil Camci, and Angus Forbes. 2017. Biostomp: A Biocontrol System for Embodied Performance Using Mechanomyography. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176175
• Esben W. Knudsen, Malte L. Hølledig, Mads Juel Nielsen, Rikke K. Petersen, Sebastian Bach-Nielsen, Bogdan-Constantin Zanescu, Daniel Overholt, Hendrik Purwins, and Kim Helweg. 2017. Audio-Visual Feedback for Self-monitoring Posture in Ballet Training. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181422
• Rikard Lindell, and Tomas Kumlin. 2017. Augmented Embodied Performance – Extended Artistic Room, Enacted Teacher, and Humanisation of Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176177
• Jens Vetter, and Sarah Leimcke. 2017. Homo Restis --- Constructive Control Through Modular String Topologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176179
• Jeronimo Barbosa, Marcelo M. Wanderley, and Stéphane Huot. 2017. Exploring Playfulness in NIME Design: The Case of Live Looping Tools. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176181
• Daniel Manesh, and Eran Egozy. 2017. Exquisite Score: A System for Collaborative Musical Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176183
• Stahl Stenslie, Kjell Tore Innervik, Ivar Frounberg, and Thom Johansen. 2017. Somatic Sound in Performative Contexts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176185
• Jeppe Veirum Larsen, and Hendrik Knoche. 2017. States and Sound: Modelling Interactions with Musical User Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176187
• Guangyu Xia, and Roger Dannenberg. 2017. Improvised Duet Interaction: Learning Improvisation Techniques for Automatic Accompaniment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176189
• Palle Dahlstedt. 2017. Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176191
• Charles Roberts, and Graham Wakefield. 2017. gibberwocky: New Live-Coding Instruments for Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176193
• Sasha Leitman. 2017. Current Iteration of a Course on Physical Interaction Design for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176197
• Alex Hofmann, Bernt Isak Waerstad, Saranya Balasubramanian, and Kristoffer E. Koch. 2017. From interface design to the software instrument --- Mapping as an approach to FX-instrument building. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176199
• Marco Marchini, François Pachet, and Benoît Carré. 2017. Rethinking Reflexive Looper for structured pop music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176201
• Victor Zappi, Andrew Allen, and Sidney Fels. 2017. Shader-based Physical Modelling for the Design of Massive Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176203
• David Johnson, and George Tzanetakis. 2017. VRMin: Using Mixed Reality to Augment the Theremin for Musical Tutoring. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176205
• Richard Graham, Brian Bridges, Christopher Manzione, and William Brent. 2017. Exploring Pitch and Timbre through 3D Spaces: Embodied Models in Virtual Reality as a Basis for Performance Systems Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176207
• Michael Gurevich. 2017. Discovering Instruments in Scores: A Repertoire-Driven Approach to Designing New Interfaces for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176209
• Joe Cantrell. 2017. Designing Intent: Defining Critical Meaning for NIME Practitioners. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176211
• Juan Vasquez, Koray Tahiroğlu, and Johan Kildal. 2017. Idiomatic Composition Practices for New Musical Instruments: Context, Background and Current Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181424
• Florent Berthaut, Cagan Arslan, and Laurent Grisoni. 2017. Revgest: Augmenting Gestural Musical Instruments with Revealed Virtual Objects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176213
• Akito van Troyer. 2017. MM-RT: A Tabletop Musical Instrument for Musical Wonderers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176215
• Fabio Morreale, and Andrew McPherson. 2017. Design for Longevity: Ongoing Use of Instruments from NIME 2010-14. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176218
• Samuel Delalez, and Christophe d'Alessandro. 2017. Vokinesis: Syllabic Control Points for Performative Singing Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176220
• Gareth Young, Dave Murphy, and Jeffrey Weeter. 2017. A Qualitative Analysis of Haptic Feedback in Music Focused Exercises. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176222
• Jingyin He, Jim Murphy, Dale A. Carnegie, and Ajay Kapur. 2017. Towards Related-Dedicated Input Devices for Parametrically Rich Mechatronic Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176224
• Asha Blatherwick, Luke Woodbury, and Tom Davis. 2017. Design Considerations for Instruments for Users with Complex Needs in SEN Settings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176226
• Abram Hindle, and Daryl Posnett. 2017. Performance with an Electronically Excited Didgeridoo. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176228
• Michael Zbyszyński, Mick Grierson, and Matthew Yee-King. 2017. Rapid Prototyping of New Instruments with CodeCircle. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181420
• Federico Visi, Baptiste Caramiaux, Michael Mcloughlin, and Eduardo Miranda. 2017. A Knowledge-based, Data-driven Method for Action-sound Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176230
• Spencer Salazar, and Mark Cerqueira. 2017. ChuckPad: Social Coding for Computer Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176232
• Axel Berndt, Simon Waloschek, Aristotelis Hadjakos, and Alexander Leemhuis. 2017. AmbiDice: An Ambient Music Interface for Tabletop Role-Playing Games. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176234
• Sam Ferguson, Anthony Rowe, Oliver Bown, Liam Birtles, and Chris Bennewith. 2017. Sound Design for a System of 1000 Distributed Independent Audio-Visual Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176236
• Richard Vogl, and Peter Knees. 2017. An Intelligent Drum Machine for Electronic Dance Music Production and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176238
• Martin Snejbjerg Jensen, Ole Adrian Heggli, Patricia Alves Da Mota, and Peter Vuust. 2017. A low-cost MRI compatible keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176240
• Sang Won Lee, Jungho Bang, and Georg Essl. 2017. Live Coding YouTube: Organizing Streaming Media for an Audiovisual Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176242
• Solen Kiratli, Akshay Cadambi, and Yon Visell. 2017. HIVE: An Interactive Sculpture for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176244
• Matthew Blessing, and Edgar Berdahl. 2017. The JoyStyx: A Quartet of Embedded Acoustic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176246
• Graham Wakefield, and Charles Roberts. 2017. A Virtual Machine for Live Coding Language Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176248
• Tom Davis. 2017. The Feral Cello: A Philosophically Informed Approach to an Actuated Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176250
• Francisco Bernardo, Nicholas Arner, and Paul Batchelor. 2017. O Soli Mio: Exploring Millimeter Wave Radar for Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176252
• Constanza Levican, Andres Aparicio, Vernon Belaunde, and Rodrigo Cadiz. 2017. Insight2OSC: using the brain and the body as a musical instrument with the Emotiv Insight. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176254
• Benjamin Smith, and Neal Anderson. 2017. ArraYnger: New Interface for Interactive 360° Spatialization. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176256
• Alexandra Murray-Leslie, and Andrew Johnston. 2017. The Liberation of the Feet: Demaking the High Heeled Shoe For Theatrical Audio-Visual Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176258
• Christiana Rose. 2017. SALTO: A System for Musical Expression in the Aerial Arts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176260
• Marije Baalman. 2017. Wireless Sensing for Artistic Applications, a Reflection on Sense/Stage to Motivate the Design of the Next Stage. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176262
• Ivica Bukvic, and Spencer Lee. 2017. Glasstra: Exploring the Use of an Inconspicuous Head Mounted Display in a Live Technology-Mediated Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176264
• Scott Barton, Ethan Prihar, and Paulo Carvalho. 2017. Cyther: a Human-playable, Self-tuning Robotic Zither. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176266
• Beici Liang, György Fazekas, Andrew McPherson, and Mark Sandler. 2017. Piano Pedaller: A Measurement System for Classification and Visualisation of Piano Pedalling Techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176268
• Jason Long, Jim Murphy, Dale A. Carnegie, and Ajay Kapur. 2017. A Closed-Loop Control System for Robotic Hi-hats. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176272
• Stratos Kountouras, and Ioannis Zannos. 2017. Gestus: Teaching Soundscape Composition and Performance with a Tangible Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176274
• Hazar Emre Tez, and Nick Bryan-Kinns. 2017. Exploring the Effect of Interface Constraints on Live Collaborative Music Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176276
• Irmandy Wicaksono, and Joseph Paradiso. 2017. FabricKeyboard: Multimodal Textile Sensate Media as an Expressive and Deformable Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176278
• Kristians Konovalovs, Jelizaveta Zovnercuka, Ali Adjorlu, and Daniel Overholt. 2017. A Wearable Foot-mounted / Instrument-mounted Effect Controller: Design and Evaluation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176280
• Herbert Ho-Chun Chang, Lloyd May, and Spencer Topel. 2017. Nonlinear Acoustic Synthesis in Augmented Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176282
• Georg Hajdu, Benedict Carey, Goran Lazarevic, and Eckhard Weymann. 2017. From Atmosphere to Intervention: The circular dynamic of installations in hospital waiting areas. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176284
• Dom Brown, Chris Nash, and Tom Mitchell. 2017. A User Experience Review of Music Interaction Evaluations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176286
• Wayne Siegel. 2017. Conducting Sound in Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176288
• Spencer Salazar, Sarah Reid, and Daniel McNamara. 2017. The Fragment String. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176290
• Staas de Jong. 2017. Ghostfinger: a novel platform for fully computational fingertip controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176292
• Jack Armitage, Fabio Morreale, and Andrew McPherson. 2017. The finer the musician, the smaller the details: NIMEcraft under the microscope. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176294
• Sandor Mehes, Maarten van Walstijn, and Paul Stapleton. 2017. Virtual-Acoustic Instrument Design: Exploring the Parameter Space of a String-Plate Model. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176296
• Nicolas Bouillot, Zack Settel, and Michal Seta. 2017. SATIE: a live and scalable 3D audio scene rendering environment for large multi-channel loudspeaker configurations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176298
• Hugo Scurto, Frédéric Bevilacqua, and Jules Françoise. 2017. Shaping and Exploring Interactive Motion-Sound Mappings Using Online Clustering Techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176270
• Kiran Bhumber, Bob Pritchard, and Kitty Rodé. 2017. A Responsive User Body Suit (RUBS). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176300
• Marie Højlund, Morten Riis, Daniel Rothmann, and Jonas Kirkegaard. 2017. Applying the EBU R128 Loudness Standard in live-streaming sound sculptures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176354
• Edgar Berdahl, Matthew Blessing, Matthew Williams, Pacco Tan, Brygg Ullmer, and Jesse Allison. 2017. Spatial Audio Approaches for Embedded Sound Art Installations with Loudspeaker Line Arrays. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176302
• Fiona Keenan, and Sandra Pauletto. 2017. Design and Evaluation of a Digital Theatre Wind Machine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176304
• Ian Hattwick, and Marcelo M. Wanderley. 2017. Design of Hardware Systems for Professional Artistic Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176306
• Alexander Refsum Jensenius, Victor Gonzalez Sanchez, Agata Zelechowska, and Kari Anne Vadstensvik Bjerkestrand. 2017. Exploring the Myo controller for sonic microinteraction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176308
• Joseph Tilbian, and Andres Cabrera. 2017. Stride for Interactive Musical Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176310
• José Miguel Fernandez, Thomas Köppel, Nina Verstraete, Grégoire Lorieux, Alexander Vert, and Philippe Spiesser. 2017. GeKiPe, a gesture-based interface for audiovisual performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176312
• Jeppe Larsen, and Hendrik Knoche. 2017. Hear you later alligator: How delayed auditory feedback affects non-musically trained people's strumming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176314
• Michael Mulshine, and Jeff Snyder. 2017. OOPS: An Audio Synthesis Library in C for Embedded (and Other) Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176316
• Maria Kallionpää, Chris Greenhalgh, Adrian Hazzard, David M. Weigl, Kevin R. Page, and Steve Benford. 2017. Composing and Realising a Game-like Performance for Disklavier and Electronics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176318
• Thor Magnusson. 2017. Contextualizing Musical Organics: An Ad-hoc Organological Classification Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176320
• Stefano Fasciani. 2017. Physical Audio Digital Filters. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176322
• Benjamin Taylor. 2017. A History of the Audience as a Speaker Array. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176324
• Takumi Ogata, and Gil Weinberg. 2017. Robotically Augmented Electric Guitar for Shared Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176326
• Ben Neill. 2017. The Mutantrumpet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176328
• Scott Smallwood. 2017. Locus Sono: A Listening Game for NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176330
• Richard Polfreman, and Benjamin Oliver. 2017. Rubik's Cube, Music's Cube. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176332
• Charles Martin, and Jim Torresen. 2017. MicroJam: An App for Sharing Tiny Touch-Screen Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176334
• Ryu Nakagawa, and Shotaro Hirata. 2017. AEVE: An Audiovisual Experience Using VRHMD and EEG. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176336
• Rodrigo Cadiz, and Alvaro Sylleros. 2017. Arcontinuo: the Instrument of Change. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176338
• Rob Blazey. 2017. Kalimbo: an Extended Thumb Piano and Minimal Control Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176340
• Joseph Tilbian, Andres Cabrera, Steffen Martin, and Lukasz Olczyk. 2017. Stride on Saturn M7 for Interactive Musical Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176342
• Tetsuro Kitahara, Sergio Giraldo, and Rafael Ramírez. 2017. JamSketch: A Drawing-based Real-time Evolutionary Improvisation Support System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176344
• Jacob Harrison, and Andrew McPherson. 2017. An Adapted Bass Guitar for One-Handed Playing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176346
• Krzysztof Cybulski. 2017. Feedboxes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176348
• Seth Glickman, Byunghwan Lee, Fu Yen Hsiao, and Shantanu Das. 2017. Music Everywhere --- Augmented Reality Piano Improvisation Learning System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176350
• Juan Bender, Gabriel Lecup, and Sergio Fernandez. 2017. Song Kernel --- Explorations in Intuitive Use of Harmony. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176352

2016

• Eric Sheffield, Edgar Berdahl, and Andrew Pfalz. 2016. The Haptic Capstans: Rotational Force Feedback for Music using a FireFader Derivative Device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176002
• Jason Long, Dale Carnegie, and Ajay Kapur. 2016. The Closed-Loop Robotic Glockenspiel: Improving Musical Robots with Embedded Musical Information Retrieval. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3964607
• Benedict Carey. 2016. SpectraScore VR: Networkable virtual reality software tools for real-time composition and performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176004
• Herbert H.C. Chang, and Spencer Topel. 2016. Electromagnetically Actuated Acoustic Amplitude Modulation Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3964599
• Edgar Berdahl, Danny Holmes, and Eric Sheffield. 2016. Wireless Vibrotactile Tokens for Audio-Haptic Interaction with Touchscreen Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175984
• Alex Baldwin, Troels Hammer, Edvinas Pechiulis, Peter Williams, Dan Overholt, and Stefania Serafin. 2016. Tromba Moderna: A Digitally Augmented Medieval Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3964592
• Henning Berg. 2016. Tango: Software for Computer-Human Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175990
• Andrew McPherson, Robert Jack, and Giulio Moro. 2016. Action-Sound Latency: Are Our Tools Fast Enough?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.3964611
• Edgar Berdahl, Andrew Pfalz, and Stephen David Beck. 2016. Very Slack Strings: A Physical Model and Its Use in the Composition Quartet for Strings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175988
• Reid Oda, and Rebecca Fiebrink. 2016. The Global Metronome: Absolute Tempo Sync For Networked Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176096
• Scott Smallwood. 2016. Coronium 3500: A Solarsonic Installation for Caramoor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176127
• Tomas Laurenzo. 2016. 5500: performance, control, and politics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176058
• Bridget Johnson, Michael Norris, and Ajay Kapur. 2016. speaker.motion: A Mechatronic Loudspeaker System for Live Spatialisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176046
• Doug Van Nort, Ian Jarvis, and Michael Palumbo. 2016. Towards a Mappable Database of Emergent Gestural Meaning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176092
• Jason Long, Ajay Kapur, and Dale Carnegie. 2016. An Analogue Interface for Musical Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176072
• Natasha Barrett, and Alexander Refsum Jensenius. 2016. The `Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175974
• Julian Jaramillo Arango, and Daniel Melàn Giraldo. 2016. The Smartphone Ensemble. Exploring mobile computer mediation in collaborative musical performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175850
• Alex Hofmann, Vasileios Chatziioannou, Alexander Mayer, and Harry Hartmann. 2016. Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176028
• Ajay Kapur, Jim Murphy, Michael Darling, Eric Heep, Bruce Lott, and Ness Morris. 2016. MalletOTon and the Modulets: Modular and Extensible Musical Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176050
• Ben Olson. 2016. Transforming 8-Bit Video Games into Musical Interfaces via Reverse Engineering and Augmentation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176100
• Juliana Cherston, Ewan Hill, Steven Goldfarb, and Joseph Paradiso. 2016. Musician and Mega-Machine: Compositions Driven by Real-Time Particle Collision Data from the ATLAS Detector. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176012
• Anders Lind, and Daniel Nylén. 2016. Mapping Everyday Objects to Digital Materiality in The Wheel Quintet: Polytempic Music and Participatory Art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176064
• Alfonso Balandra, Hironori Mitake, and Shoichi Hasegawa. 2016. Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175968
• Madeline Huberth, and Chryssie Nanou. 2016. Notation for 3D Motion Tracking Controllers: A Gametrak Case Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176034
• Cem Cakmak, Anil Camci, and Angus Forbes. 2016. Networked Virtual Environments as Collaborative Music Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176002
• Dominic Becking, Christine Steinmeier, and Philipp Kroos. 2016. Drum-Dance-Music-Machine: Construction of a Technical Toolset for Low-Threshold Access to Collaborative Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175980
• Sasha Leitman, and John Granzow. 2016. Music Maker: 3d Printing and Acoustics Curriculum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176062
• Jacob T. Sello. 2016. The Hexenkessel: A Hybrid Musical Instrument for Multimedia Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176118
• Otso Lähdeoja. 2016. Active Acoustic Instruments for Electronic Chamber Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176054
• Evan Lynch, and Joseph Paradiso. 2016. SensorChimes: Musical Mapping for Sensor Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176074
• Kyosuke Nakanishi, Paul Haimes, Tetsuaki Baba, and Kumiko Kushiyama. 2016. NAKANISYNTH: An Intuitive Freehand Drawing Waveform Synthesiser Application for iOS Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176086
• Richard Vindriis, and Dale Carnegie. 2016. StrumBot---An Overview of a Strumming Guitar Robot. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176135
• Tim Shaw, Simon Bowen, and John Bowers. 2016. Unfoldings: Multiple Explorations of Sound and Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176122
• Alexandra Rieger, and Spencer Topel. 2016. Driftwood: Redefining Sound Sculpture Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176110
• Rebecca Kleinberger, and Akito van Troyer. 2016. Dooremi: a Doorway to Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176052
• Carl Jürgen Normark, Peter Parnes, Robert Ek, and Harald Andersson. 2016. The extended clarinet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176090
• Yoichi Nagashima. 2016. Multi Rubbing Tactile Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176084
• Leshao Zhang, Yongmeng Wu, and Mathieu Barthet. 2016. A Web Application for Audience Participation in Live Music Performance: The Open Symphony Use Case. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176147
• Antonio Deusany de Carvalho Junior, Sang Won Lee, and Georg Essl. 2016. Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C[loud]. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176008
• Ge Wang. 2016. Game Design for Expressive Mobile Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176141
• Jan Banas, Razvan Paisa, Iakovos Vogiatzoglou, Francesco Grani, and Stefania Serafin. 2016. Design and evaluation of a gesture driven wave field synthesis auditory game. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175972
• Mehmet Aydin Baytas, Tilbe Goksun, and Oguzhan Ozcan. 2016. The Perception of Live-sequenced Electronic Music via Hearing and Sight. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175978
• S. Astrid Bin, Nick Bryan-Kinns, and Andrew P. McPherson. 2016. Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175994
• Jiayue Cecilia Wu, Madeline Huberth, Yoo Hsiu Yeh, and Matt Wright. 2016. Evaluating the Audience's Perception of Real-time Gestural Control and Mapping Mechanisms in Electroacoustic Vocal Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176143
• Sang Won Lee, Georg Essl, and Mari Martinez. 2016. Live Writing : Writing as a Real-time Audiovisual Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176060
• Kunal Jathal, and Tae-Hong Park. 2016. The HandSolo: A Hand Drum Controller for Natural Rhythm Entry and Production. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176042
• Chris Nash. 2016. The 'E' in QWERTY: Musical Expression with Old Computer Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176088
• Stewart Greenhill, and Cathie Travers. 2016. Focal : An Eye-Tracking Musical Expression Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176022
• Aidan Meacham, Sanjay Kannan, and Ge Wang. 2016. The Laptop Accordion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176078
• Kasper buhl Jakobsen, Marianne Graves Petersen, Majken Kirkegaard Rasmussen, Jens Emil Groenbaek, jakob winge, and jeppe stougaard. 2016. Hitmachine: Collective Musical Expressivity for Novices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176038
• Romain Michon, Julius Orion Iii Smith, Matthew Wright, and Chris Chafe. 2016. Augmenting the iPad: the BladeAxe. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176080
• Barah Héon-Morissette. 2016. Transdisciplinary Methodology: from Theory to the Stage, Creation for the SICMAP. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176024
• Xiao Xiao, Donald Derek Haddad, Thomas Sanchez, Akito van Troyer, Rébecca Kleinberger, Penny Webb, Joe Paradiso, Tod Machover, and Hiroshi Ishii. 2016. Kinéphone: Exploring the Musical Potential of an Actuated Pin-Based Shape Display. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176145
• Si Waite. 2016. Church Belles: An Interactive System and Composition Using Real-World Metaphors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176139
• Ireti Olowe, Giulio Moro, and Mathieu Barthet. 2016. residUUm: user mapping and performance strategies for multilayered live audiovisual generation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176098
• Kirandeep Bhumber, Nancy Lee, and Brian Topp. 2016. Pendula: An Interactive Swing Installation and Performance Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175992
• Matthew Dabin, Terumi Narushima, Stephen Beirne, Christian Ritz, and Kraig Grady. 2016. 3D Modelling and Printing of Microtonal Flutes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176014
• Alex Hofmann, Bernt Waerstad, and Kristoffer Koch. 2016. Csound Instruments On Stage. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176030
• Thomas Resch, and Stefan Bilbao. 2016. Controlling complex virtuel instruments---A setup with note~ for Max and prepared piano sound synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176108
• Dom Brown, Nathan Renney, Adam Stark, Chris Nash, and Tom Mitchell. 2016. Leimu: Gloveless Music Interaction Using a Wrist Mounted Leap Motion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176000
• Esteban Gómez, and Javier Jaimovich. 2016. Designing a Flexible Workflow for Complex Real-Time Interactive Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176018
• Christina Volioti, Sotiris Manitsaris, Eleni Katsouli, and Athanasios Manitsaris. 2016. x2Gesture: how machines could learn expressive gesture variations of expert musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176137
• Javier Jaimovich. 2016. Emovere: Designing Sound Interactions for Biosignals and Dancers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176036
• Ene Alicia Söderberg, Rasmus Emil Odgaard, Sarah Bitsch, Oliver Höeg-Jensen, Nikolaj Schildt Christensen, Sören Dahl Poulsen, and Steven Gelineck. 2016. Music Aid---Towards a Collaborative Experience for Deaf and Hearing People in Creating Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176112
• Jeppe Veirum Larsen, Dan Overholt, and Thomas B. Moeslund. 2016. The Prospects of Musical Instruments For People with Physical Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176056
• Christopher Benson, Bill Manaris, Seth Stoudenmier, and Timothy Ward. 2016. SoundMorpheus: A Myoelectric-Sensor Based Interface for Sound Spatialization and Shaping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175982
• Gorkem Ozdemir, Anil Camci, and Angus Forbes. 2016. PORTAL: An Audiovisual Laser Performance System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176102
• Rikard Lindell, Koray Tahiroglu, Morten Riis, and Jennie Schaeffer. 2016. Materiality for Musical Expressions: an Approach to Interdisciplinary Syllabus Development for NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176066
• Marcelo Gimenes, Pierre-Emmanuel Largeron, and Eduardo Miranda. 2016. Frontiers: Expanding Musical Imagination With Audience Participation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176020
• Kevin Schlei, Chris Burns, and Aidan Menuge. 2016. PourOver: A Sensor-Driven Generative Music Platform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176114
• Abram Hindle. 2016. Hacking NIMEs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176026
• Sergi Jordà, Daniel Gómez-Marín, Ángel Faraldo, and Perfecto Herrera. 2016. Drumming with style: From user needs to a working prototype. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176048
• Oliver Bown, and Sam Ferguson. 2016. A Musical Game of Bowls Using the DIADs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175998
• Benjamin James Eyes, and Laurits Esben Jongejan. 2016. How to Stop Sound: Creating a light instrument and `Interruption' a piece for the Mimerlaven, Norberg Festival 2015.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176016
• Cat Hope, Stuart James, and Aaron Wyatt. 2016. Headline grabs for music: The development of the iPad score generator for `Loaded (NSFW)'. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176032
• Benjamin Carey, and Andrew Johnston. 2016. Reflection On Action in NIME Research: Two Complementary Perspectives. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176006
• Càrthach Ó Nuanàin, Sergi Jordà, and Perfecto Herrera. 2016. An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176094
• Andrew J. Milne, Steffen A. Herff, David Bulger, William A. Sethares, and Roger T. Dean. 2016. XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176082
• Lindsay Vickery. 2016. Rhizomatic approaches to screen-based music notation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176133
• Stuart James. 2016. A Multi-Point 2D Interface: Audio-Rate Signals for Controlling Complex Multi-Parametric Sound Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176040
• Dominik Schlienger. 2016. Acoustic Localisation for Spatial Reproduction of Moving Sound Source: Application Scenarios & Proof of Concept. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176116
• Sean Soraghan, Alain Renaud, and Ben Supper. 2016. Towards a perceptual framework for interface design in digital environments for timbre manipulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176129
• Sarah Reid, Ryan Gaston, Colin Honigman, and Ajay Kapur. 2016. Minimally Invasive Gesture Sensing Interface (MIGSI) for Trumpet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176106
• Garth Paine. 2016. Now. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176104
• R. Benjamin Shapiro, Rebecca Fiebrink, Matthew Ahrens, and Annie Kelly. 2016. BlockyTalky: A Physical and Distributed Computer Music Toolkit for Kids. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176120
• John Bowers, John Richards, Tim Shaw, Jim Frieze, Ben Freeth, Sam Topley, Neal Spowage, Steve Jones, Amit Patel, and Li Rui. 2016. One Knob To Rule Them All: Reductionist Interfaces for Expansionist Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1175996
• Alexander Refsum Jensenius, and Michael J. Lyons. 2016. Trends at NIME---Reflections on Editing A NIME Reader. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176044
• Koray Tahiroglu, Juan Carlos Vasquez, and Johan Kildal. 2016. Non-intrusive Counter-actions: Maintaining Progressively Engaging Interactions for Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176131

2015

• Chris Korda. 2015. ChordEase: A MIDI remapper for intuitive performance of non-modal music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179110
• Mohammad Akbari, and Howard Cheng. 2015. claVision: Visual Automatic Piano Music Transcription. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179002
• Jan C. Schacher, Chikashi Miyama, and Daniel Bisig. 2015. Gestural Electronic Music using Machine Learning as Generative Device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179172
• Stefano Papetti, Sébastien Schiesser, and Martin Fröhlich. 2015. Multi-point vibrotactile feedback for an expressive musical interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179152
• David Ramsay, and Joseph Paradiso. 2015. GroupLoop: A Collaborative, Network-Enabled Audio Feedback Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179158
• Kazuhiko Yamamoto, and Takeo Igarashi. 2015. LiVo: Sing a Song with a Vowel Keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181414
• Koray Tahiroglu, Thomas Svedström, and Valtteri Wikström. 2015. Musical Engagement that is Predicated on Intentional Activity of the Performer with NOISA Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179182
• Jason Long, Jim Murphy, Ajay Kapur, and Dale Carnegie. 2015. A Methodology for Evaluating Robotic Striking Mechanisms for Musical Contexts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179120
• Troy Rogers, Steven Kemper, and Scott Barton. 2015. MARIE: Monochord-Aerophone Robotic Instrument Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179166
• Jiffer Harriman. 2015. Pd Poems and Teaching Tools. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179074
• Robin Hayward. 2015. The Hayward Tuning Vine: an interface for Just Intonation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179084
• Michael Krzyzaniak, and Garth Paine. 2015. Realtime Classification of Hand-Drum Strokes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179112
• Robert Van Rooyen, Andrew Schloss, and George Tzanetakis. 2015. Snare Drum Motion Capture Dataset. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179168
• Rhushabh Bhandari, Avinash Parnandi, Eva Shipp, Beena Ahmed, and Ricardo Gutierrez-Osuna. 2015. Music-based respiratory biofeedback in visually-demanding tasks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179030
• Mikko Myllykoski, Kai Tuuri, Esa Viirret, Jukka Louhivuori, Antti Peltomaa, and Janne Kekäläinen. 2015. Prototyping hand-based wearable music education technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179144
• Jiffer Harriman. 2015. Feedback Lapsteel : Exploring Tactile Transducers As String Actuators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179076
• Romain Michon, Julius Orion Smith III, and Yann Orlarey. 2015. MobileFaust: a Set of Tools to Make Musical Mobile Applications with the Faust Programming Language. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179140
• Andrew Mercer-Taylor, and Jaan Altosaar. 2015. Sonification of Fish Movement Using Pitch Mesh Pairs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179138
• Hans Anderson, Kin Wah Edward Lin, Natalie Agus, and Simon Lui. 2015. Major Thirds: A Better Way to Tune Your iPad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179006
• Ethan Benjamin, and Jaan Altosaar. 2015. MusicMapper: Interactive 2D representations of music samples for in-browser remixing and exploration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179018
• Javier Jaimovich, and R. Benjamin Knapp. 2015. Creating Biosignal Algorithms for Musical Applications from an Extensive Physiological Database. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179096
• Benjamin Knichel, Holger Reckter, and Peter Kiefer. 2015. resonate -- a social musical installation which integrates tangible multiuser interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179108
• Rebecca Kleinberger, Gershon Dublon, Joseph A. Paradiso, and Tod Machover. 2015. PHOX Ears: A Parabolic, Head-mounted, Orientable, eXtrasensory Listening Device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179106
• Palle Dahlstedt. 2015. Mapping Strategies and Sound Engine Design for an Augmented Hybrid Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179046
• Palle Dahlstedt, Per Anders Nilsson, and Gino Robair. 2015. The Bucket System --- A computer mediated signalling system for group improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179048
• Simon Alexander-Adams, and Michael Gurevich. 2015. A Flexible Platform for Tangible Graphic Scores. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179004
• Robert Van Rooyen, and George Tzanetakis. 2015. Pragmatic Drum Motion Capture System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181400
• Qi Yang, and Georg Essl. 2015. Representation-Plurality in Multi-Touch Mobile Visual Programming for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181416
• Alexander Refsum Jensenius. 2015. Microinteraction in Music/Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179100
• Kristian Nymoen, Mari Romarheim Haugen, and Alexander Refsum Jensenius. 2015. MuMYO --- Evaluating and Exploring the MYO Armband for Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179150
• Eric Sheffield, and Michael Gurevich. 2015. Distributed Mechanical Actuation of Percussion Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179176
• Jingyin He, Ajay Kapur, and Dale Carnegie. 2015. Developing A Physical Gesture Acquisition System for Guqin Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179088
• Richard Graham, and John Harding. 2015. SEPTAR: Audio Breakout Design for Multichannel Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179070
• Florent Berthaut, Diego Martinez, Martin Hachet, and Sriram Subramanian. 2015. Reflets: Combining and Revealing Spaces for Musical Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179028
• Simon Lui. 2015. Generate expressive music from picture with a handmade multi-touch music table. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179122
• Si Waite. 2015. Reimagining the Computer Keyboard as a Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179192
• Masami Hirabayashi, and Kazuomi Eshima. 2015. Sense of Space: The Audience Participation Music Performance with High-Frequency Sound ID. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179092
• Tim Shaw, Sébastien Piquemal, and John Bowers. 2015. Fields: An Exploration into the use of Mobile Devices as a Medium for Sound Diffusion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179174
• Dan Ringwalt, Roger Dannenberg, and Andrew Russell. 2015. Optical Music Recognition for Interactive Score Display. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179162
• Ali Momeni. 2015. Caress: An Electro-acoustic Percussive Instrument for Caressing Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179142
• Roger Dannenberg, and Andrew Russell. 2015. Arrangements: Flexibly Adapting Music Data for Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179050
• Jamie Bullock, and Ali Momeni. 2015. ml.lib: Robust, Cross-platform, Open-source Machine Learning for Max and Pure Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179038
• Guangyu Xia, and Roger Dannenberg. 2015. Duet Interaction: Learning Musicianship for Automatic Accompaniment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179198
• James Leonard, and Claude Cadoz. 2015. Physical Modelling Concepts for a Collection of Multisensory Virtual Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179116
• Jérôme Villeneuve, Claude Cadoz, and Nicolas Castagné. 2015. Visual Representation in GENESIS as a tool for Physical Modeling, Sound Synthesis and Musical Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179190
• Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho, and Marcelo M. Wanderley. 2015. Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179008
• Duncan Menzies, and Andrew McPherson. 2015. Highland Piping Ornament Recognition Using Dynamic Time Warping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179136
• Asbjørn Blokkum Flø, and Hans Wilmers. 2015. Doppelgänger: A solenoid-based large scale sound installation.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179060
• Adrian Hazzard, Steve Benford, Alan Chamberlain, and Chris Greenhalgh. 2015. Considering musical structure in location-based experiences. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179086
• Basheer Tome, Donald Derek Haddad, Tod Machover, and Joseph Paradiso. 2015. MMODM: Massively Multipler Online Drum Machine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179184
• Natasha Barrett. 2015. Creating tangible spatial-musical images from physical performance gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179014
• Jiffer Harriman. 2015. Start 'em Young: Digital Music Instrument for Education. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179078
• Dario Cazzani. 2015. Posture Identification of Musicians Using Non-Intrusive Low-Cost Resistive Pressure Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179042
• Zeyu Jin, Reid Oda, Adam Finkelstein, and Rebecca Fiebrink. 2015. MalLo: A Distributed Synchronized Musical Instrument Designed For Internet Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179102
• Lauren Hayes. 2015. Enacting Musical Worlds: Common Approaches to using NIMEs within both Performance and Person-Centred Arts Practices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179082
• Nuno N. Correia, and Atau Tanaka. 2015. Prototyping Audiovisual Performance Tools: A Hackathon Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179044
• Peter Bennett, Jarrod Knibbe, Florent Berthaut, and Kirsten Cater. 2015. Resonant Bits: Controlling Digital Musical Instruments with Resonance and the Ideomotor Effect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179020
• Antonio Deusany de Carvalho Junior. 2015. Indoor localization during installations using WiFi. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179052
• Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking Ensemble Performance on Touch-Screens with Gesture Classification and Transition Matrices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179130
• Beste Filiz Yuksel, Daniel Afergan, Evan Peck, Garth Griffin, Lane Harrison, Nick Chen, Remco Chang, and Robert Jacob. 2015. BRAAHMS: A Novel Adaptive Musical Interface Based on Users' Cognitive State. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181418
• Abram Hindle. 2015. Orchestrating Your Cloud Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179090
• Andrew Piepenbrink, and Matthew Wright. 2015. The Bistable Resonator Cymbal: An Actuated Acoustic Instrument Displaying Physical Audio Effects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179154
• Andreas Bergsland, and Robert Wechsler. 2015. Composing Interactive Dance Pieces for the MotionComposer, a device for Persons with Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179024
• Brendan McCloskey, Brian Bridges, and Frank Lyons. 2015. Accessibility and dimensionalty: enhanced real-time creative independence for digital musicians with quadriplegic cerebral palsy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179132
• Ajit Nath, and Samson Young. 2015. VESBALL: A ball-shaped instrument for music therapy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179146
• Simon Waloschek, and Aristotelis Hadjakos. 2015. Sensors on Stage: Conquering the Requirements of Artistic Experiments and Live Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179194
• Andrew McPherson, and Victor Zappi. 2015. Exposing the Scaffolding of Digital Instruments with Hardware-Software Feedback Loops. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179134
• Tommy Feldt, Sarah Freilich, Shaun Mendonsa, Daniel Molin, and Andreas Rau. 2015. Puff, Puff, Play: A Sip-And-Puff Remote Control for Music Playback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179058
• Nicolas d'Alessandro, Joëlle Tilmanne, Ambroise Moreau, and Antonin Puleo. 2015. AirPiano: A Multi-Touch Keyboard with Hovering Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1181434
• Steve Benford, Adrian Hazzard, Alan Chamberlain, and Liming Xu. 2015. Augmenting a Guitar with its Digital Footprint. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179016
• Sair Sinan Kestelli. 2015. Motor Imagery: What Does It Offer for New Digital Musical Instruments?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179104
• Mikkel Jörgensen, Aske Knudsen, Thomas Wilmot, Kasper Lund, Stefania Serafin, and Hendrik Purwins. 2015. A Mobile Music Museum Experience for Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178997
• Thomas Resch. 2015. RWA -- A Game Engine for Real World Audio Games. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179160
• Arvid Jense, and Hans Leeuw. 2015. WamBam: A case study in design for an electronic musical instrument for severely intellectually disabled users. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179098
• Florent Berthaut, David Coyle, James Moore, and Hannah Limerick. 2015. Liveness Through the Lens of Agency and Causality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179026
• Dianne Verdonk. 2015. Visible Excitation Methods: Energy and Expressiveness in Electronic Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179188
• Jeff Snyder, Ryan Johns, Charles Avis, Gene Kogan, and Axel Kilian. 2015. Machine Yearning: An Industrial Robotic Arm as a Performance Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179180
• Edgar Berdahl, and Denis Huber. 2015. The Haptic Hand. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179022
• Sang Won Lee, and Georg Essl. 2015. Web-Based Temporal Typography for Musical Expression and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179114
• Eric Sheffield, Sile O'Modhrain, Michael Gould, and Brent Gillespie. 2015. The Pneumatic Practice Pad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179178
• William Marley, and Nicholas Ward. 2015. Gestroviser: Toward Collaborative Agency in Digital Musical Instruments.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179124
• Warren Enström, Josh Dennis, Brian Lynch, and Kevin Schlei. 2015. Musical Notation for Multi-Touch Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179056
• Brennon Bortz, Javier Jaimovich, and R. Benjamin Knapp. 2015. Emotion in Motion: A Reimagined Framework for Biomusical/Emotional Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179034
• Hsin-Ming Lin, and Chin-Ming Lin. 2015. Harmonic Intonation Trainer: An Open Implementation in Pure Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179118
• Jeronimo Barbosa, Joseph Malloch, Marcelo Wanderley, and Stéphane Huot. 2015. What does 'Evaluation' mean for the NIME community?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179010
• Ian Hattwick, and Marcelo Wanderley. 2015. Interactive Lighting in the Pearl: Considerations and Implementation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179080
• Richard Graham, and Brian Bridges. 2015. Managing Musical Complexity with Embodied Metaphors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179066
• Aura Pon, Johnty Wang, Laurie Radford, and Sheelagh Carpendale. 2015. Womba: A Musical Instrument for an Unborn Child. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179156
• Adnan Marquez-Borbon, and Paul Stapleton. 2015. Fourteen Years of NIME: The Value and Meaning of `Community' in Interactive Music Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179128
• Charles Roberts, Matthew Wright, and JoAnn Kuchera-Morin. 2015. Beyond Editing: Extended Interaction with Textual Code Fragments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179164
• Alberto Novello, and Antoni Rayzhekov. 2015. A prototype for pitched gestural sonification of surfaces using two contact microphones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179148
• Ozgur Izmirli. 2015. Framework for Exploration of Performance Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179094
• Timothy J. Barraclough, Dale A. Carnegie, and Ajay Kapur. 2015. Musical Instrument Design Process for Mobile Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179012
• Rhys Duindam, Diemo Schwarz, and Hans Leeuw. 2015. Tingle: A Digital Music Controller Re-Capturing the Acoustic Instrument Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179054
• Steven Gelineck, Dannie Korsgaard, and Morten Büchert. 2015. Stage- vs. Channel-strip Metaphor --- Comparing Performance when Adjusting Volume and Panning of a Single Channel in a Stereo Mix. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179064
• J. Cecilia Wu, Yoo Hsiu Yeh, Romain Michon, Nathan Weitzner, Jonathan Abel, and Matthew Wright. 2015. Tibetan Singing Prayer Wheel: A Hybrid Musical- Spiritual Instrument Using Gestural Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179196
• Ivan Franco, and Marcelo Wanderley. 2015. Pratical Evaluation of Synthesis Performance on the Beaglebone Black. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179062
• Courtney Brown, Sharif Razzaque, and Garth Paine. 2015. Rawr! A Study in Sonic Skulls: Embodied Natural History. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179036
• Muhammad Hafiz Wan Rosli, Karl Yerkes, Matthew Wright, Timothy Wood, Hannah Wolfe, Charlie Roberts, Anis Haron, and Fernando Rincon Estrada. 2015. Ensemble Feedback Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179170
• Jeff Gregorio, David Rosen, Michael Caro, and Youngmoo E. Kim. 2015. Descriptors for Perception of Quality in Jazz Piano Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179072
• Adnan Marquez-Borbon. 2015. But Does it Float? Reflections on a Sound Art Ecological Intervention. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179126
• Matthew Blessing, and Edgar Berdahl. 2015. Textural Crossfader. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179032
• Andres Cabrera. 2015. Serverless and Peer-to-peer distributed interfaces for musical control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179040

2014

• Luisa Pereira Hors. 2014. The Well-Sequenced Synthesizer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178806
• Timothy Polashek, and Brad Meyer. 2014. Engravings for Prepared Snare Drum, iPad, and Computer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178907
• Mo Zareei, Ajay Kapur, and Dale A. Carnegie. 2014. Rasper: a Mechatronic Noise-Intoner. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178995
• Chet Udell, and James Paul Sain. 2014. eMersion | Sensor-controlled Electronic Music Modules & Digital Data Workstation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178971
• Tim Murray-Browne, and Mark Plumbley. 2014. Harmonic Motion: A Toolkit for Processing Gestural Data for Interactive Sound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178887
• Simon Lui. 2014. A Real Time Common Chord Progression Guide on the Smartphone for Jamming Pop Song on the Music Keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178855
• Thor Magnusson. 2014. Improvising with the Threnoscope: Integrating Code, Hardware, GUI, Network, and Graphic Scores. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178857
• Sebastian Trump, and Jamie Bullock. 2014. Orphion: A Gestural Multi-Touch Instrument for the iPad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178963
• Michael Krzyzaniak, Julie Akerly, Matthew Mosher, Muharrem Yildirim, and Garth Paine. 2014. Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178841
• Yang Kyu Lim, and Woon Seung Yeo. 2014. Smartphone-based Music Conducting. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178851
• Jun-qi Deng, Francis Chi Moon Lau, Ho-Cheung Ng, Yu-Kwong Kwok, Hung-Kwan Chen, and Yu-heng Liu. 2014. WIJAM: A Mobile Collaborative Improvisation Platform under Master-players Paradigm. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178746
• Tim Murray-Browne, Dom Aversano, Susanna Garcia, Wallace Hobbes, Daniel Lopez, Tadeo Sendon, Panagiotis Tigas, Kacper Ziemianin, and Duncan Chapman. 2014. The Cave of Sounds: An Interactive Installation Exploring How We Create Music Together. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178885
• Kristian Nymoen, Sichao Song, Yngve Hafting, and Jim Torresen. 2014. Funky Sole Music: Gait Recognition and Adaptive Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178895
• Florian Heller, and Jan Borchers. 2014. Visualizing Song Structure on Timecode Vinyls. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178796
• Martin Marier. 2014. Designing Mappings for the Sponge: Towards Spongistic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178863
• Joachim Goßmann, and Max Neupert. 2014. Musical Interface to Audiovisual Corpora of Arbitrary Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178772
• Ilias Bergstrom, and Joan Llobera. 2014. OSC-Namespace and OSC-State: Schemata for Describing the Namespace and State of OSC-Enabled Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178712
• Emily Robertson, and Enrico Bertelli. 2014. Conductive Music: Teaching Innovative Interface Design and Composition Techniques with Open-Source Hardware. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178921
• Tom Mudd, Simon Holland, Paul Mulholland, and Nick Dalton. 2014. Dynamical Interactions with Electronic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178881
• Mason Bretan, and Gil Weinberg. 2014. Chronicles of a Robotic Musical Companion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178724
• Stefania Serafin, Stefano Trento, Francesco Grani, Hannah Perner-Wilson, Seb Madgwick, and Tom Mitchell. 2014. Controlling Physically Based Virtual Musical Instruments Using The Gloves. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178937
• Chet Gnegy. 2014. CollideFx: A Physics-Based Audio Effects Processor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178770
• Timothy J Barraclough, Jim Murphy, and Ajay Kapur. 2014. New Open-Source Interfaces for Group Based Participatory Performance of Live Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178708
• Otso Lähdeoja. 2014. Structure-Borne Sound and Aurally Active Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178843
• D. J. Valtteri Wikström. 2014. Musical Composition by Regressional Mapping of Physiological Responses to Acoustic Features. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178981
• Jason Long. 2014. The Robotic Taishogoto: A New Plug 'n Play Desktop Performance Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178853
• Paul Mathews, Ness Morris, Jim Murphy, Ajay Kapur, and Dale Carnegie. 2014. Tangle: a Flexible Framework for Performance with Advanced Robotic Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178867
• Ohad Fried, Zeyu Jin, Reid Oda, and Adam Finkelstein. 2014. AudioQuilt: 2D Arrangements of Audio Samples using Metric Learning and Kernelized Sorting. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178766
• Daniel Gábana Arellano, and Andrew McPherson. 2014. Radear: A Tangible Spinning Music Sequencer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178704
• Axel Berndt, Nadia Al-Kassab, and Raimund Dachselt. 2014. TouchNoise: A Particle-based Multitouch Noise Modulation Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178714
• Yoshihito Nakanishi, Seiichiro Matsumura, and Chuichi Arakawa. 2014. B.O.M.B. -Beat Of Magic Box -: Stand-Alone Synthesizer Using Wireless Synchronization System For Musical Session and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178889
• Graham Wakefield, Charlie Roberts, Matthew Wright, Timothy Wood, and Karl Yerkes. 2014. Collaborative Live-Coding with an Immersive Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178975
• Sangwon Suh, Jeong-seob Lee, and Woon Seung Yeo. 2014. A Gesture Detection with Guitar Pickup and Earphones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178949
• Florent Berthaut, and Jarrod Knibbe. 2014. Wubbles: A Collaborative Ephemeral Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178716
• Laurel Pardue, Dongjuan Nian, Christopher Harte, and Andrew McPherson. 2014. Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178899
• Niklas Klügel, Timo Becker, and Georg Groh. 2014. Designing Sound Collaboratively Perceptually Motivated Audio Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178833
• Yehiel Amo, Gil Zissu, Shaltiel Eloul, Eran Shlomi, Dima Schukin, and Almog Kalifa. 2014. A Max/MSP Approach for Incorporating Digital Music via Laptops in Live Performances of Music Bands. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178700
• Adriana Sa. 2014. Repurposing Video Game Software for Musical Expression: A Perceptual Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178925
• Jim Murphy, Paul Mathews, Ajay Kapur, and Dale Carnegie. 2014. Robot: Tune Yourself! Automatic Tuning for Musical Robotics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178883
• Adam Stark. 2014. Sound Analyser: A Plug-In for Real-Time Audio Analysis in Live Performances and Installations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178945
• Bridget Johnson, Michael Norris, and Ajay Kapur. 2014. The Development Of Physical Spatial Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178820
• Alexander Refsum Jensenius. 2014. To gesture or Not? An Analysis of Terminology in NIME Proceedings 2001--2013. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178816
• Enrique Tomás, and Martin Kaltenbrunner. 2014. Tangible Scores: Shaping the Inherent Instrument Score. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178953
• Evan Morgan, Hatice Gunes, and Nick Bryan-Kinns. 2014. Instrumenting the Interaction: Affective and Psychophysiological Features of Live Collaborative Musical Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178877
• Blake Johnston, Henry Dengate Thrush, Ajay Kapur, Jim Murphy, and Tane Moleta. 2014. Polus: The Design and Development of a New, Mechanically Bowed String Instrument Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178822
• Ozgur Izmirli, and Jake Faris. 2014. Imitation Framework for Percussion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178814
• Alon Ilsar, Mark Havryliv, and Andrew Johnston. 2014. Evaluating the Performance of a New Gestural Instrument Within an Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178812
• Adrián Barenca, and Milos Corak. 2014. The Manipuller II: Strings within a Force Sensing Ring. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178706
• Ozan Sarier. 2014. Rub Synth : A Study of Implementing Intentional Physical Difficulty Into Touch Screen Music Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178931
• Lawrence Fyfe, Adam Tindale, and Sheelagh Carpendale. 2014. Extending the Nexus Data Exchange Format (NDEF) Specification. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178768
• Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo Wanderley, Philippe Leroux, and Fabrice Marandola. 2014. Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178790
• Ian Hattwick, Joseph Malloch, and Marcelo Wanderley. 2014. Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178792
• Chris Nash. 2014. Manhattan: End-User Programming for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178891
• Charlie Roberts, Matthew Wright, JoAnn Kuchera-Morin, and Tobias Höllerer. 2014. Rapid Creation and Publication of Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178919
• Ivica Bukvic. 2014. Pd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178726
• Charles Holbrow, Elena Jessop, and Rebecca Kleinberger. 2014. Vocal Vibrations: A Multisensory Experience of the Voice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178800
• Gershon Dublon, and Joseph A. Paradiso. 2014. FingerSynth: Wearable Transducers for Exploring the Environment and Playing Music Everywhere. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178754
• Fumito Hashimoto, and Motoki Miura. 2014. Operating Sound Parameters Using Markov Model and Bayesian Filters in Automated Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178788
• Reinhard Gupfinger, and Martin Kaltenbrunner. 2014. SOUND TOSSING Audio Devices in the Context of Street Art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178778
• Thomas Mitchell, Sebastian Madgwick, Simon Rankine, Geoffrey Hilton, Adrian Freed, and Andrew Nix. 2014. Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178875
• Mary Mainsbridge, and Kirsty Beilharz. 2014. Body As Instrument: Performing with Gestural Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178859
• Hanspeter Portner. 2014. CHIMAERA The Poly-Magneto-Phonic Theremin An Expressive Touch-Less Hall-Effect Sensor Array. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178909
• Thomas Webster, Guillaume LeNost, and Martin Klang. 2014. The OWL programmable stage effects pedal: Revising the concept of the on-stage computer for live music performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178979
• Nicholas Ward, and Giuseppe Torre. 2014. Constraining Movement as a Basis for DMI Design and Performance.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178977
• Matthew Davies, Adam Stark, Fabien Gouyon, and Masataka Goto. 2014. Improvasher: A Real-Time Mashup System for Live Musical Input. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178744
• Olivier Perrotin, and Christophe d'Alessandro. 2014. Visualizing Gestures in the Control of a Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178901
• Liam Donovan, and Andrew McPherson. 2014. The Talking Guitar: Headstock Tracking and Mapping Strategies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178752
• Victor Zappi, and Andrew McPherson. 2014. Dimensionality and Appropriation in Digital Musical Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178993
• Clayton Mamedes, Mailis Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, and Paulo Ferreira-Lopes. 2014. Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178861
• Dario Mazzanti, Victor Zappi, Darwin Caldwell, and Andrea Brogni. 2014. Augmented Stage for Participatory Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178871
• Robert Tubb, and Simon Dixon. 2014. The Divergent Interface: Supporting Creative Exploration of Parameter Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178967
• Stu Favilla, and Sonja Pedell. 2014. Touch Screen Collaborative Music: Designing NIME for Older People with Dementia. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178760
• Joel Eaton, Weiwei Jin, and Eduardo Miranda. 2014. The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178756
• Justin Mathew, Stéphane Huot, and Alan Blum. 2014. A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178865
• Rob Canning. 2014. Interactive Parallax Scrolling Score Interface for Composed Networked Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178728
• Alain Renaud, Caecilia Charbonnier, and Sylvain Chagué. 2014. 3DinMotion A Mocap Based Interface for Real Time Visualisation and Sonification of Multi-User Interactions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178915
• Udit Roy, Tejaswinee Kelkar, and Bipin Indurkhya. 2014. TrAP: An Interactive System to Generate Valid Raga Phrases from Sound-Tracings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178923
• Nick Collins, and Alex McLean. 2014. Algorave: Live Performance of Algorithmic Electronic Dance Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178734
• John Bowers, and Tim Shaw. 2014. Reappropriating Museum Collections: Performing Geology Specimens and Meterology Data as New Instruments for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178720
• Aristotelis Hadjakos, and Simon Waloschek. 2014. SPINE: A TUI Toolkit and Physical Computing Hybrid. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178782
• Owen Green. 2014. NIME, Musicality and Practice-led Methods. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178776
• Janis Sokolovskis, and Andrew McPherson. 2014. Optical Measurement of Acoustic Drum Strike Locations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178943
• Fabio Morreale, Antonella De Angeli, and Sile O'Modhrain. 2014. Musical Interface Design: An Experience-oriented Framework. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178879
• John Bowers, and Annika Haas. 2014. Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178718
• Cornelius Pöpel, Jochen Feitsch, Marco Strobel, and Christian Geiger. 2014. Design and Evaluation of a Gesture Controlled Singing Voice Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178905
• Duncan Williams, Peter Randall-Page, and Eduardo Miranda. 2014. Timbre morphing: near real-time hybrid synthesis in a musical installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178983
• Piers Titus van der Torren. 2014. Striso, a Compact Expressive Instrument Based on a New Isomorphic Note Layout. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178957
• Anders Tveit, Hans Wilmers, Notto Thelle, Magnus Bugge, Thom Johansen, and Eskil Muan Sæther. 2014. Reunion2012: A Novel Interface for Sound Producing Actions Through the Game of Chess. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178969
• Akito van Troyer. 2014. Composing Embodied Sonic Play Experiences: Towards Acoustic Feedback Ecology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178961
• Mark Cartwright, and Bryan Pardo. 2014. SynthAssist: Querying an Audio Synthesizer by Vocal Imitation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178730
• Charles Hutchins, Holger Ballweg, Shelly Knotts, Jonas Hummel, and Antonio Roberts. 2014. Soundbeam: A Platform for Sonyfing Web Tracking. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178810
• Josep Comajuncosas, and Enric Guaus. 2014. Conducting Collective Instruments : A Case Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178736
• Michael Gurevich. 2014. Distributed Control in a Mechatronic Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178780
• Diemo Schwarz, Pierre Alexandre Tremblay, and Alex Harker. 2014. Rich Contacts: Corpus-Based Convolution of Contact Interaction Sound for Enhanced Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178935
• Federico Visi, Rodrigo Schramm, and Eduardo Miranda. 2014. Use of Body Motion to Enhance Traditional Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178973
• Jimin Jeon, Gunho Chae, Edward Jangwon Lee, and Woon Seung Yeo. 2014. TAPIR Sound Tag: An Enhanced Sonic Communication Framework for Audience Participatory Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178818
• Alvaro Sarasúa, and Enric Guaus. 2014. Dynamics in Music Conducting: A Computational Comparative Study Among Subjects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178929
• Kirsty Keatch. 2014. An Exploration of Peg Solitaire as a Compositional Tool. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178827
• Xiao Xiao, Basheer Tome, and Hiroshi Ishii. 2014. Andante: Walking Figures on the Piano Keyboard to Visualize Musical Motion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178987
• Adinda van 't Klooster, and Nick Collins. 2014. In A State: Live Emotion Detection and Visualisation for Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178837
• Dan Overholt, and Steven Gelineck. 2014. Design & Evaluation of an Accessible Hybrid Violin Platform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178897
• Anna Xambó, Gerard Roma, Robin Laney, Chris Dobbyn, and Sergi Jordà. 2014. SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178985
• Sergi Jordà, and Sebastian Mealla. 2014. A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178824
• Benjamin Taylor, Jesse Allison, William Conlin, Yemin Oh, and Daniel Holmes. 2014. Simplified Expressive Mobile Development with NexusUI, NexusUp, and NexusDrop. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178951
• Bastiaan van Hout, Luca Giacolini, Bart Hengeveld, Mathias Funk, and Joep Frens. 2014. Experio: a Design for Novel Audience Participation in Club Settings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178808
• Jules Françoise, Norbert Schnell, Riccardo Borghesi, and Frédéric Bevilacqua. 2014. Probabilistic Models for Designing Motion and Sound Relationships. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178764
• Augoustinos Tsiros. 2014. Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178965
• Jihyun Han, and Nicolas Gold. 2014. Lessons Learned in Exploring the Leap Motion(TM) Sensor for Gesture-based Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178784
• Jeppe Larsen, Dan Overholt, and Thomas Moeslund. 2014. The Actuated guitar: Implementation and user test on children with Hemiplegia. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178845
• Thomas Resch, and Matthias Krebs. 2014. A Simple Architecture for Server-based (Indoor) Audio Walks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178917
• Shawn Trail, Duncan MacConnell, Leo Jenkins, Jeff Snyder, George Tzanetakis, and Peter Driessen. 2014. El-Lamellophone A Low-cost, DIY, Open Framework for Acoustic Lemellophone Based Hyperinstruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178959
• Niklas Klügel, Gerhard Hagerer, and Georg Groh. 2014. TreeQuencer: Collaborative Rhythm Sequencing A Comparative Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178835
• Dominik Schlienger, and Sakari Tervo. 2014. Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178933
• Christian Faubel. 2014. Rhythm Apparatus on Overhead. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180950
• Adrian Hazzard, Steve Benford, and Gary Burnett. 2014. You'll Never Walk Alone: Composing Location-Based Soundtracks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178794
• Karl Yerkes, and Matthew Wright. 2014. Twkyr: a Multitouch Waveform Looper. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178989
• Tom Mays, and Francis Faber. 2014. A Notation System for the Karlax Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178869
• Alejandro Van Zandt-Escobar, Baptiste Caramiaux, and Atau Tanaka. 2014. PiaF: A Tool for Augmented Piano Performance Using Gesture Variation Following. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178991
• Palle Dahlstedt, Patrik Karlsson, Katarina Widell, and Tony Blomdahl. 2014. YouHero Making an Expressive Concert Instrument from the GuitarHero Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178742
• Luke Dahl. 2014. Triggering Sounds from Discrete Air Gestures: What Movement Feature Has the Best Timing?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178738
• Colin Honigman, Jordan Hochenbaum, and Ajay Kapur. 2014. Techniques in Swept Frequency Capacitive Sensing: An Open Source Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178802
• Haojing Diao, Yanchao Zhou, Christopher Andrew Harte, and Nick Bryan-Kinns. 2014. Sketch-Based Musical Composition and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178748
• Jarrod Ratcliffe. 2014. Hand and Finger Motion-Controlled Audio Mixing Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178911
• Chad McKinney. 2014. Quick Live Coding Collaboration In The Web Browser. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178873
• Shelly Knotts, and Nick Collins. 2014. The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178839
• Lionel Feugère, and Christophe d'Alessandro. 2014. Rule-Based Performative Synthesis of Sung Syllables. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178762
• Jiffer Harriman, Michael Theodore, Nikolaus Correll, and Hunter Ewen. 2014. endo/exo Making Art and Music with Distributed Computing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178786
• Ricky Graham, and Brian Bridges. 2014. Gesture and Embodied Metaphor in Spatial Music Performance Systems Design.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178774
• Chris Kiefer. 2014. Musical Instrument Mapping Design with Echo State Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178829
• Bradley Strylowski, Jesse Allison, and Jesse Guessford. 2014. Pitch Canvas: Touchscreen Based Mobile Music Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178947
• Palle Dahlstedt. 2014. Circle Squared and Circle Keys Performing on and with an Unstable Live Algorithm for the Disklavier. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178740
• Daniel Tormoen, Florian Thalmann, and Guerino Mazzola. 2014. The Composing Hand: Musical Creation with Leap Motion and the BigBang Rubette. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178955
• Oliver Bown, Renick Bell, and Adam Parkinson. 2014. Examining the Perception of Liveness and Activity in Laptop Music: Listeners' Inference about what the Performer is Doing from the Audio Alone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178722
• Jeff Snyder, and Danny Ryan. 2014. The Birl: An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178939
• Abram Hindle. 2014. CloudOrch: A Portable SoundCard in the Cloud. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178798
• Jeff Snyder, and Avneesh Sarwate. 2014. Mobile Device Percussion Parade. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178941
• Navid Navab, Doug Van Nort, and Sha Xin Wei. 2014. A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178893
• Sang Won Lee, Georg Essl, and Z. Morley Mao. 2014. Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178849
• Hyung Suk Kim, Jorge Herrera, and Ge Wang. 2014. Ping-Pong: Musically Discovering Locations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178831
• Edgar Berdahl. 2014. How to Make Embedded Acoustic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178710
• Carlos Dominguez. 2014. 16-CdS: A Surface Controller for the Simultaneous Manipulation of Multiple Analog Components. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178750
• Sang Won Lee, and Georg Essl. 2014. Communication, Control, and State Sharing in Collaborative Live Coding. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178847
• Regina Collecchia, Dan Somen, and Kevin McElroy. 2014. The Siren Organ. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178732
• David Rector, and Spencer Topel. 2014. Internally Actuated Drums for Expressive Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178913
• Spencer Salazar, and Ge Wang. 2014. Auraglyph: Handwritten Computer Music Composition and Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178927
• Anthony Hornof. 2014. The Prospects For Eye-Controlled Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178804
• Adam Place, Liam Lacey, and Thomas Mitchell. 2014. AlphaSphere from Prototype to Product. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178903
• Anders-Petter Andersson, Birgitta Cappelen, and Fredrik Olofsson. 2014. Designing Sound for Recreation and Well-Being. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178702

2013

• Yoshihito Nakanishi, Seiichiro Matsumura, and Chuichi Arakawa. 2013. POWDER BOX: An Interactive Device with Sensor Based Replaceable Interface For Musical Session. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178620
• Wolfgang Fohl, and Malte Nogalski. 2013. A Gesture Control Interface for a Wave Field Synthesis System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178522
• Gregory Burlet, and Ichiro Fujinaga. 2013. Stompboxes: Kicking the Habit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178488
• Alexander Refsum Jensenius. 2013. Kinectofon: Performing with Shapes in Planes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178564
• Ohad Fried, and Rebecca Fiebrink. 2013. Cross-modal Sound Mapping Using Deep Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178528
• Ajay Kapur, Dae Hong Kim, Raakhi Kapur, and Kisoon Eom. 2013. New Interfaces for Traditional Korean Music and Dance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178576
• Edward Zhang. 2013. KIB: Simplifying Gestural Instrument Creation Using Widgets. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178698
• Jordan Hochenbaum, and Ajay Kapur. 2013. Toward The Future Practice Room: Empowering Musical Pedagogy through Hyperinstruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178552
• Romain Michon, Myles Borins, and David Meisenholder. 2013. The Black Box. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178612
• Hongchan Choi, and Jonathan Berger. 2013. WAAX: Web Audio API eXtension. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178494
• Takayuki Hamano, Tomasz Rutkowski, Hiroko Terasawa, Kazuo Okanoya, and Kiyoshi Furukawa. 2013. Generating an Integrated Musical Expression with a Brain--Computer Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178542
• Charles Martin. 2013. Performing with a Mobile Computer System for Vibraphone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178602
• Alex McLean, EunJoo Shin, and Kia Ng. 2013. Paralinguistic Microphone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178608
• Daniel Bisig, and Sébastien Schiesser. 2013. Coral -- a Physical and Haptic Extension of a Swarm Simulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178482
• Jan C. Schacher. 2013. Hybrid Musicianship --- Teaching Gestural Interaction with Traditional and Digital Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178656
• Jackie, Yi Tang Chui, Mubarak Marafa, Samson, and Ka Fai Young. 2013. SoloTouch: A Capacitive Touch Controller with Lick-based Note Selector. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178560
• Parag Kumar Mital, and Mick Grierson. 2013. Mining Unlabeled Electronic Music Databases through 3D Interactive Visualization of Latent Component Relationships. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178614
• Dae Ryong Hong, and Woon Seung Yeo. 2013. Laptap: Laptop Computer as a Musical Instrument using Audio Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178554
• Danielle Bragg. 2013. Synchronous Data Flow Modeling for DMIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178486
• Lionel Feugère, and Christophe d'Alessandro. 2013. Digitartic: bi-manual gestural control of articulation in performative singing synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178520
• Jan C. Schacher. 2013. The Quarterstaff, a Gestural Sensor Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178658
• Alessandro Altavilla, Baptiste Caramiaux, and Atau Tanaka. 2013. Towards Gestural Sonic Affordances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178463
• Mark Cerqueira, Spencer Salazar, and Ge Wang. 2013. SoundCraft: Transducing StarCraft 2. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178492
• Xin Fan, and Georg Essl. 2013. Air Violin: A Body-centric Style Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178512
• Johnty Wang, Nicolas d'Alessandro, Aura Pon, and Sidney Fels. 2013. PENny: An Extremely Low-Cost Pressure-Sensitive Stylus for Existing Capacitive Touchscreens. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178686
• Andrew Johnston. 2013. Fluid Simulation as Full Body Audio-Visual Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178572
• Yuan-Yi Fan, and Myles Sciotto. 2013. BioSync: An Informed Participatory Interface for Audience Dynamics and Audiovisual Content Co-creation using Mobile PPG and EEG. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178514
• Qi Yang, and Georg Essl. 2013. Visual Associations in Augmented Keyboard Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178694
• Miles Thorogood, and Philippe Pasquier. 2013. Impress: A Machine Learning Approach to Soundscape Affect Classification for a Music Performance Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178674
• Gibeom Park, and Kyogu Lee. 2013. Sound Spray --- can-shaped sound effect device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178634
• Hayami Tobise, Yoshinari Takegawa, Tsutomu Terada, and Masahiko Tsukamoto. 2013. Construction of a System for Recognizing Touch of Strings for Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178676
• Tomohiro Tokunaga, and Michael J. Lyons. 2013. Enactive Mandala: Audio-visualizing Brain Waves. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178678
• Russell Eric Dobda. 2013. Applied and Proposed Installations with Silent Disco Headphones for Multi-Elemental Creative Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178502
• Kameron Christopher, Jingyin He, Raakhi Kapur, and Ajay Kapur. 2013. Kontrol: Hand Gesture Recognition for Music and Dance Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178496
• Yoon Chung Han, Byeong-jun Han, and Matthew Wright. 2013. Digiti Sonus: Advanced Interactive Fingerprint Sonification Using Visual Feature Analysis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178548
• Olivier Perrotin, and Christophe d'Alessandro. 2013. Adaptive mapping for improved pitch accuracy on touch user interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178640
• Fumitaka Kikukawa, Sojiro Ishihara, Masato Soga, and Hirokazu Taki. 2013. Development of A Learning Environment for Playing Erhu by Diagnosis and Advice regarding Finger Position on Strings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178580
• Brennon Bortz, Aki Ishida, Ivica Ico Bukvic, and R. Benjamin Knapp. 2013. Lantern Field: Exploring Participatory Design of a Communal, Spatially Responsive Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178484
• Edmar Soria, and Roberto Morales-Manzanares. 2013. Multidimensional sound spatialization by means of chaotic dynamical systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178664
• Ulysse Rosselet, and Alain Renaud. 2013. Jam On: a new interface for web-based collective music performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178650
• Chi-Hsia Lai, and Till Bovermann. 2013. Audience Experience in Sound Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178590
• Steve Everett. 2013. Sonifying Chemical Evolution. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178508
• Chad McKinney, and Nick Collins. 2013. An Interactive 3D Network Music Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178606
• Sam Ferguson, Aengus Martin, and Andrew Johnston. 2013. A corpus-based method for controlling guitar feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178518
• Toshihiro KITA, and Naotoshi Osaka. 2013. Providing a feeling of other remote learners' presence in an online learning environment via realtime sonification of Moodle access log. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178584
• Steven Gelineck, Dan Overholt, Morten Büchert, and Jesper Andersen. 2013. Towards an Interface for Music Mixing based on Smart Tangibles and Multitouch. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178532
• Will W. W. Tang, Stephen Chan, Grace Ngai, and Hong-va Leong. 2013. Computer Assisted Melo-rhythmic Generation of Traditional Chinese Music from Ink Brush Calligraphy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178668
• Shoken Kaneko. 2013. A Function-Oriented Interface for Music Education and Musical Expressions: ``the Sound Wheel''. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178574
• Anders-Petter Andersson, and Birgitta Cappelen. 2013. Designing Empowering Vocal and Tangible Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178465
• Maria Astrinaki, Nicolas d'Alessandro, Loïc Reboursière, Alexis Moinet, and Thierry Dutoit. 2013. MAGE 2.0: New Features and its Application in the Development of a Talking Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178467
• Sang Won Lee, and Georg Essl. 2013. Live Coding The Mobile Music Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178592
• Jaeseong You, and Red Wierenga. 2013. Remix_Dance 3: Improvisatory Sound Displacing on Touch Screen-Based Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178696
• Filipe Calegario Jerônimo Barbosa, and Giordano Cabral. 2013. A Drawing-Based Digital Music Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178566
• Avneesh Sarwate, and Rebecca Fiebrink. 2013. Variator: A Creativity Support Tool for Music Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178654
• Mick Grierson, and Chris Kiefer. 2013. NoiseBear: A Malleable Wireless Controller Designed In Participation with Disabled Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178536
• kazuhiro jo. 2013. cutting record --- a record without (or with) prior acoustic information. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178578
• Niklas Klügel, and Georg Groh. 2013. Towards Mapping Timbre to Emotional Affect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178586
• Shawn Greenlee. 2013. Graphic Waveshaping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178534
• Tae Hong Park, and Oriol Nieto. 2013. Fortissimo: Force-Feedback for Mobile Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178638
• Jeffrey Scott, Mickey Moorhead, Justin Chapman, Ryan Schwabe, and Youngmoo E. Kim. 2013. Personalized Song Interaction Using a Multi Touch Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178660
• Alyssa Batula, Manu Colacot, David Grunberg, and Youngmoo Kim. 2013. Using Audio and Haptic Feedback to Improve Pitched Percussive Instrument Performance in Humanoids. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178472
• Jim Torresen, Yngve Hafting, and Kristian Nymoen. 2013. A New Wi-Fi based Platform for Wireless Sensor Data Collection. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178680
• Ståle A. Skogstad. 2013. Filtering Motion Capture Data for Real-Time Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178662
• Rebecca Kleinberger. 2013. PAMDI Music Box: Primarily Analogico-Mechanical, Digitally Iterated Music Box. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178588
• Andrew McPherson. 2013. Portable Measurement and Mapping of Continuous Piano Gesture. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178610
• Sam Tarakajian, David Zicarelli, and Joshua Clayton. 2013. Mira: Liveness in iPad Controllers for Max/MSP. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178670
• Taehun Kim, and Stefan Weinzierl. 2013. Modelling Gestures in Music Performance with Statistical Latent-State Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178582
• Laurel Pardue, and William Sebastian. 2013. Hand-Controller for Combined Tactile Control and Motion Tracking. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178630
• Antonius Wiriadjaja. 2013. Gamelan Sampul: Laptop Sleeve Gamelan. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178688
• Laurel Pardue, and Andrew McPherson. 2013. Near-Field Optical Reflective Sensing for Bow Tracking. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178628
• Qian Liu, Yoon Chung Han, JoAnn Kuchera-Morin, and Matthew Wright. 2013. Cloud Bridge: a Data-driven Immersive Audio-Visual Software Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178596
• Michael Everman, and Colby Leider. 2013. Toward DMI Evaluation Using Crowd-Sourced Tagging Techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178510
• Sangbong Nam. 2013. Musical Poi (mPoi). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178622
• Reid Oda, Adam Finkelstein, and Rebecca Fiebrink. 2013. Towards Note-Level Prediction for Networked Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178624
• Leonardo Jenkins, Shawn Trail, George Tzanetakis, Peter Driessen, and Wyatt Page. 2013. An Easily Removable, wireless Optical Sensing System (EROSS) for the Trumpet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178562
• Adrian Freed, John MacCallum, and Sam Mansfield. 2013. ``Old'' is the New ``New'': a Fingerboard Case Study in Recrudescence as a NIME Development Strategy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178524
• Adrian Freed, John MacCallum, and David Wessel. 2013. Agile Interface Development using OSC Expressions and Process Migration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178526
• Rob Hamilton. 2013. Sonifying Game-Space Choreographies With UDKOSC. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178544
• David John. 2013. Updating the Classifications of Mobile Music Projects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178568
• Thomas Walther, Damir Ismailović, and Bernd Brügge. 2013. Rocking the Keys with a Multi-Touch Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178684
• Edgar Berdahl, Spencer Salazar, and Myles Borins. 2013. Embedded Networking and Hardware-Accelerated Graphics with Satellite CCRMA. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178476
• Xiao Xiao, Anna Pereira, and Hiroshi Ishii. 2013. Conjuring the Recorded Pianist: A New Medium to Experience Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178692
• Ben Taylor, and Jesse Allison. 2013. Plum St: Live Digital Storytelling with Remote Browsers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178672
• Charles Roberts, Graham Wakefield, and Matthew Wright. 2013. The Web Browser As Synthesizer And Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178648
• Tobias Grosshauser, and Gerhard Tröster. 2013. Finger Position and Pressure Sensing Techniques for String and Keyboard Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178538
• Jesse Allison, Yemin Oh, and Benjamin Taylor. 2013. NEXUS: Collaborative Performance for the Masses, Handling Instrument Interface Distribution through the Web. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178461
• Stefano Baldan, Amalia De Götzen, and Stefania Serafin. 2013. Sonic Tennis: a rhythmic interaction game for mobile devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178470
• Sang Won Lee, and Jason Freeman. 2013. echobo : Audience Participation Using The Mobile Music Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178594
• Stefano Trento, and Stefania Serafin. 2013. Flag beat: a novel interface for rhythmic musical expression for kids. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178682
• Adam Place, Liam Lacey, and Thomas Mitchell. 2013. AlphaSphere. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178642
• Charles Roberts, Angus Forbes, and Tobias Höllerer. 2013. Enabling Multimodal Mobile Interfaces for Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178646
• Aristotelis Hadjakos, and Tobias Grosshauser. 2013. Motion and Synchronization Analysis of Musical Ensembles with the Kinect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178540
• Saebyul Park, Seonghoon Ban, Dae Ryong Hong, and Woon Seung Yeo. 2013. Sound Surfing Network (SSN): Mobile Phone-based Sound Spatialization with Audience Collaboration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178636
• Ryan McGee. 2013. VOSIS: a Multi-touch Image Sonification Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178604
• Lode Hoste, and Beat Signer. 2013. Expressive Control of Indirect Augmented Reality During Live Music Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178558
• Jim Murphy, James McVay, Ajay Kapur, and Dale Carnegie. 2013. Designing and Building Expressive Robotic Guitars. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178618
• Erfan Abdi Dezfouli, and Edwin van der Heide. 2013. Notesaaz: a new controller and performance idiom. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178498
• Anton Fuhrmann, Johannes Kretz, and Peter Burwik. 2013. Multi Sensor Tracking for Live Sound Transformation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178530
• Tom Mudd. 2013. Feeling for Sound: Mapping Sonic Data to Haptic Perceptions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1293003
• Matan Ben-Asher, and Colby Leider. 2013. Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178474
• Dimitri Diakopoulos, and Ajay Kapur. 2013. Netpixl: Towards a New Paradigm for Networked Application Development. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178500
• Stefano Fasciani, and Lonce Wyse. 2013. A Self-Organizing Gesture Map for a Voice-Controlled Instrument Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.4582292
• Florent Berthaut, Mark T. Marshall, Sriram Subramanian, and Martin Hachet. 2013. Rouages: Revealing the Mechanisms of Digital Musical Instruments to the Audience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178478
• Thomas Resch. 2013. note~ for Max --- An extension for Max/MSP for Media Arts & music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178644
• Yoonchang Han, Sejun Kwon, Kibeom Lee, and Kyogu Lee. 2013. A Musical Performance Evaluation System for Beginner Musician based on Real-time Score Following. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178546
• Abram Hindle. 2013. SWARMED: Captive Portals, Mobile Devices, and Audience Participation in Multi-User Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178550
• Brett Park, and David Gerhard. 2013. Rainboard and Musix: Building dynamic isomorphic interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178632
• Dalia El-Shimy, and Jeremy R. Cooperstock. 2013. Reactive Environment for Network Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178506
• Bridget Johnson, and Ajay Kapur. 2013. MULTI-TOUCH INTERFACES FOR PHANTOM SOURCE POSITIONING IN LIVE SOUND DIFFUSION. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178570
• Simon Lui. 2013. A Compact Spectrum-Assisted Human Beatboxing Reinforcement Learning Tool On Smartphone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178600
• Kenneth W.K. Lo, Chi Kin Lau, Michael Xuelin Huang, Wai Wa Tang, Grace Ngai, and Stephen C.F. Chan. 2013. Mobile DJ: a Tangible, Mobile Platform for Active and Collaborative Music Listening. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178598
• Baptiste Caramiaux, and Atau Tanaka. 2013. Machine Learning of Musical Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178490
• Jieun Oh, and Ge Wang. 2013. LOLOL: Laugh Out Loud On Laptop. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178626
• Marco Donnarumma, Baptiste Caramiaux, and Atau Tanaka. 2013. Muscular Interactions. Combining EMG and MMG sensing for musical practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178504
• Colin Honigman, Andrew Walton, and Ajay Kapur. 2013. The Third Room: A 3D Virtual Music Framework. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178556
• KatieAnna E Wolf, and Rebecca Fiebrink. 2013. SonNet: A Code Interface for Sonifying Computer Network Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178690
• Koray Tahiroğlu, Nuno N. Correia, and Miguel Espada. 2013. PESI Extended System: In Space, On Body, with 3 Musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178666
• Mayank Sanganeria, and Kurt Werner. 2013. GrainProc: a real-time granular synthesis interface for live performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178652

2012

• Jim Murphy, Ajay Kapur, and Dale Carnegie. 2012. Better Drumming Through Calibration: Techniques for Pre-Performance Robotic Percussion Optimization. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180545
• N. Cameron Britt, Jeff Snyder, and Andrew McPherson. 2012. The EMvibe: An Electromagnetically Actuated Vibraphone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178221
• William Brent. 2012. The Gesturally Extended Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178219
• Lonce Wyse, Suranga Nanayakkara, Paul Seekings, Sim Heng Ong, and Elizabeth Taylor. 2012. Palm-area sensitivity to vibrotactile stimuli above 1~kHz. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178453
• Roberto Pugliese, Koray Tahiroglu, Callum Goddard, and James Nesfield. 2012. Augmenting human-human interaction in mobile group improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180573
• Benjamin R. Oliver, Rachel M. van Besouw, and David R. Nicholls. 2012. The `Interactive Music Awareness Program' (IMAP) for Cochlear Implant Users. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180557
• Martin Piñeyro. 2012. Electric Slide Organistrum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180571
• Andrew McPherson. 2012. Techniques and Circuits for Electromagnetic Instrument Actuation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180533
• Sidharth Subramanian, Jason Freeman, and Scott McCoid. 2012. LOLbot: Machine Musicianship in Laptop Ensembles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178425
• Diemo Schwarz. 2012. The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180593
• Anne-Marie Skriver Hansen, Hans Jørgen Andersen, and Pirkko Raudaskoski. 2012. Two Shared Rapid Turn Taking Sound Interfaces for Novices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178275
• Eyal Shahar. 2012. SoundStrand: a Tangible Interface for Composing Music with Limited Degrees of Freedom. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180595
• Nathan Weitzner, Jason Freeman, Stephen Garrett, and Yan-Ling Chen. 2012. massMobile -an Audience Participation Framework. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178449
• Jamie Henson, Benjamin Collins, Alexander Giles, Kathryn Webb, Matthew Livingston, and Thomas Mortensson. 2012. Kugelschwung -a Pendulum-based Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178285
• Patrick McGlynn, Victor Lazzarini, Gordon Delap, and Xiaoyu Chen. 2012. Recontextualizing the Multi-touch Surface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178349
• Marco Donnarumma. 2012. Music for Flesh II: informing interactive music performance with the viscerality of the body system. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178245
• Graham Booth, and Michael Gurevich. 2012. Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnography. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178215
• Stelios Manousakis. 2012. Network spaces as collaborative instruments: WLAN trilateration for musical echolocation in sound art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178341
• Ryan McGee, Daniel Ashbrook, and Sean White. 2012. SenSynth: a Mobile Application for Dynamic Sensor to Sound Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178347
• Ian Hattwick, and Marcelo Wanderley. 2012. A Dimension Space for Evaluating Collaborative Musical Performance Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178281
• Chris Carlson, and Ge Wang. 2012. Borderlands -An Audiovisual Interface for Granular Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178229
• Ian Hattwick, and Kojiro Umezaki. 2012. Approaches to Interaction in a Digital Music Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178279
• Gabriel Vigliensoni, and Marcelo M. Wanderley. 2012. A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178445
• Martin Marier. 2012. Designing Mappings for Musical Interfaces Using Preset Interpolation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178343
• Alexander Refsum Jensenius, and Arve Voldsund. 2012. The Music Ball Project: Concept, Design, Development, Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180579
• James Nesfield. 2012. Strategies for Engagement in Computer-Mediated Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180549
• Maria Astrinaki, Nicolas d'Alessandro, and Thierry Dutoit. 2012. MAGE --A Platform for Tangible Speech Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178207
• Adinda Rosa van 't Klooster. 2012. The body as mediator of music in the Emotion Light. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178307
• Andreas Bergsland, and Tone Åse. 2012. Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178213
• Vangelis Lympouridis. 2012. EnActor: A Blueprint for a Whole Body Interaction Design Software Platform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178333
• Bongjun Kim, and Woon Seung Yeo. 2012. Interactive Mobile Music Performance with Digital Compass. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178303
• Michael Rotondo, Nick Kruge, and Ge Wang. 2012. Many-Person Instruments for Computer Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180583
• Jerônimo Barbosa, Filipe Calegario, Verônica Teichrieb, Geber Ramalho, and Patrick McGlynn. 2012. Considering Audience's View Towards an Evaluation Methodology for Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178209
• Kirsty Beilharz, and Aengus Martin. 2012. The `Interface' in Site-Specific Sound Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178211
• Alexander Müller-Rakow, and Jochen Fuchs. 2012. The Human Skin as an Interface for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178335
• Myunghee Lee, Youngsun Kim, and Gerard Kim. 2012. Empathetic Interactive Music Video Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178313
• Alexis Clay, Nadine Couture, Myriam Desainte-Catherine, Pierre-Henri Vulliard, Joseph Larralde, and Elodie Decarsin. 2012. Movement to emotions to music: using whole body emotional expression as an interaction for electronic music generation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178237
• Christoph Trappe. 2012. Making Sound Synthesis Accessible for Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178439
• Ståle A. Skogstad, Kristian Nymoen, Yago de Quay, and Alexander Refsum Jensenius. 2012. Developing the Dance Jockey System for Musical Interaction with the Xsens MVN Suit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180601
• Sertan Şentürk, Sang Won Lee, Avinash Sastry, Anosh Daruwalla, and Gil Weinberg. 2012. Crossole: A Gestural Interface for Composition, Improvisation and Performance using Kinect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178201
• Jeff Snyder, and Andrew McPherson. 2012. The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178421
• Liam O'Sullivan, Dermot Furlong, and Frank Boland. 2012. Introducing CrossMapper: Another Tool for Mapping Musical Control Parameters. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180555
• Sébastien Schiesser, and Jan C. Schacher. 2012. SABRe: The Augmented Bass Clarinet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180587
• Dan Overholt. 2012. Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180561
• Andrew McPherson. 2012. TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180531
• Chi-Hsia Lai, and Koray Tahiroglu. 2012. A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound Gloves. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178309
• Kristian Nymoen, Arve Voldsund, Ståle A. Skogstad, Alexander Refsum Jensenius, and Jim Torresen. 2012. Comparing Motion Data from an iPod Touch to a High-End Optical Infrared Marker-Based Motion Capture System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180553
• Yongki Park, Hoon Heo, and Kyogu Lee. 2012. Voicon: An Interactive Gestural Microphone For Vocal Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180565
• Tomas Henriques. 2012. SONIK SPRING. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178283
• Duncan Menzies, and Andrew McPherson. 2012. An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180537
• Nan-Wei Gong, Nan Zhao, and Joseph Paradiso. 2012. A Customizable Sensate Surface for Music Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178267
• Dan Moses Schlessinger. 2012. Concept Tahoe: Microphone Midi Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180591
• Qi Yang, and Georg Essl. 2012. Augmented Piano Performance using a Depth Camera. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178455
• Jim Torresen, Øyvind N. Hauback, Dan Overholt, and Alexander Refsum Jensenius. 2012. Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178433
• Nicolas Makelberge, Álvaro Barbosa, André Perrotta, and Luís Sarmento Ferreira. 2012. Perfect Take: Experience design and new interfaces for musical expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178339
• Yoonchang Han, Jinsoo Na, and Kyogu Lee. 2012. FutureGrab: A wearable subtractive synthesizer using hand gesture. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178271
• Red Wierenga. 2012. A New Keyboard-Based, Sensor-Augmented Instrument For Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178451
• Matthieu Savary, Diemo Schwarz, and Denis Pellerin. 2012. DIRTI ---Dirty Tangible Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180585
• Loïc Reboursière, Otso Lähdeoja, Thomas Drugman, Stéphane Dupont, Cécile Picard-Limpens, and Nicolas Riche. 2012. Left and right-hand guitar playing techniques detection. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180575
• Hongchan Choi, John Granzow, and Joel Sadler. 2012. The Deckle Project : A Sketch of Three Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178235
• Zacharias Vamvakousis, and Rafael Ramirez. 2012. Temporal Control In the EyeHarp Gaze-Controlled Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178443
• Yoon Chung Han, and Byeong-jun Han. 2012. Virtual Pottery: An Interactive Audio-Visual Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178273
• Chris Nash, and Alan Blackwell. 2012. Liveness and Flow in Notation Use. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180547
• Shawn Trail, Tiago Fernandes Tavares, Dan Godlovitch, and George Tzanetakis. 2012. Direct and surrogate sensing for the Gyil african xylophone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178437
• David Gerhard, and Brett Park. 2012. Instant Instrument Anywhere: A Self-Contained Capacitive Synthesizer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178261
• Matti Luhtala, Ilkka Niemeläinen, Johan Plomp, Markku Turunen, and Julius Tuomisto. 2012. Studying Aesthetics in a Musical Interface Design Process Through `Aesthetic Experience Prism'. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178331
• Avrum Hollinger, and Marcelo M. Wanderley. 2012. Optoelectronic Acquisition and Control Board for Musical Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178289
• Gascia Ouzounian, R. Benjamin Knapp, Eric Lyon, and Luke DuBois. 2012. Music for Sleeping & Waking Minds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180559
• Kevin Schlei. 2012. TC-11: A Programmable Multi-Touch Synthesizer for the iPad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180589
• Yuya Kikukawa, Takaharu Kanai, Tatsuhiko Suzuki, Toshiki Yoshiike, Tetsuaki Baba, and Kumiko Kushiyama. 2012. PocoPoco: A Kinetic Musical Interface With Electro-Magnetic Levitation Units. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178301
• Doug Van Nort, Jonas Braasch, and Pauline Oliveros. 2012. Mapping to musical actions in the FILTER system. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180551
• Nathan Magnus, and David Gerhard. 2012. Musician Assistance and Score Distribution (MASD). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178337
• Atau Tanaka, Adam Parkinson, Zack Settel, and Koray Tahiroglu. 2012. A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178431
• Nate Derbinsky, and Georg Essl. 2012. Exploring Reinforcement Learning for Mobile Percussive Collaboration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178243
• Olivier Tache, Stephen Sinclair, Jean-Loup Florens, and Marcelo Wanderley. 2012. Exploring audio and tactile qualities of instrumentality with bowed string simulations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178429
• Hans Leeuw, and Jorrit Tamminga. 2012. NIME Education at the HKU, Emphasizing performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178321
• Nicholas Gillian, and Joseph A. Paradiso. 2012. Digito: A Fine-Grain Gesturally Controlled Virtual Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178263
• Paul Lehrman. 2012. Multiple Pianolas in Antheil's Ballet mécanique. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178323
• A. Cavan Fyans, Adnan Marquez-Borbon, Paul Stapleton, and Michael Gurevich. 2012. Ecological considerations for participatory design of DMIs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178257
• Javier Jaimovich, Miguel Ortiz, Niall Coghlan, and R. Benjamin Knapp. 2012. The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178295
• Tobias Grosshauser, Victor Candia, Horst Hildebrand, and Gerhard Tröster. 2012. Sensor Based Measurements of Musicians' Synchronization Issues. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178269
• Mathieu Bosi, and Sergi Jordà. 2012. Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178217
• Francisco Zamorano. 2012. Simpletones: A System of Collaborative Physical Controllers for Novices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178459
• Luke Dahl. 2012. Wicked Problems and Design Considerations in Composing for Laptop Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178239
• Christian Frisson, Stéphane Dupont, Julien Leroy, Alexis Moinet, Thierry Ravet, Xavier Siebert, and Thierry Dutoit. 2012. LoopJam: turning the dance floor into a collaborative instrumental map. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178255
• Jonh Melo, Daniel Gómez, and Miguel Vargas. 2012. Gest-O: Performer gestures used to expand the sounds of the saxophone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180535
• Adrian Freed. 2012. The Fingerphone: a Case Study of Sustainable Instrument Redesign. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178253
• Hans Leeuw. 2012. The electrumpet, additions and revisions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178319
• Thomas Mitchell, Sebastian Madgwick, and Imogen Heap. 2012. Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control Mechanisms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180543
• Palle Dahlstedt. 2012. Pencil Fields: An Expressive Low-Tech Performance Interface for Analog Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178241
• Mari Kimura, Nicolas Rasamimanana, Frédéric Bevilacqua, Norbert Schnell, Bruno Zamborlin, and Emmanuel Fléty. 2012. Extracting Human Expression For Interactive Composition with the Augmented Violin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178305
• Greg Shear, and Matthew Wright. 2012. Further Developments in the Electromagnetically Sustained Rhodes Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180599
• Johnty Wang, Nicolas d'Alessandro, Sidney Fels, and Robert Pritchard. 2012. Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178447
• Benjamin Carey. 2012. Designing for Cumulative Interactivity: The _derivations System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178227
• Brian Mayton, Gershon Dublon, Nicholas Joliat, and Joseph A. Paradiso. 2012. Patchwork: Multi-User Network Control of a Massive Modular Synthesizer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178345
• Shawn Trail, Michael Dean, Gabrielle Odowichuk, Tiago Fernandes Tavares, Peter Driessen, W. Andrew Schloss, and George Tzanetakis. 2012. Non-invasive sensing and gesture control for pitched percussion hyper-instruments using the Kinect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178435
• Lawrence Fyfe, Adam Tindale, and Sheelagh Carpendale. 2012. Node and Message Management with the JunctionBox Interaction Toolkit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178259
• Julien Castet. 2012. Performing experimental music by physical simulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178231
• Jesse Allison, and Christian Dell. 2012. AuRal: A Mobile Interactive System for Geo-Locative Audio Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178203
• Charles Roberts, Graham Wakefield, and Matt Wright. 2012. Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180581
• Jiffer Harriman. 2012. Sinkapater -An Untethered Beat Sequencer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178277
• Jeong-seob Lee, and Woon Seung Yeo. 2012. Real-time Modification of Music with Dancer's Respiration Pattern. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178311
• Nicolas d'Alessandro, Aura Pon, Johnty Wang, David Eagle, Ehud Sharlin, and Sidney Fels. 2012. A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178199
• Ivica Bukvic, Liesl Baum, Bennett Layman, and Kendall Woodard. 2012. Granular Learning Objects for Instrument Design and Collaborative Performance in K-12 Education. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178223
• John Buschert. 2012. Musician Maker: Play expressive music without practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178225
• Marcello Giordano, Stephen Sinclair, and Marcelo M. Wanderley. 2012. Bowing a vibration-enhanced force feedback device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178265
• Dale Parson, and Phillip Reed. 2012. The Planetarium as a Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180567
• Aisen Caro Chacin. 2012. Play-A-Grill: Music To Your Teeth. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178233
• STEFANO FASCIANI, and LONCE WYSE. 2012. A Voice Interface for Sound Generators: adaptive and automatic mapping of gestures to sound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178251
• Kamer Ali Yuksel, Sinan Buyukbas, and Elif Ayiter. 2012. An Interface for Emotional Expression in Audio-Visuals. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178457
• Sang Won Lee, Ajay Srinivasamurthy, Gregoire Tronel, Weibin Shen, and Jason Freeman. 2012. Tok! : A Collaborative Acoustic Instrument using Mobile Phones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178317
• Sang Won Lee, Jason Freeman, and Andrew Collela. 2012. Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178315
• Raymond Migneco, and Youngmoo Kim. 2012. A Component-Based Approach for Modeling Plucked-Guitar Excitation Signals. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180541
• Pedro Patrício. 2012. MuDI - Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-time. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180569
• Ayaka Endo, Takuma Moriyama, and Yasuo Kuhara. 2012. Tweet Harp: Laser Harp Generating Voice and Text of Real-time Tweets in Twitter. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178249
• Benjamin D. Smith, and Guy E. Garnett. 2012. Unsupervised Play: Machine Learning Toolkit for Max. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178419
• Benjamin D. Smith, and Guy E. Garnett. 2012. Unsupervised Play: Machine Learning Toolkit for Max. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178419
• Akito van Troyer. 2012. DrumTop: Playing with Everyday Objects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178441
• Christopher Ariza. 2012. The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178205
• Bryan Pardo, David Little, and Darren Gergle. 2012. Towards Speeding Audio EQ Interface Building with Transfer Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180563
• Alistair G. Stead, Alan F. Blackwell, and Samual Aaron. 2012. Graphic Score Grammars for End-Users. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178423
• Jay Alan Jackson. 2012. Bubble Drum-agog-ing: Polyrhythm Games & Other Inter Activities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178293
• Jordan Hochenbaum, and Ajay Kapur. 2012. Drum Stroke Computing: Multimodal Signal Processing for Drum Stroke Identification and Performance Metrics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178287
• Benjamin Levy, Georges Bloch, and Gerard Assayag. 2012. OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178327
• Dalia El-Shimy, Thomas Hermann, and Jeremy Cooperstock. 2012. A Reactive Environment for Dynamic Volume Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178247
• Greg Surges. 2012. DIY Hybrid Analog/Digital Modular Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178427
• Blake Johnston, Owen Vallis, and Ajay Kapur. 2012. A Comparative User Study of Two Methods of Control on a Multi-Touch Surface for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178297
• Cory Levinson. 2012. TedStick: A Tangible Electrophonic Drumstick. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178325
• Jia-Liang Lu, Da-Lei Fang, Yi Qin, and Jiu-Qiang Tang. 2012. Wireless Interactive Sensor Platform for Real-Time Audio-Visual Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178329
• Ajay Kapur, Jim Murphy, and Dale Carnegie. 2012. Kritaanjali: A Robotic Harmonium for Performance, Pedogogy and Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178299

2011

• Dan Overholt. 2011. The Overtone Fiddle: an Actuated Acoustic Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178127
• Matthew Montag, Stefan Sullivan, Scott Dickey, and Colby Leider. 2011. A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178115
• Greg Shear, and Matthew Wright. 2011. The Electromagnetically Sustained Rhodes Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178161
• Laurel S. Pardue, Andrew Boch, Matt Boch, Christine Southworth, and Alex Rigopulos. 2011. Gamelan Elektrika: An Electronic Balinese Gamelan. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178131
• Jeong-seob Lee, and Woon Seung Yeo. 2011. Sonicstrument : A Musical Interface with Stereotypical Acoustic Transducers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180259
• Scott Smallwood. 2011. Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178167
• Niklas Klügel, Marc R. Frieß, Georg Groh, and Florian Echtler. 2011. An Approach to Collaborative Music Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178071
• Nicolas E. Gold, and Roger B. Dannenberg. 2011. A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178033
• Mark A. Bokowiec. 2011. V'OCT (Ritual): An Interactive Vocal Work for Bodycoder System and 8~Channel Spatialization. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177967
• Florent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, and Yuichi Sato. 2011. First Person Shooters as Collaborative Multiprocess Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177961
• Tilo H\''{a}hnel, and Axel Berndt. 2011. Studying Interdependencies in Music Performance : An Interactive Tool. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178037
• Sinan B\''{o}kesoy, and Patrick Adler. 2011. 1city1001vibrations : Development of a Interactive Sound Installation with Robotic Instrument Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177945
• Tim Murray-Browne, Di Mainstone, Nick Bryan-Kinns, and Mark D. Plumbley. 2011. The Medium is the Message: Composing Instruments and Performing Mappings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178119
• Seunghun Kim, Luke K. Kim, Songhee Jeong, and Woon Seung Yeo. 2011. Clothesline as a Metaphor for a Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178065
• Pietro Polotti, and Maurizio Goina. 2011. EGGS in Action. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178137
• Berit Janssen. 2011. A Reverberation Instrument Based on Perceptual Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178049
• Lauren Hayes. 2011. Vibrotactile Feedback-Assisted Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178043
• Daichi Ando. 2011. Improving User-Interface of Interactive EC for Composition-Aid by means of Shopping Basket Procedure. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177941
• Ryan Mcgee, Yuan-Yi Fan, and Reza Ali. 2011. BioRhythm : a Biologically-inspired Audio-Visual Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178105
• Jon Pigott. 2011. Vibration , Volts and Sonic Art: A Practice and Theory of Electromechanical Sound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178133
• George Sioros, and Carlos Guedes. 2011. Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178163
• André Goncalves. 2011. Towards a Voltage-Controlled Computer Control and Interaction Beyond an Embedded System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178035
• Tae Hun Kim, Satoru Fukayama, Takuya Nishimoto, and Shigeki Sagayama. 2011. Polyhymnia : An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178069
• Juan P. Carrascal, and Sergi Jordà. 2011. Multitouch Interface for Audio Mixing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177983
• Nate Derbinsky, and Georg Essl. 2011. Cognitive Architecture in Mobile Music Interactions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177993
• Benjamin D. Smith, and Guy E. Garnett. 2011. The Self-Supervising Machine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178169
• Aaron Albin, Sertan Şentürk, Akito Van Troyer, Brian Blosser, Oliver Jan, and Gil Weinberg. 2011. Beatscape , a Mixed Virtual-Physical Environment for Musical Ensembles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177939
• Marco Fabiani, Gaël Dubus, and Roberto Bresin. 2011. MoodifierLive : Interactive and Collaborative Expressive Music Performance on Mobile Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178005
• Benjamin Schroeder, Marc Ainger, and Richard Parent. 2011. A Physically Based Sound Space for Procedural Agents. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178157
• Francisco García, Leny Vinceslas, Josep Tubau, and Esteban Maestre. 2011. Acquisition and Study of Blowing Pressure Profiles in Recorder Playing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178025
• Anders Friberg, and Anna Källblad. 2011. Experiences from Video-Controlled Sound Installations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178017
• Nicolas d'Alessandro, Roberto Calderon, and Stefanie M\''{u}ller. 2011. ROOM #81---Agent-Based Instrument for Experiencing Architectural and Vocal Cues. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177933
• Yasuo Kuhara, and Daiki Kobayashi. 2011. Kinetic Particles Synthesizer Using Multi-Touch Screen Interface of Mobile Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178079
• Chris Carlson, Eli Marschner, and Hunter Mccurry. 2011. The Sound Flinger : A Haptic Spatializer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177981
• Ravi Kondapalli, and Ben-Zhen Sung. 2011. Daft Datum -- An Interface for Producing Music Through Foot-based Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178075
• Charles Martin, and Chi-Hsia Lai. 2011. Strike on Stage: a Percussion and Media Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178103
• Baptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell, and Nicolas Misdariis. 2011. Gestural Embodiment of Environmental Sounds: an Experimental Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177979
• Sebastián Mealla, Aleksander Väaljamäae, Mathieu Bosi, and Sergi Jordà. 2011. Listening to Your Brain: Implicit Interaction in Collaborative Music Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178107
• Dan Newton, and Mark T. Marshall. 2011. Examining How Musicians Create Augmented Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178121
• Zachary Seldess, and Toshiro Yamada. 2011. Tahakum: A Multi-Purpose Audio Control Framework. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178159
• Dawen Liang, Guangyu Xia, and Roger B. Dannenberg. 2011. A Framework for Coordination and Synchronization of Media. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178091
• Edgar Berdahl, and Wendy Ju. 2011. Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177957
• Nicholas J. Bryan, and Ge Wang. 2011. Two Turntables and a Mobile Phone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177971
• Nick Kruge, and Ge Wang. 2011. MadPad: A Crowdsourcing System for Audiovisual Sampling. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178077
• Patrick O. Keefe, and Georg Essl. 2011. The Visual in Mobile Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178061
• Ge Wang, Jieun Oh, and Tom Lieber. 2011. Designing for the iPad: Magic Fiddle. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178187
• Benjamin Knapp, and Brennon Bortz. 2011. MobileMuse: Integral Music Control Goes Mobile. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178073
• Stephen D. Beck, Chris Branton, and Sharath Maddineni. 2011. Tangible Performance Management of Grid-based Laptop Orchestras. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177951
• Smilen Dimitrov, and Stefania Serafin. 2011. Audio Arduino -- an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based Arduinos. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177997
• Seunghun Kim, and Woon Seung Yeo. 2011. Musical Control of a Pipe Based on Acoustic Resonance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178067
• Anne-Marie S. Hansen, Hans J. Anderson, and Pirkko Raudaskoski. 2011. Play Fluency in Music Improvisation Games for Novices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178039
• Izzi Ramkissoon. 2011. The Bass Sleeve: A Real-time Multimedia Gestural Controller for Augmented Electric Bass Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178141
• Ajay Kapur, Michael Darling, Jim Murphy, Jordan Hochenbaum, Dimitri Diakopoulos, and Trimpin Trimpin. 2011. The KarmetiK NotomotoN : A New Breed of Musical Robot for Teaching and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178059
• Adrián Barenca, and Giuseppe Torre. 2011. The Manipuller : Strings Manipulation and Multi-Dimensional Force Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177949
• Alain Crevoisier, and Cécile Picard-Limpens. 2011. Mapping Objects with the Surface Editor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177989
• Jordan Hochenbaum, and Ajay Kapur. 2011. Adding Z-Depth and Pressure Expressivity to Tangible Tabletop Surfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178045
• Andrew J. Milne, Anna Xamb\'{o}, Robin Laney, David B. Sharp, Anthony Prechtl, and Simon Holland. 2011. Hex Player --- A Virtual Musical Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178109
• Carl H. Waadeland. 2011. Rhythm Performance from a Spectral Point of View. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178185
• Josep M. Comajuncosas, Alex Barrachina, John O'Connell, and Enric Guaus. 2011. Nuvolet: 3D Gesture-driven Collaborative Audio Mosaicing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177987
• Erwin Schoonderwaldt, and Alexander Refsum Jensenius. 2011. Effective and Expressive Movements in a French-Canadian fiddler's Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178155
• Daniel Bisig, Jan C. Schacher, and Martin Neukom. 2011. Flowspace -- A Hybrid Ecosystem. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177965
• Marc Sosnick, and William Hsu. 2011. Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178173
• Axel Tidemann. 2011. An Artificial Intelligence Architecture for Musical Expressiveness that Learns by Imitation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178175
• Luke Dahl, Jorge Herrera, and Carr Wilkerson. 2011. TweetDreams : Making Music with the Audience and the World using Real-time Twitter Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177991
• Lawrence Fyfe, Adam Tindale, and Sheelagh Carpendale. 2011. JunctionBox : A Toolkit for Creating Multi-touch Sound Control Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178021
• Andrew Johnston. 2011. Beyond Evaluation : Linking Practice and Theory in New Musical Interface Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178053
• Phillip Popp, and Matthew Wright. 2011. Intuitive Real-Time Control of Spectral Model Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178139
• Pablo Molina, Martín Haro, and Sergi Jordà. 2011. BeatJockey : A New Tool for Enhancing DJ Skills. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178113
• Jan C. Schacher, and Angela Stoecklin. 2011. Traces -- Body, Motion and Sound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178149
• Grace Leslie, and Tim Mullen. 2011. MoodMixer : EEG-based Collaborative Sonification. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178089
• Ståle A. Skogstad, Yago de Quay, and Alexander Refsum Jensenius. 2011. OSC Implementation and Evaluation of the Xsens MVN Suit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178165
• Lonce Wyse, Norikazu Mitani, and Suranga Nanayakkara. 2011. The Effect of Visualizing Audio Targets in a Musical Listening and Performance Task. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178191
• Adrian Freed, John MacCallum, and Andrew Schmeder. 2011. Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSP. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178015
• Kristian Nymoen, Ståle A. Skogstad, and Alexander Refsum Jensenius. 2011. SoundSaber -- A Motion Capture Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178125
• Öyvind Brandtsegg, Sigurd Saue, and Thom Johansen. 2011. A Modulation Matrix for Complex Parameter Sets. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177969
• Yu-Chung Tseng, Che-Wei Liu, Tzu-Heng Chi, and Hui-Yu Wang. 2011. Sound Low Fun. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178179
• Edgar Berdahl, and Chris Chafe. 2011. Autonomous New Media Artefacts ( AutoNMA ). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177953
• Min-Joon Yoo, Jin-Wook Beak, and In-Kwon Lee. 2011. Creating Musical Expression using Kinect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178193
• Staas de Jong. 2011. Making Grains Tangible: Microtouch for Microsound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178055
• Baptiste Caramiaux, Frédéric Bevilacqua, and Norbert Schnell. 2011. Sound Selection by Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177977
• Hernán Kerlleñevich, Manuel C. Eguía, and Pablo E. Riera. 2011. An Open Source Interface based on Biological Neural Networks for Interactive Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178063
• Nicholas Gillian, Benjamin Knapp, and Sile O'Modhrain. 2011. Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time Warping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178029
• Nicholas Gillian, Benjamin Knapp, and Sile O'Modhrain. 2011. A Machine Learning Toolbox For Musician Computer Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178031
• Elena Jessop, Peter A. Torpey, and Benjamin Bloomberg. 2011. Music and Technology in Death and the Powers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178051
• Victor Zappi, Dario Mazzanti, Andrea Brogni, and Darwin Caldwell. 2011. Design and Evaluation of a Hybrid Reality Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178197
• Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, and Wendy E. Mackay. 2011. InkSplorer : Exploring Musical Ideas on Paper and Computer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178027
• Pedro Lopez, Alfredo Ferreira, and J. A. Madeiras Pereira. 2011. Battle of the DJs: an HCI Perspective of Traditional, Virtual, Hybrid and Multitouch DJing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178093
• Adnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, and Paul Stapleton. 2011. Designing Digital Musical Interactions in Experimental Contexts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178099
• Jonathan Reus. 2011. Crackle: A Dynamic Mobile Multitouch Topology for Exploratory Sound Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178143
• Samuel Aaron, Alan Blackwell, Richard Hoadley, and Tim Regan. 2011. A Principled Approach to Developing New Languages for Live Coding. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177935
• Jamie Bullock, Daniel Beattie, and Jerome Turner. 2011. Integra Live : a New Graphical User Interface for Live Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177973
• Jung-Sim Roh, Yotam Mann, Adrian Freed, and David Wessel. 2011. Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178145
• Mark T. Marshall, and Marcelo M. Wanderley. 2011. Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178101
• Dimitri Diakopoulos, and Ajay Kapur. 2011. HIDUINO : A firmware for building driverless USB-MIDI devices using the Arduino microcontroller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177995
• Emmanuel Fléty, and Côme Maestracci. 2011. Latency Improvement in Sensor Wireless Transmission Using IEEE 802.15.4. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178009
• Jeff Snyder. 2011. Snyderphonics Manta Controller, a Novel USB Touch-Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178171
• William Hsu. 2011. On Movement , Structure and Abstraction in Generative Audiovisual Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178047
• Claudia R. Angel. 2011. Creating Interactive Multimedia Works with Bio-data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177943
• Paula Ustarroz. 2011. TresnaNet Musical Generation based on Network Protocols. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178181
• Matti Luhtala, Tiina Kym\''{a}l\''{a}inen, and Johan Plomp. 2011. Designing a Music Performance Space for Persons with Intellectual Learning Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178095
• Tom Ahola, Koray Tahiroglu, Teemu Ahmaniemi, Fabio Belloni, and Ville Ranki. 2011. Raja -- A Multidisciplinary Artistic Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177937
• Emmanuelle Gallin, and Marc Sirguy. 2011. Eobody3: a Ready-to-use Pre-mapped \& Multi-protocol Sensor Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178023
• Rasmus Bååth, Thomas Strandberg, and Christian Balkenius. 2011. Eye Tapping : How to Beat Out an Accurate Rhythm using Eye Movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177947
• Eric Rosenbaum. 2011. MelodyMorph: A Reconfigurable Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178147
• Karmen Franinovic. 2011. The Flo)(ps : Negotiating Between Habitual and Explorative Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178013
• Margaret Schedel, Phoenix Perry, and Rebecca Fiebrink. 2011. Wekinating 000000Swan : Using Machine Learning to Create and Control Complex Artistic Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178151
• Carles F. Julià, Daniel Gallardo, and Sergi Jordà. 2011. MTCF : A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178057
• David Pirr\`{o}, and Gerhard Eckel. 2011. Physical Modelling Enabling Enaction: an Example. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178135
• Thomas Mitchell, and Imogen Heap. 2011. SoundGrasp : A Gestural Interface for the Performance of Live Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178111
• Tim Mullen, Richard Warp, and Adam Jansch. 2011. Minding the (Transatlantic) Gap: An Internet-Enabled Acoustic Brain-Computer Music Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178117
• Stefano Papetti, Marco Civolani, and Federico Fontana. 2011. Rhythm'n'Shoes: a Wearable Foot Tapping Interface with Audio-Tactile Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178129
• Cumhur Erkut, Antti Jylhä, and Reha Discioglu. 2011. A Structured Design and Evaluation Model with Application to Rhythmic Interaction Displays. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178003
• Marco Marchini, Panos Papiotis, Alfonso Pérez, and Esteban Maestre. 2011. A Hair Ribbon Deflection Model for Low-intrusiveness Measurement of Bow Force in Violin Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178097
• Jon Forsyth, Aron Glennon, and Juan P. Bello. 2011. Random Access Remixing on the iPad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178011
• Erika Donald, Ben Duinker, and Eliot Britton. 2011. Designing the EP Trio: Instrument Identities, Control and Performance Practice in an Electronic Chamber Music Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177999
• A. Cavan Fyans, and Michael Gurevich. 2011. Perceptions of Skill in Performances with Acoustic and Electronic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178019
• Hiroki Nishino. 2011. Cognitive Issues in Computer Music Programming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178123
• Roland Lamb, and Andrew Robertson. 2011. Seaboard : a New Piano Keyboard-related Interface Combining Discrete and Continuous Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178081
• Gilbert Beyer, and Max Meier. 2011. Music Interfaces for Novice Users : Composing Music on a Public Display with Hand Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177963
• Birgitta Cappelen, and Anders-Petter Anderson. 2011. Expanding the Role of the Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177975
• Todor Todoroff. 2011. Wireless Digital/Analog Sensors for Music and Dance Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178177
• Trond Engum. 2011. Real-time Control and Creative Convolution. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178001
• Andreas Bergsland. 2011. Phrases from {P}aul {L}ansky's {S}ix {F}antasies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177959
• Jan T. von Falkenstein. 2011. Gliss : An Intuitive Sequencer for the iPhone and iPad. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178007
• Jiffer Harriman, Locky Casey, and Linden Melvin. 2011. Quadrofeelia -- A New Instrument for Sliding into Notes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178041
• Johnty Wang, Nicolas d'Alessandro, Sidney S. Fels, and Bob Pritchard. 2011. SQUEEZY : Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178189
• Souhwan Choe, and Kyogu Lee. 2011. SWAF: Towards a Web Application Framework for Composition and Documentation of Soundscape. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177985
• Norbert Schnell, Frédéric Bevilacqua, Nicolas Rasamimanana, Julien Blois, Fabrice Guédy, and Emmanuel Fléty. 2011. Playing the "MO" -- Gestural Control and Re-Embodiment of Recorded Sound and Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178153
• Bruno Zamborlin, Giorgio Partesana, and Marco Liuni. 2011. (LAND)MOVES. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178195
• Bill Verplank, and Francesco Georg. 2011. Can Haptics Make New Music ? -- Fader and Plank Demos. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1178183

2010

• Owen Vallis, Jordan Hochenbaum, and Ajay Kapur. 2010. A Shift Towards Iterative and Open-Source Design for Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177919
• Yutaro Maruyama, Yoshinari Takegawa, Tsutomu Terada, and Masahiko Tsukamoto. 2010. UnitInstrument : Easy Configurable Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177845
• Jos Mulder. 2010. The Loudspeaker as Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177861
• Miha Ciglar. 2010. An Ultrasound Based Instrument Generating Audible and Tactile Sound. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177745
• Ted Hayes. 2010. Neurohedron : A Nonlinear Sequencer Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177799
• Nobuyuki Umetani, Jun Mitani, and Takeo Igarashi. 2010. Designing Custom-made Metallophone with Concurrent Eigenanalysis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177917
• Sungkuk Chun, Andrew Hawryshkewich, Keechul Jung, and Philippe Pasquier. 2010. Freepad : A Custom Paper-based MIDI Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177743
• John A. Mills, Damien Di Fede, and Nicolas Brix. 2010. Music Programming in Minim. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177855
• Thor Magnusson. 2010. An Epistemic Dimension Space for Musical Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177837
• A. Baki Kocaballi, Petra Gemeinboeck, and Rob Saunders. 2010. Investigating the Potential for Shared Agency using Enactive Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177829
• Noah Liebman, Michael Nagara, Jacek Spiewla, and Erin Zolkosky. 2010. Cuebert : A New Mixing Board Concept for Musical Theatre. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177833
• Charles Roberts, Matthew Wright, JoAnn Kuchera-Morin, and Lance Putnam. 2010. Dynamic Interactivity Inside the AlloSphere. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177883
• Florian Alt, Alireza S. Shirazi, Stefan Legien, Albrecht Schmidt, and Julian Mennenöh. 2010. Creating Meaningful Melodies from Text Messages. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177713
• Tim Humphrey, Madeleine Flynn, and Jesse Stevens. 2010. Epi-thet : A Musical Performance Installation and a Choreography of Stillness. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177811
• Tilo Hähnel. 2010. From Mozart to MIDI : A Rule System for Expressive Articulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177787
• Georg Essl, and Alexander Müller. 2010. Designing Mobile Musical Instruments and Environments with urMus. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177759
• Jieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, and Ge Wang. 2010. Evolving The Mobile Phone Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177871
• Atau Tanaka. 2010. Mapping Out Instruments, Affordances, and Mobiles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177903
• Mark Havryliv. 2010. Composing For Improvisation with Chaotic Oscillators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177795
• Andrew Hawryshkewich, Philippe Pasquier, and Arne Eigenfeldt. 2010. Beatback : A Real-time Interactive Percussion System for Rhythmic Practise and Exploration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177797
• Michael Gurevich, Paul Stapleton, and Adnan Marquez-Borbon. 2010. Style and Constraint in Electronic Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177785
• Hongchan Choi, and Ge Wang. 2010. LUSH : An Organic Eco + Music System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177741
• Tomoyuki Yamaguchi, Tsukasa Kobayashi, Anna Ariga, and Shuji Hashimoto. 2010. TwinkleBall : A Wireless Musical Interface for Embodied Sound Media. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177927
• Joanne Cannon, and Stuart Favilla. 2010. Expression and Spatial Motion : Playable Ambisonics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177735
• Nick Collins. 2010. Contrary Motion : An Oppositional Interactive Music System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177747
• Etienne Deleflie, and Greg Schiemer. 2010. Images as Spatial Sound Maps. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177753
• Kevin Schlei. 2010. Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177891
• Lonce Wyse, and Nguyen D. Duy. 2010. Instrumentalizing Synthesis Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177925
• Alavaro Cassinelli, Yusaku Kuribara, Alexis Zerroug, Masatoshi Ishikawa, and Daito Manabe. 2010. scoreLight : Playing with a Human-Sized Laser Pick-Up. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177739
• Karl Yerkes, Greg Shear, and Matthew Wright. 2010. Disky : a DIY Rotational Interface with Inherent Dynamics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177929
• Jorge Solis, Klaus Petersen, Tetsuro Yamamoto, Masaki Takeuchi, Shimpei Ishikawa, Atsuo Takanishi, and Kunimatsu Hashimoto. 2010. Development of the Waseda Saxophonist Robot and Implementation of an Auditory Feedback Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177897
• Ajay Kapur, and Michael Darling. 2010. A Pedagogical Paradigm for Musical Robotics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177821
• Ye Pan, Min-Gyu Kim, and Kenji Suzuki. 2010. A Robot Musician Interacting with a Human Partner through Initiative Exchange. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177875
• Ivika Bukvic, Thomas Martin, Eric Standley, and Michael Matthews. 2010. Introducing L2Ork : Linux Laptop Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177731
• Nicholas J. Bryan, Jorge Herrera, Jieun Oh, and Ge Wang. 2010. MoMu : A Mobile Music Toolkit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177725
• Luke Dahl, and Ge Wang. 2010. Sound Bounce : Physical Metaphors in Designing Mobile Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177751
• Georg Essl, Michael Rohs, and Sven Kratz. 2010. Use the Force (or something) --- Pressure and Pressure --- Like Input for Mobile Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177761
• Roger Mills. 2010. Dislocated Sound : A Survey of Improvisation in Networked Audio Platforms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177857
• Florent Berthaut, Myriam Desainte-Catherine, and Martin Hachet. 2010. DRILE : An Immersive Environment for Hierarchical Live-Looping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177721
• Robin Fencott, and Nick Bryan-Kinns. 2010. Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177763
• Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Cross-Artform Performance Using Networked Interfaces : Last Man to Die's Vital LMTD. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177843
• Alexander R. Jensenius, Kjell Tore Innervik, and Ivar Frounberg. 2010. Evaluating the Subjective Effects of Microphone Placement on Glass Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177817
• Rudolfo Quintas. 2010. Glitch Delighter : Lighter's Flame Base Hyper-Instrument for Glitch Music in Burning The Sound Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177879
• Andrew McPherson, and Youngmoo Kim. 2010. Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177849
• Cesar M. Grossmann. 2010. Developing a Hybrid Contrabass Recorder Resistances, Expression, Gestures and Rhetoric. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177781
• Alfonso P. Carrillo, and Jordi Bonada. 2010. The Bowed Tube : a Virtual Violin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177737
• Jordan Hochenbaum, Ajay Kapur, and Matthew Wright. 2010. Multimodal Musician Recognition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177805
• Enric Guaus, Tan Ozaslan, Eric Palacios, and Josep L. Arcos. 2010. A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177783
• Andrew Schmeder, and Adrian Freed. 2010. Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch Surface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177893
• Jan C. Schacher. 2010. Motion To Gesture To Sound : Mapping For Interactive Dance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177889
• Ian Whalley. 2010. Generative Improv . & Interactive Music Project (GIIMP). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177923
• Kristian Nymoen, Kyrre Glette, Ståle A. Skogstad, Jim Torresen, and Alexander Refsum Jensenius. 2010. Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM Classifier. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177869
• Takashi Baba, Mitsuyo Hashida, and Haruhiro Katayose. 2010. ''VirtualPhilharmony'': A Conducting System with Heuristics of Conducting an Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177715
• Tobias Großhauser, Ulf Großekathöfer, and Thomas Hermann. 2010. New Sensors and Pattern Recognition Techniques for String Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177779
• Tilo Hähnel, and Axel Berndt. 2010. Expressive Articulation for Synthetic Music Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177789
• Andrew R. Brown. 2010. Network Jamming : Distributed Performance using Generative Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177723
• Ivar Frounberg, Kjell Tore Innervik, and Alexander R. Jensenius. 2010. Glass Instruments -- From Pitch to Timbre. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177773
• Chris Kiefer. 2010. A Malleable Interface for Sonic Exploration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177823
• Victor Zappi, Andrea Brogni, and Darwin Caldwell. 2010. OSC Virtual Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177931
• Smilen Dimitrov. 2010. Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177755
• Sylvain Le Groux, Jonatas Manzolli, Paul F. Verschure, Marti Sanchez, Andre Luvizotto, Anna Mura, Aleksander Valjamae, Christoph Guger, Robert Prueckl, and Ulysses Bernardet. 2010. Disembodied and Collaborative Musical Interaction in the Multimodal Brain Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177831
• Jordan Hochenbaum, Owen Vallis, Dimitri Diakopoulos, Jim Murphy, and Ajay Kapur. 2010. Designing Expressive Musical Interfaces for Tabletop Surfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177807
• Wendy Suiter. 2010. Toward Algorithmic Composition of Expression in Music Using Fuzzy Logic. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177901
• Kirsty Beilharz, Andrew Vande Moere, Barbara Stiel, Claudia Calo, Martin Tomitsch, and Adrian Lombard. 2010. Expressive Wearable Sonification and Visualisation : Design and Evaluation of a Flexible Display. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177717
• Jeremiah Nugroho, and Kirsty Beilharz. 2010. Understanding and Evaluating User Centred Design in Wearable Expressions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177867
• Sihwa Park, Seunghun Kim, Samuel Lee, and Woon Seung Yeo. 2010. Online Map Interface for Creative and Interactive. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177877
• Aristotelis Hadjakos, and Max Mühlhäuser. 2010. Analysis of Piano Playing Movements Spanning Multiple Touches. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177791
• Sebastian Heinz, and Sile O'Modhrain. 2010. Designing a Shareable Musical TUI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177803
• Adrian Freed. 2010. Visualizations and Interaction Strategies for Hybridization Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177769
• Björn Wöldecke, Christian Geiger, Holger Reckter, and Florian Schulz. 2010. ANTracks 2.0 --- Generative Music on Multiple Multitouch Devices Categories and Subject Descriptors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177921
• Laewoo Kang, and Hsin-Yi Chien. 2010. Hé : Calligraphy as a Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177819
• Martin Marier. 2010. The Sponge A Flexible Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177839
• Lawrence Fyfe, Sean Lynch, Carmen Hull, and Sheelagh Carpendale. 2010. SurfaceMusic : Mapping Virtual Touch-based Instruments to Physical Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177777
• Aengus Martin, Sam Ferguson, and Kirsty Beilharz. 2010. Mechanisms for Controlling Complex Sound Sources : Applications to Guitar Feedback Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177841
• Jim Torresen, Eirik Renton, and Alexander R. Jensenius. 2010. Wireless Sensor Data Collection based on ZigBee Communication. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177911
• Javier Jaimovich, and Benjamin Knapp. 2010. Synchronization of Multimodal Recordings for Musical Performance Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177815
• Giuseppe Torre, Mark O'Leary, and Brian Tuohy. 2010. POLLEN A Multimedia Interactive Network Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177909
• Xiaoyang Feng. 2010. Irregular Incurve. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177765
• Chikashi Miyama. 2010. Peacock : A Non-Haptic 3D Performance Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177859
• Jukka Holm, Harri Holm, and Jarno Seppänen. 2010. Associating Emoticons with Musical Genres. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177809
• Yoichi Nagashima. 2010. Untouchable Instrument "Peller-Min". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177865
• Javier Jaimovich. 2010. Ground Me ! An Interactive Sound Art Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177813
• Norma S. Savage, Syed R. Ali, and Norma E. Chavez. 2010. Mmmmm: A Multi-modal Mobile Music Mixer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177887
• Chih-Chieh Tsai, Cha-Lin Liu, and Teng-Wen Chang. 2010. An Interactive Responsive Skin for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177915
• Nick Bryan-Kinns, Robin Fencott, Oussama Metatla, Shahin Nabavian, and Jennifer G. Sheridan. 2010. Interactional Sound and Music : Listening to CSCW, Sonification, and Sound Art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177727
• Ståle A. Skogstad, Alexander Refsum Jensenius, and Kristian Nymoen. 2010. Using IR Optical Marker Based Motion Capture for Exploring Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177895
• Benjamin Buch, Pieter Coussement, and Lüder Schmidt. 2010. ''playing robot'' : An Interactive Sound Installation in Human-Robot Interaction Design for New Media Art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177729
• Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff. 2010. Multimodal Guitar : A Toolbox For Augmented Guitar Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177881
• Michael Berger. 2010. The GRIP MAESTRO : Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177719
• Kimberlee Headlee, Tatyana Koziupa, and Diana Siwiak. 2010. Sonic Virtual Reality Game : How Does Your Body Sound ?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177801
• Alex Stahl, and Patricia Clemens. 2010. Auditory Masquing : Wearable Sound Systems for Diegetic Character Voices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177899
• Paul Rothman. 2010. The Ghost : An Open-Source, User Programmable MIDI Performance Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177885
• Garth Paine. 2010. Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177873
• Robyn Taylor, Guy Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, and Patrick Olivier. 2010. humanaquarium : A Participatory Performance System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177905
• Hyun-Soo Kim, Je-Han Yoon, and Moon-Sik Jung. 2010. Interactive Music Studio : The Soloist. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177825
• Pierre Alexandre Tremblay, and Diemo Schwarz. 2010. Surfing the Waves : Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177913
• A. Cavan Fyans, Michael Gurevich, and Paul Stapleton. 2010. Examining the Spectator Experience. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177775
• Nick Collins, Chris Kiefer, Zeeshan Patoli, and Martin White. 2010. Musical Exoskeletons : Experiments with a Motion Capture Suit. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177749
• Jim Murphy, Ajay Kapur, and Carl Burgin. 2010. The Helio : A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177863
• Stuart Taylor, and Jonathan Hook. 2010. FerroSynth : A Ferromagnetic Music Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177907
• Josh M. Dubrau, and Mark Havryliv. 2010. P[a]ra[pra]xis : Towards Genuine Realtime 'Audiopoetry'. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.117777
• Kris M. Kitani, and Hideki Koike. 2010. ImprovGenerator : Online Grammatical Induction for On-the-Fly Improvisation Accompaniment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177827
• Christian Frisson, Benoît Macq, Stéphane Dupont, Xavier Siebert, Damien Tardieu, and Thierry Dutoit. 2010. DeviceCycle : Rapid and Reusable Prototyping of Gestural Interfaces, Applied to Audio Browsing by Similarity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177771
• Alexander Müller, Fabian Hemmert, Götz Wintergerst, and Ron Jagodzinski. 2010. Reflective Haptics : Resistive Force Feedback for Musical Performances with Stylus-Controlled Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177835
• Alison Mattek, Mark Freeman, and Eric Humphrey. 2010. Revisiting Cagean Composition Methodology with a Modern Computational Implementation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177847
• Sam Ferguson, Emery Schubert, and Catherine Stevens. 2010. Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177767
• Teemu Ahmaniemi. 2010. Gesture Controlled Virtual Instrument with Dynamic Vibrotactile Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177711
• Jeffrey Hass. 2010. Creating Integrated Music and Video for Dance : Lessons Learned and Lessons Ignored. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177793
• Warren Burt. 2010. Packages for ArtWonk : New Mathematical Tools for Composers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177733
• Jace Miller, and Tracy Hammond. 2010. Wiiolin : a Virtual Instrument Using the Wii Remote. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177853
• Max Meier, and Max Schranner. 2010. The Planets. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177851

2009

• Mike Collicutt, Carmine Casciato, and Marcelo M. Wanderley. 2009. From Real to Virtual : A Comparison of Input Devices for Percussion Tasks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177491
• Aristotelis Hadjakos, Erwin Aitenbichler, and Max Mühlhäuser. 2009. Probabilistic Model of Pianists' Arm Touch Movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177567
• Steven Gelineck, and Stefania Serafin. 2009. A Quantitative Evaluation of the Differences between Knobs and Sliders. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177549
• Ricardo Pedrosa, and Karon E. Maclean. 2009. Evaluation of 3D Haptic Target Rendering to Support Timing in Music Tasks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177657
• William Hsu, and Marc Sosnick. 2009. Evaluating Interactive Music Systems : An HCI Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177579
• Neal Spowage. 2009. The Ghetto Bastard : A Portable Noise Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177683
• Eric Humphrey, and Colby Leider. 2009. The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177581
• Alexander Müller, and Georg Essl. 2009. Utilizing Tactile Feedback to Guide Movements Between Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177623
• Sam Ferguson, and Kirsty Beilharz. 2009. An Interface for Live Interactive Sonification. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177511
• Alexander Reben, Mat Laibowitz, and Joseph A. Paradiso. 2009. Responsive Music Interfaces for Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177663
• Chi-Hsia Lai. 2009. Hands On Stage : A Sound and Image Performance Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177609
• Kyle McDonald, Dane Kouttron, Curtis Bahn, Jonas Braasch, and Pauline Oliveros. 2009. The Vibrobyte : A Haptic Interface for Co-Located Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177627
• Meason Wiley, and Ajay Kapur. 2009. Multi-Laser Gestural Interface --- Solutions for Cost-Effective and Open Source Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177709
• Ryo Kanda, Mitsuyo Hashida, and Haruhiro Katayose. 2009. Mims : Interactive Multimedia Live Performance System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177595
• Suguru Goto, and Rob Powell. 2009. netBody --- "Augmented Body and Virtual Body II" with the System, BodySuit, Powered Suit and Second Life --- Its Introduction of an Application of the System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177559
• Keisuke Ogawa, and Yasuo Kuhara. 2009. Life Game Orchestra as an Interactive Music Composition System Translating Cellular Patterns of Automata into Musical Scales. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177647
• John Toenjes. 2009. Natural Materials on Stage : Custom Controllers for Aesthetic Effect. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177693
• Sarah Keith. 2009. Controlling Live Generative Electronic Music with Deviate. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177599
• Andy Dolphin. 2009. SpiralSet : A Sound Toy Utilizing Game Engine Technologies. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177497
• Mingfei Gao, and Craig Hanson. 2009. LUMI : Live Performance Paradigms Utilizing Software Integrated Touch Screen and Pressure Sensitive Button Matrix. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177547
• Nicholas Gillian, Benjamin Knapp, and Sile O'Modhrain. 2009. The SARC EyesWeb Catalog : A Pattern Recognition Toolbox for Musician-Computer Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177551
• Hiroki Nishino. 2009. A 2D Fiducial Tracking Method based on Topological Region Adjacency and Angle Information. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177643
• Jorge Solis, Takeshi Ninomiya, Klaus Petersen, Masaki Takeuchi, and Atsuo Takanishi. 2009. Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding of the Nature of Human Musical Interaction Abstract. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177681
• Gil Weinberg, Brian Blosser, Trishul Mallikarjuna, and Aparna Raman. 2009. The Creation of a Multi-Human, Multi-Robot Interactive Jam Session. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177705
• Nan-Wei Gong, Mat Laibowitz, and Joseph A. Paradiso. 2009. MusicGrip : A Writing Instrument for Music Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177555
• Grant Partridge, Pourang Irani, and Gordon Fitzell. 2009. Let Loose with WallBalls, a Collaborative Tabletop Instrument for Tomorrow. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177655
• Hye Ki Min. 2009. SORISU : Sound with Numbers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177631
• Yotam Mann, Jeff Lubow, and Adrian Freed. 2009. The Tactus : a Tangible , Rhythmic Grid Interface Using Found-Objects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177625
• Jason A. Hockman, Marcelo M. Wanderley, and Ichiro Fujinaga. 2009. Real-Time Phase Vocoder Manipulation by Runner's Pace. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177575
• Kristian Nymoen, and Alexander R. Jensenius. 2009. A Discussion of Multidimensional Mapping in Nymophone2. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177645
• Daniel Schlessinger, and Julius O. Smith. 2009. The Kalichord : A Physically Modeled Electro-Acoustic Plucked String Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177671
• Otso Lähdeoja. 2009. Augmenting Chordophones with Hybrid Percussive Sound Possibilities. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177607
• Mark Kahrs, David Skulina, Stefan Bilbao, and Murray Campbell. 2009. An Electroacoustically Controlled Vibrating Plate. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177593
• Scott Smallwood, Perry R. Cook, Dan Trueman, and Lawrence McIntyre. 2009. Don't Forget the Loudspeaker --- A History of Hemispherical Speakers at Princeton , Plus a DIY Guide. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177679
• Adrian Freed, and Andrew Schmeder. 2009. Features and Future of Open Sound Control version 1.1 for NIME. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177517
• Andrew Schmeder, and Adrian Freed. 2009. A Low-level Embedded Service Architecture for Rapid DIY Design of Real-time Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177673
• Hans-Christoph Steiner. 2009. Firmata : Towards Making Microcontrollers Act Like Extensions of the Computer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177689
• Marije A. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch, and Marcelo M. Wanderley. 2009. Sharing Data in Collaborative, Interactive Performances : the SenseWorld DataNetwork. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177471
• Nicolas Bouillot, and Jeremy R. Cooperstock. 2009. Challenges and Performance of High-Fidelity Audio Streaming for Interactive Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177485
• Todor Todoroff, Frédéric Bettens, Loïc Reboursière, and Wen-Yang Chu. 2009. ''Extension du Corps Sonore'' --- Dancing Viola. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177691
• Colby Leider, Doug Mann, Daniel Plazas, Michael Battaglia, and Reid Draper. 2009. The elBo and footPad : Toward Personalized Hardware for Audio Manipulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177617
• Langdon Crawford, and William D. Fastenow. 2009. The Midi-AirGuitar , A serious Musical Controller with a Funny Name Music Technology Program. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177495
• Niels Böttcher, and Smilen Dimitrov. 2009. An Early Prototype of the Augmented PsychoPhone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177467
• Diana Siwiak, Jonathan Berger, and Yao Yang. 2009. Catch Your Breath --- Musical Biofeedback for Breathing Regulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177675
• Lijuan Peng, and David Gerhard. 2009. A Wii-Based Gestural Interface for Computer Conducting Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177659
• Dale E. Parson. 2009. Chess-Based Composition and Improvisation for Non-Musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177653
• Andy Dolphin. 2009. MagNular : Symbolic Control of an External Sound Engine Using an Animated Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177499
• Noah Feehan. 2009. Audio Orienteering -- Navigating an Invisible Terrain. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177505
• Staas de Jong. 2009. Developing the Cyclotactor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177591
• Sébastien Schiesser. 2009. midOSC : a Gumstix-Based MIDI-to-OSC Converter. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177669
• Yoichi Nagashima. 2009. Parallel Processing System Design with "Propeller" Processor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177635
• A. Cavan Fyans, Michael Gurevich, and Paul Stapleton. 2009. Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177519
• Nicolas d'Alessandro, and Thierry Dutoit. 2009. Advanced Techniques for Vertical Tablet Playing A Overview of Two Years of Practicing the HandSketch 1.x. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177465
• Andreas Höofer, Aristotelis Hadjakos, and Max Mühlhäuser. 2009. Gyroscope-Based Conducting Gesture Recognition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177565
• Edgar Berdahl, Günter Niemeyer, and Julius O. Smith. 2009. Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177481
• Edgar Berdahl, Günter Niemeyer, and Julius O. Smith. 2009. Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177479
• Mark Havryliv, Fazel Naghdy, Greg Schiemer, and Timothy Hurd. 2009. Haptic Carillon -- Analysis & Design of the Carillon Mechanism. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177569
• Hans Leeuw. 2009. The Electrumpet , a Hybrid Electro-Acoustic Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177613
• Emmanuelle Gallin, and Marc Sirguy. 2009. Sensor Technology and the Remaking of Instruments from the Past. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177521
• Sarah Nicolls. 2009. Twenty-First Century Piano. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177641
• Andrew Johnston, Linda Candy, and Ernest Edmonds. 2009. Designing for Conversational Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177585
• Michael Gurevich, Paul Stapleton, and Peter Bennett. 2009. Designing for Style in New Musical Interactions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177563
• Perry R. Cook. 2009. Re-Designing Principles for Computer Music Controllers : a Case Study of SqueezeVox Maggie. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177493
• Jaroslaw Kapuscinski, and Javier Sanchez. 2009. Interfacing Graphic and Musical Elements in Counterlines. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177597
• Richard Polfreman. 2009. FrameWorks 3D : Composition in the Third Dimension. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177661
• Adrian Freed. 2009. Novel and Forgotten Current-steering Techniques for Resistive Multitouch, Duotouch, and Polytouch Position Sensing with Pressure. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177515
• Randy Jones, Peter Driessen, Andrew Schloss, and George Tzanetakis. 2009. A Force-Sensitive Surface for Intimate Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177589
• Greg Kellum, and Alain Crevoisier. 2009. A Flexible Mapping Editor for Multi-touch Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177601
• Chris Kiefer, Nick Collins, and Geraldine Fitzpatrick. 2009. Phalanger : Controlling Music Software With Hand Movement Using A Computer Vision and Machine Learning Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177603
• Teresa M. Nakra, Yuri Ivanov, Paris Smaragdis, and Chris Ault. 2009. The UBS Virtual Maestro : an Interactive Conducting System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177637
• Elena Jessop. 2009. The Vocal Augmentation and Manipulation Prosthesis (VAMP): A Conducting-Based Gestural Controller for Vocal Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177583
• Tomás Henriques. 2009. Double Slide Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177571
• Edgar Berdahl, Günter Niemeyer, and Julius O. Smith. 2009. HSP : A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177477
• Tarik Barri. 2009. Versum : Audiovisual Composing in 3d. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177473
• Jamie Bullock, and Lamberto Coccioli. 2009. Towards a Humane Graphical User Interface for Live Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177489
• Tomas Laurenzo, Ernesto Rodríguez, and Juan Fabrizio Castro. 2009. YARMI : an Augmented Reality Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177611
• Georg Essl. 2009. SpeedDial : Rapid and On-The-Fly Mapping of Mobile Phone Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177503
• Sidney S. Fels, Bob Pritchard, and Allison Lenters. 2009. ForTouch : A Wearable Digital Ventriloquized Actor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177509
• Alex Mclean, and Geraint Wiggins. 2009. Words , Movement and Timbre. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177629
• Rebecca Fiebrink, Dan Trueman, and Perry R. Cook. 2009. A Meta-Instrument for Interactive, On-the-Fly Machine Learning. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177513
• Jan C. Schacher. 2009. Action and Perception in Interactive Sound Installations : An Ecological Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177667
• Jonathon Kirk, and Lee Weisert. 2009. The Argus Project : Underwater Soundscape Composition with Laser- Controlled Modulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177605
• Michael St. Clair, and Sasha Leitman. 2009. PlaySoundGround : An Interactive Musical Playground. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177685
• Daniel Jones, Tim Hodgson, Jane Grant, John Matthias, Nicholas Outram, and Nick Ryan. 2009. The Fragmented Orchestra. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177587
• Ge Wang. 2009. Designing Smule's Ocarina : The iPhone's Magic Flute. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177697
• Nicholas Gillian, Sile O'Modhrain, and Georg Essl. 2009. Scratch-Off : A Gesture Based Mobile Music Game with Tactile Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177553
• Gil Weinberg, Andrew Beck, and Mark Godfrey. 2009. ZooZBeat : a Gesture-based Mobile Music Studio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177703
• Andrea Bianchi, and Woon Seung Yeo. 2009. The Drummer : a Collaborative Musical Interface with Mobility. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177483
• Robert Wechsler. 2009. The Oklo Phenomenon. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177701
• David Lieberman. 2009. Anigraphical Etude 9. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177619
• Min Eui Hong. 2009. Cosmic Strings II. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177577
• Troy Rogers, Steven Kemper, and Scott Barton. 2009. Study no. 1 for {PAM} and MADI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177665
• Garth Paine, and Michael Atherton. 2009. Fue Sho -- Electrofusion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177651
• Tarik Barri. 2009. Versum -- Fluor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177475
• Chikashi Miyama. 2009. Angry Sparrow. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177633
• Eric Lyon, Benjamin Knapp, and Gascia Ouzounian. 2009. Biomuse Trio. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177621
• Suguru Goto. 2009. BodyJack. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177557
• Marije A. Baalman. 2009. Code LiveCode Live, or livecode Embodied. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177469
• Giuseppe Torre, Robert Sazdov, and Dorota Konczewska. 2009. MOLITVA --- Composition for Voice, Live Electronics, Pointing-At Glove Device and {3-D} Setup of Speakers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177695
• Ben Neill, and Eric Singer. 2009. Ben Neill and LEMUR. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177639
• David Hindman, and Evan Drummond. 2009. Performance: Modal Kombat Plays {PON}G. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177573
• Colby Leider. 2009. Afflux/Reflux. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177615
• Ge Wang, and Rebecca Fiebrink. 2009. PLOrk Beat Science 2.0. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177699
• David Wessel. 2009. Hands On --- A New Work from SLABS Controller and Generative Algorithms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177707
• R. Luke Dubois, and Lesley Flanigan. 2009. Bioluminescence. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177501
• Ivika Bukvic, and Eric Standley. 2009. Elemental \& Cyrene Reefs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177487
• Scot Gresham-Lancaster, and Steve Bull. 2009. Cellphonia: 4'33. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177561
• Dan Overholt, Byron Lahey, Anne-Marie Skriver Hansen, Winslow Burleson, and Camilla Norrgaard Jensen. 2009. Pendaphonics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177649
• Scott Smallwood. 2009. Sound Lanterns. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177677
• Phillip Stearns. 2009. AANN: Artificial Analog Neural Network. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177687

2008

• David Kim-Boyle. 2008. Network Musics --- Play , Engagement and the Democratization of Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179579
• Àlvaro Barbosa. 2008. Ten-Hand Piano : A Networked Music Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179487
• Mike Wozniewski, Nicolas Bouillot, Zack Settel, and Jeremy R. Cooperstock. 2008. Large-Scale Mobile Audio Environments for Collaborative Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179651
• Angelo Fraietta. 2008. Open Sound Control : Constraints and Limitations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179537
• Matteo Bozzolan, and Giovanni Cospito. 2008. SMuSIM : a Prototype of Multichannel Spatialization System with Multimodal Interaction Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179501
• Chris Nash, and Alan Blackwell. 2008. Realtime Representation and Gestural Control of Musical Polytempi. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179603
• Mikael Laurson, and Mika Kuuskankare. 2008. Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179589
• Alexandre Bouënard, Sylvie Gibet, and Marcelo M. Wanderley. 2008. Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179497
• Diana Young. 2008. Classification of Common Violin Bowing Techniques Using Gesture Data from a Playable Measurement System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177457
• Jyri Pakarinen, Vesa Välimäki, and Tapio Puputti. 2008. Slide Guitar Synthesizer with Gestural Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179607
• Otso L\''{a}hdeoja. 2008. An Approach to Instrument Augmentation : the Electric Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179585
• Juhani Räisänen. 2008. Sormina -- a New Virtual and Tangible Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179617
• Edgar Berdahl, Hans-Christoph Steiner, and Collin Oldham. 2008. Practical Hardware and Algorithms for Creating Haptic Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179495
• Amit Zoran, and Pattie Maes. 2008. Considering Virtual \& Physical Aspects in Acoustic Guitar Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177463
• Dylan Menzies. 2008. Virtual Intimacy : Phya as an Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179599
• Jennifer Butler. 2008. Creating Pedagogical Etudes for Interactive Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179503
• Dan Stowell, Mark D. Plumbley, and Nick Bryan-Kinns. 2008. Discourse Analysis Evaluation Method for Expressive Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179631
• Chris Kiefer, Nick Collins, and Geraldine Fitzpatrick. 2008. HCI Methodology For Evaluating Musical Controllers : A Case Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179577
• Olivier Bau, Atau Tanaka, and Wendy E. Mackay. 2008. The A20 : Musical Metaphors for Interface Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179489
• Tobias Grosshauser. 2008. Low Force Pressure Measurement : Pressure Sensor Matrices for Gesture Analysis , Stiffness Recognition and Augmented Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179551
• Giuseppe Torre, Javier Torres, and Mikael Fernström. 2008. The Development of Motion Tracking Algorithms for Low Cost Inertial Measurement Units. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179641
• Adrian Freed. 2008. Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179539
• Alain Crevoisier, and Greg Kellum. 2008. Transforming Ordinary Surfaces into Multi-touch Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179517
• Nicholas Ward, Kedzie Penfield, Sile O'Modhrain, and Benjamin Knapp. 2008. A Study of Two Thereminists : Towards Movement Informed Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179649
• Vassilios-Fivos A. Maniatakos, and Christian Jacquemin. 2008. Towards an Affective Gesture Interface for Expressive Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179595
• Anna Källblad, Anders Friberg, Karl Svensson, and Elisabet S. Edelholm. 2008. Hoppsa Universum -- An Interactive Dance Installation for Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179573
• Antonio Camurri, Corrado Canepa, Paolo Coletta, Barbara Mazzarino, and Gualtiero Volpe. 2008. Mappe per Affetti Erranti : a Multimodal System for Social Active Listening and Expressive Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179505
• Sergio Canazza, and Antonina Dattolo. 2008. New Data Structure for Old Musical Open Works. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179507
• Arne Eigenfeldt, and Ajay Kapur. 2008. An Agent-based System for Robotic Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179527
• Maurizio Goina, and Pietro Polotti. 2008. Elementary Gestalts for Gesture Sonification. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179549
• Stefano Delle Monache, Pietro Polotti, Stefano Papetti, and Davide Rocchesso. 2008. Sonically Augmented Found Objects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179519
• Jean-Marc Pelletier. 2008. Sonified Motion Flow Fields as a Means of Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179611
• Josh Dubrau, and Mark Havryliv. 2008. P[a]ra[pra]xis : Poetry in Motion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179525
• Jan C. Schacher. 2008. Davos Soundscape, a Location Based Interactive Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179623
• Andrew Schmeder, and Adrian Freed. 2008. uOSC : The Open Sound Control Reference Platform for Embedded Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179627
• Timothy Place, Trond Lossius, Alexander R. Jensenius, and Nils Peters. 2008. Addressing Classes by Differentiating Values and Properties in OSC. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179613
• Misra Ananya, Georg Essl, and Michael Rohs. 2008. Microphone as Sensor in Mobile Phone Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179485
• Nicolas Bouillot, Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock. 2008. A Mobile Wireless Augmented Guitar. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179499
• Robert Jacobs, Mark Feldmeier, and Joseph A. Paradiso. 2008. A Mobile Music Environment Using a PD Compiler and Wireless Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179567
• Ross Bencina, Danielle Wilde, and Somaya Langley. 2008. Gesture=Sound Experiments : Process and Mappings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179491
• Miha Ciglar. 2008. "3rd. Pole" -- A Composition Performed via Gestural Cues. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179511
• Kjetil F. Hansen, and Marcos Alonso. 2008. More DJ Techniques on the reactable. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179555
• Smilen Dimitrov, Marcos Alonso, and Stefania Serafin. 2008. Developing Block-Movement, Physical-Model Based Objects for the Reactable. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179523
• Jean-Baptiste Thiebaut, Samer Abdallah, Andrew Robertson, Nick Bryan-Kinns, and Mark D. Plumbley. 2008. Real Time Gesture Learning and Recognition : Towards Automatic Categorization. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179639
• Mari Kimura. 2008. Making of VITESSIMO for Augmented Violin : Compositional Process and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179581
• Jörn Loviscach. 2008. Programming a Music Synthesizer through Data Mining. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179591
• Kia Ng, and Paolo Nesi. 2008. i-Maestro : Technology-Enhanced Learning and Teaching for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179605
• Bart Kuyken, Wouter Verstichel, Frederick Bossuyt, Jan Vanfleteren, Michiel Demey, and Marc Leman. 2008. The HOP Sensor : Wireless Motion Sensor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179583
• Niall Coghlan, and Benjamin Knapp. 2008. Sensory Chairs : A System for Biosignal Research and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179513
• Andrew B. Godbehere, and Nathan J. Ward. 2008. Wearable Interfaces for Cyberphysical Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179547
• Kouki Hayafuchi, and Kenji Suzuki. 2008. MusicGlove: A Wearable Musical Controller for Massive Media Library. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179561
• Michael Zbyszynski. 2008. An Elementary Method for Tablet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177461
• Gerard Roma, and Anna Xambó. 2008. A Tabletop Waveform Editor for Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179621
• Andrea Valle. 2008. Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179645
• Andrea Valle. 2008. GeoGraphy : a Real-Time, Graph-Based Composition Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179643
• Iannis Zannos. 2008. Multi-Platform Development of Audiovisual and Kinetic Installations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177459
• Greg Corness. 2008. Performer Model : Towards a Framework for Interactive Performance Based on Perceived Intention. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179515
• Paulo C. Teles, and Aidan Boyle. 2008. Developing an "Antigenous" Art Installation Based on a Touchless Endosystem Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179637
• Silvia Lanzalone. 2008. The 'Suspended Clarinet' with the 'Uncaused Sound' : Description of a Renewed Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179587
• Mitsuyo Hashida, Yosuke Ito, and Haruhiro Katayose. 2008. A Directable Performance Rendering System: Itopul. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179559
• William R. Hazlewood, and Ian Knopke. 2008. Designing Ambient Musical Information Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179563
• Aristotelis Hadjakos, Erwin Aitenbichler, and Max Mühlhäuser. 2008. The Elbow Piano : Sonification of Piano Playing Movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179553
• Yoshinari Takegawa, and Masahiko Tsukamoto. 2008. UnitKeyboard : An Easily Configurable Compact Clavier. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179635
• Cléo Palacio-Quintin. 2008. Eight Years of Practice on the Hyper-Flute : Technological and Musical Perspectives. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179609
• Edgar Berdahl, and Julius O. Smith. 2008. A Tangible Virtual Vibrating String : A Physically Motivated Virtual Musical Instrument Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179493
• Christian Geiger, Holger Reckter, David Paschke, Florian Schulz, and Cornelius Poepel. 2008. Towards Participatory Design and Evaluation of Theremin-based Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179545
• Tom\'{a}s Henriques. 2008. META-{EV}I Innovative Performance Paths with a Wind Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179565
• Robin Price, and Pedro Rebelo. 2008. Database and Mapping Design for Audiovisual Prepared Radio Set Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179615
• Kazuhiro Jo, and Norihisa Nagano. 2008. Monalisa : "See the Sound , Hear the Image". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179569
• Andrew Robertson, Mark D. Plumbley, and Nick Bryan-Kinns. 2008. A Turing Test for B-Keeper : Evaluating an Interactive. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179619
• Gabriel Gatzsche, Markus Mehnert, and Christian Stöcklmeier. 2008. Interaction with Tonal Pitch Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179541
• Parag Chordia, and Alex Rae. 2008. Real-Time Raag Recognition for Interactive Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179509
• Anders Vinjar. 2008. Bending Common Music with Physical Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179647
• Margaret Schedel, Alison Rootberg, and Elizabeth de Martelly. 2008. Scoring an Interactive, Multimedia Performance Work. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179625
• Ayaka Endo, and Yasuo Kuhara. 2008. Rhythmic Instruments Ensemble Simulator Generating Animation Movies Using Bluetooth Game Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179529
• Keith A. McMillen. 2008. Stage-Worthy Sensor Bows for Stringed Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179597
• Lesley Flanigan, and Andrew Doro. 2008. Plink Jet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179533
• Yusuke Kamiyama, Mai Tanaka, and Hiroya Tanaka. 2008. Oto-Shigure : An Umbrella-Shaped Sound Generator for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179575
• Sean Follmer, Chris Warren, and Adnan Marquez-Borbon. 2008. The Pond : Interactive Multimedia Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179535
• Ethan Hartman, Jeff Cooper, and Kyle Spratt. 2008. Swing Set : Musical Controllers with Inherent Physical Dynamics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179557
• Paul Modler, and Tony Myatt. 2008. Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179601
• Kenji Suzuki, Miho Kyoya, Takahiro Kamatani, and Toshiaki Uchiyama. 2008. beacon : Embodied Sound Media Environment for Socio-Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179633
• Eva Sjuve. 2008. Prototype GO : Wireless Controller for Pure Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179629
• Robert Macrae, and Simon Dixon. 2008. From Toy to Tutor : Note-Scroller is a Game to Teach Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179593
• Stuart Favilla, Joanne Cannon, Tony Hicks, Dale Chant, and Paris Favilla. 2008. Gluisax : Bent Leather Band's Augmented Saxophone Project. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179531
• Staas de Jong. 2008. The Cyclotactor : Towards a Tactile Platform for Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179571
• Michiel Demey, Marc Leman, Frederick Bossuyt, and Jan Vanfleteren. 2008. The Musical Synchrotron : Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179521

2007

• Randy Jones, and Andrew Schloss. 2007. Controlling a Physical Model with a 2D Force Matrix. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177131
• Niels Bottcher, Steven Gelineck, and Stefania Serafin. 2007. PHYSMISM : A Control Interface for Creative Exploration of Physical Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177051
• Katarzyna Chuchacz, Sile O'Modhrain, and Roger Woods. 2007. Physical Models and Musical Controllers -- Designing a Novel Electronic Percussion Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177071
• David Wessel, Rimas Avizienis, Adrian Freed, and Matthew Wright. 2007. A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control Structures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179479
• Angela Chang, and Hiroshi Ishii. 2007. Zstretch : A Stretchy Fabric Music Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177067
• Juno Kim, Greg Schiemer, and Terumi Narushima. 2007. Oculog : Playing with Eye Movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177145
• Antonio Camurri, Corrado Canepa, and Gualtiero Volpe. 2007. Active Listening to a Virtual Orchestra Through an Expressive Gestural Interface : The Orchestra Explorer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177059
• Bo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, and JoAnn Morin-Kuchera. 2007. The Multimodal Music Stand. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177039
• Joseph Malloch, and Marcelo M. Wanderley. 2007. The T-Stick : From Musical Interface to Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177175
• Garth Paine, Ian Stevenson, and Angela Pearce. 2007. The Thummer Mapping Project (ThuMP). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177217
• Nicolas d'Alessandro, and Thierry Dutoit. 2007. HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented Tablet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177027
• Yoshinari Takegawa, and Tsutomu Terada. 2007. Mobile Clavier : New Music Keyboard for Flexible Key Transpose. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177255
• Mikko Ojanen, Jari Suominen, Titti Kallio, and Kai Lassfolk. 2007. Design Principles and User Interfaces of Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177211
• Thor Magnusson, and Enrike H. Mendieta. 2007. The Acoustic, the Digital and the Body : A Survey on Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177171
• Michael Zbyszynski, Matthew Wright, Ali Momeni, and Daniel Cullen. 2007. Ten Years of Tablet Musical Interfaces at CNMAT. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179483
• Michael Gurevich, and Jeffrey Treviño. 2007. Expression and Its Discontents : Toward an Ecology of Musical Creation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177107
• Click Nilson. 2007. Live Coding Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177209
• Steve Mann. 2007. Natural Interfaces for Musical Expression : Physiphones and a Physics-Based Organology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177181
• Frédéric Bevilacqua, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, and Nicolas Leroy. 2007. Wireless Sensor Interface and Gesture-Follower for Music Pedagogy. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177045
• Roger B. Dannenberg. 2007. New Interfaces for Popular Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177081
• Eric Lee, Urs Enke, Jan Borchers, and Leo de Jong. 2007. Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177159
• Nicolas Bouillot. 2007. nJam User Experiments : Enabling Remote Musical Interaction from Milliseconds to Seconds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177055
• Niall Moody, Nick Fells, and Nicholas Bailey. 2007. Ashitaka : An Audiovisual Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177199
• Roberto Aimi. 2007. Percussion Instruments Using Realtime Convolution : Physical Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177033
• Michael Rohs, and Georg Essl. 2007. CaMus 2 -- Optical Flow and Collaboration in Camera Phone Music Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177233
• Rebecca Fiebrink, Ge Wang, and Perry R. Cook. 2007. Don't Forget the Laptop : Using Native Input Capabilities for Expressive Musical Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177087
• Katherine Moriwaki, and Jonah Brucken-Cohen. 2007. MIDI Scrapyard Challenge Workshops. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177201
• Eric Lee, Marius Wolf, Yvonne Jansen, and Jan Borchers. 2007. REXband : A Multi-User Interactive Exhibit for Exploring Medieval Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177163
• Marije A. Baalman, Daniel Moody-Grigsby, and Christopher L. Salter. 2007. Schwelle : Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177035
• Joanne Jakovich, and Kirsty Beilharz. 2007. ParticleTecture : Interactive Granular Soundspaces for Architectural Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177127
• Karmen Franinovic, and Yon Visell. 2007. New Musical Interfaces in Context : Sonic Interaction Design in the Urban Setting. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177093
• Marcelo Gimenes, Eduardo Miranda, and Chris Johnson. 2007. Musicianship for Robots with Style. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177099
• David Topper. 2007. Extended Applications of the Wireless Sensor Array (WISEAR). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177261
• Giuseppe Torre, Mikael Fernström, Brendan O'Flynn, and Philip Angove. 2007. Celeritas : Wearable Wireless System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179463
• Stephen Sinclair, and Marcelo M. Wanderley. 2007. Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177245
• Justin Donaldson, Ian Knopke, and Chris Raphael. 2007. Chroma Palette : Chromatic Maps of Sound As Granular Synthesis Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177085
• Nick Collins. 2007. Matching Parts : Inner Voice Led Control for Symbolic and Audio Accompaniment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177075
• Mark Cartwright, Matt Jones, and Hiroko Terasawa. 2007. Rage in Conjunction with the Machine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177063
• Gil Weinberg, and Scott Driscoll. 2007. The Design of a Robotic Marimba Player -- Introducing Pitch into Robotic Musicianship. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179477
• Andrew Robertson, and Mark D. Plumbley. 2007. B-Keeper : A Beat-Tracker for Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177231
• Ajay Kapur, Eric Singer, Manjinder S. Benning, George Tzanetakis, and Trimpin Trimpin. 2007. Integrating HyperInstruments , Musical Robots & Machine Musicianship for North Indian Classical Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177137
• Arthur Clay, and Dennis Majoe. 2007. The Wrist-Conductor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177073
• Avrum Hollinger, Christopher Steele, Virginia Penhune, Robert Zatorre, and Marcelo M. Wanderley. 2007. fMRI-Compatible Electronic Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177119
• Yoichi Nagashima. 2007. GHI project and "Cyber Kendang". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177205
• Shinichiro Toyoda. 2007. Sensillum : An Improvisational Approach to Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179465
• Leon Gruenbaum. 2007. The Samchillian Tip Tip Tip Cheeepeeeee : A Relativistic Keyboard Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177103
• Jason Freeman. 2007. Graph Theory : Interfacing Audiences Into the Compositional Process. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177095
• Nicolas Villar, Hans Gellersen, Matt Jervis, and Alexander Lang. 2007. The ColorDex DJ System : A New Interface for Live Music Mixing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179475
• Luke Dahl, Nathan Whetsell, and John Van Stoecker. 2007. The WaveSaw : A Flexible Instrument for Direct Timbral Manipulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177079
• Peter Bennett, Nicholas Ward, Sile O'Modhrain, and Pedro Rebelo. 2007. DAMPER : A Platform for Effortful Interface Development. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177041
• Alexandre R. François, Elaine Chew, and Dennis Thurmond. 2007. Visual Feedback in Performer-Machine Interaction for Musical Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177091
• Cornelius Poepel, and Günter Marx. 2007. >hot_strings SIG. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177221
• Andrew A. Cook, and Graham Pullin. 2007. Tactophonics : Your Favourite Thing Wants to Sing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177077
• Miguel A. Pérez, Benjamin Knapp, and Michael Alcorn. 2007. Díamair : Composing for Choir and Integral Music Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177215
• Jose Fornari, Adolfo Jr. Maia, and Jonatas Manzolli. 2007. Interactive Spatialization and Sound Design using an Evolutionary System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177089
• Anthony J. Hornof, Troy Rogers, and Tim Halverson. 2007. EyeMusic : Performing Live Music and Multimedia Compositions with Eye Movements. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177121
• Turner Kirk, and Colby Leider. 2007. The FrankenPipe : A Novel Bagpipe Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177151
• Antonio Camurri, Paolo Coletta, Giovanna Varni, and Simone Ghisio. 2007. Developing Multimodal Interactive Systems with EyesWeb XMI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177061
• Matt Hoffman, and Perry R. Cook. 2007. Real-Time Feature-Based Synthesis for Live Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177117
• Mitsuyo Hashida, Noriko Nagata, and Haruhiro Katayose. 2007. jPop-E : An Assistant System for Performance Rendering of Ensemble Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177111
• Mihir Sarkar, and Barry Vercoe. 2007. Recognition and Prediction in a Network Music Performance System for Indian Percussion. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177239
• Benjamin Vigoda, and David Merrill. 2007. JamiOki-PureJoy : A Game Engine and Instrument for Electronically-Mediated Musical Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179473
• Daniel Gómez, Tjebbe Donner, and Andrés Posada. 2007. A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177097
• Roy Vanegas. 2007. The MIDI Pick : Trigger Serial Data , Samples, and MIDI from a Guitar Pick. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179471
• Manjinder S. Benning, Michael McGuire, and Peter Driessen. 2007. Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177043
• Noah H. Keating. 2007. The Lambent Reactive : An Audiovisual Environment for Kinesthetic Playforms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177141
• Adam M. Stark, Mark D. Plumbley, and Matthew E. Davies. 2007. Real-Time Beat-Synchronous Audio Effects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177249
• Harris Wulfson, G. Douglas Barrett, and Michael Winter. 2007. Automatic Notation Generators. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176861
• Diana Young, and Anagha Deshmane. 2007. Bowstroke Database : A Web-Accessible Archive of Violin Bowing Data. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179481
• Jan C. Schacher. 2007. Gesture Control of Sounds in 3D Space. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177241
• Alexandre T. Porres, and Jonatas Manzolli. 2007. Adaptive Tuning Using Theremin as Gestural Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177223
• William Hsu. 2007. Design Issues in Interaction Modeling for Free Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177123
• Sylvain le Groux, Jonatas Manzolli, and Paul F. Verschure. 2007. VR-RoBoser : Real-Time Adaptive Sonification of Virtual Environments Based on Avatar Behavior. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177101
• Hans-Christoph Steiner, David Merrill, and Olaf Matthes. 2007. A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max / MSP. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177251
• Doug Van Nort, and Marcelo M. Wanderley. 2007. Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179469
• André Knörig, Boris Müller, and Reto Wettach. 2007. Articulated Paint : Musical Expression for Non-Musicians. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177155
• Tetsuaki Baba, Taketoshi Ushiama, and Kiyoshi Tomimatsu. 2007. Freqtric Drums : A Musical Instrument that Uses Skin Contact as an Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177037
• Chang Min Han. 2007. Project Scriabin v.3. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177109
• Ginevra Castellano, Roberto Bresin, Antonio Camurri, and Gualtiero Volpe. 2007. Expressive Control of Music and Visual Media by Full-Body Movement. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177065
• Adam R. Tindale. 2007. A Hybrid Method for Extended Percussive Gesture. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177259
• Paolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, and Mario Pierro. 2007. Use of a Dual-Core DSP in a Low-Cost, Touch-Screen Based Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177053
• Junichi Kanebako, James Gibson, and Laurent Mignonneau. 2007. Mountain Guitar : a Musical Instrument for Everyone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177133
• Marc Sirguy, and Emmanuelle Gallin. 2007. Eobody2 : A Follow-up to Eobody's Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177247
• Bernie C. Till, Manjinder S. Benning, and Nigel Livingston. 2007. Wireless Inertial Sensor Package (WISP). Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177257
• Stefan Loewenstein. 2007. "Acoustic Map" -- An Interactive Cityportrait. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177167
• Tomoko Hashida, Takeshi Naemura, and Takao Sato. 2007. A System for Improvisational Musical Expression Based on Player's Sense of Tempo. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177113
• Misako Nakamoto, and Yasuo Kuhara. 2007. Circle Canon Chorus System Used To Enjoy A Musical Ensemble Singing "Frog Round". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177207
• Rui Pereira. 2007. Loop-R : Real-Time Video Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177219
• Jane Rigler, and Zachary Seldess. 2007. The Music Cre8tor : an Interactive System for Musical Exploration and Education. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177227
• Carlos Guedes. 2007. Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177105
• Steve Bull, Scot Gresham-Lancaster, Kalin Mintchev, and Terese Svoboda. 2007. Cellphonia : WET. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177057
• Collective Dearraindrop. 2007. Miller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177083
• Sibylle Hauert, Daniel Reichmuth, and Volker B\"{o}hm. 2007. Instant City, a Music Building Game Table. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177115
• Andrew Milmoe. 2007. NIME Performance \& Installation : Sonic Pong V3.0. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177197
• Betsey Biggs. 2007. The Tipping Point. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177047
• Simon Morris. 2007. Musique Concrete : Transforming Space , Sound and the City Through Skateboarding. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177203
• Yuta Uozumi, Masato Takahashi, and Ryoho Kobayashi. 2007. Bd : A Sound Installation with Swarming Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179467
• Stanza . 2007. Sensity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177029
• Adriana Sa. 2007. Thresholds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177235
• Masato Takahashi, and Hiroya Tanaka. 2007. bog : Instrumental Aliens. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177253
• Julian Oliver, and Steven Pickles. 2007. Fijuu2 : A Game-Based Audio-Visual Performance and Composition Engine. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177213
• Jinsil Seo, and Greg Corness. 2007. nite\_aura : An Audio-Visual Interactive Immersive Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177243
• Miguel \'{A}lvarez-Fern\'{a}ndez, Stefan Kersten, and Asia Piascik. 2007. Soundanism. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177031
• Alexandre Quessy. 2007. Human Sequencer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177225

2006

• Lalya Gaye, Lars E. Holmquist, Frauke Behrendt, and Atau Tanaka. 2006. Mobile Music Technology: Report on an Emerging Community. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176909
• Atau Tanaka, and Petra Gemeinboeck. 2006. A Framework for Spatial Interaction in Locative Media. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177013
• Michael Rohs, Georg Essl, and Martin Roth. 2006. CaMus: Live Music Performance using Camera Phones and Visual Grid Tracking. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176997
• Greg Schiemer, and Mark Havryliv. 2006. Pocket Gamelan: Tuneable Trajectories for Flying Sources in Mandala 3 and Mandala 4. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176999
• David Birchfield, Kelly Phillips, Assegid Kidané, and David Lorig. 2006. Interactive Public Sound Art: a case study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176873
• Ge Wang, Ananya Misra, and Perry R. Cook. 2006. Building Collaborative Graphical interFaces in the Audicle. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177017
• Pedro Rebelo, and Alain B. Renaud. 2006. The Frequencyliator -- Distributing Structures for Networked Laptop Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176993
• Martin Naef, and Daniel Collicott. 2006. A VR Interface for Collaborative {3D} Audio Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176975
• G\''{u}nter Geiger. 2006. Using the Touch Screen as a Controller for Portable Computer Music Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176911
• Jukka Holm, Juha Arrasvuori, and Kai Havukainen. 2006. Using MIDI to Modify Video Game Content. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176925
• Takuro M. Lippit. 2006. Turntable Music in the Digital Era: Designing Alternative Tools for New Turntable Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176965
• Spencer Kiser. 2006. spinCycle: a Color-Tracking Turntable Sequencer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176941
• Jason Lee. 2006. The Chopping Board: Real-time Sample Editor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176959
• Staas de Jong. 2006. A Tactile Closed-Loop Device for Musical Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176935
• Peter Bennett. 2006. PETECUBE: a Multimodal Feedback Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176869
• Denis Lebel, and Joseph Malloch. 2006. The G-Spring Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176955
• Damien Lock, and Greg Schiemer. 2006. Orbophone: a New Interface for Radiating Sound and Image. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176967
• Sukandar Kartadinata. 2006. The Gluion Advantages of an FPGA-based Sensor Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176937
• Adrian Freed, Rimas Avizienis, and Matthew Wright. 2006. Beyond 0-5V: Expanding Sensor Integration Architectures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176903
• Colin G. Johnson, and Alex Gounaropoulos. 2006. Timbre Interfaces using Adjectives and Adverbs. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176933
• D. Andrew Stewart. 2006. SonicJumper Composer. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177011
• Hans-Christoph Steiner. 2006. Towards a Catalog and Software Library of Mapping Methods. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177009
• Daisuke Kobori, Kojiro Kagawa, Makoto Iida, and Chuichi Arakawa. 2006. LINE: Interactive Sound and Light Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176947
• Nick Bryan-Kinns, and Patrick G. Healey. 2006. Decay in Collaborative Music Making. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176885
• Michael Gurevich. 2006. JamSpace: Designing A Collaborative Networked Music Space for Novices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176915
• Benjamin Knapp, and Perry R. Cook. 2006. Creating a Network of Integral Music Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176943
• Matthew Burtner. 2006. Perturbation Techniques for Multi-Performer or Multi- Agent Interactive Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176887
• Ryan Aylward, and Joseph A. Paradiso. 2006. Sensemble: A Wireless, Compact, Multi-User Sensor System for Interactive Dance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176865
• Chandrasekhar Ramakrishnan, Joachim Go\ss man, and Ludger Br\''{u}mmer. 2006. The ZKM Klangdom. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176991
• Mike Wozniewski, Zack Settel, and Jeremy R. Cooperstock. 2006. A Framework for Immersive Spatial Audio Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177021
• Alexander R. Francois, and Elaine Chew. 2006. An Architectural Framework for Interactive Music Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176901
• Christian Jacquemin, and Serge de Laubier. 2006. Transmodal Feedback as a New Perspective for Audio-visual Effects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176929
• Thor Magnusson. 2006. Screen-Based Musical Interfaces as Semiotic Machines. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176969
• Mark Zadel, and Gary Scavone. 2006. Different Strokes: a Prototype Software System for Laptop Performance and Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177025
• Yu Nishibori, and Toshio Iwai. 2006. TENORI-ON. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176979
• Alexander Refsum Jensenius, Tellef Kvifte, and Rolf Inge Godøy. 2006. Towards a Gesture Description Interchange Format. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176931
• Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, and Julien Boissinot. 2006. SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177015
• Smilen Dimitrov, and Stefania Serafin. 2006. A Simple Practical Approach to a Wireless Data Acquisition Board. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176891
• Kjetil F. Hansen, and Roberto Bresin. 2006. Mapping Strategies in DJ Scratching. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176921
• Loïc Kessous, Julien Castet, and Daniel Arfib. 2006. 'GXtar', an Interface Using Guitar Techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176857
• Anne-Marie Burns, and Marcelo M. Wanderley. 2006. Visual Methods for the Retrieval of Guitarist Fingering. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176850
• Erwin Schoonderwaldt, Nicolas Rasamimanana, and Frédéric Bevilacqua. 2006. Combining Accelerometer and Video Camera: Reconstruction of Bow Velocity Profiles. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177003
• Nicolas Leroy, Emmanuel Fl\'{e}ty, and Fr\'{e}d\'{e}ric Bevilacqua. 2006. Reflective Optical Pickup For Violin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176859
• Sergi Jordà, and Marcos Alonso. 2006. Mary Had a Little scoreTable* or the reacTable* Goes Melodic. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176855
• Alain Crevoisier, C\'{e}dric Bornand, Arnaud Guichard, Seiichiro Matsumura, and Chuichi Arakawa. 2006. Sound Rose: Creating Music and Images with a Touch Table. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176853
• Philip L. Davidson, and Jefferson Y. Han. 2006. Synthesis and Control on Large Scale Multi-Touch Sensing Displays. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176889
• Tellef Kvifte, and Alexander Refsum Jensenius. 2006. Towards a Coherent Terminology and Model of Instrument Description and Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176951
• Mark T. Marshall, and Marcelo M. Wanderley. 2006. Vibrotactile Feedback in Digital Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176973
• Rodolphe Koehly, Denis Curtil, and Marcelo M. Wanderley. 2006. Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176949
• John Bowers, and Nicolas Villar. 2006. Creating Ad Hoc Instruments with Pin\&Play\&Perform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176881
• Stefania Serafin, Amalia de Götzen, Niels Böttcher, and Steven Gelineck. 2006. Synthesis and Control of Everyday Sounds Reconstructing Russolo's Intonarumori. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177005
• Gil Weinberg, and Travis Thatcher. 2006. Interactive Sonification of Neural Activity. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177019
• Jacques R\'{e}mus. 2006. Non Haptic Control of Music by Video Analysis of Hand Movements: 14 Years of Experience with the `Cam\'{e}ra Musicale'. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176989
• Jan Borchers, Aristotelis Hadjakos, and Max Mühlhäuser. 2006. MICON A Music Stand for Interactive Conducting. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176877
• Eric Lee, Ingo Grüll, Henning Keil, and Jan Borchers. 2006. conga: A Framework for Adaptive Conducting Gesture Analysis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176957
• Nicolas d'Alessandro, Christophe d'Alessandro, Sylvain Le Beux, and Boris Doval. 2006. Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176863
• Bob Pritchard, and Sidney S. Fels. 2006. GRASSP: Gesturally-Realized Audio, Speech and Song Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176987
• Christopher Dobrian, and Daniel Koppelman. 2006. The E in NIME: Musical Expression with New Computer Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176893
• John Richards. 2006. 32kg: Performance Systems for a Post-Digital Age. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176995
• Serge de Laubier, and Vincent Goudard. 2006. Meta-Instrument 3: a Look over 17 Years of Practice. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176953
• Suguru Goto. 2006. The Case Study of An Application of The System, `BodySuit' and `RoboticMusic': Its Introduction and Aesthetics. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176913
• David Hindman. 2006. Modal Kombat: Competition and Choreography in Synesthetic Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176923
• Paul D. Lehrman, and Eric Singer. 2006. A "Ballet M\'{e}canique" for the 21{s}t Century: Performing George Antheil's Dadaist Masterpiece with Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176961
• Serge Lemouton, Marco Stroppa, and Benny Sluchin. 2006. Using the Augmented Trombone in "I will not kiss your f.ing flag". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176963
• S\'{e}bastien Schiesser, and Caroline Traube. 2006. On Making and Playing an Electronically-augmented Saxophone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177001
• Tamara Smyth. 2006. Handheld Acoustic Filter Bank for Musical Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177007
• Joshua J. Nixdorf, and David Gerhard. 2006. Real-time Sound Source Spatialization as Used in Challenging Bodies: Implementation and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176981
• Paolo Bottoni, Stefano Faralli, Anna Labella, and Mario Pierro. 2006. Mapping with Planning Agents in the Max/MSP Environment: the GO/Max Language. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176879
• Alain Bonardi, Isis Truck, and Herman Akdag. 2006. Towards a Virtual Assistant for Performers and Stage Directors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176875
• Yoichi Nagashima. 2006. Students' Projects of Interactive Media-installations in SUAC. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176977
• Morten Breinbjerg, Ole Caprani, Rasmus Lunding, and Line Kramhoft. 2006. An Acousmatic Composition Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176883
• Robert Hamilton. 2006. Bioinformatic Feedback: Performer Bio-data as a Driver for Real-time Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176919
• Jonathan Pak. 2006. The Light Matrix: An Interface for Musical Expression and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176983
• Shigeru Kobayashi, Takanori Endo, Katsuhiko Harada, and Shosei Oishi. 2006. GAINER: A Reconfigurable {I/O} Module and Software Libraries for Education. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176945
• Kirsty Beilharz, Joanne Jakovich, and Sam Ferguson. 2006. Hyper-shaku (Border-crossing): Towards the Multi-modal Gesture-controlled Hyper-Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176867
• Neal Farwell. 2006. Adapting the Trombone: a Suite of Electro-acoustic Interventions for the Piece. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176895
• Teemu Maki-Patola, Perttu H\''{a}m\''{a}l\''{a}inen, and Aki Kanerva. 2006. The Augmented Djembe Drum --- Sculpting Rhythms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176971
• Stuart Favilla, and Joanne Cannon. 2006. Children of Grainger: Leather Instruments for Free Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176897
• William Hsu. 2006. Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176927
• Keith Hamel. 2006. Integrated Interactive Music Performance Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176917
• Sam Ferguson. 2006. Learning Musical Instrument Skills Through Interactive Sonification. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176899
• Cornelius Poepel, and Dan Overholt. 2006. Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176985
• Diana Young, Patrick Nunn, and Artem Vassiliev. 2006. Composing for Hyperbow: A Collaboration Between MIT and the Royal Academy of Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177023
• Fr\'{e}d\'{e}ric Bevilacqua, Nicolas Rasamimanana, Emmanuel Fl\'{e}ty, Serge Lemouton, and Florence Baschet. 2006. The Augmented Violin Project: Research, Composition and Performance Report. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176871
• Mari Kimura, and Jean-Claude Risset. 2006. Auditory Illusion and Violin: Demonstration of a Work by Jean-Claude Risset Written for Mari Kimura. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176939
• Adrian Freed, David Wessel, Michael Zbyszynski, and Frances M. Uitti. 2006. Augmenting the Cello. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176905

2005

• Don Buchla. 2005. A History of Buchla's Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176715
• Golan Levin. 2005. A Personal Chronology of Audiovisual Systems Research. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176770
• Bill Buxton. 2005. Causality and Striking the Right Note. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176717
• John Bowers, and Phil Archer. 2005. Not Hyper, Not Meta, Not Cyber but Infra-Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176713
• Teemu Mäki-patola, Juha Laitinen, Aki Kanerva, and Tapio Takala. 2005. Experiments with Virtual Reality Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176780
• Gil Weinberg, and Scott Driscoll. 2005. iltur -- Connecting Novices and Experts Through Collaborative Improvisation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176840
• Sergi Jordà. 2005. Multi-user Instruments: Models, Examples and Promises. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176760
• Tina Blaine. 2005. The Convergence of Alternate Controllers and Musical Interfaces in Interactive Entertainment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176709
• Dan Overholt. 2005. The Overtone Violin. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176796
• Juan Pablo Cáceres, Gautham J. Mysore, and Jeffrey Treviño. 2005. SCUBA: The Self-Contained Unified Bass Augmenter. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176719
• Elliot Sinyor, and Marcelo M. Wanderley. 2005. Gyrotyre : A dynamic hand-held computer-music controller based on a spinning wheel. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176820
• Angelo Fraietta. 2005. The Smart Controller Workbench. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176745
• Eric Singer, Jeff Feddersen, and Bil Bowen. 2005. A Large-Scale Networked Robotic Musical Instrument Installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176818
• Jesse T. Allison, and Timothy Place. 2005. Teabox: A Sensor Data Interface System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176693
• Sageev Oore. 2005. Learning Advanced Skills on New Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176794
• Dan Livingstone, and Eduardo Miranda. 2005. Orb3 -- Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176774
• Georg Essl, and Sile O'Modhrain. 2005. Scrubber: An Interface for Friction-induced Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176737
• David Topper, and Peter V. Swendsen. 2005. Wireless Dance Control : PAIR and WISEAR. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176830
• Roger B. Dannenberg, Ben Brown, Garth Zeglin, and Ron Lupish. 2005. McBlare: A Robotic Bagpipe Player. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176729
• Frédéric Bevilacqua, Rémy Müller, and Norbert Schnell. 2005. MnM: a Max/MSP mapping toolbox. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176703
• Jean-Marc Pelletier. 2005. A Graphical Interface for Real-Time Signal Routing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176800
• Gary Scavone, and Andrey R. Silva. 2005. Frequency Content of Breath Pressure and Implications for Use in Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176810
• Alain Crevoisier, and Pietro Polotti. 2005. Tangible Acoustic Interfaces and their Applications for the Design of New Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176727
• Ross Bencina. 2005. The Metasurface -- Applying Natural Neighbour Interpolation to Two-to-Many Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176701
• Andrey R. Silva, Marcelo M. Wanderley, and Gary Scavone. 2005. On the Use of Flute Air Jet as A Musical Control Variable. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176814
• Xavier Rodet, Jean-Philippe Lambert, Roland Cahen, Thomas Gaudy, Fabrice Guedy, Florian Gosselin, and Pascal Mobuchon. 2005. Study of haptic and visual interaction for sound and music control in the Phase project. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176804
• Golan Levin, and Zachary Lieberman. 2005. Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input Sessions. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176772
• Tomoko Yonezawa, Takahiko Suzuki, Kenji Mase, and Kiyoshi Kogure. 2005. HandySinger : Expressive Singing Voice Morphing using Personified Hand-puppet Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176844
• Mathias Funk, Kazuhiro Kuwabara, and Michael J. Lyons. 2005. Sonification of Facial Actions for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176750
• Jordi Janer. 2005. Voice-controlled plucked bass guitar through two synthesis techniques. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176758
• Paul D. Lehrman, and Todd M. Ryan. 2005. Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176768
• Hans-christoph Steiner. 2005. [hid] toolkit: a Unified Framework for Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176824
• Teemu Maki-patola. 2005. User Interface Comparison for Virtual Drums. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176784
• Jürg Gutknecht, Art Clay, and Thomas Frey. 2005. GoingPublik: Using Realtime Global Score Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176754
• Lars Pellarin, Niels Böttcher, Jakob M. Olsen, Ole Gregersen, Stefania Serafin, and Michel Guglielmi. 2005. Connecting Strangers at a Train Station. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176798
• Greg Schiemer, and Mark Havryliv. 2005. Pocket Gamelan: a Pure Data interface for mobile phones. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176812
• David Birchfield, David Lorig, and Kelly Phillips. 2005. Sustainable: a dynamic, robotic, sound installation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176705
• Paulo Maria Rodrigues, Luis Miguel Girão, and Rolf Gehlhaar. 2005. CyberSong. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176808
• Jamie Allen. 2005. boomBox. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176691
• Alex Loscos, and Thomas Aussenac. 2005. The wahwactor: a voice controlled wah-wah pedal. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176776
• William Carter, and Leslie S. Liu. 2005. Location33: A Mobile Musical. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176723
• Laszlo Bardos, Stefan Korinek, Eric Lee, and Jan Borchers. 2005. Bangarama: Creating Music With Headbanging. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176699
• Alvaro Barbosa, Jorge Cardoso, and Günter Geiger. 2005. Network Latency Adaptive Tempo in the Public Sound Objects System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176697
• Nicolas Villar, Adam T. Lindsay, and Hans Gellersen. 2005. Pin & Play & Perform: A rearrangeable interface for musical composition and performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176834
• David Birnbaum, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley. 2005. Towards a Dimension Space for Musical Devices. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176707
• Ge Wang, and Perry R. Cook. 2005. Yeah, ChucK It! = > Dynamic , Controllable Interface Mapping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176838
• Adam R. Tindale, Ajay Kapur, George Tzanetakis, Peter Driessen, and Andrew Schloss. 2005. A Comparison of Sensor Strategies for Capturing Percussive Gestures. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176828
• Eric Lee, and Jan Borchers. 2005. The Role of Time in Engineering Computer Music Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176766
• Shigeru Kobayashi, and Akamasu Masayuki. 2005. Spinner: A Simple Approach to Reconfigurable User Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176764
• Thor Magnusson. 2005. ixi software: The Interface as Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176782
• Eduardo Miranda, and Andrew Brouse. 2005. Toward Direct Brain-Computer Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176792
• Robyn Taylor, Daniel Torres, and Pierre Boulanger. 2005. Using Music to Interact with a Virtual Character. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176826
• Elaine Chew, Alexander R. Francois, Jie Liu, and Aaron Yang. 2005. ESP: A Driving Interface for Expression Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176725
• Cornelius Poepel. 2005. On Interface Expressivity: A Player-Based Study. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176802
• Johnny Wingstedt, Mats Liljedahl, Stefan Lindberg, and Jan Berg. 2005. REMUPP -- An Interactive Tool for Investigating Musical Properties and Relations. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176842
• Perry R. Cook. 2005. Real-Time Performance Controllers for Synthesized Singing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176846
• David Kim-Boyle. 2005. Musical Score Generation in Valses and Etudes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176762
• Kevin C. Baird. 2005. Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176695
• Jesse Fox, and Jennifer Carlile. 2005. SoniMime: Movement Sonification for Real-Time Timbre Shaping. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176741
• Robert Huott. 2005. Precise Control on Compound Curves. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176848
• Robert Lugo, and Jack Damondrick. 2005. Beat Boxing : Expressive Control for Electronic Music Performance and Musical Applications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176778
• Ivan Franco. 2005. The Airstick: A Free-Gesture Controller Using Infrared Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176747
• Jennifer Carlile, and Björn Hartmann. 2005. OROBORO: A Collaborative Controller with Interpersonal Haptic Feedback. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176721
• David Rodríguez, and Iván Rodríguez. 2005. VIFE _alpha v.01 Real-time Visual Sound Installation performed by Glove-Gesture. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176806
• David Hindman, and Spencer Kiser. 2005. Sonictroller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176756
• William Verplank. 2005. Haptic Music Exercises. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176832
• John Eaton, and Robert Moog. 2005. Multiple-Touch-Sensitive Keyboard. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176735
• Angelo Fraietta. 2005. Smart Controller / Bell Garden Demo. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176743
• Mauricio Melo, and Doria Fan. 2005. Swayway --- Midi Chimes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176790
• Derek Wang. 2005. Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176836
• Emmanuel Fléty. 2005. The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSC. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176739
• Adam Bowen. 2005. Soundstone: A 3-D Wireless Music Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176711
• Alain C. Guisan. 2005. Interactive Sound Installation: INTRIUM. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176752
• Eric Socolofsky. 2005. Contemplace. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176822
• Maia Marinelli, Jared Lamenzo, and Liubo Borissov. 2005. Mocean. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176786
• Seiichiro Matsumura, and Chuichi Arakawa. 2005. Hop Step Junk: Sonic Visualization using Footsteps. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176788
• Meghan Deutscher, Sidney S. Fels, Reynald Hoskinson, and Sachiyo Takahashi. 2005. Echology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176733

2004

• Sidney S. Fels, Linda Kaastra, Sachiyo Takahashi, and Graeme Mccaig. 2004. Evolving Tooka: from Experiment to Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176595
• Ajay Kapur, Ariel J. Lazier, Philip L. Davidson, Scott Wilson, and Perry R. Cook. 2004. The Electronic Sitar Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176623
• Masami Takahata, Kensuke Shiraki, Yutaka Sakane, and Yoichi Takebayashi. 2004. Sound Feedback for Powerful Karate Training. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176673
• Martin Kaltenbrunner, Günter Geiger, and Sergi Jordà. 2004. Dynamic Patches for Live Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176621
• Diana Young, and Ichiro Fujinaga. 2004. AoBachi: A New Interface for Japanese Drumming. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176687
• Nick Bryan-Kinns, and Patrick G. Healey. 2004. Daisyphone: Support for Remote Music Collaboration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176583
• Christophe Havel, and Myriam Desainte-Catherine. 2004. Modeling an Air Percussion for Composition and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176609
• Mark Nelson, and Belinda Thom. 2004. A Survey of Real-Time MIDI Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176643
• Arshia Cont, Thierry Coduys, and Cyrille Henry. 2004. Real-time Gesture Mapping in Pd Environment using Neural Networks. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176589
• Assaf K. Talmudi. 2004. The Decentralized Pianola: Evolving Mechanical Music Instruments using a Genetic Algorithm. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176675
• James Mandelis, and Phil Husbands. 2004. Don't Just Play it, Grow it! : Breeding Sound Synthesis and Performance Mappings. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176635
• Judith Shatin, and David Topper. 2004. Tree Music: Composing with GAIA. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176663
• Gideon D'Arcangelo. 2004. Recycling Music, Answering Back: Toward an Oral Tradition of Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176591
• Sergi Jordà. 2004. Digital Instruments and Players: Part I -- Efficiency and Apprenticeship. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176619
• Nikita Pashenkov. 2004. A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical Turntable. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176651
• Eric Lee, Teresa M. Nakra, and Jan Borchers. 2004. You're The Conductor: A Realistic Interactive Conducting System for Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176629
• Sile O'Modhrain, and Georg Essl. 2004. PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176647
• Garth Paine. 2004. Gesture and Musical Interaction : Interactive Engagement Through Dynamic Morphology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176649
• Doug Van Nort, Marcelo M. Wanderley, and Philippe Depalle. 2004. On the Choice of Mappings Based on Geometric Properties. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176681
• Brian Sheehan. 2004. The Squiggle: A Digital Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176665
• David Gerhard, Daryl Hepting, and Matthew Mckague. 2004. Exploration of the Correspondence between Visual and Acoustic Parameter Spaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176603
• Chandrasekhar Ramakrishnan, Jason Freeman, and Kristjan Varnik. 2004. The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176657
• Homei Miyashita, and Kazushi Nishimoto. 2004. Thermoscore: A New-type Musical Score with Temperature Sensation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176637
• Stefania Serafin, and Diana Young. 2004. Toward a Generalized Friction Controller: from the Bowed String to Unusual Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176659
• Philippe S. Zaborowski. 2004. ThumbTec: A New Handheld Input Device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176689
• Ryan H. Torchia, and Cort Lippe. 2004. Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176679
• Rumi Hiraga, Roberto Bresin, Keiji Hirata, and Haruhiro Katayose. 2004. Rencon 2004: Turing Test for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176611
• Haruhiro Katayose, and Keita Okudaira. 2004. Using an Expressive Performance Template in a Music Conducting Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176625
• Hideki Kawahara, Hideki Banno, and Masanori Morise. 2004. Acappella Synthesis Demonstrations using RWC Music Database. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176627
• Roger B. Dannenberg. 2004. Aura II: Making Real-Time Systems Safe for Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176593
• Ge Wang, and Perry R. Cook. 2004. On-the-fly Programming: Using Code as an Expressive Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176683
• Michael Lew. 2004. Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176631
• Cornelius Poepel. 2004. Synthesized Strings for String Players. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176655
• Atau Tanaka. 2004. Mobile Music Making. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176677
• Emmanuel Fléty, Nicolas Leroy, Jean-Christophe Ravarini, and Frédéric Bevilacqua. 2004. Versatile Sensor Acquisition System Utilizing Network Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176597
• Lalya Gaye, and Lars E. Holmquist. 2004. In Duet with Everyday Urban Settings: A User Study of Sonic City. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176601
• Enrique Franco, Niall J. Griffith, and Mikael Fernström. 2004. Issues for Designing a Flexible Expressive Audiovisual System for Real-time Performance & Composition. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176599
• Gamhewage C. de Silva, Tamara Smyth, and Michael J. Lyons. 2004. A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176667
• Yoichi Nagashima. 2004. Measurement of Latency in Interactive Multimedia Art. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176641
• Katsuhisa Ishida, Tetsuro Kitahara, and Masayuki Takeda. 2004. ism: Improvisation Supporting System based on Melody Correction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176617
• Eric Singer, Jeff Feddersen, Chad Redmon, and Bil Bowen. 2004. LEMUR's Musical Robots. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176669
• Anthony J. Hornof, and Linda Sato. 2004. EyeMusic: Making Music with the Eyes. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176613
• Mark Argo. 2004. The Slidepipe: A Timeline-Based Controller for Real-Time Sample Manipulation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176581
• Matthew Burtner. 2004. A Theory of Modulated Objects for New Shamanic Controller Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176585
• Jean-Marc Pelletier. 2004. A Shape-Based Approach to Computer Vision Musical Performance Systems. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176653
• Stephen Hughes, Cormac Cannon, and Sile O'Modhrain. 2004. Epipe : A Novel Electronic Woodwind Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176615
• Geoffrey C. Morris, Sasha Leitman, and Marina Kassianidou. 2004. SillyTone Squish Factory. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176639
• Hans-Christoph Steiner. 2004. StickMusic: Using Haptic Feedback with a Phase Vocoder. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176671
• Thierry Coduys, Cyrille Henry, and Arshia Cont. 2004. TOASTER and KROONDE: High-Resolution and High- Speed Real-time Sensor Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176587
• Suguru Goto, and Takahiko Suzuki. 2004. The Case Study of Application of Advanced Gesture Interface and Mapping Interface, Virtual Musical Instrument "Le SuperPolm" and Gesture Controller "BodySuit". Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176605
• Sook Y. Won, Humane Chan, and Jeremy Liu. 2004. Light Pipes: A Light Controlled MIDI Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176685
• Takuro M. Lippit. 2004. Realtime Sampling System for the Turntablist, Version 2: 16padjoystickcontroller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176633
• Michael E. Sharon. 2004. The Stranglophone: Enhancing Expressiveness In Live Electronic Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176661
• Tomoko Hashida, Yasuaki Kakehi, and Takeshi Naemura. 2004. Ensemble System with i-trace. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176607

2003

• Cormac Cannon, Stephen Hughes, and Sile O'Modhrain. 2003. EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-based Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176497
• Diana Young, and Georg Essl. 2003. HyperPuja: A Tibetan Singing Bowl Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176577
• Gary Scavone. 2003. THE PIPE: Explorations with Breath Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176557
• Marije A. Baalman. 2003. The STRIMIDILATOR: a String Controlled MIDI-Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176486
• Scott Wilson, Michael Gurevich, Bill Verplank, and Pascal Stang. 2003. Microcontrollers in Music HCI Instruction: Reflections on our Switch to the Atmel AVR Platform. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176571
• Tue H. Andersen. 2003. Mixxx : Towards Novel DJ Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176484
• Nicola Orio, Serge Lemouton, and Diemo Schwarz. 2003. Score Following: State of the Art and New Developments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176547
• Caroline Traube, Philippe Depalle, and Marcelo M. Wanderley. 2003. Indirect Acquisition of Instrumental Gesture Based on Signal , Physical and Perceptual Information. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176567
• Yoichi Nagashima. 2003. Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176539
• Ali Momeni, and David Wessel. 2003. Characterizing and Controlling Musical Material Intuitively with Geometric Models. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176535
• Matthew Burtner. 2003. Composing for the (dis)Embodied Ensemble : Notational Systems in (dis)Appearances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176492
• Sergi Jordà. 2003. Sonigraphical Instruments: From FMOL to the reacTable*. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176519
• Motohide Hatanaka. 2003. Ergonomic Design of A Portable Musical Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176509
• Hiroko Shiraiwa, Rodrigo Segnini, and Vivian Woo. 2003. Sound Kitchen: Designing a Chemically Controlled Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176561
• Joel Ryan, and Christopher L. Salter. 2003. TGarden: Wearable Instruments and Augmented Physicality. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176555
• David Ventura, and Kenji Mase. 2003. Duet Musical Companion: Improvisational Interfaces for Children. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176569
• David M. Howard, Stuart Rimell, and Andy D. Hunt. 2003. Force Feedback Gesture Controlled Physical Modelling Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176515
• Reynald Hoskinson, Kees van den Doel, and Sidney S. Fels. 2003. Real-time Adaptive Control of Modal Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176513
• Diana Young, and Stefania Serafin. 2003. Playability Evaluation of a Virtual Bowed String Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176579
• Lalya Gaye, Ramia Mazé, and Lars E. Holmquist. 2003. Sonic City: The Urban Environment as a Musical Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176507
• Michael J. Lyons, Michael Haehnel, and Nobuji Tetsutani. 2003. Designing, Playing, and Performing with a Vision-based Mouth Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176529
• Donna Hewitt, and Ian Stevenson. 2003. E-mic: Extended Mic-stand Interface Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176511
• Tina Blaine, and Sidney S. Fels. 2003. Contexts of Collaborative Musical Experiences. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176490
• Andy D. Hunt, and Ross Kirk. 2003. MidiGrid: Past, Present and Future. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176517
• Loïc Kessous, and Daniel Arfib. 2003. Bimanuality in Alternate Musical Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176523
• Paul Modler, Tony Myatt, and Michael Saup. 2003. An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176533
• Teresa M. Nakra. 2003. Immersion Music: a Progress Report. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176541
• Matthew Wright, Adrian Freed, and Ali Momeni. 2003. OpenSound Control: State of the Art 2003. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176575
• Christopher Dobrian, and Frédéric Bevilacqua. 2003. Gestural Control of Music Using the Vicon 8 Motion Capture System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176503
• Kazushi Nishimoto, Chika Oshima, and Yohei Miyagawa. 2003. Why Always Versatile? Dynamically Customizable Musical Instruments Facilitate Expressive Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176545
• Henry Newton-Dunn, Hiroaki Nakano, and James Gibson. 2003. Block Jam: A Tangible Interface for Interactive Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176543
• Sukandar Kartadinata. 2003. The Gluiph: a Nucleus for Integrated Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176521
• Jean-Michel Couturier, and Daniel Arfib. 2003. Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176501
• Eric Singer, Kevin Larke, and David Bianciardi. 2003. LEMUR GuitarBot: MIDI Robotic String Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176565
• Chad Peiper, David Warden, and Guy Garnett. 2003. An Interface for Real-time Classification of Articulations Produced by Violin Bowing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176553
• Zack Settel, and Cort Lippe. 2003. Convolution Brother's Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176559
• Insook Choi. 2003. A Component Model of Gestural Primitive Throughput. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176499
• Cléo Palacio-Quintin. 2003. The Hyper-Flute. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176549
• Jesse T. Allison, and Timothy Place. 2003. SensorBox: Practical Audio Interface for Gestural Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176482
• Kevin C. Baird. 2003. Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176488
• William Kleinsasser. 2003. Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176525
• Mat Laibowitz. 2003. BASIS: A Genesis in Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176527
• David Merrill. 2003. Head-Tracking for Gestural and Continuous Control of Parameterized Audio Effects. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176531
• Eric Singer. 2003. Sonic Banana: A Novel Bend-Sensor-Based MIDI Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176563
• David Muth, and Ed Burton. 2003. Sodaconductor. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176537
• Emmanuel Fléty, and Marc Sirguy. 2003. EoBody : a Follow-up to AtoMIC Pro's Technology. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176505
• Joseph A. Paradiso. 2003. Dual-Use Technologies for Electronic Music Controllers: A Personal Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176551
• Claude Cadoz, Annie Luciani, Jean-Loup Florens, and Nicolas Castagn\'{e}. 2003. {AC}ROE --- {ICA} Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture Transducers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176494

2002

• Daniel Arfib, and Jacques Dudon. 2002. A Digital Emulator of the Photosonic Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176388
• Alain Baumann, and Rosa Sánchez. 2002. Interdisciplinary Applications of New Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176390
• David Bernard. 2002. Experimental Controllers for Live Electronic Music Performance (vs. Copyright).. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176392
• Tina Blaine, and Clifton Forlines. 2002. JAM-O-WORLD: Evolution of the Jam-O-Drum Multi-player Musical Controller into the Jam-O-Whirl Gaming Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176394
• Bert Bongers, and Yolande Harris. 2002. A Structured Instrument Design Approach: The Video-Organ. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176396
• Matthew Burtner. 2002. Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176398
• Antonio Camurri, Riccardo Trocca, and Gualtiero Volpe. 2002. Interactive Systems Design: A KANSEI-based Approach. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176400
• Joel Chadabe. 2002. The Limitations of Mapping as a Structural Descriptive in Electronic Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176402
• Jean-Michel Couturier. 2002. A Scanned Synthesis Virtual Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176404
• Gideon D'Arcangelo. 2002. Creating a Context for Musical Innovation: A NIME Curriculum. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176406
• Sidney S. Fels, and Florian Vogt. 2002. Tooka: Explorations of Two Person Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176408
• Kieran Ferris, and Liam Bannon. 2002. The Musical Box Garden. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176410
• Emmanuel Fléty. 2002. AtoMIC Pro: a Multiple Sensor Acquisition Device. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176412
• Ashley Gadd, and Sidney S. Fels. 2002. MetaMuse: Metaphors for Expressive Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176414
• Niall J. Griffith, Sean O'Leary, Donagh O'Shea, Ed Hammond, and Sile O'Modhrain. 2002. Circles and Seeds: Adapting Kpelle Ideas about Music Performance for Collaborative Digital Music performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176416
• Eric Gunther, Glorianna Davenport, and Sile O'Modhrain. 2002. Cutaneous Grooves: Composing for the Sense of Touch. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176418
• Tim Hankins, David Merrill, and Jocelyn Robert. 2002. Circular Optical Object Locator. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176420
• Leila Hasan, Nicholas Yu, and Joseph A. Paradiso. 2002. The Termenova : A Hybrid Free-Gesture Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176422
• Andy D. Hunt, Marcelo M. Wanderley, and Matthew Paradis. 2002. The importance of Parameter Mapping in Electronic Instrument Design. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176424
• Robert Huott. 2002. An Interface for Precise Musical Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176428
• Thor Magnusson. 2002. IXI software. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176384
• Sergi Jordà. 2002. Afasia: the Ultimate Homeric One-man-multimedia-band. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176432
• Ajay Kapur, Georg Essl, Philip L. Davidson, and Perry R. Cook. 2002. The Electronic Tabla Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176434
• Loïc Kessous. 2002. Bi-manual Mapping Experimentation, with Angular Fundamental Frequency Control and Sound Color Navigation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176436
• Tod Machover. 2002. Instruments, Interactivity, and Inevitability. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176438
• James Mandelis. 2002. Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176440
• Mark T. Marshall, Matthias Rath, and Breege Moynihan. 2002. The Virtual Bodhran -- The Vodhran. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176442
• Graeme Mccaig, and Sidney S. Fels. 2002. Playing on Heart-Strings: Experiences with the 2Hearts System. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176444
• Lisa McElligott, Edward Dixon, and Michelle Dillon. 2002. `PegLegs in Music' Processing the Effort Generated by Levels of Expressive Gesturing in Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176446
• Kia Ng. 2002. Interactive Gesture Music Performance Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176448
• Charles Nichols. 2002. The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176450
• Roberto Oboe, and Giovanni De Poli. 2002. Multi-instrument Virtual Keyboard -- The MIKEY Project. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176452
• Garth Paine. 2002. GESTATION. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176454
• Laurel S. Pardue, and Joseph A. Paradiso. 2002. Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176456
• James Patten, Ben Recht, and Hiroshi Ishii. 2002. Audiopad: A Tag-based Interface for Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176458
• Jordan Wynnychuk, Richard Porcher, Lucas Brajovic, Marko Brajovic, and Nacho Platas. 2002. sutoolz 1.0 alpha : 3D Software Music Interface. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176478
• Norbert Schnell, and Marc Battier. 2002. Introducing Composed Instruments, Technical and Musicological Implications. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176460
• Tamara Smyth, and Julius O. Smith. 2002. Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176462
• Stanza. 2002. Amorphoscapes & Soundtoys. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176386
• Taelman Johannes. 2002. A Low-cost Sonar for Unobtrusive Man-machine Interfacing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176430
• Atau Tanaka, and Benjamin Knapp. 2002. Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176464
• Bill Verplank, Michael Gurevich, and Max Mathews. 2002. THE PLANK: Designing a Simple Haptic Controller.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176466
• Florian Vogt, Graeme Mccaig, Mir A. Ali, and Sidney S. Fels. 2002. Tongue `n' Groove: An Ultrasound based Music Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176468
• Gil Weinberg, Roberto Aimi, and Kevin Jennings. 2002. The Beatbug Network -A Rhythmic System for Interdependent Group Collaboration. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176470
• David Wessel, Matthew Wright, and John Schott. 2002. Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping Metaphors. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176472
• Carr Wilkerson, Stefania Serafin, and Carmen Ng. 2002. The Mutha Rubboard Controller. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176474
• Todd Winkler. 2002. Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre Production. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176476
• Diana Young. 2002. The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176480

2001

• Perry R. Cook. 2001. Principles for Designing Computer Music Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176358
• Bill Verplank, Craig Sapp, and Max Mathews. 2001. A Course on Controllers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176380
• David Wessel, and Matthew Wright. 2001. Problems and Prospects for Intimate Musical Control of Computers. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176382
• Nicola Orio, Norbert Schnell, and Marcelo M. Wanderley. 2001. Input Devices for Musical Expression : Borrowing Tools from HCI. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176370
• Curtis Bahn, and Dan Trueman. 2001. interface : Electronic Chamber Ensemble. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176356
• Camille Goudeseune, Guy Garnett, and Timothy Johnson. 2001. Resonant Processing of Instrumental Sound Controlled by Spatial Position. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176362
• Michael Gurevich, and Stephan von Muehlen. 2001. The Accordiatron : A MIDI Controller For Interactive Music. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176364
• Joseph A. Paradiso, Kai-yuh Hsiao, and Ari Benbasat. 2001. Tangible Music Interfaces Using Passive Magnetic Tags. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176374
• Kenji Mase, and Tomoko Yonezawa. 2001. Body , Clothes , Water and Toys : Media Towards Natural Music Expressions with Digital Sounds. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176368
• Dan Overholt. 2001. The MATRIX : A Novel Controller for Musical Expression. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176372
• Gideon D'Arcangelo. 2001. Creating Contexts of Creativity : Musical Composition with Modular Components. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176360
• Sergi Jordà. 2001. New Musical Interfaces and New Music-making Paradigms. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176366
• Dominic Robson. 2001. PLAY! : Sound Toys For the Non Musical. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176376
• Ryan Ulyate, and David Bianciardi. 2001. The Interactive Dance Club : Avoiding Chaos In A Multi Participant Environment. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176378